524:
390:
458:. He declares to Chester: "I do think life was simpler then ... easier for people to find personal happiness." Brown disagrees, saying, "I think it's always been difficult for people to be happy." Seth dreads the future and allows his memories of childhood to dominate his thoughts, but recognizes and criticizes his own obsessions: "There's something in the decay of old things that provokes an evocative sadness for the vanished past. If those buildings were perfectly preserved it wouldn't be the same." Despite this consciousness, he continues to pursue his collecting.
292:
515:
incomplete—though the family once had a scrapbook filled with Kalo's cartoons, they long ago threw it away. By the end of the story, Seth has found a mere eleven of them. When Kalo's mother reveals Kalo's contentment with his choice to give up cartooning, Seth must face the anxiety of his life choices and what a "good life" may mean to him. As a mother who has outlived her son yet does not mire herself in the past, Mrs
Kalloway provides an unsentimental contrast to how Seth views and deals with the world.
475:
471:
Ruthie provides a love interest that nevertheless manages only to feed Seth's self-absorption: he is attracted to her physically and also to her bookishness, but she takes second place in his life to his obsession with Kalo, whose real name she discovers for him. Seth finds he does not know her well enough to give a satisfactory answer to
Chester's "So what's she like?" Whenever she leads the conversation to her own thoughts and interests, Seth changes the subject. She ends by leaving him.
713:
450:—the wandering urban pedestrian out of touch with his own time and obsessed with the past. Seth pines for a past not his own and obsessively collects consumer items from earlier in the 20th century. His focus is primarily on the period from the 1930s to the 1950s, a time he feels particularly "Canadian". He goes as far as to wear an old-fashioned overcoat and broad-rimmed hat, for which passing teenagers taunt him, saying he looks like
466:
superficially has little in common with the masculine adventuring generally associated with mainstream comic books. The author's female characters play peripheral roles, and the character's obsessive collecting and self-absorption alienate him from relationships with females, who at times encourage him to find meaning in life outside comics—advice he ignores. The book highlights the overwhelmingly masculine
701:
386:
attention to details of objects despite the stylized, iconic rendering. The brushstrokes broaden into thick black shadows, sometimes flattening figures to near-abstract silhouettes. A greyish-blue wash accents the otherwise black-and-white cartooning. The novel is printed on yellow paper, giving an aged feeling to the book.
268:, who mixed autobiography with fiction in her comics. Seth, Matt, and Brown shared a melancholy worldview and a self-deprecatory approach, though Seth showed far more restraint in the content of his work than the other two, whose comics revealed personal details such as their authors' masturbation habits.
510:
To comics scholar Bart Beaty, Kalo's giving up cartooning for familial duties provides the protagonist an opportunity to evaluate his own life: his failed romances, his obsessive collecting, and his relationship with his family—in particular his mother, whose home is an emotional safety zone for him.
470:
of the collector's world, which Seth hints at with the name of the "Book
Brothers" book store the character frequents. In one panel, the store sign is obscured so that only "Book Brothe" is visible, suggesting a "Book Brothel", and thus evoking the fetishism inherent in collecting. The intelligent
318:
After two years of no progress Seth finds out that Kalo had run a real estate business in
Strathroy that his daughter inherited on his death in 1979. He returns to Strathroy where he interviews Kalo's daughter and 93-year-old mother. He learns that Kalo spent years as a cartoonist in New York and
385:
s greatest stylist". Seth appropriates the sophisticated, jaded satirical mood, thick brushline, and compositional sense of Arno's work. Seth's renders with a simple and organic brushline, and gives attention to buildings, landscapes, weather conditions, and other background details. giving fine
353:
The book has been translated into a number of languages. A French edition appeared first in 1998, and then in an edition more faithful in production to the original
English one—with blue wash on yellowed pages—and in a different translation in 2009. An Italian version followed in 2001. In 2004,
514:
Seth finds it hard to understand the fact that the cartoonist he admires could give up a cartooning career and still find happiness in the last twenty years of his life; he come to accept it after a visit to Kalo's mother in a nursing home. He discovers that his Kalo collection may always remain
431:
and revelatory: it displays the protagonist's interpersonal problems and self-doubts, and at one point he is depicted as naked. He often talks of his obsession with the past—his own childhood and earlier eras—either through dialogue with friends or in captions as he wanders the streets. Seth's
418:
style with
Chester Brown, while the story itself is drawn in such a manner. Brown expresses his appreciation for such cartoonists but disappoints Seth with his lack of enthusiasm. The cartoonist Kalo is fictional, though this is not revealed in the book. Seth produces the Kalo cartoons in a
603:
Since the book's publication, Seth has achieved a particularly high level of critical and popular recognition compared to other
Canadian cartoonists. According to academic Nick Mount, it is "the first Canadian graphic novel to ... make the crossover from underground praise to mainstream
461:
Photographs recur as a motif, such as family portraits in Kalo's scrapbooks or wedding shots in a diner on which the focus dwells. Another motif is an old apartment building, the image of which appears at moments when Seth questions his search for Kalo. For
Postema, Kalo's neglected work is
465:
A male-centred viewpoint dominated
English-language comic books throughout the 20th century and, with few exceptions, placed women in subordinate roles as victims, helpers, or sex objects. To academic Katie Mullins, Seth's narrative viewpoint follows from this tradition, though the book
280:. Seth is a cartoonist obsessed with collecting cartoons and other items from bygone eras. He rants about the modern world and criticizes himself, in particular to his friend and fellow cartoonist Chester "Chet" Brown. While searching for information on cartoonist
319:
gave up cartooning for real estate after returning to
Strathroy and marrying. Kalo's mother had kept a collection of her son's work, but lost it when she moved to a nursing home. In the end, Seth has only the eleven cartoons he had found, which append the book.
40:
423:
style, yet distinct from the art in the rest of the book. Seth's use of a real person to comment on Kalo's work makes the fictional cartoonist's existence seem more plausible, as does an actual photograph on the final page purporting to be of Kalo.
346:. It appeared in collected form in September 1996 from the same publisher. Seth said his mother used the title phrase when he was growing up. On the cover, Seth labelled the work "a Picture-Novella"; this allowed him to avoid the term "
492:
In every event and conversation, the protagonist draws parallels to something he has read in comics. He has a withdrawn personality averse to risk-taking; he declares himself a "true adherent of avoidism", and quotes the character
439:
Seth navigates the city on foot—cars, bicycles, and public transportation rarely even appear–as he talks with friends or rifles through used book shops. For literary theorist Barbara Postema, the character fits the archetype of
307:. He remains self-absorbed and pays little attention to her interests, though she shows enthusiasm for his and discovers Kalo's real name—Jack Kalloway. Seth learns Kalo had spent his life in Seth's own childhood hometown of
2889:
362:
The story takes place in the 1980s and follows Seth, a cartoonist whose life revolves around cartooning and collecting nostalgic items. He feels ill-at-ease in the modern world and pines for bygone eras. His obsessions and
507:: "No problem is so big or so complicated that it can't be run away from." His mother's home, which he calls "sealed in amber" as it never changes, provides him a safe berth from the ever-changing modern world.
406:
Several wordless scenes unfold in an atmospheric panning through landscapes and cityscapes, with a particular focus on older buildings. The third section opens with such a sequence—tangential to the plot—in the
162:
cartoonists, rendered in thick brushstrokes with heavy blacks against a greyish-blue wash. The story unfolds with a nostalgic and melancholic tone, and several wordless scenes take the reader on a tour of
511:
The Seth character declares, "I used to like to get inside cardboard boxes and close them up behind me. I enjoyed being in that safe, confined space. My mother's place is a lot like those boxes."
427:
Though it avoids sentimentalism, a strongly nostalgic and melancholic tone pervades the narrative as the Seth character searches for peace and meaning in his life. The narrative is presented as
2180:
2264:
2803:
2571:
560:
at the award's inaugural ceremony in 1997: one for Outstanding Artist and the other for Outstanding Graphic Novel or Collection. In 1999, the book placed No. 52 on
2058:
432:
interpersonal encounters tend to be one-sided, revealing his reactions to and judgments of those around him. Critic Dominick Grace interprets the fictional Seth as an
2663:
Jenkins, Henry (2017). "'What Are You Collecting Now?': Seth, Comics, and Meaning Management". In Gray, Jonathan; Sandvoss, Cornel; Harrington, C. Lee (eds.).
2025:
2545:
2733:
2412:
684:
2360:
2899:
2874:
1917:
1942:
2504:
2869:
315:; when he makes a visit there he refuses to allow Ruthie to accompany him, and a month later breaks off the relationship, to his later regret.
2701:
2678:
2534:
2493:
2470:
2302:
2253:
2230:
2014:
1989:
1024:
999:
881:
845:
809:
2274:
354:
editions appeared in German, Spanish, and Dutch. Editions appeared in Danish in 2010, Korean in 2012, Polish in 2014. and Serbian in 2017.
2884:
780:
2879:
152:
Seth presents the fictional book as a work of autobiography and features figures from his life such as his friend and fellow cartoonist
1889:
Beaty, Bart (2011). "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth". In Chaney, Michael A. (ed.).
974:
935:
910:
2575:
1902:
751:
2864:
2726:
2245:
2222:
2171:
2068:
288:. Fond of this older style of cartooning which resembles his own, Seth sets off to find more about this obscure cartoonist.
149:. The mock-autobiographical story tells of its author's obsessive search for the work of a fictional forgotten cartoonist.
2438:
743:
523:
691:
2894:
2859:
350:" and instead use "an antiquated-sounding term". He has used the term on all his later book-length works of fiction.
2039:
195:, a cartoonist then based in Toronto, first drew attention to his work in 1985 when he took over art duties from the
2719:
2141:
2555:
2670:
304:
2334:
389:
2006:
260:, who also featured each other in their own autobiographical comics. Though a work of fiction, Seth presented
2693:
2757:
364:
291:
168:
2370:
866:
605:
2636:
2771:
2313:
1959:
211:
145:
101:
303:
Seth begins a relation with a woman named Ruthie, whom he first spots while conducting a search at the
662:
appeared in late 2023 after a six year hiatus. Seth has also published a number of stand-alone books.
2340:
2269:
772:
629:
584:
428:
411:. The detail in the buildings is much greater than in the simplified delineation of the characters.
408:
399:
394:
343:
216:
85:
45:
2627:
2207:
1981:
624:
433:
281:
2622:
2240:
Hoffman, Eric; Grace, Dominick (2015). "Introduction". In Hoffman, Eric; Grace, Dominick (eds.).
2202:
964:
871:
666:
562:
229:
196:
177:
2835:
830:
2454:
959:
535:"one of the very few essential exemplars of the potential of the medium". On its publication,
2764:
2742:
2697:
2674:
2595:
2530:
2489:
2466:
2430:
2298:
2249:
2226:
2106:
2010:
1985:
1947:
1927:
1898:
1020:
995:
970:
931:
906:
877:
841:
805:
776:
747:
620:
498:
479:
308:
296:
245:
201:
192:
136:
57:
2525:
Thalheimer, Anne (2010). "It's a Good Life, If You Don't Weaken". In Booker, M. Keith (ed.).
139:. It appeared in a collected volume in 1996 after serialization from 1993 to 1996 in issues
2550:
2096:
2034:
312:
252:
débuted. Friends of his appeared in them, most prominently fellow Toronto-based cartoonists
164:
2817:
2318:
671:
441:
414:
In a self-referential twist, the character of Seth at one point discusses his love of the
277:
22:
612:
had sold 15,000 copies in English. A boom in comics memoirs followed the publication of
801:
540:
494:
241:
221:
158:
67:
39:
2398:
Postema, Barbara (Fall 2004). "Memories That Don't Weaken: Seth and Walter Benjamin".
2853:
2796:
2185:
1922:
902:
717:
705:
593:
467:
347:
253:
206:
153:
132:
2385:
Mullins, Katie (Winter 2009). "Questioning Comics: Women and Autocritique in Seth's
474:
2124:
2063:
2054:
1908:
579:
557:
237:
233:
172:
1977:
Reading Comics: Language, Culture, and the Concept of the Superhero in Comic Books
2664:
2216:
2000:
1975:
578:
s "20 Graphic Novels You Should Read" list in 2009 and on the British journalist
2101:
2084:
265:
393:
The art dwells on older buildings in Southern Ontario, as when Seth visits the
2789:
2590:
1918:"Not Hip, Just Tragic: Five of Gord Downie's Best Lyrics About Life and Death"
1893:
Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. Madison
700:
650:
550:
455:
451:
446:
375:
2434:
2110:
835:
2601:
2509:
2366:
604:
praise". In 2005 he was the first cartoonist to have a solo exhibit at the
2480:
Rizzi, Giorgio Busi (2018). "Portrait of the Artist as a Nostalgic: Seth's
2002:
L'Archeologia del Graphic Novel: Il romanzo al naturale e l'effetto Töpffer
591:
s "50 Greatest Graphic Novels of all Time" list in 2013 and No. 25 on
582:'s list of ten best graphic novels. It ranked No. 16 on the Scottish
1891:
370:
By the time he began the serial, Seth had developed a style derivative of
295:
Seth discovers the cartoonist he is researching lived in his own hometown
2462:
2146:
1952:
257:
2572:"'La vida es buena si no te rindes', la búsqueda del dibujante olvidado"
2295:
Critical Survey of Graphic Novels: Independents and Underground Classics
374:
stylists of the 1930s and 1940s. In the book's appendix Seth describes
2119:
503:
484:
2666:
Fandom, Second Edition: Identities and Communities in a Mediated World
994:(in Polish). Translated by Grzegorz Ciecieląg. Wydawnictwo Komiksowe.
167:
city- and landscapes. The book gained Seth a reputation as part of an
2344:
553:'s efforts and thoughts on the potential for the graphic novel form.
2085:"Graphic Novels: A New Literary Genre in the English-Speaking World"
531:
In the middle of its serialization, reviewer Kent Worcester called
264:
as another autobiographical story, an approach inspired in part by
2336:
Between history and memory: Ambivalent longing in the work of Seth
522:
473:
388:
290:
219:. By this time, Seth's artwork had evolved to a style inspired by
2890:
Ignatz Award winners for Outstanding Graphic Novel or Collection
1019:(in Serbian). Translated by Živojin Tamburić. Modesty Stripovi.
658:
from 1997 to 2017, and finally collected into one work in 2019.
623:
his primary influence; his reputation for design led in 2004 to
616:, and its success increased Drawn & Quarterly's reputation.
545:
2715:
569:
s "100 Best Comics of the 20th Century". The book appeared on
248:
generation. Seth had focused on autobiographical stories since
2362:
Big Ideas: Nick Mount on It's A Good Life, If You Don't Weaken
2215:
Hannon, Gerald (2015). Hoffman, Eric; Grace, Dominick (eds.).
2166:
as Anti-nostalgia". In Hoffman, Eric; Grace, Dominick (eds.).
600:
s list of the "50 Best Non-Superhero Graphic Novels" in 2014.
436:
whose comments often undercut his own imaginings of the past.
156:. The minimalist artwork draws from the styles of the early
2421:
2120:"Het leven is een geschenk, maar je krijgt het niet cadeau"
1077:
1075:
1073:
571:
1530:
1528:
1357:
1355:
1353:
2459:
Comics through Time: A History of Icons, Idols, and Ideas
1100:
1098:
1096:
1094:
1092:
1090:
637:-obsessed Seth has managed to have his work published in
2291:
It's a Good Life, If You Don't Weaken: A Picture Novella
1844:
1842:
1459:
1457:
1396:
1394:
1316:
1314:
1312:
1310:
1308:
899:
Het leven is een geschenk maar je krijgt het niet cadeau
232:
in the early 1990s, drawing influence from the works of
2711:
2690:
Palookaville: Seth and the Art of Graphic Autobiography
1048:
1046:
462:
similarly "unpreserved, unnoticed, and left to decay".
228:
Self-revelatory autobiography was a prominent genre in
2804:
The Great Northern Brotherhood of Canadian Cartoonists
1613:
1611:
2616:
Worcester, Kent (April 1995). "Tilting at Windmills:
2488:. Springer International Publishing. pp. 15–36.
2181:"Drawn Out: The 50 Best Non-Superhero Graphic Novels"
1187:
1185:
689:
641:
itself, including the cover to the March 2004 issue.
1943:"La Vie est belle malgré tout - Par Seth – Delcourt"
1737:
953:
Yaghaejijiman Anh-eumyeon Gwaenchanh-eun Insaeng-iya
2827:
2781:
2749:
2200:Groth, Gary (February 1997). "The Seth Interview".
1897:. University of Wisconsin Press. pp. 248–259.
648:with a similar work, the nostalgic and melancholic
116:
108:
96:
91:
81:
73:
63:
53:
30:
2594:
2411:Pappademas, Alex; Sintumuang, Kevin (April 2009).
1890:
1251:
209:. In April 1991, he launched his own comic book,
2484:". In Ahmed, Maaheen; Crucifix, Benoît (eds.).
284:, Seth comes across a cartoon signed "Kalo" in
2527:Encyclopedia of Comic Books and Graphic Novels
992:Życie nie jest takie złe, jeśli starcza ci sił
2727:
2505:"En original fortælling om nostalgiens farer"
771:(in French). Translated by Vincent Bernière.
367:alienate Seth from most of those around him.
8:
2265:"The 50 Greatest Graphic Novels of all Time"
1424:
2293:". In Beaty, Bart; Weiner, Stephen (eds.).
1287:
2734:
2720:
2712:
2059:"The 10 best graphic novels – in pictures"
1725:
1713:
1140:
1081:
865:(in Spanish). Translated by Lorenzo Díza.
669:titled a song after the book on its album
38:
27:
2100:
1546:
1534:
1479:
1361:
1227:
276:The story opens during Christmas 1986 in
184:s "100 Best Comics of the 20th Century".
2413:"The 20 Graphic Novels You Should Read:
1761:
1215:
958:(in Korean). Translated by Choi Se-hee.
928:Livet er godt, hvis man kan holde det ud
2455:"It's a Good Life, If You Don't Weaken"
2314:"It's a good life, if you don't weaken"
2142:"Seth jako nazbyt komiksowy komiksiarz"
1848:
1785:
1689:
1665:
1653:
1617:
1602:
1590:
1578:
1566:
1562:
1550:
1519:
1448:
1436:
1400:
1385:
1344:
1332:
1203:
1176:
1164:
1104:
1042:
730:
696:
685:Chester Brown's autobiographical comics
1872:
1475:
1463:
1412:
1320:
1263:
1239:
1191:
1052:
627:enlisting him as the designer for the
2811:It's a Good Life, If You Don't Weaken
2415:It's a Good Life, If You Don't Weaken
2387:It's A Good Life, If You Don't Weaken
2164:It's a Good Life, If You Don't Weaken
2140:Frąckiewicz, Sebastian (2014-06-02).
1860:
1833:
1821:
1809:
1797:
1773:
1749:
1677:
1641:
1629:
1507:
1503:
1491:
1373:
1299:
1152:
1128:
1116:
1064:
533:It's a Good Life, If You Don't Weaken
328:It's a Good Life, If You Don't Weaken
262:It's a Good Life, If You Don't Weaken
128:It's a Good Life, If You Don't Weaken
32:It's a Good Life, If You Don't Weaken
7:
2482:It's a Good Life if You Don't Weaken
1701:
539:became a primary inspiration, after
1275:
338:9 (June 1996) of Seth's comic book
2486:Comics Memory: Archives and Styles
2400:International Journal of Comic Art
798:La vita non è male, malgrado tutto
175:in 1997 and ranked No. 52 of
14:
2637:"Život je dobar ako ne odustaješ"
2297:. Salem Press. pp. 393–396.
2118:De Standaard staff (2004-09-04).
225:cartoons of the 1930s and 1940s.
21:For the Tragically Hip song, see
2162:Grace, Dominick (2017). "Seth's
1738:Pappademas & Sintumuang 2009
863:La vida es buena si no te rindes
711:
699:
488:comic strip, a primary influence
143:4–9 of Seth's comic book series
2900:Graphic novels set in the 1980s
2875:Autobiographical graphic novels
2246:University Press of Mississippi
2223:University Press of Mississippi
2172:University Press of Mississippi
1941:Boileau, Laurent (2009-04-27).
1017:Život je dobar ako ne odustaješ
171:trend in the 1990s. It won two
2544:von Törne, Lars (2005-07-03).
2529:. ABC-CLIO. pp. 318–320.
2263:Jamieson, Teddy (2013-08-18).
930:(in Danish). Forlaget Cobolt.
827:Eigentlich ist das Leben schön
335:
331:
140:
1:
2870:Graphic novels set in Ontario
2596:"Six comics you have to read"
2457:. In Booker, M. Keith (ed.).
2024:Brown, Hillary (2015-04-27).
654:, which was serialization in
2880:Drawn & Quarterly titles
2574:(in Spanish). Archived from
2570:Valero, Jaime (2011-03-15).
2546:"Willkommen in Palookaville"
901:(in Dutch). De Harmonie and
769:La vie est belle malgré tout
740:La vie est belle malgré tout
244:, and others of the earlier
2885:Comics by Seth (cartoonist)
2635:Bakić, Ilija (2017-01-16).
2554:(in German). Archived from
2289:Kasper, Catherine (2012). "
2168:In The Canadian Alternative
2102:10.15388/Litera.2009.4.7750
1999:Brandigi, Eleonora (2013).
1958:(in French). Archived from
1916:Bobkin, Matt (2016-05-24).
2916:
2503:Skotte, Kim (2010-05-15).
2359:Mount, Nick (2011-03-11).
2312:Lee, Rachel (2012-10-26).
334:4 (December 1993) through
215:, with Montreal publisher
20:
2671:New York University Press
2453:Postema, Barbara (2014).
2365:(Television production).
2179:Gross, Joe (2014-05-05).
330:was serialized in issues
305:Toronto Reference Library
37:
2333:Marrone, Daniel (2013).
2007:Firenze University Press
1593:, pp. 78–79, 90–91.
1425:Hoffman & Grace 2015
955:
117:Date of publication
2865:Canadian graphic novels
2758:All the Wrong Questions
1252:De Standaard staff 2004
744:Les Humanoïdes Associés
665:The Canadian rock band
205:from Toronto publisher
169:autobiographical comics
135:by Canadian cartoonist
2465:. pp. 1569–1570.
2083:Danytė, Milda (2009).
621:Charles M. Schulz
606:Art Gallery of Ontario
556:The book won Seth two
528:
499:Charles M. Schulz
489:
480:Charles M. Schulz
403:
300:
2694:The Porcupine's Quill
1974:Bongco, Mila (2000).
1656:, pp. 1569–1570.
608:in Toronto. By 2006
526:
477:
392:
344:Drawn & Quarterly
294:
217:Drawn & Quarterly
86:Drawn & Quarterly
46:Drawn & Quarterly
44:First edition cover,
16:Graphic novel by Seth
2673:. pp. 222–237.
2341:University of London
2248:. pp. vii–xvi.
1982:Taylor & Francis
867:Ediciones Sinsentido
675:, released in 2002.
549:, on the cartoonist
519:Reception and legacy
409:Royal Ontario Museum
395:Royal Ontario Museum
92:Original publication
2895:Comics about comics
2860:1996 graphic novels
2688:Smart, Tom (2016).
2628:Fantagraphics Books
2391:Canadian Literature
2242:Seth: Conversations
2218:Seth: Conversations
2208:Fantagraphics Books
2030:#22 by Seth Review"
1692:, pp. 271–272.
1632:, pp. 254–255.
1605:, pp. 270–271.
1581:, pp. 269–271.
1522:, pp. 267–268.
1415:, pp. 199–200.
1067:, pp. 248–250.
625:Fantagraphics Books
434:unreliable narrator
282:Whitney Darrow, Jr.
2623:The Comics Journal
2203:The Comics Journal
2174:. pp. 150–61.
1716:, p. 318–319.
956:약해지지만 않으면 괜찮은 인생이야
667:The Tragically Hip
563:The Comics Journal
529:
490:
404:
358:Style and analysis
301:
230:alternative comics
197:Hernandez brothers
178:The Comics Journal
2845:
2844:
2703:978-0-88984-839-9
2680:978-1-4798-1276-9
2536:978-0-313-35747-3
2495:978-3-319-91746-7
2472:978-0-313-39751-6
2304:978-1-58765-950-8
2255:978-1-62846-130-5
2232:978-1-62674-387-8
2016:978-88-6655-494-3
1991:978-0-8153-3344-9
1928:Postmedia Network
1376:, pp. 30–31.
1347:, pp. 52–53.
1335:, pp. 48–49.
1026:978-86-80306-09-4
1001:978-83-936037-8-7
883:978-84-96722-53-8
847:978-3-935229-25-8
811:978-88-88063-19-5
402:entrance pictured
246:underground comix
165:Southern Ontarian
124:
123:
97:Published in
2907:
2736:
2729:
2722:
2713:
2707:
2684:
2650:
2648:
2647:
2631:
2612:
2610:
2609:
2598:
2586:
2584:
2583:
2566:
2564:
2563:
2551:Der Tagesspiegel
2540:
2521:
2519:
2518:
2499:
2476:
2449:
2447:
2446:
2437:. Archived from
2407:
2394:
2381:
2379:
2378:
2369:. Archived from
2355:
2353:
2352:
2343:. Archived from
2339:(Ph.D. thesis).
2329:
2327:
2326:
2308:
2285:
2283:
2282:
2273:. Archived from
2259:
2236:
2211:
2196:
2194:
2193:
2175:
2158:
2156:
2155:
2136:
2134:
2133:
2114:
2104:
2079:
2077:
2076:
2067:. Archived from
2050:
2048:
2047:
2038:. Archived from
2020:
1995:
1970:
1968:
1967:
1956:
1937:
1935:
1934:
1912:
1896:
1876:
1870:
1864:
1858:
1852:
1846:
1837:
1831:
1825:
1819:
1813:
1807:
1801:
1795:
1789:
1783:
1777:
1771:
1765:
1759:
1753:
1747:
1741:
1735:
1729:
1723:
1717:
1711:
1705:
1699:
1693:
1687:
1681:
1675:
1669:
1663:
1657:
1651:
1645:
1639:
1633:
1627:
1621:
1615:
1606:
1600:
1594:
1588:
1582:
1576:
1570:
1560:
1554:
1544:
1538:
1532:
1523:
1517:
1511:
1501:
1495:
1489:
1483:
1473:
1467:
1461:
1452:
1446:
1440:
1434:
1428:
1422:
1416:
1410:
1404:
1398:
1389:
1383:
1377:
1371:
1365:
1359:
1348:
1342:
1336:
1330:
1324:
1318:
1303:
1297:
1291:
1288:Frąckiewicz 2014
1285:
1279:
1273:
1267:
1261:
1255:
1249:
1243:
1237:
1231:
1225:
1219:
1213:
1207:
1201:
1195:
1189:
1180:
1174:
1168:
1162:
1156:
1150:
1144:
1138:
1132:
1126:
1120:
1114:
1108:
1102:
1085:
1079:
1068:
1062:
1056:
1050:
1031:
1030:
1012:
1006:
1005:
987:
981:
980:
968:
948:
942:
941:
923:
917:
916:
894:
888:
887:
875:
858:
852:
851:
839:
822:
816:
815:
793:
787:
786:
782:978-2-75601446-3
764:
758:
757:
735:
716:
715:
714:
704:
703:
695:
646:It's a Good Life
630:Complete Peanuts
619:Seth has called
614:It's a Good Life
610:It's a Good Life
599:
590:
577:
568:
537:It's a Good Life
478:Seth references
384:
337:
333:
313:Southern Ontario
183:
142:
42:
28:
2915:
2914:
2910:
2909:
2908:
2906:
2905:
2904:
2850:
2849:
2846:
2841:
2836:Seth's Dominion
2823:
2818:Wimbledon Green
2777:
2745:
2740:
2710:
2704:
2687:
2681:
2662:
2658:
2656:Further reading
2653:
2645:
2643:
2634:
2615:
2607:
2605:
2589:
2581:
2579:
2569:
2561:
2559:
2543:
2537:
2524:
2516:
2514:
2502:
2496:
2479:
2473:
2452:
2444:
2442:
2410:
2397:
2384:
2376:
2374:
2358:
2350:
2348:
2332:
2324:
2322:
2319:The Korea Times
2311:
2305:
2288:
2280:
2278:
2262:
2256:
2239:
2233:
2214:
2199:
2191:
2189:
2178:
2161:
2153:
2151:
2139:
2131:
2129:
2117:
2082:
2074:
2072:
2053:
2045:
2043:
2023:
2017:
1998:
1992:
1973:
1965:
1963:
1950:
1940:
1932:
1930:
1915:
1905:
1888:
1884:
1879:
1871:
1867:
1859:
1855:
1847:
1840:
1832:
1828:
1820:
1816:
1808:
1804:
1796:
1792:
1784:
1780:
1772:
1768:
1760:
1756:
1748:
1744:
1736:
1732:
1726:Thalheimer 2010
1724:
1720:
1714:Thalheimer 2010
1712:
1708:
1700:
1696:
1688:
1684:
1676:
1672:
1664:
1660:
1652:
1648:
1640:
1636:
1628:
1624:
1616:
1609:
1601:
1597:
1589:
1585:
1577:
1573:
1565:, p. 267;
1561:
1557:
1545:
1541:
1533:
1526:
1518:
1514:
1506:, p. 151;
1502:
1498:
1490:
1486:
1478:, p. 109;
1474:
1470:
1462:
1455:
1447:
1443:
1435:
1431:
1423:
1419:
1411:
1407:
1399:
1392:
1384:
1380:
1372:
1368:
1360:
1351:
1343:
1339:
1331:
1327:
1319:
1306:
1298:
1294:
1286:
1282:
1274:
1270:
1262:
1258:
1250:
1246:
1238:
1234:
1226:
1222:
1214:
1210:
1202:
1198:
1190:
1183:
1175:
1171:
1167:, p. 1569.
1163:
1159:
1151:
1147:
1141:Thalheimer 2010
1139:
1135:
1127:
1123:
1115:
1111:
1107:, p. 1570.
1103:
1088:
1082:Thalheimer 2010
1080:
1071:
1063:
1059:
1051:
1044:
1040:
1035:
1034:
1027:
1014:
1013:
1009:
1002:
989:
988:
984:
977:
962:
957:
950:
949:
945:
938:
925:
924:
920:
913:
896:
895:
891:
884:
869:
860:
859:
855:
848:
833:
824:
823:
819:
812:
795:
794:
790:
783:
766:
765:
761:
754:
737:
736:
732:
727:
722:
712:
710:
698:
690:
681:
672:In Violet Light
660:Palookaville 24
597:
588:
575:
566:
521:
501:'s comic strip
442:Walter Benjamin
398:
382:
360:
342:, published by
325:
278:London, Ontario
274:
190:
181:
49:
26:
23:In Violet Light
17:
12:
11:
5:
2913:
2911:
2903:
2902:
2897:
2892:
2887:
2882:
2877:
2872:
2867:
2862:
2852:
2851:
2843:
2842:
2840:
2839:
2831:
2829:
2825:
2824:
2822:
2821:
2814:
2807:
2800:
2793:
2785:
2783:
2779:
2778:
2776:
2775:
2768:
2761:
2753:
2751:
2747:
2746:
2741:
2739:
2738:
2731:
2724:
2716:
2709:
2708:
2702:
2685:
2679:
2659:
2657:
2654:
2652:
2651:
2632:
2613:
2593:(2012-10-06).
2587:
2567:
2541:
2535:
2522:
2500:
2494:
2477:
2471:
2450:
2408:
2395:
2382:
2356:
2330:
2309:
2303:
2286:
2260:
2254:
2237:
2231:
2212:
2197:
2176:
2159:
2137:
2115:
2095:(4): 101–113.
2080:
2057:(2011-10-30).
2051:
2021:
2015:
2005:(in Italian).
1996:
1990:
1971:
1938:
1913:
1903:
1885:
1883:
1880:
1878:
1877:
1865:
1853:
1838:
1826:
1814:
1802:
1790:
1778:
1766:
1754:
1742:
1730:
1728:, p. 320.
1718:
1706:
1694:
1682:
1680:, p. 255.
1670:
1668:, p. 270.
1658:
1646:
1644:, p. 254.
1634:
1622:
1607:
1595:
1583:
1571:
1555:
1549:, p. 44;
1547:Worcester 1995
1539:
1535:Worcester 1995
1524:
1512:
1496:
1484:
1480:Worcester 1995
1468:
1466:, p. 396.
1453:
1441:
1429:
1417:
1405:
1390:
1378:
1366:
1362:Worcester 1995
1349:
1337:
1325:
1323:, p. 109.
1304:
1292:
1280:
1268:
1256:
1244:
1232:
1228:von Törne 2005
1220:
1208:
1196:
1181:
1169:
1157:
1145:
1143:, p. 318.
1133:
1121:
1119:, p. 252.
1109:
1086:
1084:, p. 319.
1069:
1057:
1055:, p. 199.
1041:
1039:
1036:
1033:
1032:
1025:
1007:
1000:
982:
976:978-8959194940
975:
943:
937:978-8770853941
936:
918:
912:978-9054921134
911:
903:Oog & Blik
889:
882:
853:
846:
817:
810:
802:Coconino Press
800:(in Italian).
788:
781:
759:
752:
729:
728:
726:
723:
721:
720:
708:
688:
687:
680:
677:
644:Seth followed
639:The New Yorker
541:Art Spiegelman
520:
517:
380:The New Yorker
372:The New Yorker
359:
356:
324:
321:
286:The New Yorker
273:
270:
242:Art Spiegelman
222:The New Yorker
189:
186:
122:
121:
118:
114:
113:
110:
106:
105:
98:
94:
93:
89:
88:
83:
79:
78:
75:
71:
70:
65:
61:
60:
55:
51:
50:
43:
35:
34:
15:
13:
10:
9:
6:
4:
3:
2:
2912:
2901:
2898:
2896:
2893:
2891:
2888:
2886:
2883:
2881:
2878:
2876:
2873:
2871:
2868:
2866:
2863:
2861:
2858:
2857:
2855:
2848:
2838:
2837:
2833:
2832:
2830:
2826:
2820:
2819:
2815:
2813:
2812:
2808:
2806:
2805:
2801:
2799:
2798:
2797:George Sprott
2794:
2792:
2791:
2787:
2786:
2784:
2780:
2774:
2773:
2769:
2767:
2766:
2762:
2760:
2759:
2755:
2754:
2752:
2748:
2744:
2737:
2732:
2730:
2725:
2723:
2718:
2717:
2714:
2705:
2699:
2695:
2691:
2686:
2682:
2676:
2672:
2668:
2667:
2661:
2660:
2655:
2642:
2638:
2633:
2629:
2625:
2624:
2619:
2614:
2604:
2603:
2597:
2592:
2588:
2578:on 2015-06-25
2577:
2573:
2568:
2558:on 2015-04-18
2557:
2553:
2552:
2547:
2542:
2538:
2532:
2528:
2523:
2512:
2511:
2506:
2501:
2497:
2491:
2487:
2483:
2478:
2474:
2468:
2464:
2460:
2456:
2451:
2441:on 2010-12-13
2440:
2436:
2432:
2428:
2424:
2423:
2418:
2416:
2409:
2406:(1): 266–272.
2405:
2401:
2396:
2393:(203): 11–27.
2392:
2388:
2383:
2373:on 2015-06-02
2372:
2368:
2364:
2363:
2357:
2347:on 2015-04-02
2346:
2342:
2338:
2337:
2331:
2321:
2320:
2315:
2310:
2306:
2300:
2296:
2292:
2287:
2277:on 2013-08-18
2276:
2272:
2271:
2266:
2261:
2257:
2251:
2247:
2243:
2238:
2234:
2228:
2224:
2220:
2219:
2213:
2209:
2205:
2204:
2198:
2188:
2187:
2186:Rolling Stone
2182:
2177:
2173:
2169:
2165:
2160:
2149:
2148:
2143:
2138:
2127:
2126:
2121:
2116:
2112:
2108:
2103:
2098:
2094:
2090:
2086:
2081:
2071:on 2015-06-26
2070:
2066:
2065:
2060:
2056:
2055:Cooke, Rachel
2052:
2042:on 2015-04-29
2041:
2037:
2036:
2031:
2029:
2022:
2018:
2012:
2008:
2004:
2003:
1997:
1993:
1987:
1983:
1979:
1978:
1972:
1962:on 2009-05-02
1961:
1957:
1954:
1949:
1944:
1939:
1929:
1925:
1924:
1923:National Post
1919:
1914:
1910:
1906:
1904:9780299251031
1900:
1895:
1894:
1887:
1886:
1881:
1874:
1869:
1866:
1862:
1857:
1854:
1851:, p. 13.
1850:
1845:
1843:
1839:
1835:
1830:
1827:
1823:
1818:
1815:
1811:
1806:
1803:
1799:
1794:
1791:
1788:, p. 14.
1787:
1782:
1779:
1775:
1770:
1767:
1763:
1762:Jamieson 2013
1758:
1755:
1751:
1746:
1743:
1739:
1734:
1731:
1727:
1722:
1719:
1715:
1710:
1707:
1703:
1698:
1695:
1691:
1686:
1683:
1679:
1674:
1671:
1667:
1662:
1659:
1655:
1650:
1647:
1643:
1638:
1635:
1631:
1626:
1623:
1619:
1614:
1612:
1608:
1604:
1599:
1596:
1592:
1587:
1584:
1580:
1575:
1572:
1568:
1564:
1559:
1556:
1552:
1548:
1543:
1540:
1537:, p. 44.
1536:
1531:
1529:
1525:
1521:
1516:
1513:
1510:, p. 33.
1509:
1505:
1500:
1497:
1493:
1488:
1485:
1482:, p. 44.
1481:
1477:
1472:
1469:
1465:
1460:
1458:
1454:
1451:, p. 78.
1450:
1445:
1442:
1439:, p. 56.
1438:
1433:
1430:
1427:, p. xi.
1426:
1421:
1418:
1414:
1409:
1406:
1403:, p. 99.
1402:
1397:
1395:
1391:
1388:, p. 60.
1387:
1382:
1379:
1375:
1370:
1367:
1364:, p. 45.
1363:
1358:
1356:
1354:
1350:
1346:
1341:
1338:
1334:
1329:
1326:
1322:
1317:
1315:
1313:
1311:
1309:
1305:
1301:
1296:
1293:
1289:
1284:
1281:
1277:
1272:
1269:
1265:
1260:
1257:
1253:
1248:
1245:
1241:
1236:
1233:
1229:
1224:
1221:
1218:, p. 36.
1217:
1216:Brandigi 2013
1212:
1209:
1205:
1200:
1197:
1193:
1188:
1186:
1182:
1179:, p. 62.
1178:
1173:
1170:
1166:
1161:
1158:
1154:
1149:
1146:
1142:
1137:
1134:
1131:, p. 17.
1130:
1125:
1122:
1118:
1113:
1110:
1106:
1101:
1099:
1097:
1095:
1093:
1091:
1087:
1083:
1078:
1076:
1074:
1070:
1066:
1061:
1058:
1054:
1049:
1047:
1043:
1037:
1028:
1022:
1018:
1015:Seth (2017).
1011:
1008:
1003:
997:
993:
990:Seth (2014).
986:
983:
978:
972:
966:
961:
954:
951:Seth (2012).
947:
944:
939:
933:
929:
926:Seth (2010).
922:
919:
914:
908:
904:
900:
897:Seth (2004).
893:
890:
885:
879:
873:
868:
864:
861:Seth (2004).
857:
854:
849:
843:
837:
832:
829:(in German).
828:
825:Seth (2004).
821:
818:
813:
807:
803:
799:
796:Seth (2001).
792:
789:
784:
778:
774:
770:
767:Seth (2009).
763:
760:
755:
753:2-7316-1305-X
749:
745:
742:(in French).
741:
738:Seth (1998).
734:
731:
724:
719:
709:
707:
702:
697:
693:
686:
683:
682:
678:
676:
674:
673:
668:
663:
661:
657:
653:
652:
647:
642:
640:
636:
632:
631:
626:
622:
617:
615:
611:
607:
601:
596:
595:
594:Rolling Stone
587:
586:
581:
574:
573:
565:
564:
559:
554:
552:
548:
547:
542:
538:
534:
525:
518:
516:
512:
508:
506:
505:
500:
496:
487:
486:
481:
476:
472:
469:
468:homosociality
463:
459:
457:
453:
449:
448:
443:
437:
435:
430:
425:
422:
417:
412:
410:
401:
396:
391:
387:
381:
378:as "possibly
377:
373:
368:
366:
357:
355:
351:
349:
348:graphic novel
345:
341:
329:
322:
320:
316:
314:
310:
306:
298:
293:
289:
287:
283:
279:
271:
269:
267:
263:
259:
255:
254:Chester Brown
251:
247:
243:
239:
235:
231:
226:
224:
223:
218:
214:
213:
208:
207:Vortex Comics
204:
203:
198:
194:
187:
185:
180:
179:
174:
173:Ignatz Awards
170:
166:
161:
160:
155:
154:Chester Brown
150:
148:
147:
138:
134:
133:graphic novel
130:
129:
119:
115:
111:
107:
104:
103:
99:
95:
90:
87:
84:
80:
76:
72:
69:
66:
62:
59:
56:
52:
47:
41:
36:
33:
29:
24:
19:
2847:
2834:
2816:
2810:
2809:
2802:
2795:
2788:
2772:Palookaville
2770:
2763:
2756:
2689:
2665:
2644:. Retrieved
2640:
2621:
2618:Palookaville
2617:
2606:. Retrieved
2600:
2580:. Retrieved
2576:the original
2560:. Retrieved
2556:the original
2549:
2526:
2515:. Retrieved
2508:
2485:
2481:
2458:
2443:. Retrieved
2439:the original
2426:
2420:
2414:
2403:
2399:
2390:
2386:
2375:. Retrieved
2371:the original
2361:
2349:. Retrieved
2345:the original
2335:
2323:. Retrieved
2317:
2294:
2290:
2279:. Retrieved
2275:the original
2268:
2241:
2217:
2201:
2190:. Retrieved
2184:
2167:
2163:
2152:. Retrieved
2145:
2130:. Retrieved
2125:De Standaard
2123:
2092:
2088:
2073:. Retrieved
2069:the original
2064:The Guardian
2062:
2044:. Retrieved
2040:the original
2033:
2028:Palookaville
2027:
2001:
1976:
1964:. Retrieved
1960:the original
1946:
1931:. Retrieved
1921:
1909:Project MUSE
1907:– via
1892:
1868:
1856:
1849:Marrone 2013
1829:
1817:
1805:
1793:
1786:Marrone 2013
1781:
1769:
1757:
1745:
1733:
1721:
1709:
1697:
1690:Postema 2004
1685:
1673:
1666:Postema 2004
1661:
1654:Postema 2014
1649:
1637:
1625:
1618:Mullins 2009
1603:Postema 2004
1598:
1591:Marrone 2013
1586:
1579:Postema 2004
1574:
1567:Mullins 2009
1563:Postema 2004
1558:
1551:Mullins 2009
1542:
1520:Postema 2004
1515:
1499:
1487:
1471:
1449:Marrone 2013
1444:
1437:Marrone 2013
1432:
1420:
1408:
1401:Marrone 2013
1386:Marrone 2013
1381:
1369:
1345:Marrone 2013
1340:
1333:Marrone 2013
1328:
1295:
1283:
1271:
1259:
1247:
1235:
1223:
1211:
1204:Boileau 2009
1199:
1177:Marrone 2013
1172:
1165:Postema 2014
1160:
1155:, p. 6.
1148:
1136:
1124:
1112:
1105:Postema 2014
1060:
1016:
1010:
991:
985:
952:
946:
927:
921:
898:
892:
862:
856:
826:
820:
797:
791:
768:
762:
739:
733:
670:
664:
659:
656:Palookaville
655:
649:
645:
643:
638:
634:
628:
618:
613:
609:
602:
592:
583:
580:Rachel Cooke
570:
561:
555:
544:
536:
532:
530:
527:Seth in 2005
513:
509:
502:
491:
483:
464:
460:
445:
438:
429:confessional
426:
420:
415:
413:
405:
379:
371:
369:
361:
352:
340:Palookaville
339:
327:
326:
317:
302:
285:
275:
261:
250:Palookaville
249:
238:Harvey Pekar
234:Robert Crumb
227:
220:
212:Palookaville
210:
200:
191:
176:
157:
151:
146:Palookaville
144:
127:
126:
125:
102:Palookaville
100:
31:
18:
2641:Svet stripa
2591:Ware, Chris
2513:(in Danish)
2150:(in Polish)
1951: [
1882:Works cited
1873:Bobkin 2016
1476:Danytė 2009
1464:Kasper 2012
1413:Bongco 2000
1321:Danytė 2009
1264:Skotte 2010
1240:Valero 2011
1192:Hannon 2015
1053:Bongco 2000
963: [
870: [
834: [
400:Avenue Road
397:in Toronto.
323:Publication
266:Lynda Barry
2854:Categories
2790:Clyde Fans
2646:2022-07-12
2608:2015-06-24
2582:2015-06-25
2562:2015-06-25
2517:2015-06-25
2445:2015-06-26
2377:2015-06-02
2351:2015-03-28
2325:2015-06-25
2281:2015-06-02
2270:The Herald
2192:2015-03-29
2154:2015-06-25
2132:2015-06-25
2128:(in Dutch)
2089:Literatūra
2075:2015-06-26
2046:2016-11-08
1966:2015-06-25
1933:2016-08-21
1861:Brown 2015
1834:Mount 2011
1822:Mount 2011
1810:Mount 2011
1798:Mount 2011
1774:Gross 2014
1750:Cooke 2011
1678:Beaty 2011
1642:Beaty 2011
1630:Beaty 2011
1508:Rizzi 2018
1504:Grace 2017
1492:Mount 2011
1374:Rizzi 2018
1300:Bakić 2017
1153:Groth 1997
1129:Rizzi 2018
1117:Beaty 2011
1065:Beaty 2011
1038:References
831:Edition 52
651:Clyde Fans
635:New Yorker
551:Chris Ware
456:Dick Tracy
452:Clark Kent
421:New Yorker
416:New Yorker
376:Peter Arno
188:Background
159:New Yorker
74:Page count
2602:The Times
2510:Politiken
2435:0016-6979
2429:(4): 83.
2367:TVOntario
2111:0258-0802
1702:Ware 2012
960:Ani Books
309:Strathroy
297:Strathroy
120:1993–1996
82:Publisher
77:176 pages
2765:Mister X
2630:: 43–45.
2463:ABC-CLIO
2417:by Seth"
2147:Polityka
1948:Actua BD
1836:, 02:40.
1824:, 15:35.
1812:, 03:05.
1800:, 10:05.
1494:, 17:40.
1276:Lee 2012
773:Delcourt
679:See also
558:Ignatzes
365:cynicism
272:Synopsis
258:Joe Matt
202:Mister X
2828:Related
2626:(176).
2620:#1–6".
2206:(193).
692:Portals
633:. The
504:Peanuts
485:Peanuts
447:flâneur
54:Creator
2750:Series
2700:
2677:
2533:
2492:
2469:
2433:
2301:
2252:
2229:
2109:
2013:
1988:
1901:
1023:
998:
973:
934:
909:
880:
844:
808:
779:
750:
718:Canada
706:Comics
585:Herald
336:#
332:#
141:#
109:Issues
48:, 1996
2782:Books
2035:Paste
1955:]
967:]
874:]
838:]
725:Notes
598:'
589:'
576:'
567:'
497:from
495:Linus
383:'
182:'
131:is a
2743:Seth
2698:ISBN
2675:ISBN
2531:ISBN
2490:ISBN
2467:ISBN
2431:ISSN
2299:ISBN
2250:ISBN
2227:ISBN
2107:ISSN
2011:ISBN
1986:ISBN
1899:ISBN
1021:ISBN
996:ISBN
971:ISBN
932:ISBN
907:ISBN
878:ISBN
842:ISBN
806:ISBN
777:ISBN
748:ISBN
546:Maus
256:and
199:for
193:Seth
137:Seth
68:1996
64:Date
58:Seth
2389:".
2097:doi
543:'s
482:'s
454:or
444:'s
311:in
112:4–9
2856::
2696:.
2692:.
2669:.
2639:.
2599:.
2548:.
2507:.
2461:.
2427:79
2425:.
2422:GQ
2419:.
2404:16
2402:.
2316:.
2267:.
2244:.
2225:.
2221:.
2183:.
2170:.
2144:.
2122:.
2105:.
2093:51
2091:.
2087:.
2061:.
2032:.
2009:.
1984:.
1980:.
1953:fr
1945:.
1926:.
1920:.
1841:^
1610:^
1527:^
1456:^
1393:^
1352:^
1307:^
1184:^
1089:^
1072:^
1045:^
969:.
965:ko
905:.
876:.
872:es
840:.
836:de
804:.
775:.
746:.
572:GQ
240:,
236:,
2735:e
2728:t
2721:v
2706:.
2683:.
2649:.
2611:.
2585:.
2565:.
2539:.
2520:.
2498:.
2475:.
2448:.
2380:.
2354:.
2328:.
2307:.
2284:.
2258:.
2235:.
2210:.
2195:.
2157:.
2135:.
2113:.
2099::
2078:.
2049:.
2026:"
2019:.
1994:.
1969:.
1936:.
1911:.
1875:.
1863:.
1776:.
1764:.
1752:.
1740:.
1704:.
1620:.
1569:.
1553:.
1302:.
1290:.
1278:.
1266:.
1254:.
1242:.
1230:.
1206:.
1194:.
1029:.
1004:.
979:.
940:.
915:.
886:.
850:.
814:.
785:.
756:.
694::
299:.
25:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
