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876:." Robert Rodriguez rates "It Is 'He'" among Harrison's most overlooked tracks from the 1970s and describes it as "a joyful delight" and "unrelentingly calming yet catchy". Leng notes the song as a continuation of Harrison's successful bhajan–gospel "formula", now rendered as "Krishna skiffle" and set in a "
966:
Back in the sixties, whatever we were all getting into, we tended to broadcast it as loud as we could. I had had certain realizations and went through a period where I was so thrilled about my discoveries and realizations that I wanted to shout and tell it to everybody. But there's a time to shout it
901:
magazine, Robert Ham cited the song as a highlight of the album, writing: "The giddy 'Is It "He" (Jai Sri
Krishna)' ... is a joyous affirmation of spiritual beliefs that mashes up many of his musical interests, with Indian instruments finding consort with rambling English folk and R&B horn
804:
was much maligned on release. According to Simon Leng, Harrison's rejection of rock 'n' roll tradition and the
Beatles' legacy during the tour was the cause for the album's unfavourable critical reception; in the case of "It Is 'He'", Leng continues, this manifested as "outright hostility" from some
738:
was issued on 9 December 1974, towards the end of
Harrison and Shankar's North American tour, with a UK release following on 20 December. The concerts had attracted scorn from many music critics, partly because of Harrison's decision to feature Indian music so heavily in the program and his frequent
938:
contains two pages of description from
Harrison on Vrindavan and the story behind "It Is 'He' (Jai Sri Krishna)". This coverage contrasts with little discussion of his years as a member of the Beatles, and typically brief commentary on each of his songs. In the book, Harrison dedicates "It Is 'He'"
622:, which took place at FPSHOT over August–September, in between rehearsals there for the Music Festival of India's tour of Europe and the recording of a studio album by Shankar's ensemble, which Harrison also produced. Harrison's own contributions to the track included 12-string acoustic guitar and
720:
Every show was probably hard for him. He was trying sincerely to do something to benefit people. You see, in Indian tradition you cannot separate music from spirituality ... Anyone else under that kind of pressure would have said, "Okay, I'm calling it off ..." I always had the feeling
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floats in the sky, representing
Krishna. The phrase "All glories to Sri Krsna" appears on the back cover. Among his handwritten notes on the LP's inner sleeve, Harrison included Sripad Maharaj's name in a list headed "Thanks to". The song was published by Oops Publishing (or Ganga in the United
587:, Harrison later referred to the pressure he had imposed on himself that year as "ridiculous". As a further distraction, his return to less ascetic ways post-Vrinadavan was marked by what he termed "a bit of a bender to make up for all the years I'd been married", as Boyd left him in July.
815:
wrote: "You keep looking for saving graces , for words of enthusiasm to pass on ... Tracks like 'It Is HE (Jai Sri
Krishna)' are more typical. There, the endless repetition of 'Jai Sri Krishna, Jai Sri Radhe' over an enfeebled tune is hardly compelling listening." Writing for
1118:(or illusionary), including his use of cocaine, and his dedication to a spiritual path. Townshend adds: "I fell in love with George that night … his spiritual commitment was absolute: yellow-robed Hare Krishna followers living in the house wandered in and out as we chatted."
294:(ISKCON). This was due to the "craziness" taking place in his life, Harrison continued, which sat at odds with the spiritual goals represented by these friends. In January and February 1974, he visited India part-way through a period that he describes in his autobiography,
986:", which ends with the Sanskrit prayer "Namah Parvati". Dale Allison comments that it was not until the release of this chanted mantra, issued posthumously in 2002, that Harrison again made such an "explicit statement" of Hindu religiosity as he had on "It Is 'He'".
836:". Inglis concludes: "The gently floating Indian are somewhat undermined by the ponderous nature of the rock-oriented interludes, and the evangelical nature of the English words – 'he who is complete' – finally discourage any attempt at participation." Writing in
831:
The song has invited varied opinions among
Harrison and Beatles biographers. Ian Inglis describes the deceleration into half-time during the verses as "awkward" and notes the failure of "It Is 'He'" next to Harrison's earlier successes with "My Sweet Lord" and
764:
coincided with "a crisis of faith" on
Harrison's part and that, amid confessionals dealing with the singer's troubled personal life and rock-star excess, the track was "almost a reminder to himself of golden days in India, when he felt comforted by belief".
447:; there, they meditated, wrote music and discussed "the art of devotion". Harrison also met with Prabhupada at this time and reunited with ISKCON disciples Gurudas and Yamuna. The latter couple were among the founding devotees of the London
863:
slant, George might have fared better with the wonderful 'It Is "He" (Jai Sri
Krishna)'... repeated chorus was so uplifting that it scarcely mattered that it was sung (without laryngitis) entirely in Hindi – no more, anyway, than
392:
The party slept for a few hours in rooms provided by one of the temples, during which
Harrison heard "huge heavenly choirs" in his dreams and experienced "the deepest sleep I had ever had in my life". After they had attended morning
971:
Having distanced himself from the Hare Krishna movement after Prabhupada's death in 1977 and through the 1980s, Harrison returned to Vrindavan with Mukunda and other devotees in 1996, while in India working on Shankar's album
495:
in "It Is 'He' (Jai Sri Krishna)" recalls both "My Sweet Lord", which incorporates part of the Hare Krishna mantra as well as other Hindu prayers, and "Gopala Krishna", an unreleased track that Harrison also recorded for his
3244:
248:". With his spiritual pronouncements during the tour proving similarly unwelcome to many music critics, Harrison subsequently withdrew from making such public statements of Hindu religiosity until producing Shankar's
706:, Harrison overtaxed his voice during the weeks of combined recording and rehearsals in Los Angeles, and his hoarse singing would doom his subsequent concerts in the eyes of many observers. Alone among the tracks on
695:), commonly played by Hare Krishna devotees during kirtana. In addition, according to Leng, the flute parts serve as a musical reference to Krishna, who is often shown playing a flute in scenes depicting his
3184:
580:
179:
1186:. In reply to what his "most thrilling experience" was in 1974, Harrison wrote "Seeking Krishna in ", where previously the answer had been the immediate success of one of the Beatles' first singles.
268:
I was a stiff Westerner when we started off, but there was a moment when the atmosphere of got to me, melting all the bullshit away ... it became a fantastic, blissful experience for me.
1163:
Given the cleanness of Harrison's singing on "It Is 'He'", author Robert Rodriguez suggests that he may have recorded part of the track before the sessions in August and September. The 2014
978:. Leng views the latter project as Harrison returning to the musical statements of his Radha Krishna Temple recordings and "It Is 'He' (Jai Sri Krishna)". During the Friar Park sessions for
942:
After 1974, Harrison no longer wrote songs as obviously Krishna-devotional as "It Is 'He' (Jai Sri Krishna)", although he returned to recording bhajans intermittently, with songs such as "
314:". While the latter track reflected the singer's recent indulgences with drugs and alcohol, "It Is 'He'" documented what author Simon Leng terms "a spiritual epiphany for Harrison" in the
427:(cow-herd girls). Harrison later marvelled of Seva Kunj: "All the trees, which are so ancient, bow down and the branches touch the ground. Just to walk in that place is incredible." In
357:, Harrison recalls that they arrived there at dusk, and adds: "the whole town is Krishna conscious – everyone, everywhere was chanting 'Hare Krishna' and various permutations on that."
822:, Jim Miller opined: " religiosity, once a spacey bauble in the Beatles' panoply, has come to resemble the obsessiveness of a zealot." In a more favourable review, Brian Harrigan of
431:, he describes the Vrinadavan tour as "my most fantastic experience" and says that, at Maharaj's suggestion, he turned the bhajan into a song, titled "It Is 'He' (Jai Sri Krishna)".
906:' Chaz Lipp identified "a lot of rewarding listening for those willing to listen with an open mind", among which, he continues: "'Far East Man' is a smooth soul collaboration with
341:
presented by an orchestra of eighteen pioneers of the genre – and a subsequent joint tour of North America. From Benares, Harrison and Shankar then travelled across the state of
185:
Despite the devotional nature of the song, Harrison wrote it part-way through a period of divergence from the spiritual goals he had espoused in his previous works, particularly
3239:
747:", a song that Harrison biographers interpret variously as a tribute to Shankar and India, and a reaffirmation of the humanitarian goals represented by Harrison and Shankar's
544:" – where he contrasts the Western or "material" parts of the composition with its meditative, "spiritual sky" sections – "It Is 'He' (Jai Sri Krishna)" employs a change in
958:
and the "ill-fated 1974 tour", Harrison "continued to infuse his work with an implicit spirituality that rarely manifested on the surface". Speaking to ISKCON devotee
385:
named Sripad Maharaj to serve as their guide on a tour of the local temples. Despite the bedraggled appearance of Maharaj, Harrison noticed that throughout the tour,
602:, with Bobby Purvis and Bill Elliott of Splinter on backing vocals. On the officially released recording, he was backed by members of his 1974 tour band, including
291:
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tradition with Western pop and rock. The song failed to gain the favourable reception afforded his earlier productions in that style, however, such as "
552:. Lyrically, the latter sections outline the "It Is 'He'" element of the song title. In the first of the three verses, Harrison sings of his deity as "
3234:
1241:, 2011 (directed by Martin Scorsese; produced by Olivia Harrison, Nigel Sinclair & Martin Scorsese), Disc 2; event occurs between 14:38 and 15:35.
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1997:
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says that he worked at night on his own album and would wake up to the sound of the Music Festival orchestra rehearsing in the house.
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called the song "a bit of a groover" and credited Harrison with the creation of "a new category in music – Country and Eastern".
195:. Recorded between August and October 1974, the track features an unusual mix of musical styles and instrumentation – including
645:, where he rehearsed with his musicians and Shankar's orchestra for the upcoming tour, while carrying out further recording at
254:
album in 1996. "It Is 'He'" was the last overtly devotional song released under Harrison's name until the posthumously issued "
3229:
452:
448:
1167:
CD booklet reproduces Harrison's notes for some rough mixes of a recording of "It Is 'He'", which are dated 11 June 1974.
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187:
3174:
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225:
405:, Harrison and the others there sang in response, repeating Maharaj's lines, for a period lasting up to five hours.
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that, once heard, lodges itself in the brain. Even catchier is the closing track, 'It Is "He" (Jai Sri Krishna).'"
833:
748:
241:
467:
writes that "It Is 'He'" resulted from Harrison having "rediscovered his enthusiasm for chanting" while in India.
533:, his consort and lover, whom ISKCON devotees recognise as the female form of God. The words serve as the song's
3003:
2384:
880:
party atmosphere". Leng views "It Is 'He'" as "charming" and credits Harrison with anticipating the late 1980s
710:, however, "It Is 'He'" contains a lead vocal that is relatively clean and free of the effects of laryngitis.
1046:
642:
603:
216:
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and translate to mean, "All glories and praise to Lord Krishna; all glories and praise to Goddess Radha."
1148:
percussionist, had similarly contributed to the East–West musical fusion of Shankar's Harrison-produced
549:
3089:
2452:
1086:
1078:
841:
498:
479:". He views it as a further example of the musical approach that Harrison employed in songs such as "
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statements regarding his Hindu faith. "It Is 'He' (Jai Sri Krishna)" appeared as the final track on
3224:
2996:
1735:
1182:
456:
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760:
in 1973, "It Is 'He'" was the sole example of a devotional song on the album. Leng considers that
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572:
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and other passers-by would greet the guide by kissing his feet – a sign of the utmost reverence.
296:
155:
509:, Harrison adapted the words sung at the Vrinadavan kirtana, in a repetitive form typical of a
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897:
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575:, and his dedication to projects by the label's first signings, Shankar and the English duo
286:
referred to the reluctance he used to feel before visiting Shankar in India or meeting with
223:, all of whom played in his 1974 tour band and contributed to Shankar's concurrent release,
208:
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as works that "literally wear their Hinduism on their record sleeves". The front cover of
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576:
394:
283:
250:
133:
117:
109:
33:
439:
Harrison and Shankar spent a few days in the city, at the Sri Chaitanya Prema Samastbana
840:, Chris Ingham views the track as "George at his happy-clappy nadir" and pairs it with "
683:. Aside from the Western instrumentation he supplied on "It Is 'He'", Harrison provided
325:
Harrison went to India in 1974 to attend a ceremony in honour of Shankar's new home, in
2951:
1111:
1082:
865:
727:
691:– described by Leng as a "banjo-meets-vocal sound" – as well as small hand-cymbals (or
684:
646:
571:
was compromised by Harrison's commitment to setting up a new record label, also called
204:
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2756:
2646:
2334:
2002:
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1040:
1016:
818:
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658:
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342:
237:
220:
212:
95:
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and rhythm, to differentiate between the Sanskrit choruses and the English-language
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3050:
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2915:
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2628:
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1028:
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860:
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824:
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615:
611:
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gardens in Vrindavan, one of the locations that inspired Harrison to write the song
408:
370:
365:
330:
311:
279:
196:
151:
90:
67:
3071:
1114:
has written of the paradox between Harrison's dismissal of all material things as
675:
rhythm section of Weeks and Newmark, gospel keyboards from Preston, and Richards'
2388:
1110:
Recalling a visit he made to the couple's home shortly before Boyd's departure,
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903:
881:
676:
661:
599:
584:
301:
58:
1176:
At the pre-tour press conference on 23 October, Harrison distributed a written
1101:
were among the musicians selected by Shankar for his Music Festival orchestra.
1094:
703:
591:
382:
191:(1973). "It Is 'He'" serves as a rare example of an overtly religious song on
159:
103:
1995:"1/4" stereo tape containing rough mixes of 'It Is "He" (Jai Sri Krishna)'",
174:'s childhood. The same pilgrimage to India led to Harrison staging Shankar's
845:
781:
558:
He who is complete / Three worlds at His feet / Cause of every star ...
420:
412:
319:
200:
167:
147:
63:
2571:
The Love There That's Sleeping: The Art and Spirituality of George Harrison
300:(1980), as "the naughty years", coinciding with the end of his marriage to
162:
guide toured the city's temples. The song's choruses were adapted from the
554:
He whose eyes have seen / What our lives have been / And who we really are
353:, thousands of years before. Discussing "It Is 'He' (Jai Sri Krishna)" in
2903:
1034:
1006:
943:
939:
to Sripad Maharaj, whom he describes as "a wonderful, humble, Holy man".
907:
849:
688:
650:
492:
423:, a park that commemorates Krishna's love for all-night dancing with his
326:
315:
163:
143:
2700:
Here Comes the Sun: The Spiritual and Musical Journey of George Harrison
232:"It Is 'He' (Jai Sri Krishna)" continued Harrison's fusion of the Hindu
692:
680:
534:
506:
402:
350:
346:
304:. The visit led to Harrison writing two songs that would appear on his
171:
618:(drums). These four American musicians attended the main sessions for
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634:
595:
510:
444:
440:
398:
374:
373:
at Vrindavan, at sunset – Harrison and Shankar stayed at a riverside
233:
668:
401:, a Hindu musical prayer. In the tradition of communal chanting, or
158:
as "my most fantastic experience", during which his party and their
1301:
1299:
1297:
667:
The completed recording features a mix of musical styles, with the
2601:
All Together Now: The First Complete Beatles Discography 1961–1975
917:
628:
545:
530:
407:
386:
364:
2764:
Mystical One: George Harrison – After the Break-up of the Beatles
1792:
1790:
154:. The composition originated on a day that Harrison describes in
2687:, Rolling Stone Press/Simon & Schuster (New York, NY, 2002;
1145:
855:
While also commenting on the underachieving "Ding Dong" single,
852:
hit in the UK, as "two of the worst songs he ever allowed out".
785:
672:
424:
29:
2992:
419:
Late that morning, Harrison and Shankar accompanied Maharaj to
2938:
Working Class Mystic: A Spiritual Biography of George Harrison
2315:
1815:
1813:
1811:
1177:
811:
792:
States), the new company that Harrison founded in March 1974.
641:
In October, with his album still unfinished, Harrison flew to
3245:
Music published by Oops Publishing and Ganga Publishing, B.V.
2988:
768:
While he identifies a level of religiosity in other songs on
290:, founder of the Hare Krishna movement, or more formally the
487:", whereby the Hindu bhajan tradition is fused with Western
333:. At this time, the two musicians came up with the idea for
3185:
George Harrison and Ravi Shankar's 1974 North American tour
2651:
You Never Give Me Your Money: The Beatles After the Breakup
529:
Aside from offering praise to Krishna, these lines address
310:
album later that year: "It Is 'He' (Jai Sri Krishna)" and "
211:. Besides Harrison, the musicians on the recording include
2824:
While My Guitar Gently Weeps: The Music of George Harrison
2666:
The Hare Krishna Movement: Forty Years of Chant and Change
2385:"Music Review: George Harrison's Apple Albums Remastered"
2586:
The Beatles Diary Volume 2: After the Break-Up 1970–2001
2429:"Nonfiction Book Review: I, Me, Mine by George Harrison"
982:, Harrison taped the Indian music portions of his song "
590:
Harrison taped an early version of "It Is 'He'" at his
142:. Harrison was inspired to write the song while in the
926:), with his Hare Krishna friends Shyamasundar Das and
475:
Leng describes the mood of the song as "upbeat pseudo-
2332:
Jim Miller, "Dark Horse: Transcendental Mediocrity",
2854:
Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980
3167:
3142:
3124:
3081:
3035:
3028:
2839:
Eight Arms to Hold You: The Solo Beatles Compendium
2617:, Bhaktivedanta Book Trust (Los Angeles, CA, 1997;
730:, on Harrison's commitment throughout the 1974 tour
115:
101:
89:
73:
57:
49:
39:
28:
23:
2615:Chant and Be Happy: The Power of Mantra Meditation
1572:
1570:
1568:
1566:
1564:
1733:Timothy White, "George Harrison – Reconsidered",
397:at this temple, at 4 am, Maharaj began singing a
2323:(subscription required; retrieved 5 March 2016).
2211:
2209:
2176:(subscription required; retrieved 5 March 2016).
1919:
1917:
1643:
1641:
1639:
1637:
1635:
1421:
1419:
1409:
1407:
1352:
1350:
1180:using questions first put to him in 1963 by the
136:, released as the final track of his 1974 album
2781:(2nd edn), Rough Guides/Penguin (London, 2006;
1892:
1890:
718:
515:
292:International Society for Krishna Consciousness
266:
1827:
1825:
1675:
1673:
1671:
1461:George Harrison, pp. 297, plate XXXVII/p. 390.
721:someone very special was occupying that body.
3004:
2736:George Harrison: Living in the Material World
2720:, Chronicle Books (San Francisco, CA, 2002 ;
2149:
2147:
1896:Brian Harrigan, "Harrison: Eastern Promise",
1884:, 24 September 2014 (retrieved 5 March 2016).
1536:
1534:
1532:
1530:
1340:
1338:
1234:George Harrison: Living in the Material World
1228:
1226:
888:adoption of the Bengali gubgubbi, or khomok.
687:textures through his use of the gut-stringed
381:Shankar had arranged for an English-speaking
8:
2890:Raga Mala: The Autobiography of Ravi Shankar
2841:, 44.1 Productions (Chesterfield, MO, 2000;
2702:, John Wiley & Sons (Hoboken, NJ, 2006;
2456:, 22 November 2002 (retrieved 5 March 2016).
1866:
1864:
1439:
1437:
1435:
1433:
1431:
1269:
1267:
1265:
556:"; in the final verse, the description is: "
3240:Song recordings produced by George Harrison
2005:, 2014; produced by George Harrison), p. 2.
1600:: Sheet Music for Piano, Vocal & Guitar
1207:
1205:
1203:
1201:
3032:
3011:
2997:
2989:
2922:, 498 Productions (New Orleans, LA, 2005;
2664:Graham Dwyer & Richard J. Cole (eds),
2599:Harry Castleman & Walter J. Podrazik,
2391:, 5 October 2014 (retrieved 5 March 2016).
2086:Carol Clerk, "George Harrison 1943–2001",
1144:Along with Scott and Preston, Richards, a
1127:In the liner notes to the 2014 reissue of
844:", which Harrison released as a hoped-for
784:landscape, at the top of which the Indian
649:. As additional members of the tour band,
20:
505:Over a three-chord pattern in the key of
3197:Ravi Shankar's Music Festival from India
2766:, Guernica Editions (Toronto, ON, 2006;
2603:, Ballantine Books (New York, NY, 1976;
954:, Peter Lavezzoli writes that following
335:Ravi Shankar's Music Festival from India
3158:His Name Is Legs (Ladies and Gentlemen)
2856:, Backbeat Books (Milwaukee, WI, 2010;
1197:
1067:
207:string and percussion instruments, and
38:
27:
2794:The Words and Music of George Harrison
1602:, Charles Hansen (New York, NY, 1974).
182:with Shankar at the end of that year.
2796:, |Praeger (Santa Barbara, CA, 2010;
2759:, 2014; produced by George Harrison).
2162:Michael Gross, "George Harrison: How
485:Give Me Love (Give Me Peace on Earth)
150:, in northern India, with his friend
7:
2892:, Welcome Rain (New York, NY, 1999;
2826:, Hal Leonard (Milwaukee, WI, 2006;
2809:The Dawn of Indian Music in the West
2092:, January 2002, p. 55; available at
2023:Madinger & Easter, pp. 443, 635.
1305:Madinger & Easter, pp. 443, 444.
952:The Dawn of Indian Music in the West
345:to Vrindavan, where the Hindu deity
178:in September 1974 and undertaking a
2874:, McGraw-Hill (New York, NY, 1978;
1594:"It Is 'He' (Jai Sri Krishna)", in
967:out and a time not to shout it out.
891:In a review of the 2014 reissue of
288:A.C. Bhaktivedanta Swami Prabhupada
2940:, Quest Books (Wheaton, IL, 2011;
2906:, "George Harrison: Quiet Storm",
657:played flutes on "It Is 'He'" and
583:, the first by a former member of
14:
2920:The Beatles Solo on Apple Records
2837:Chip Madinger & Mark Easter,
2811:, Continuum (New York, NY, 2006;
2573:, Continuum (New York, NY, 2006;
2319:, 21 December 1974; available at
2309:Bob Woffinden, "George Harrison:
2114:Castleman & Podrazik, p. 144.
1796:Castleman & Podrazik, p. 197.
1005:– lead vocals, acoustic guitars,
950:", released in 1981. In his book
637:showing Krishna playing his flute
579:. With expectations high for his
540:Similar to Harrison's 1973 song "
518:Jai Krishna, jai Krishna Krishna
455:, including a hit version of the
3235:Songs written by George Harrison
2912:, November 2014, pp. 66–73.
2653:, It Books (New York, NY, 2011;
2437:, 2002 (retrieved 5 March 2016).
934:First published in August 1980,
166:chant they sang before visiting
2958:, HarperCollins (London, 2012;
2588:, Omnibus Press (London, 2001;
772:, Allison pairs the album with
377:during their visit to the town.
2779:The Rough Guide to the Beatles
2738:, Abrams (New York, NY, 2011;
2338:, 13 February 1975, pp. 75–76.
1819:Madinger & Easter, p. 442.
1585:Madinger & Easter, p. 433.
1470:George Harrison, pp. 296, 297.
1291:George Harrison, pp. 282, 296.
1259:Olivia Harrison, pp. 258, 302.
838:The Rough Guide to the Beatles
800:Like the North American tour,
132:is a song by English musician
130:"It Is 'He' (Jai Sri Krishna)"
24:"It Is 'He' (Jai Sri Krishna)"
1:
3151:Can't Stop Thinking About You
2668:, I.B. Tauris (London, 2007;
567:Throughout 1974, progress on
520:Jai Krishna, jai Sri Krishna
435:Other activities in Vrindavan
3191:Shankar Family & Friends
3111:It Is 'He' (Jai Sri Krishna)
2749:Kevin Howlett, liner notes,
2166:Whipped Up a Winning Tour",
1425:George Harrison, pp. 296–97.
1151:Shankar Family & Friends
1013:, percussion, backing vocals
757:Living in the Material World
726:– Indian classical musician
679:recalling pre-rock 'n' roll
542:Living in the Material World
459:, Harrison had produced for
278:In a 1994 interview held at
226:Shankar Family & Friends
188:Living in the Material World
18:1974 song by George Harrison
3175:George Harrison discography
2635:, Sanctuary (London, 2003;
2172:, March 1975; available at
522:Jai radhé, jai radhé radhé
361:Touring Vrindavan's temples
3266:
1941:Greene, pp. 108, 142, 144.
1902:, 21 December 1974, p. 36.
1874:The Apple Years: 1968–1975
262:Background and inspiration
3250:Indian mythology in music
2976:, Proteus (London, 1981;
1715:Huntley, pp. 105–06, 108.
868:breaking into French on '
859:writes: "Despite its non-
699:(pastimes) in Vrindavan.
524:Jai radhé, jai sri radhé.
180:joint North American tour
176:Music Festival from India
3044:Hari's on Tour (Express)
2496:Allison, pp. 47, 48, 59.
2374:Leng, pp. 157, 158, 192.
2365:Rodriguez, pp. 379, 384.
2096:(subscription required).
1911:Lavezzoli, pp. 195, 302.
1840:Olivia Harrison, p. 312.
1688:George Harrison, p. 295.
1549:Greene, pp. 181–82, 183.
1497:Dwyer & Cole, p. 30.
1443:George Harrison, p. 297.
1365:Olivia Harrison, p. 302.
1211:George Harrison, p. 296.
962:in 1982, Harrison said:
2203:Allison, pp. 7, 47, 48.
1968:Rodriguez, pp. 58, 199.
1739:, November 1987, p. 59.
702:Already suffering from
643:Los Angeles, California
463:in 1969–70. Theologian
360:
282:'s home in California,
273:– George Harrison, 1979
2478:Leng, pp. 192, 219–20.
2300:Leng, pp. 158, 175–77.
2050:Schaffner, pp. 177–78.
1775:Townshend, pp. 265–66.
1748:Doggett, pp. 209, 225.
1506:Clayson, pp. 268, 276.
1452:Tillery, pp. 107, 113.
1332:Leng, pp. 150–51, 157.
1323:Allison, pp. 100, 154.
969:
931:
930:, in Vrindavan in 1996
749:Bangladesh aid project
723:
638:
527:
502:triple album in 1970.
443:, on the banks of the
416:
378:
349:is said to have spent
329:, on the banks of the
270:
170:, a park dedicated to
3230:George Harrison songs
2251:Spizer, pp. 265, 267.
2242:Spizer, pp. 263, 265.
2041:Woffinden, pp. 83–84.
1488:Greene, pp. 211, 221.
964:
921:
633:A fourteenth-century
632:
411:
368:
3133:I Don't Care Anymore
3090:Ding Dong, Ding Dong
2453:The Austin Chronicle
2418:Doggett, pp. 265–66.
2409:Allison, pp. 46, 59.
2077:Tillery, pp. 114–15.
1392:Shankar, pp. 223–24.
1282:Tillery, pp. 116–17.
1079:Hariprasad Chaurasia
914:Aftermath and legacy
842:Ding Dong, Ding Dong
499:All Things Must Pass
453:recordings of chants
449:Radha Krishna Temple
2872:The Beatles Forever
2762:Elliot J. Huntley,
2567:Dale C. Allison Jr.
2526:Greene, pp. 251–52.
2448:"Review: I Me Mine"
2194:Greene, pp. 212–13.
2132:Allison, pp. 69–70.
1784:Leng, pp. 157, 167.
1629:Tillery, pp. 70–71.
1558:Tillery, pp. 88–89.
1250:Allison, pp. 45–46.
1183:New Musical Express
1131:, Harrison's widow
886:ethnomusicologist's
884:genre, through his
834:Hare Krishna Mantra
743:, sequenced after "
581:North American tour
491:. The inclusion of
457:Hare Krishna mantra
242:Hare Krishna Mantra
3180:Dark Horse Records
2868:Nicholas Schaffner
2852:Robert Rodriguez,
2698:Joshua M. Greene,
2506:Chant and Be Happy
2487:Lavezzoli, p. 197.
2446:Kent H. Benjamin,
2347:Rodriguez, p. 379.
2059:Lavezzoli, p. 196.
1977:Schaffner, p. 177.
1872:"George Harrison:
1724:Schaffner, p. 176.
1576:Rodriguez, p. 384.
1383:Lavezzoli, p. 195.
1314:Inglis, pp. 44–45.
1087:T.V. Gopalkrishnan
932:
796:Critical reception
639:
417:
379:
199:-style keyboards,
3212:
3211:
3120:
3119:
2974:The Beatles Apart
2964:978-0-00-746603-0
2946:978-0-8356-0900-5
2862:978-1-4165-9093-4
2807:Peter Lavezzoli,
2802:978-0-313-37532-3
2787:978-1-84836-525-4
2744:978-1-4197-0220-4
2708:978-0-470-12780-3
2659:978-0-06-177418-8
2623:978-0-89213-118-1
2579:978-0-8264-1917-0
2544:Leng, pp. 304–05.
2434:Publishers Weekly
1932:Leng, pp. 157–58.
1706:Leng, pp. 147–48.
1665:Leng, pp. 130–31.
754:In contrast with
339:Indian folk music
203:acoustic guitar,
156:his autobiography
127:
126:
3257:
3203:The Place I Love
3168:Related articles
3125:Non-album B-side
3033:
3013:
3006:
2999:
2990:
2554:
2551:
2545:
2542:
2536:
2533:
2527:
2524:
2518:
2517:Tillery, p. 128.
2515:
2509:
2503:
2497:
2494:
2488:
2485:
2479:
2476:
2470:
2463:
2457:
2444:
2438:
2427:Staff reviewer,
2425:
2419:
2416:
2410:
2407:
2401:
2400:Tillery, p. 164.
2398:
2392:
2381:
2375:
2372:
2366:
2363:
2357:
2354:
2348:
2345:
2339:
2330:
2324:
2321:Rock's Backpages
2307:
2301:
2298:
2292:
2289:
2283:
2276:
2270:
2267:
2261:
2258:
2252:
2249:
2243:
2240:
2234:
2231:
2225:
2224:Huntley, p. 113.
2222:
2216:
2213:
2204:
2201:
2195:
2192:
2186:
2183:
2177:
2174:Rock's Backpages
2160:
2154:
2151:
2142:
2139:
2133:
2130:
2124:
2121:
2115:
2112:
2106:
2103:
2097:
2094:Rock's Backpages
2084:
2078:
2075:
2069:
2066:
2060:
2057:
2051:
2048:
2042:
2039:
2033:
2030:
2024:
2021:
2015:
2012:
2006:
1993:
1987:
1986:Snow, pp. 72–73.
1984:
1978:
1975:
1969:
1966:
1960:
1957:
1951:
1950:Clayson, p. 247.
1948:
1942:
1939:
1933:
1930:
1924:
1923:Shankar, p. 222.
1921:
1912:
1909:
1903:
1894:
1885:
1868:
1859:
1856:
1850:
1849:Tillery, p. 114.
1847:
1841:
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1817:
1806:
1803:
1797:
1794:
1785:
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1776:
1773:
1767:
1764:
1758:
1757:Huntley, p. 107.
1755:
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1740:
1731:
1725:
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1716:
1713:
1707:
1704:
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1666:
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1657:
1654:
1648:
1647:Clayson, p. 344.
1645:
1630:
1627:
1621:
1618:
1612:
1611:Allison, p. 127.
1609:
1603:
1596:George Harrison
1592:
1586:
1583:
1577:
1574:
1559:
1556:
1550:
1547:
1541:
1538:
1525:
1524:Allison, p. 147.
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1414:
1413:Tillery, p. 112.
1411:
1402:
1399:
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1390:
1384:
1381:
1375:
1372:
1366:
1363:
1357:
1356:Shankar, p. 223.
1354:
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1315:
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1303:
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1257:
1251:
1248:
1242:
1239:Village Roadshow
1230:
1221:
1220:Shankar, p. 309.
1218:
1212:
1209:
1187:
1174:
1168:
1161:
1155:
1142:
1136:
1125:
1119:
1108:
1102:
1091:Shivkumar Sharma
1072:
1011:Moog synthesizer
789:Mahavatar Babaji
731:
624:Moog synthesizer
610:(piano, organ),
274:
209:Moog synthesizer
120:
106:
85:
84:
80:
21:
3265:
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3260:
3259:
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3208:
3163:
3138:
3116:
3077:
3024:
3017:
2987:
2732:Olivia Harrison
2714:George Harrison
2679:The Editors of
2633:George Harrison
2562:
2557:
2553:Allison, p. 48.
2552:
2548:
2543:
2539:
2534:
2530:
2525:
2521:
2516:
2512:
2504:
2500:
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2477:
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2465:The Editors of
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2413:
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2356:Ingham, p. 134.
2355:
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2331:
2327:
2308:
2304:
2299:
2295:
2291:Greene, p. 213.
2290:
2286:
2278:The Editors of
2277:
2273:
2269:Badman, p. 121.
2268:
2264:
2260:Spizer, p. 268.
2259:
2255:
2250:
2246:
2241:
2237:
2233:Allison, p. 47.
2232:
2228:
2223:
2219:
2215:Spizer, p. 265.
2214:
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2185:Badman, p. 136.
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2113:
2109:
2105:Spizer, p. 263.
2104:
2100:
2085:
2081:
2076:
2072:
2068:Ingham, p. 128.
2067:
2063:
2058:
2054:
2049:
2045:
2040:
2036:
2032:Badman, p. 145.
2031:
2027:
2022:
2018:
2014:Greene, p. 218.
2013:
2009:
1994:
1990:
1985:
1981:
1976:
1972:
1967:
1963:
1959:Tillery, p. 67.
1958:
1954:
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1779:
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1766:Tillery, p. 94.
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1710:
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1687:
1683:
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1669:
1664:
1660:
1656:Allison, p. 46.
1655:
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1633:
1628:
1624:
1620:Greene, p. 107.
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1515:Spizer, p. 341.
1514:
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1483:
1479:Greene, p. 210.
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1442:
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1405:
1401:Greene, p. 209.
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1126:
1122:
1109:
1105:
1075:Lakshmi Shankar
1073:
1069:
1065:
1003:George Harrison
992:
980:Chants of India
975:Chants of India
960:Mukunda Goswami
946:" in 1976 and "
928:Mukunda Goswami
916:
798:
733:
725:
716:
647:A&M Studios
565:
523:
521:
519:
473:
437:
363:
284:George Harrison
276:
272:
264:
251:Chants of India
134:George Harrison
123:George Harrison
116:
110:George Harrison
102:
82:
78:
77:
53:9 December 1974
40:from the album
34:George Harrison
19:
12:
11:
5:
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2967:
2952:Pete Townshend
2949:
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2901:
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2835:
2820:
2805:
2790:
2777:Chris Ingham,
2775:
2760:
2747:
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2711:
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2662:
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2612:
2597:
2584:Keith Badman,
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2141:Howlett, p. 3.
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2123:Inglis, p. 47.
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2079:
2070:
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2016:
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1886:
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1831:Howlett, p. 4.
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1374:Howlett, p. 5.
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1112:Pete Townshend
1103:
1083:L. Subramaniam
1066:
1064:
1061:
1060:
1059:
1050:
1044:
1038:
1032:
1026:
1020:
1019:– piano, organ
1014:
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774:Material World
728:L. Subramaniam
717:
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2979:
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2970:Bob Woffinden
2968:
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2898:1-56649-104-5
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2880:0-07-055087-5
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2847:0-615-11724-4
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2772:1-55071-197-0
2769:
2765:
2761:
2758:
2757:Apple Records
2754:
2753:
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2726:0-8118-3793-9
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2693:0-7432-3581-9
2690:
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2681:Rolling Stone
2678:
2675:
2674:1-84511-407-8
2671:
2667:
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2652:
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2647:Peter Doggett
2645:
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2641:1-86074-489-3
2638:
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2610:
2609:0-345-25680-8
2606:
2602:
2598:
2595:
2594:0-7119-8307-0
2591:
2587:
2583:
2580:
2576:
2572:
2568:
2565:
2564:
2559:
2550:
2547:
2541:
2538:
2535:Leng, p. 281.
2532:
2529:
2523:
2520:
2514:
2511:
2507:
2502:
2499:
2493:
2490:
2484:
2481:
2475:
2472:
2468:
2467:Rolling Stone
2462:
2459:
2455:
2454:
2449:
2443:
2440:
2436:
2435:
2430:
2424:
2421:
2415:
2412:
2406:
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2397:
2394:
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2386:
2380:
2377:
2371:
2368:
2362:
2359:
2353:
2350:
2344:
2341:
2337:
2336:
2335:Rolling Stone
2329:
2326:
2322:
2318:
2317:
2312:
2306:
2303:
2297:
2294:
2288:
2285:
2282:, pp. 44, 46.
2281:
2280:Rolling Stone
2275:
2272:
2266:
2263:
2257:
2254:
2248:
2245:
2239:
2236:
2230:
2227:
2221:
2218:
2212:
2210:
2206:
2200:
2197:
2191:
2188:
2182:
2179:
2175:
2171:
2170:
2165:
2159:
2156:
2153:Leng, p. 159.
2150:
2148:
2144:
2138:
2135:
2129:
2126:
2120:
2117:
2111:
2108:
2102:
2099:
2095:
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2090:
2083:
2080:
2074:
2071:
2065:
2062:
2056:
2053:
2047:
2044:
2038:
2035:
2029:
2026:
2020:
2017:
2011:
2008:
2004:
2003:Apple Records
2000:
1999:
1992:
1989:
1983:
1980:
1974:
1971:
1965:
1962:
1956:
1953:
1947:
1944:
1938:
1935:
1929:
1926:
1920:
1918:
1914:
1908:
1905:
1901:
1900:
1893:
1891:
1887:
1883:
1882:
1877:
1875:
1867:
1865:
1861:
1858:Leng, p. 167.
1855:
1852:
1846:
1843:
1837:
1834:
1828:
1826:
1822:
1816:
1814:
1812:
1808:
1805:Leng, p. 147.
1802:
1799:
1793:
1791:
1787:
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1567:
1565:
1561:
1555:
1552:
1546:
1543:
1540:Leng, p. 158.
1537:
1535:
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1527:
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1512:
1509:
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1389:
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1380:
1377:
1371:
1368:
1362:
1359:
1353:
1351:
1347:
1344:Leng, p. 157.
1341:
1339:
1335:
1329:
1326:
1320:
1317:
1311:
1308:
1302:
1300:
1298:
1294:
1288:
1285:
1279:
1276:
1273:Leng, p. 148.
1270:
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1100:
1096:
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1080:
1076:
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1068:
1062:
1058:
1054:
1053:Emil Richards
1051:
1048:
1045:
1042:
1041:Chuck Findley
1039:
1036:
1033:
1030:
1027:
1025:– bass guitar
1024:
1021:
1018:
1017:Billy Preston
1015:
1012:
1008:
1004:
1001:
1000:
999:
997:
994:According to
989:
987:
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858:
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851:
847:
843:
839:
835:
829:
827:
826:
821:
820:
819:Rolling Stone
814:
813:
808:
807:Bob Woffinden
803:
795:
793:
790:
787:
783:
779:
775:
771:
766:
763:
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758:
752:
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746:
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713:
711:
709:
705:
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694:
690:
686:
682:
678:
674:
670:
665:
663:
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659:Emil Richards
656:
655:Chuck Findley
652:
648:
644:
636:
631:
627:
625:
621:
617:
613:
609:
608:Billy Preston
605:
601:
597:
593:
588:
586:
582:
578:
574:
570:
562:
560:
559:
555:
551:
547:
543:
538:
536:
532:
526:
525:
514:
512:
508:
503:
501:
500:
494:
490:
486:
482:
481:My Sweet Lord
478:
470:
468:
466:
462:
461:Apple Records
458:
454:
450:
446:
442:
434:
432:
430:
426:
422:
414:
410:
406:
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396:
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388:
384:
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367:
358:
356:
352:
351:his childhood
348:
344:
343:Uttar Pradesh
340:
337:– a revue of
336:
332:
328:
323:
321:
318:holy city of
317:
313:
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293:
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238:My Sweet Lord
235:
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221:Emil Richards
218:
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213:Billy Preston
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146:holy city of
145:
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104:Songwriter(s)
100:
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92:
88:
76:
72:
69:
65:
62:
60:
56:
52:
48:
45:
44:
35:
31:
22:
16:
3201:
3189:
3110:
3104:Far East Man
3051:Simply Shady
3019:
2973:
2955:
2937:
2934:Gary Tillery
2919:
2916:Bruce Spizer
2907:
2889:
2886:Ravi Shankar
2871:
2853:
2838:
2823:
2822:Simon Leng,
2808:
2793:
2792:Ian Inglis,
2778:
2763:
2755:CD booklet (
2750:
2735:
2717:
2699:
2684:
2680:
2665:
2650:
2632:
2629:Alan Clayson
2614:
2600:
2585:
2570:
2549:
2540:
2531:
2522:
2513:
2505:
2501:
2492:
2483:
2474:
2466:
2461:
2451:
2442:
2432:
2423:
2414:
2405:
2396:
2379:
2370:
2361:
2352:
2343:
2333:
2328:
2314:
2310:
2305:
2296:
2287:
2279:
2274:
2265:
2256:
2247:
2238:
2229:
2220:
2199:
2190:
2181:
2169:Circus Raves
2167:
2163:
2158:
2137:
2128:
2119:
2110:
2101:
2087:
2082:
2073:
2064:
2055:
2046:
2037:
2028:
2019:
2010:
2001:CD booklet (
1996:
1991:
1982:
1973:
1964:
1955:
1946:
1937:
1928:
1907:
1899:Melody Maker
1897:
1879:
1873:
1870:Robert Ham,
1854:
1845:
1836:
1801:
1780:
1771:
1762:
1753:
1744:
1734:
1729:
1720:
1711:
1702:
1697:Snow, p. 72.
1693:
1684:
1661:
1652:
1625:
1616:
1607:
1599:
1595:
1590:
1581:
1554:
1545:
1520:
1511:
1502:
1493:
1484:
1475:
1466:
1457:
1448:
1397:
1388:
1379:
1370:
1361:
1328:
1319:
1310:
1287:
1278:
1255:
1246:
1232:
1216:
1181:
1172:
1164:
1159:
1149:
1140:
1128:
1123:
1106:
1070:
1029:Andy Newmark
1023:Willie Weeks
996:Bruce Spizer
993:
979:
973:
970:
965:
955:
951:
941:
935:
933:
923:
896:
892:
890:
873:
857:Alan Clayson
854:
837:
830:
825:Melody Maker
823:
817:
810:
801:
799:
777:
773:
769:
767:
761:
755:
753:
745:Far East Man
740:
735:
734:
724:
719:
707:
701:
685:Indian music
666:
664:percussion.
640:
619:
616:Andy Newmark
612:Willie Weeks
589:
568:
566:
557:
553:
539:
528:
517:
516:
504:
497:
489:gospel music
474:
465:Dale Allison
445:Yamuna River
438:
428:
418:
391:
380:
371:Yamuna River
354:
331:River Ganges
324:
312:Simply Shady
305:
295:
280:Ravi Shankar
277:
271:
267:
249:
246:Give Me Love
231:
224:
192:
186:
184:
152:Ravi Shankar
137:
129:
128:
41:
15:
2718:I, Me, Mine
2389:Blogcritics
2383:Chaz Lipp,
1099:Sultan Khan
1057:wobbleboard
984:Brainwashed
948:Life Itself
936:I, Me, Mine
904:Blogcritics
882:world music
874:Rubber Soul
805:reviewers.
780:includes a
677:wobbleboard
614:(bass) and
600:Oxfordshire
585:the Beatles
471:Composition
429:I, Me, Mine
355:I, Me, Mine
302:Pattie Boyd
297:I, Me, Mine
258:" in 2002.
256:Brainwashed
118:Producer(s)
3225:1974 songs
3219:Categories
3097:Dark Horse
3021:Dark Horse
2752:Dark Horse
2311:Dark Horse
2164:Dark Horse
1998:Dark Horse
1598:Dark Horse
1193:References
1165:Dark Horse
1129:Dark Horse
1095:Alla Rakha
956:Dark Horse
922:Harrison (
893:Dark Horse
802:Dark Horse
778:Dark Horse
770:Dark Horse
762:Dark Horse
741:Dark Horse
736:Dark Horse
708:Dark Horse
704:laryngitis
662:overdubbed
620:Dark Horse
592:Friar Park
573:Dark Horse
569:Dark Horse
307:Dark Horse
193:Dark Horse
139:Dark Horse
43:Dark Horse
3072:Māya Love
2469:, p. 140.
1047:Tom Scott
990:Personnel
866:McCartney
861:Christian
846:Christmas
782:Himalayan
606:(flute),
604:Tom Scott
563:Recording
421:Seva Kunj
413:Seva Kunj
320:Vrindavan
217:Tom Scott
201:folk-rock
168:Seva Kunj
148:Vrindavan
64:Folk rock
3143:Outtakes
3082:Side two
3036:Side one
2956:Who I Am
2904:Mat Snow
2685:Harrison
2508:, p. 13.
1736:Musician
1035:Jim Horn
1007:gubgubbi
944:Dear One
908:Ron Wood
902:stabs."
878:Kashmiri
870:Michelle
850:New Year
689:gubgubbi
651:Jim Horn
594:studio,
577:Splinter
493:Sanskrit
451:, whose
164:Sanskrit
50:Released
2560:Sources
1876:Review"
1178:Q&A
1049:– flute
1043:– flute
1037:– flute
1031:– drums
809:of the
714:Release
681:skiffle
669:R&B
507:G major
483:" and "
477:calypso
403:kirtana
383:ascetic
347:Krishna
327:Benares
244:" and "
172:Krishna
160:ascetic
3058:So Sad
2980:
2962:
2944:
2926:
2896:
2878:
2860:
2845:
2830:
2815:
2800:
2785:
2770:
2742:
2724:
2706:
2691:
2672:
2657:
2639:
2621:
2607:
2592:
2577:
1154:album.
1133:Olivia
895:, for
872:' off
693:kartal
635:fresco
596:FPSHOT
550:verses
535:chorus
511:mantra
441:ashram
399:bhajan
387:swamis
375:ashram
234:bhajan
205:Indian
197:gospel
74:Length
68:gospel
3029:Songs
2089:Uncut
1881:Paste
1237:DVD,
1063:Notes
898:Paste
598:, in
546:tempo
531:Radha
425:gopis
316:Hindu
144:Hindu
96:Apple
91:Label
59:Genre
2978:ISBN
2960:ISBN
2942:ISBN
2924:ISBN
2909:Mojo
2894:ISBN
2876:ISBN
2858:ISBN
2843:ISBN
2828:ISBN
2813:ISBN
2798:ISBN
2783:ISBN
2768:ISBN
2740:ISBN
2722:ISBN
2704:ISBN
2689:ISBN
2670:ISBN
2655:ISBN
2637:ISBN
2619:ISBN
2605:ISBN
2590:ISBN
2575:ISBN
1146:jazz
1116:maya
1097:and
924:left
786:yogi
697:Lila
673:funk
653:and
395:puja
369:The
240:", "
219:and
30:Song
2316:NME
2313:",
812:NME
32:by
3221::
2984:).
2972:,
2966:).
2954:,
2948:).
2936:,
2930:).
2918:,
2900:).
2888:,
2882:).
2870:,
2864:).
2849:).
2834:).
2819:).
2804:).
2789:).
2774:).
2746:).
2734:,
2728:).
2716:,
2710:).
2695:).
2683:,
2676:).
2661:).
2649:,
2643:).
2631:,
2625:).
2611:).
2596:).
2581:).
2569:,
2450:,
2431:,
2387:,
2208:^
2146:^
1916:^
1889:^
1878:,
1863:^
1824:^
1810:^
1789:^
1670:^
1634:^
1563:^
1529:^
1430:^
1418:^
1406:^
1349:^
1337:^
1296:^
1264:^
1225:^
1200:^
1093:,
1089:,
1085:,
1081:,
1077:,
1055:–
1009:,
998::
751:.
626:.
513::
322:.
229:.
215:,
83:50
66:,
3160:"
3156:"
3153:"
3149:"
3135:"
3131:"
3113:"
3109:"
3106:"
3102:"
3099:"
3095:"
3092:"
3088:"
3074:"
3070:"
3067:"
3063:"
3060:"
3056:"
3053:"
3049:"
3046:"
3042:"
3012:e
3005:t
2998:v
848:–
832:"
671:-
81::
79:4
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