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In 1770 Argunov became the major-domo for the
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In 1760s
Argunov was in his prime. He created many beautiful parade and psychological portraits and icons. Among his subjects were Russian royalty and of course Argunov's masters the Sheremetevs as well as their relatives the
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girl
Annushka. 1767. Annushka was a pupil and a serf of Varvara Sheremetev. In her hands she holds the portrait of her late benefactor.
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Argunov was an important teacher of art. He taught painting classes beginning in 1753 — before the opening of the
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and had grown up in the family of his uncle, Semyon
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476:] (in Russian). Moscow: Izobrazitel'noe iskusstvo (Изобразительное искусство). pp. 1–248.
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for count
Sheremetev. For many years Semyon managed Sheremetev's house on
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217:(1749). At that time he also created his only known historical painting
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Portrait of
Princess Ekaterina Alexandrovna Lobanova-Rostovskaya, 1754
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In 1746–1749 Ivan
Argunov studied painting with a German artist named
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Portrait of
Countess Varvara Sheremetev, daughter of Argunov's owner
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Princess
Ekaterina Alexandrovna Lobanova-Rostovskaya
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364:Portrait of P.B. Sheremetev (artist's owner), 1760
420:Portrait of Countess Tolstoy, née Lopukhina, 1768
176:who at the time was in the employ of the Empress
19:For other artists with the same last name, see
537:18th-century painters from the Russian Empire
259:Portrait of an Unknown Woman in Peasant Dress
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532:Portrait painters from the Russian Empire
180:. Ivan also got lessons from his cousins
76:Learn how and when to remove this message
39:This article includes a list of general
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226:Prince Ivan Ivanovich Lobanov-Rostovsky
224:. His earliest known portraits were of
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271:Imperial Academy of Arts
186:Fedor Semenovich Argunov
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432:List of Russian artists
236:art mixed with the new
215:New Jerusalem Monastery
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128:Иван Петрович Аргунов
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351:Ekaterina Alexeyevna
283:Kirill Golovachevsky
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213:(1753) and for the
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151:Sheremetev
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303:architect
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250:Tolstoy
238:Baroque
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132:Russian
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21:Argunov
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380:, 1762
219:Dying
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