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Cramér often worked in a folklorically inspired style with a burlesque vein and mimic elements. His dance dramas have often had historical and religious motifs. The key work The Lost Son is, for example, inspired by valley paintings from the 18th century that depict the biblical story of the lost
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He was the son of Carl Rudolf Cramér (1887–1966) and Sonja
Dahlerus (1888–1981). Ivo was the nephew of the statistician Harald Cramér (1893–1985) and was married to the Finnish-born choreographer and actor Tyyne Talvo (1919–1983). They established the Tyyne and Ivo Cramér Foundation.
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in Oslo from 1953 to 1954. From 1967 he was mostly in Sweden, where he conducted the Cramér Ballet which lasted until 1986. It was for a time led by his wife Tyyne Talvo who had also been on
Norwegian stages as the New Norwegian Ballet. From 1975 he was head of the
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The performance was brought to Norway the same autumn, and as a choreographer in Norway he had eventually led over seventy productions, including
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34:) was a Swedish dancer, choreographer, ballet director and director. He was the son of Carl-Rudolf Cramér and the nephew of
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Ivo choreographed the robber dances in the 1981 movie "Ronja rövardotter".
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from 1960. Among other things, he was head of choreography at
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Verde Gaio: Uma
Companhia Portuguesa de Bailado (1940-1950)
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Swedish dancer, choreographer, ballet director and director
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117:. Lisboa: Museu Nacional do Teatro, 1999, p. 70, 71.
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56:Flickan som trampade på brödet.
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20:Martin Ivo Fredrik Carl Cramér
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260:. You can help Knowledge by
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194:-related article is a
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337:Swedish people stubs
155:"Carl Rudolf Cramér"
100:Truuk Doyer m.fl.,
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24:Gothenburg
64:Chat Noir
42:Biography
28:Stockholm
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32:Sweden
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