1257:"Of all the terms devised for contemporary non-academic electronic music (the sense intended here), 'electronica' is one of the most loaded and controversial. While on the one hand it does seem the most convenient catch-all phrase, under any sort of scrutiny it begins to implode. In its original 1992-93 sense it was largely coterminous with the more explicitly elitist 'intelligent techno', a term used to establish distance from and imply distaste for, all other more dancefloor-oriented types of techno, ignoring the fact that many of its practitioners such as Richard James (Aphex Twin) were as adept at brutal dancefloor tracks as what its detractors present as self-indulgent ambient 'noodling'"
1682:
records on that list. Like any other community, it allows for networking and exchange of information which is really useful and productive and powerful- but like any community, it always needs to define itself through exclusion, clique-ishness and the fashioning of some "other" excluded terms: rock music, women, noise, "real" dance music. I've noticed that whenever discussions drift towards anything about gender or sexuality on that list the cluelessness factor jumps off the chart. Matmos is IDM if that only means "might be talked about on the IDM list"- but I don't endorse that term "intelligent dance music" because it's laughable.
897:"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tangerine Dream) but this is beside the point. To claim ascendancy of one source over another is to deny the labyrinthine entwinements of culture: rooted in political history + the development of science + technology, yet tilting at the boundaries of society + language."
1208:…the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation 'Artificial Intelligence', which became a milestone… it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.
1381:"is a forum for the discussion of what has been termed 'intelligent' music – that is, music that moves the mind, not just the body. There is no specific definition of intelligence in music, however, artists that I see as appropriate are FSOL, Orb, Orbital, Richard James (aka Aphex Twin), Black Dog, B12, and various others from Warp's 'Artificial Intelligence' series. Of course, the list is open to all interpretations of intelligent dance music." Quote by Alan Parry in an IDM mailing list announcement posted on
1066:…use of the idiom was initiated online with the conception of the IDM mailing list in 1993, which functioned as a forum for discussion on leading IDM artists and Artificial Intelligence. Incidentally, when I questioned Mike Paradinas (μ-Ziq) on his feelings towards the term, he bluntly answered: 'No one uses or used it in UK. Only Americans ever used the term. It was invented by Alan Parry who set up the IDM mailing list'.
1078:"'No one really listens to IDM over here,' says Mike Paradinas from his home in Worchester, UK. 'You just say stuff like the Aphex Twin, and they might have heard of him.' It's a bold statement for Paradinas, who, along with friends and contemporaries like Richard James (Aphex Twin) and LFO, was one of that genre's defining artists in London's fertile dance music community of the early 1990s."
729:
the "Artificial
Intelligence" tag that Warp coined, but to me as a listener that never seemed to be saying "this is more intelligent." It was just a signifier of it being sci-fi music...Thing is, almost all the artists on that first AI compilation are just like us, they were regular kids, they're not intelligent people particularly. Richard is a fucking blagger,
514:, revealed that Parry originally wanted to create a list devoted to discussion of the music on the Rephlex label, but they decided together to expand its charter to include music similar to what was on Rephlex or that was in different genres but which had been made with similar approaches. They picked the word "intelligent" because it had already appeared on
522:
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658:(A.K.A. μ-Ziq), have criticised the term IDM. Paradinas has stated that the term IDM was only used in North America. Criticism is dominated by the use of the term "intelligent" in the genre name, and also often calls attention to the fact that artists working under this name often produce music that is not easy to dance to.
1104:"the development of IDM (Intelligent Dance Music) is closely entwined with a mailing list established to discuss the work of seminal post-techno producers like Autechre and Aphex Twin; in fact, the name 'IDM' originated with the mailing list, but now is routinely applied by reviewers, labels and fans alike."
745:
Even in '93 to 4' the word "IDM" wasn't something any of us took seriously. It was just three letters with no particular meaning beyond our little nerdy community's way of referring to whatever music we liked from the fringes of electronic dance music. No one was intending to coin a genre name or to
728:
All these things about us being "intelligent" and the term "IDM" are just silly. I'm not a particularly intelligent person, me. I'm diligent, I'm pretty hardworking, but I'm not that clever. I ain't got any qualifications, I just pick up stuff that I think is interesting at the time...There was also
1681:
That said, I belong to the weblist called "IDM" and occasionally enjoy the discussions there, because I like some of the artists who get lassoed into that category (not to mention that we, occasionally, are lumped into that category too), and because you can occasionally find out about interesting
713:
I belong to the weblist called "IDM" and occasionally enjoy the discussions there, because I like some of the artists who get lassoed into that category (not to mention that we, occasionally, are lumped into that category too), and because you can occasionally find out about interesting records on
668:
A loaded term meant to distinguish electronic music of the '90s and later that's equally comfortable on the dancefloor as in the living room, IDM (Intelligent Dance Music) eventually acquired a good deal of negative publicity, not least among the legion of dance producers and fans whose exclusion
581:
In 2007, Igloo
Magazine observed that "IDM as we knew it is a distant memory, with reminders from the big names now depressingly infrequent, however IDM as we now know it is very much alive, albeit in a less influential and popular, but still respectable form", with a third wave of artist having
677:
I just think it's really funny to have terms like that. It's basically saying 'this is intelligent and everything else is stupid.' It's really nasty to everyone else's music. (laughs) It makes me laugh, things like that. I don't use names. I just say that I like something or I
570:'s A.R.T. and Op-Art labels, including Degiorgio himself under various names (As One, Future/Past and Esoterik), Steve Pickton (Stasis) and Nurmad Jusat (Nuron) also found an audience, along with bigger-name, cross-genre artists like Björk and the Future Sound of London.
401:, Black Dog Productions, Aphex Twin and the Orb, under various aliases. This would help establish the ambient techno sound of the early 1990s. Steve Beckett, co-owner of Warp, has said the electronic music that the label was releasing then was targeting a post-
620:(Schematic) and many more. In 1993, Romulo Del Castillo and Omar Clemetson (Supersoul) began producing both trip hop and IDM. 2 years later Del Castillo and Josh Kay would later form the duo Soul Oddity, which would eventually release their debut album
499:
Wider public use of such terms on the
Internet came in August 1993, when Alan Parry announced the existence of a new electronic mailing list for discussion of "intelligent" dance music: the "Intelligent Dance Music list", or "IDM List" for short.
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had become a "dirty word", so as an alternative, it was common for London nightclubs to advertise that they were playing "intelligent" or "pure" techno, appealing to a "discerning" crowd that considered the hardcore sound to be too commercial.
432:", but all were attempts to describe an emerging offshoot of electronic dance music that was being enjoyed by the "sedentary and stay at home". At the same time, the UK market was saturated with increasingly frenetic breakbeat and sample-laden
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496:, writing "...current 'intelligent' dance music owes much more to Eastern mantra-like repetition and neo-ambient instrumentation than the disco era which preceded the advent of acid and techno."
878:"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."
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originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. It emerged from the culture and sound palette of electronic styles such as
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North
American audiences welcomed IDM, and by the early to late 1990s many IDM record labels had been founded, including Drop Beat, Isophlux, Suction, Schematic and Cytrax.
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and the Black Dog, gained popularity among electronic music fans, as did music by artists on the
Rephlex and Skam labels. Lesser-known artists on the Likemind label and
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artists appearing on the compilation. The term has been widely criticised and dismissed by most artists associated with it, including Aphex Twin, Autechre, and μ-Ziq.
714:
that list... Matmos is IDM if that only means "might be talked about on the IDM list"- but I don't endorse that term "intelligent dance music" because it's laughable.
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experimentation had gained prominence with releases on a variety of mostly UK-based record labels, including Warp (1989), Black Dog
Productions (1989),
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and the music of the Future Sound of London. Another instance of the phrase appeared on Usenet in April 1993 in reference to the Black Dog's album
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During this period, the electronic music produced by Warp
Records artists such as Aphex Twin (an alias of Richard D. James), Autechre, LFO, B12,
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acknowledged the genre's multitude of musical and cultural influences and suggested none should be considered more important than any other.
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puts the focus on Miami as a central importer/exporter of IDM in the United States. The talent coming out of Miami included the likes of
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686:, of which Dave Segal of Stylus Magazine asked whether it was a "snide dig at IDM's mockworthy Intelligent Dance Music tag?"
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397:. Subtitled "electronic listening music from Warp", the record was a collection of tracks from artists such as Autechre,
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It's a label invented by PR companies who need catchphrases. I like sounds, but hate what people attach to sounds.
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and because it connoted being something beyond just music for dancing, while still being open to interpretation.
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EP. Off the
Internet, the same phrase appeared in both the U.S. and UK music press in late 1992, in reference to
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The first message, sent on 1 August 1993, was entitled "Can Dumb People Enjoy IDM, Too?". A reply from the list
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In 1993, a number of new "intelligent techno"/"electronica" record labels emerged, including New
Electronica,
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291:, a label co-created by Aphex Twin, coined the term "Braindance" as an alternative. In 2014, music critic
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was released in 1994. The album featured fragments of posts from the IDM mailing list incorporated into
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In the same period (1992–93), other names were also used, such as "art techno", "armchair techno", and "
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373:'s Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1989),
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eContact! 14.4 – TES 2011: Toronto
Electroacoustic Symposium / Symposium électroacoustique de Toronto
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159:
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Sherburne, P. (2001:172), Organised Sound (2001), 6 : 171-176 Cambridge University Press, 2002.
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1081:"'No one says IDM in England? No, only on message boards when they're talking to Americans!"
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In a September 1997 interview, Aphex Twin commented on the 'Intelligent Dance Music' label:
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and is said to have originated in the US in 1993 with the formation of the "IDM list", an
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1342:"MiniREVIEWS galore (No hardcore please, we're Finnish). - alt.rave | Google Groups"
1214:, The Independent (UK), Music Magazine (supplement), newspaper article published 2/11/07
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from the community prompted the question of whether they produced "Stupid" dance music.
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1448:""Re: Can Dumb People Enjoy IDM, Too?" post from Brian Behlendorf to the IDM list"
1311:(26 September 1992). "On The Tip: Marching Through Germany's Techno Love Parade".
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In the late 1980s, riding the wave of the acid house and early rave party scenes,
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Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music
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813:"Machines of loving grace: how Artificial Intelligence helped techno grow up"
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McCann, Ian (14 November 1992). "Short Circuit: Various: Earth Beat ".
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too... I don't know how the fuck he gets away with the things he does!
689:
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345:. By the early 1990s, the increasingly distinct music associated with
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1727:"The IDM List Gave Intelligent Dance Music Its Name and Geeky Legacy"
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484:. And in July 1993, in his review of an ethno-dance compilation for
295:
observed that the term "is widely reviled but still commonly used".
1422:""Can Dumb People Enjoy IDM, Too?", the first post to the IDM list"
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suffix, but still referring to a hybrid form—was a common synonym.
269:
The term "intelligent dance music" was likely inspired by the 1992
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1283:"Coil _The Snow_ EP - rec.music.industrial | Google Groups"
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Aphex Twin's Rephlex records official overarching genre name is
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Tools, Techniques and Composition: Bridging Acousmatic and IDM
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In November 1991, the phrase "intelligent techno" appeared on
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Generation Ecstasy: Into the World of Techno and Rave Culture
1780:
Energy Flash: a Journey Through Rave Music and Dance Culture
1367:
Willmott, Ben (10 July 1993). "Various – Global Sweatbox ".
1195:
Energy Flash: A Journey Through Rave Music and Dance Culture
1118:"The Pleasure Principle. Aphex Twin smooths out his edges"
1396:"List announcement: IDM - alt.rave | Google Groups"
1015:"Clubbers' Decktionary: IDM aka Intelligent Dance Music"
405:, home-listening audience. Following the success of the
737:
Responding to some of these criticisms, Mike Brown of
1807:
Archive of posts to The IDM Mailing List (1993–2008)
528:, a notable electronic music act associated with IDM
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1569:"Aphex Twin interview- Perfect Sound Forever"
8:
1517:"Going to Miami: How IDM conquered the USA"
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381:(1991), and Metamorphic Recordings (1992).
283:originally chartered for the discussion of
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1981:
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884:, Indiana University Press, 2006, (p. 80).
806:
804:
802:
746:imply the artists and fans were geniuses.
38:
4439:Music technology (electronic and digital)
1828:) is being considered for deletion. See
1801:The Intelligent Dance Music Mailing List
1844:Last.fm group for IDM artist discussion
842:
840:
798:
507:'s system administrator and founder of
436:records that quickly became formulaic.
1602:Rephlexions!: A Braindance Compilation
1696:"Review: Autechre - NTS Sessions 1-4"
1527:from the original on 19 December 2022
1496:from the original on 15 December 2014
1160:from the original on 22 February 2015
1128:from the original on 17 December 2014
1116:Frere-Jones, Sasha (6 October 2014).
1056:from the original on 15 December 2014
994:from the original on 23 December 2014
413:" became the favoured term, although
7:
2321:List of experimental music festivals
1232:, Routledge, New York, (pp. 180-205)
859:from the original on 1 February 2020
825:from the original on 29 October 2021
724:, Sean Booth of Autechre said that,
1484:Winfield, Adam (24 November 2007).
1197:. Soft Skull Press. pp. 156–7.
1044:Winfield, Adam (24 November 2007).
1025:from the original on 12 August 2017
942:
940:
847:Winfield, Adam (24 November 2007).
2326:List of electronic music festivals
1659:Pozo, Carlos M. (September 1999).
304:Intelligent techno and electronica
25:
4444:Recording studio as an instrument
1832:to help reach a consensus. ›
1579:from the original on 11 June 2008
1515:Fintoni, Laurent (1 March 2018).
961:from the original on 20 June 2017
3602:Christian electronic dance music
1706:from the original on 26 May 2020
926:, Serpent's Tail, pp. 215-216. (
757:
478:Tales from a Danceographic Ocean
2260:Experimental musical instrument
1739:from the original on 2 May 2020
1671:from the original on 6 May 2021
1598:Dave Segal (20 November 2003).
1013:Hobbes, DJ (26 February 2013).
783:List of electronic music genres
650:artists, including Aphex Twin,
341:(particularly acid house) with
2331:List of experimental musicians
534:Artificial Intelligence Vol. 2
1:
4407:Electronic musical instrument
2305:Electroacoustic improvisation
1212:"Label Profile: Warp Records"
1725:Sam Davies (1 August 2018).
1179:AllMusic Guide, Overview of
1634:"Kid606 Ultrahang festival"
811:Cardew, Ben (3 July 2017).
582:become active around 2004.
4510:
1814:on alt.rave, 8 August 1993
1812:original list announcement
1694:Muggs, Joe (6 June 2016).
902:Artificial Intelligence II
307:
260:the Future Sound of London
52:Electronic listening music
29:
4479:Experimental music genres
4429:Electronics in rock music
4390:Digital audio workstation
2380:
1263:, Routledge, 1999. p 155.
1094:, published 28 July 2003.
718:In a 2016 interview with
664:describes the IDM name as
390:, the first album in the
192:
27:Style of electronic music
1849:21 February 2013 at the
1830:templates for discussion
1782:, Pan Macmillan, 1998 (
1768:(March 2013). Montréal:
1551:23 December 2014 at the
1242:"Art Techno Favorites".
1193:Reynolds, Simon (2012).
488:, Ben Willmott replaced
30:Not to be confused with
4484:British styles of music
4337:Progressive electronica
3377:Intelligent dance music
2505:Sound system (Jamaican)
2081:Intelligent dance music
1246:(4): 21. December 1992.
1181:Artificial Intelligence
543:Artificial Intelligence
516:Artificial Intelligence
407:Artificial Intelligence
393:Artificial Intelligence
387:Artificial Intelligence
384:In 1992, Warp released
375:Soma Quality Recordings
281:electronic mailing list
276:Artificial Intelligence
216:Intelligent dance music
42:Intelligent dance music
2658:List of hip hop genres
2384:Electronic dance music
1272:Reynolds (1998), p181.
1228:Reynolds, S., (1999).
748:
735:
716:
698:
680:
671:
553:the Designers Republic
529:
417:—without a qualifying
322:-based groups such as
206:electronic dance music
32:Industrial dance music
2820:Electronic body music
2468:Electroacoustic music
1244:Reactor Mega-Magazine
1083:Ben Stirling (2003),
743:
726:
711:
706:Perfect Sound Forever
694:
675:
666:
638:Criticism of the term
634:subsidiary) in 1996.
524:
450:, and Ferox Records.
4117:Hyperpop microgenres
2781:Contemporary R&B
2265:Experimental luthier
1975:Experimental popular
1640:on 30 September 2007
899:Toop, David, in the
3727:Mainstream hardcore
3101:Chopped and screwed
2490:Elektronische Musik
2444:List of rock genres
2375:-based music styles
2186:Extended techniques
1454:on 18 November 2007
1428:on 17 November 2007
1369:New Musical Express
1328:New Musical Express
1090:24 May 2011 at the
909:7 July 2011 at the
788:List of IDM artists
741:commented in 2018,
614:Push Button Objects
359:Rising High Records
4494:Dance music genres
4489:1993 introductions
3936:Kawaii future bass
3916:Deconstructed club
3069:Breakbeat hardcore
2961:Martial industrial
2951:Industrial hip hop
2832:Ethnic electronica
2815:Electro-industrial
2290:Sound installation
2137:Free improvisation
2029:Deconstructed club
1887:Experimental music
1661:"Matmos interview"
1608:Stylusmagazine.com
1402:on 4 November 2012
1348:on 4 November 2012
1289:on 4 November 2012
1261:Living Through Pop
947:Pollard, Vincent.
555:. Sleeve notes by
530:
411:intelligent techno
55:intelligent techno
4461:
4460:
4457:
4456:
4385:Data sonification
4135:
4134:
4122:Plugg microgenres
4107:Breakcore revival
4072:Slowed and reverb
3752:Post-punk revival
3453:Progressive house
3372:Industrial techno
3044:Asian underground
2976:Power electronics
2752:Alternative dance
2611:Afro/cosmic music
2566:Psychedelic music
2339:
2338:
2275:Progressive music
2255:Data sonification
2180:
2179:
2039:Experimental rock
1997:Avant-garde metal
1788:978-0-330-35056-3
1385:, dated Aug. 1993
1259:. Blake, Andrew,
1210:Birke S. (2007),
932:978-1-85242-743-6
618:Otto von Schirach
379:Peacefrog Records
293:Sasha Frere-Jones
213:
212:
72:Stylistic origins
16:(Redirected from
4501:
4357:Video game music
4206:Acid house party
4144:
4091:Weird SoundCloud
3978:Melbourne bounce
3796:Shangaan electro
3357:Harsh noise wall
3116:Digital hardcore
2956:Industrial metal
2576:Psychedelic rock
2571:Psychedelic funk
2561:Progressive rock
2495:Live electronics
2478:Musique concrète
2473:Acousmatic music
2419:Amplified guitar
2409:
2404:decade of origin
2366:
2359:
2352:
2343:
2314:Events and lists
2238:Related concepts
2162:Progressive jazz
2034:Experimental pop
1992:Avant-garde jazz
1982:
1953:Musique concrete
1936:Acousmatic music
1880:
1873:
1866:
1857:
1749:
1748:
1746:
1744:
1722:
1716:
1715:
1713:
1711:
1700:Resident Advisor
1691:
1685:
1684:
1678:
1676:
1656:
1650:
1649:
1647:
1645:
1636:. Archived from
1630:
1624:
1623:
1621:
1619:
1614:on 11 March 2007
1610:. Archived from
1595:
1589:
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1450:. Archived from
1444:
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1433:
1424:. Archived from
1418:
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1398:. Archived from
1392:
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1344:. Archived from
1338:
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1285:. Archived from
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721:Resident Advisor
703:has remarked in
644:electronic music
512:Brian Behlendorf
462:in reference to
224:electronic music
222:) is a style of
149:Derivative forms
138:Cultural origins
65:
60:
39:
21:
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4305:Chill-out music
4283:
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4095:
3864:
3575:
3438:Nu skool breaks
3022:
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2670:Industrial rock
2599:
2541:Electronic rock
2514:
2429:Hawaiian guitar
2402:
2393:
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2295:Sound sculpture
2233:
2214:Prepared guitar
2199:Circuit bending
2176:
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1978:
1976:
1969:
1931:Electroacoustic
1902:
1899:classical music
1898:
1889:
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1851:Wayback Machine
1833:
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1755:Further reading
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474:Jam & Spoon
456:
434:hardcore techno
367:Rephlex Records
351:R&S Records
334:, a genre that
316:
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4002:
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3896:Big room house
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3845:Vocaloid music
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3695:Hypnagogic pop
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3409:Minimal techno
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3382:Drill 'n' bass
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3333:Lento violento
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3298:Belgian techno
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3084:Toytown techno
3081:
3079:Happy hardcore
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3046:
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3039:Ambient techno
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1795:External links
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1760:Ramsay, Ben. "
1756:
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1490:igloo magazine
1486:"Is IDM Dead?"
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1046:"Is IDM Dead?"
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924:Ocean of Sound
915:
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880:Butler, M.J.,
870:
853:Igloo Magazine
849:"Is IDM Dead?"
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662:AllMusic Guide
656:Mike Paradinas
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594:Richard Devine
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568:Kirk Degiorgio
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448:Mille Plateaux
371:Kirk Degiorgio
314:ambient techno
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3963:Jungle terror
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3673:Future garage
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3669:
3668:Electronicore
3666:
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3652:
3649:
3648:
3647:
3646:Electro house
3644:
3640:
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3629:Dancehall pop
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3559:UK hard house
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3426:Electro swing
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3303:Bouncy techno
3301:
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3259:
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3234:Dungeon synth
3232:
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3160:Drum and bass
3158:
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3143:Bristol sound
3141:
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3019:
3018:Tracker music
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2894:Balearic beat
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2726:Reggae fusion
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2559:
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2556:New-age music
2554:
2552:
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2542:
2539:
2537:
2534:
2532:
2529:
2527:
2524:
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2517:
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2510:Space age pop
2508:
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2451:Western swing
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2285:Sound collage
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2015:
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1914:indeterminacy
1912:
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1539:
1526:
1522:
1521:Fact Magazine
1518:
1511:
1508:
1495:
1491:
1487:
1480:
1477:
1474:
1473:IDM, AllMusic
1469:
1466:
1453:
1449:
1443:
1440:
1427:
1423:
1417:
1414:
1401:
1397:
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1363:
1360:
1347:
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1337:
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1329:
1322:
1319:
1315:. p. 45.
1314:
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1127:
1123:
1119:
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1109:
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1100:
1097:
1093:
1089:
1086:
1085:Junkmedia.org
1082:
1079:
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1051:
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784:
781:
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776:
774:
771:
770:
766:
755:
750:
747:
742:
740:
739:Hyperreal.org
734:
732:
731:Richie Hawtin
725:
723:
722:
715:
710:
708:
707:
702:
697:
693:
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619:
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595:
591:
589:
583:
579:
574:IDM worldwide
573:
571:
569:
565:
560:
558:
554:
550:
546:
544:
535:
532:
527:
523:
519:
517:
513:
510:
509:Hyperreal.org
506:
501:
497:
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483:
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404:
400:
396:
394:
389:
388:
382:
380:
376:
372:
368:
364:
363:Richard James
360:
357:'s Planet E,
356:
352:
348:
344:
343:ambient music
340:
337:
333:
332:ambient house
329:
325:
321:
315:
311:
303:
298:
296:
294:
290:
286:
282:
278:
277:
272:
267:
265:
261:
257:
256:the Black Dog
253:
249:
245:
241:
237:
233:
229:
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217:
207:
204:
202:
199:
197:
194:
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178:
176:
173:
171:
168:
166:
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161:
158:
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153:
152:
151:
147:
144:
141:Early 1990s,
140:
136:
130:
127:
125:
122:
120:
117:
115:
112:
110:
107:
105:
102:
100:
97:
95:
92:
90:
87:
85:
82:
80:
77:
76:
74:
70:
62:
57:
54:
51:
50:
49:
45:
40:
37:
33:
19:
4412:Drum machine
4322:Doujin music
4310:Lounge music
4267:Street dance
4221:EDM festival
4174:Sound system
4140:Other topics
4015:Post-dubstep
3968:Lofi hip hop
3943:Future house
3769:Reductionism
3737:Nintendocore
3661:Fidget house
3612:Coupé-décalé
3552:Speed garage
3376:
3367:Indietronica
3271:Ghetto house
3249:French house
3239:Electroclash
3195:Ragga jungle
3106:Dark electro
3006:Bleep techno
2986:Sophisti-pop
2924:Jersey sound
2837:Funk carioca
2793:Dark ambient
2697:Minimal wave
2388:
2382:
2080:
1977:music genres
1897:contemporary
1823:
1779:
1776:Reynolds, S.
1765:
1741:. Retrieved
1730:
1720:
1708:. Retrieved
1699:
1689:
1680:
1673:. Retrieved
1664:
1654:
1642:. Retrieved
1638:the original
1628:
1616:. Retrieved
1612:the original
1607:
1601:
1593:
1581:. Retrieved
1572:
1563:
1541:
1529:. Retrieved
1520:
1510:
1498:. Retrieved
1489:
1479:
1468:
1456:. Retrieved
1452:the original
1442:
1430:. Retrieved
1426:the original
1416:
1404:. Retrieved
1400:the original
1390:
1382:
1377:
1368:
1362:
1350:. Retrieved
1346:the original
1336:
1327:
1321:
1312:
1303:
1291:. Retrieved
1287:the original
1277:
1268:
1260:
1256:
1252:
1243:
1237:
1229:
1207:
1203:
1194:
1188:
1180:
1174:
1162:. Retrieved
1151:
1142:
1130:. Retrieved
1121:
1111:
1103:
1099:
1080:
1077:
1073:
1065:
1058:. Retrieved
1049:
1039:
1027:. Retrieved
1018:
1008:
996:. Retrieved
987:
963:. Retrieved
952:
949:"Translator"
923:
918:
904:sleeve notes
901:
896:
881:
877:
873:
861:. Retrieved
852:
827:. Retrieved
818:The Guardian
816:
765:Music portal
744:
736:
727:
719:
717:
712:
705:
699:
695:
688:
683:
681:
676:
672:
667:
661:
660:
641:
623:Tone Capsule
622:
587:
584:
580:
577:
561:
542:
538:
533:
515:
502:
498:
493:
489:
485:
481:
477:
467:
457:
454:The IDM List
445:
437:
427:
422:
418:
414:
406:
392:
385:
383:
317:
274:
273:compilation
268:
219:
215:
214:
188:Other topics
129:sound design
36:
4474:Electronica
4422:Synthesizer
4327:Lo-fi music
4272:House dance
4255:Rare groove
4179:Turntablism
4164:Disc jockey
4112:Drift phonk
3993:Moombahsoul
3988:Moombahcore
3948:Future soul
3931:Future bass
3926:Funktronica
3911:Bro-country
3850:Witch house
3818:Tecno brega
3712:Jersey club
3656:Dutch house
3510:Progressive
3448:Power noise
3394:Livetronica
3244:Folktronica
3220:Liquid funk
3210:Intelligent
3205:Atmospheric
3096:Changa tuki
3091:Broken beat
3034:Ambient dub
3001:Acid techno
2991:Synth-metal
2852:Tecnocumbia
2764:Ambient pop
2719:Italo disco
2638:Electropunk
2616:Space disco
2588:Space music
2581:Sampledelia
2390:Electronica
2229:Turntablism
2172:Witch house
2132:Drone metal
1921:Avant-garde
1818:‹ The
1803:– list info
1665:Furious.com
1644:5 September
1618:5 September
1583:5 September
1573:Furious.com
1531:19 December
1500:16 November
1309:Needs, Kris
1164:15 November
1060:16 November
773:Folktronica
628:Astralwerks
608:(Schematic/
596:(Schematic/
551:artwork by
549:typographic
545:compilation
494:dance music
430:electronica
347:dance music
339:house music
310:Electronica
196:Acid techno
99:progressive
94:avant-garde
79:Electronica
47:Other names
4468:Categories
4395:Drum break
4342:Rave music
4332:Madchester
4295:Bass music
4277:Rave dance
4226:Free party
4191:Microgenre
4062:Hardvapour
4000:Mumble rap
3983:Moombahton
3973:Mahraganat
3901:Black MIDI
3811:Sovietwave
3786:Russ music
3717:Juke house
3690:Hauntology
3651:Complextro
3639:Reggaestep
3404:Microhouse
3399:Merenhouse
3318:Frenchcore
3313:Free tekno
3281:Ghettotech
3229:Dub techno
3126:Diva house
3121:Disco polo
3111:Denpa song
3054:Bhangragga
2966:Miami bass
2857:Turbo-folk
2827:Electropop
2798:Dubtronica
2714:Dance-rock
2709:Dance-punk
2704:Post-disco
2665:Industrial
2643:Euro disco
2593:Space rock
2483:Tape music
2373:Electronic
2300:Soundscape
2224:Scordatura
2194:3rd bridge
2157:Industrial
2122:Avant-funk
2064:noise rock
2019:Avant-punk
2014:Avant-prog
2002:Post-metal
1941:Tape music
1458:26 January
1432:26 January
1132:8 December
998:20 January
863:1 February
829:1 February
794:References
684:Braindance
606:Prefuse-73
557:David Toop
355:Carl Craig
308:See also:
244:Aphex Twin
232:acid house
170:microhouse
104:acid house
64:braindance
59:art techno
4196:Nightclub
4159:Club drug
4154:Beat drop
4057:Vaporwave
4032:Rara tech
3921:Dreampunk
3876:Afroswing
3860:Wonky pop
3806:Synthwave
3774:Lowercase
3732:Nightcore
3722:Jumpstyle
3700:Chillwave
3622:Crunkcore
3607:Cloud rap
3587:Afrobeats
3547:Breakstep
3537:UK garage
3525:Uplifting
3463:Reggaeton
3443:Post-rock
3389:Kidandali
3350:Speedcore
3328:Hardstyle
3308:Breakcore
3266:Futurepop
3178:Neurofunk
3138:Downtempo
2929:Hip house
2869:Eurodance
2808:Freestyle
2769:Breakbeat
2747:Acid jazz
2731:Synth-pop
2692:Dark wave
2687:Cold wave
2677:Japanoise
2633:Dancehall
2551:Krautrock
2546:Jazz-funk
2280:Sound art
2167:Punk jazz
2142:Free jazz
2074:post-rock
2069:post-punk
2049:math rock
2044:krautrock
2009:Avant-pop
1909:Aleatoric
1313:Billboard
692:has said,
602:Alpha 606
585:In 2018,
409:series, "
330:produced
240:breakbeat
180:flashcore
155:Breakcore
109:breakbeat
18:IDM music
4449:Waveform
4245:Sampling
4231:Teknival
4084:Hardwave
4067:Mallsoft
4047:EDM trap
4042:Shamstep
3953:Hyperpop
3886:Amapiano
3881:Algorave
3838:Funkstep
3833:UK funky
3779:Onkyokei
3757:New rave
3592:Bassline
3569:Hard NRG
3564:Hardbass
3500:Hands Up
3485:Balearic
3433:Nu metal
3414:Schaffel
3362:Illbient
3293:Hardcore
3276:Footwork
3254:Nu disco
3215:Jazzstep
3183:Techstep
3173:Hardstep
3168:Darkstep
3153:Trip hop
3148:Psybient
3074:Darkcore
3059:Big beat
2971:New beat
2864:Eurobeat
2682:New wave
2628:Chiptune
2458:Biomusic
2245:Cymatics
2152:Hyperpop
2117:Art rock
2112:Art punk
2054:neo-prog
2024:Biomusic
1985:By style
1895:Related
1847:Archived
1820:template
1737:Archived
1704:Archived
1669:Archived
1577:Archived
1557:AllMusic
1549:Archived
1546:IDM page
1525:Archived
1494:Archived
1383:alt.rave
1158:Archived
1153:AllMusic
1126:Archived
1088:Archived
1054:Archived
1023:Archived
1019:The List
992:Archived
988:AllMusic
965:28 April
959:Archived
954:Exclaim!
907:Archived
857:Archived
823:Archived
751:See also
642:British
590:magazine
526:Autechre
469:The Snow
377:(1991),
369:(1991),
361:(1991),
353:(1989),
248:Autechre
4417:Sampler
4147:Culture
4037:Seapunk
4020:Brostep
3828:UK bass
3791:Sambass
3764:Rabòday
3683:Grindie
3634:Dubstep
3421:Nu jazz
3131:Hardbag
2899:Chicago
2889:Ambient
2803:Electro
2653:Hip hop
2526:Ambient
2127:Ambient
2107:Art pop
2100:Related
2086:Neofolk
2059:no wave
1948:Minimal
1822:below (
1406:28 July
1352:28 July
1293:28 July
690:Kid 606
564:Seefeel
541:second
539:Warp's
415:ambient
328:the KLF
324:the Orb
299:History
285:English
264:Orbital
124:hip hop
114:electro
89:ambient
4347:Reggae
4288:Genres
4260:Riddim
4186:Mashup
4169:DJ mix
3891:Azonto
3823:Trival
3801:Skweee
3742:Nortec
3705:Glo-fi
3597:Budots
3542:2-step
3475:Trance
3468:Dembow
3458:Psydub
3345:Mákina
3340:J-core
3323:Gabber
3288:Glitch
3261:Funkot
3201:Light
3190:Jungle
3164:Heavy
3064:Bitpop
2996:Techno
2944:Tribal
2909:Garage
2847:Kwaito
2842:Kuduro
2648:Hi-NRG
2623:Boogie
2399:Genres
2270:Fluxus
2147:Glitch
1963:Danger
1901:genres
1839:Curlie
1835:I.D.M.
1825:Curlie
1786:
1710:18 May
1675:4 June
1029:6 June
930:
778:Glitch
701:Matmos
678:don't.
654:, and
648:techno
505:server
490:techno
460:Usenet
423:techno
395:series
165:glitch
119:jungle
84:techno
4373:Tools
4317:Disco
4240:Remix
4100:2020s
4010:Plugg
3869:2010s
3855:Wonky
3747:Phonk
3678:Grime
3617:Crunk
3580:2000s
3530:Vocal
3490:Dream
3027:1990s
2981:Ragga
2934:Latin
2919:Italo
2914:Funky
2879:House
2874:Grebo
2757:Baggy
2740:1980s
2604:1970s
2531:Drone
2519:1960s
2500:Noise
2412:Early
1958:Noise
1926:Drone
1743:3 May
1371:: 33.
1330:: 32.
984:"IDM"
709:that
652:Cylob
492:with
482:Bytes
419:house
336:fused
252:μ-Ziq
175:wonky
4434:MIDI
4400:List
4380:Bass
4216:Doof
4201:Rave
4127:Rage
4079:Wave
3958:Gqom
3520:Tech
3505:Hard
3480:Acid
2939:Tech
2904:Deep
2884:Acid
2439:Rock
2434:Jùjú
2250:Dada
2091:Wave
1784:ISBN
1745:2020
1732:Vice
1712:2018
1677:2021
1646:2020
1620:2020
1585:2020
1533:2022
1502:2014
1460:2011
1434:2011
1408:2016
1354:2016
1295:2016
1166:2014
1134:2014
1062:2014
1031:2017
1000:2013
967:2017
928:ISBN
865:2020
831:2020
646:and
630:(an
610:Warp
598:Warp
588:Fact
464:Coil
439:Rave
403:club
326:and
312:and
271:Warp
262:and
238:and
3515:Psy
3495:Goa
2536:Dub
1837:at
1770:CEC
1764:."
1555:at
632:EMI
626:on
612:),
600:),
486:NME
476:'s
466:'s
421:or
399:B12
365:'s
220:IDM
4470::
2401:by
2387:·
1790:).
1778:,
1735:.
1729:.
1702:.
1698:.
1679:.
1667:.
1663:.
1606:.
1575:.
1571:.
1523:.
1519:.
1492:.
1488:.
1219:^
1156:.
1150:.
1124:.
1120:.
1064:.
1052:.
1048:.
1021:.
1017:.
990:.
986:.
975:^
957:.
951:.
939:^
934:).
889:^
855:.
851:.
839:^
821:.
815:.
801:^
616:,
604:,
320:UK
266:.
258:,
254:,
250:,
246:,
234:,
230:,
2365:e
2358:t
2351:v
1879:e
1872:t
1865:v
1772:.
1747:.
1714:.
1648:.
1622:.
1604:"
1600:"
1587:.
1535:.
1504:.
1462:.
1436:.
1410:.
1356:.
1297:.
1168:.
1136:.
1033:.
1002:.
969:.
913:.
867:.
833:.
218:(
34:.
20:)
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