386:"I wanted to capture the depression, the psychological imbalance, and mixture of love and hate that so many people experience when they are caught up in a difficult relationship. At the same time, I also wanted their performances to reflect the almost schizophrenic division symptomatic of living during these times in this society."
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The honeymoon period between Xiaoju and Yi proves short, however, as Xiaoju begins to exhibit increasingly unbalanced behavior. She teases her husband about harboring a crush on her former roommate, and interrogates him on his former partners. Soon, the teasing erupts into public rows, much to the
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was an adaptation, Zhang approached the film with total freedom of creativity, in part because he found the story very realistic. In an interview, Zhang noted that filming the two main characters was like shooting a documentary, noting that the shoot "recaptured the same mindset that had on
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Filming took only a month, and the entire shoot used only a single camera. Zhang has noted that he chose this style of filming in part to utilize long-takes. Additionally, it allowed him to focus on single characters while filming, with reactions of other characters only being implied by the
287:. As the film opens, Xiaoju is about to marry one of Yi's friends. Before the day of the wedding, her fiancé inadvertently commits suicide by diving into an empty swimming pool while drunk. Devastated, Xiaoju becomes increasingly close to Wang Yi, which causes them to fall in love and marry.
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takes an opposite tack, arguing that the film's lack of political grounding and mainstream nature leaves it a "cold romantic thriller" that "lacks the emotional muscle" to appeal to international audiences.
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had grossed nearly 10 million RMB ($ 1.2m), thus making it Zhang's biggest commercial success yet. Internationally, the film has also done well, premiering at many major film festivals including
348:). Reading the book, Zhang agreed, though he moved the story's action forward from the 1980s to present day Beijing. While Zhang had worked with major authors before (notably
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consternation of their friend, Pan Youjun. As Xiaoju becomes convinced that her husband no longer loves her, her behavior become erratic, obsessive, and ultimately dangerous.
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By the early 2000s, Zhang Yuan had decided to make a romance film, a genre he had never tackled before. Upon mentioning this to his friend, author
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argues that the film represents a move towards "maturity," Richard James Havis of
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was released domestically in China in late
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Du Xiaoju and Wang Yi are two people in their 20s living in contemporary
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Zhang has spoken about what he was attempting to capture for the film:
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Berry, Michael (2005). "Wording up a Sweat in a
Celluloid Sauna" in
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Speaking in Images: Interviews with
Contemporary Chinese Filmmakers
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marked the first time Zhang would directly adapt a literary work.
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Kuo, Kaiser (2003-03-02). "Feature Story: Directors' Dilemma".
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The theme song "Wo Ai Ni" (我爱你; "I Love You") was composed by
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Several sources refer to this as a 2003 release (notably the
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as Pan Youjun (the married friend of Wang Yi and Du Xiaoju)
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Zhang would again adapt one of Wang's stories in 2006's
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819:I Love You
756:Zhang Yuan
717:I Love You
706:I Love You
695:I Love You
660:2007-09-19
635:2007-09-10
590:2007-09-19
485:References
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413:I Love You
409:I Love You
372:I Love You
364:I Love You
356:in 1999's
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325:Hou Junjie
307:Tong Dawei
301:Xu Jinglei
259:I Love You
232:Tong Dawei
228:Xu Jinglei
224:Zhang Yuan
219:I Love You
195:97 minutes
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131:Tong Dawei
127:Xu Jinglei
110:Zhang Yuan
107:Written by
101:Zhang Yuan
22:I Love You
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827:Jiang Jie
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391:Reception
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254:Green Tea
248:Jiang jie
113:Wang Shuo
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319:Pan Juan
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208:Language
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123:Starring
84:Wǒ aì nǐ
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354:Zhu Wen
313:Du Peng
285:Beijing
200:Country
179:2002-10
177: (
117:Xia Wei
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67:我爱你
51:我愛你
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