604:'s biographer David Black, who "told what he would do to gain access to letters, if they existed, which would confirm or deny the allegation that Belmont was involved in the Lincoln assassination plot. "I would have done anything to get it, committed the most heinous crime". Citing Gandert, a 2005 master's thesis on book and manuscript went on to claim that "Book thieves can be overenthusiastic hobbyists, drug addicts, gamblers, politicians, priests, librarians, night custodians, building maintenance workers, PhD candidates, library benefactors, or historians. They may steal only once. They may have their method down pat, having long been in the business of living off of stolen goods. They do not have any specific 'look' but are often charming, knowledgeable, and friendly. Ian D. D. Eaves, Curator of the Armory at Her Majesty's Tower in London and a gentleman, said with a pleasant smile while viewing the armor collection of the Metropolitan Museum of Art, 'There's a number of things I'd like to make off with if I could be sure I would be undetected.'" Gandert was later termed "a bit credulous" for making his assertion.
125:
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life nearly 20 years ago. Beyond Norman's central authorial role, the detailed introduction by Howard
Blackmore comes as a complete surprise, while the extent of Blair's direct involvement could not have been fully anticipated either. New words, from three of the 20th century's great scholars, defying time and the grave.
327:
The book's complicated history makes the materialisation of this work all the more impressive. Despite being aware of the progress of the project previously, I could never have been prepared for the experience of opening a package to find "new" work by a leading figure in the field who departed this
204:
In 1996 Eaves left the Royal
Armouries and became a consultant on arms and armour, work he still does as of 2019. The work includes research, along with cataloging and editing, for museums and institutions across Europe and North America. Institutions Eaves has worked for include the Metropolitan
229:
until 2005, when Thomas Del Mar, the head of the company's arms and armour business, left to form Thomas Del Mar
Limited, and took Eaves and Franciska Ekman with him. The new company continued to work on a contractual basis with Sotheby's, "effectively allow Sotheby's to buy in the expertise for
346:. Eaves, according to Oster, was himself dissatisfied with some elements of the book's structure, which were imposed upon him by the Fitzwilliam Museum. Oster also noted that Eaves had no hand in the selection of illustrations or writing their associated captions, some of which contain errors.
341:
was the result of a private commission, through a grant by the museum. The work, approaching a collection largely comprising sixteenth-century German and North
Italian field armour, categorised the pieces by whole armours, half armours, helmets, parts armour, and horse armour. Described as an
282:
that had been published in 1904. The Laking work had included only the works he considered to be highlights of the collection, despite his assertion that "each item ... can stand the most severe scrutiny", and at 283 pages it was just over half the length of Eaves's later catalogue.
310:
from 1972 to 1996, the deaths of Norman in 1998 and
Blackmore in 1999 threatened completion of the project. In 2000 Eaves, then Keeper of Armour at the Royal Armouries, was asked to take on the task, both updating and extending Norman's work and also adding completely new entries.
185:". The article went on to note that Eaves would be continuing at the Metropolitan Museum for an additional two months, in order to undertake "a detailed examination" of some of the museum's British items. The following year, in 1982, Eaves became a consultant curator for the
342:"excellent" if rather expensive book with "very rivet, hinge, plate, crack, pitting, internal washer, decoration, internal lining, lames, etc. ... carefully noted to provide an accurate assessment of the piece", it was nonetheless found to contain flaws when reviewed by
163:. Eaves's time at the museum coincided with the ninth triennial congress of the International Association of Museums of Arms and Military History, held across September and October. The congress included a medieval banquet planned and funded by
586:
to "pick up that gauntlet marked 'peace'". "Er..." said Eaves, "well... I suppose by straining it to the breaking point you could relate gauntlets to hands and thence to offering the hand of peace, but I must say I've never heard of such a
277:
In 2000, Eaves was approached to continue the work of producing a comprehensive catalogue of armour held in the Royal
Collection. The project was intended to fill a gap in scholarship and supersede the somewhat cursory efforts of
148:, serving in that role until 1983. Eaves has also collected pieces of armour himself; one piece, an Italian defense from a left arm, dating to around 1510β1520, is now in the collection of the Metropolitan Museum of Art.
1092:
372:, displayed highly decorated examples from the era. As described by the publisher, it served as a "celebrat the art, craftsmanship, romance and performance of fine firearms, throughout the ages."
238:
In 1983 Eaves was awarded the
Research Medal of the Arms & Armour Society, for services to the study of arms and armour. The following year, on 12 January 1984, he was elected a Fellow of the
87:; he was appointed the society's president in 1995, and currently serves as a vice-president emeritus. He has written and translated several articles for journals, including the society's.
1516:
380:
Eaves has written a number of scholarly articles, many of which were published in the
Journal of the Arms & Armour Society; Eaves also translated a work by the German scholar
360:. The heavily illustrated series displayed highlights of the collection of Robert M. Lee, a philanthropist and collector, whose interest in cars led to two best in shows at the
230:
their sales programme as and when they require it," as one trade publication put it, "while allowing the specialists to develop their own businesses and client services."
265:
and the
Fitzwilliam collection. He has also published a number of scholarly articles and books, and is a coauthor of a volume from a five-volume miniature book series,
144:, which Eaves later termed "the greatest piece I have been instrumental in acquiring in my period at the Armouries". Also in 1978 Eaves was made honorary editor of the
75:
495:
Eaves, Ian (September 1999). "The
Greenwich Armour and Locking Gauntlet of Sir Henry Lee in the Collection of the Worshipful Company of Armourers and Brasiers".
1526:
90:
As of 2019, Eaves works as a consultant on arms and armour, and has been commissioned to create several catalogues of large collections. In 2002 he published
218:
1100:
1394:
600:, to make the point that "he idea that just about anybody is capable of theft is not farfetched." Also included in his evidence were the words of
307:
101:, a 528-page work which Eaves had been working on for more than a decade. He has also coauthored a volume of an illustrated miniature series,
551:
532:
173:
covered the event. "Many of the guests last night cast covetous eyes at the museum's collection, which is among the best in the world", the
132:
Eaves was interested in arms and armour from a young age, writing his first school project on the subject at the age of ten. In 1978 the
361:
71:
384:
for the journal. Eaves has also written for other journals, including on the tournament armours worn by King Henry VIII of England.
159:. The scholarship enabled him to research the museum's collection of European armour, specifically the use and development of the
140:, appointed him Keeper of Armour; he held the position for eighteen years. While there he helped secure the long-term loan of the
239:
286:
Efforts at a successor work to Laking's catalogue had begun in the 1980s as part of a wider cataloguing collaboration between
151:
In 1981 Eaves was awarded the Frances E. Markoe Fellowship in Memory of Stephen A. Caldwell and Frances C. F. Caldwell by the
1409:
83:
for eighteen years, from 1978 to 1996. Also starting in 1978, and continuing until 1983, he served as the editor of the
1388:
291:
152:
113:
1368:
261:
Eaves has been commissioned to create catalogues for multiple large collections of arms and armour, including the
206:
190:
177:
wrote, quoting "a smiling Ian D.D. Eaves, curator of The Armories at Her Majesty's Tower of London" as saying
1471:
Oster, David M. (April 2003). "Review: Catalogue of European Armour at the Fitzwilliam Museum by Ian Eaves".
214:
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1333:
1221:
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436:
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303:
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128:
Defense from a left arm, formerly in Eaves's collection and now owned by the Metropolitan Museum of Art
299:
141:
79:, is a British researcher and consultant on arms and armour. He served as the Keeper of Armour at the
295:
343:
302:(firearms). Although a draft was prepared in eight years, "an amazing achievement" in the words of
457:
Eaves, Ian (1989). "On the Remains of a Jack of Plate Excavated from Beeston Castle in Cheshire".
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404:
181:'There's a number of things I'd like to make off with if I could be sure I would be undetected
1480:
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1210:
575:
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164:
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242:. Since 1995, Eaves has served as the honorary president of the Arms & Armour Society.
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Eaves's statement was quoted the following year in an article by Slade Richard Gandert in
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Eaves has also collected armour himself; one of his former pieces is now owned by the
105:. Eaves's work as a consultant has also included duties for auction houses, including
103:
The Art of the Gun: European Firearms Masterpieces from the 17th to the 19th Centuries
1510:
392:
381:
194:
156:
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356:
In 2003 Eaves coauthored the second volume of a five-volume miniature book series,
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Less pressingly, Eaves was called upon in 1993 for the etymology of the phrase
225:. Eaves has also provided consulting services for auction houses. He worked at
1429:
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294:, who acted as general editor, and two senior figures at the Royal Armouries,
279:
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167:, and held in the hall housing the museum's arms and armour collection. The
1448:
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1252:
1229:
1201:
Gandert, Slade Richard (1982). "Greeks Bearing Gifts and Other Sad Tales".
1135:
1127:
478:
Eaves, Ian (1993). "The Tournament Armours of King Henry VIII of England".
1484:
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1031:
197:. Among other duties during this time, he lectured on the armours of King
60:
Catalogues of armour in the Royal Collection and in the Fitzwilliam Museum
1186:
1050:
1492:
1093:"A Monument to the Living and the Dead: On the Queen's Arms and Armour"
444:
Eaves, Ian; Richardson, Thom (September 1987). "The Warwick Shaffron".
429:
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908:
906:
249:, announced on 31 December 2016, Eaves was appointed a Member of the
222:
987:
985:
983:
769:
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395:(December 1982). "Some Notes on the Sutton Hoo Military Equipment".
1390:"A Learned Congress": A Closer Look at Book and Manuscript Thieves
370:
European Firearms Masterpieces from the 17th to the 19th Centuries
368:
through the twenty-first century; the volume coauthored by Eaves,
123:
824:
1375:. Vol. CXXXI, no. 45, 090. New York City. p. 17.
1175:
Annual Report of the Trustees of the Metropolitan Museum of Art
544:
Arms & Armour: in the Collection of Her Majesty The Queen
926:
646:
644:
642:
640:
321:
Arms & Armour in the Collection of Her Majesty The Queen
99:
Arms & Armour in the Collection of Her Majesty The Queen
1479:(2). Lexington, VA: Society for Military History: 551β552.
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839:
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1134:. Brevard County, Florida. 25 August 1996. pp. 7Bβ
970:
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964:
951:
949:
914:
773:
525:
Catalogue of European Armour at the Fitzwilliam Museum
339:
Catalogue of European Armour at the Fitzwilliam Museum
1259:. Boston, Massachusetts. 20 October 1983 – via
1236:. Boston, Massachusetts. 13 October 1983 – via
991:
677:
1455:. London. 23 December 1993. p. 16 – via
1342:"Legal Joust Looms over Plan to Sell Medieval Helm"
688:
686:
661:
659:
56:
48:
40:
30:
23:
416:Eaves, Ian (Winter 1984). "Letter to the Editor".
725:
707:
1173:"Fellowships and Professional Travel Stipends".
403:(6). Translated by Eaves, Ian. London: 208β216.
1517:Fellows of the Society of Antiquaries of London
1397:). University of North Carolina at Chapel Hill.
1348:. London. 25 March 1996. p. 6 – via
1003:
387:Papers written or translated by Eaves include:
325:
1070:"The Art of the Gun: Miniature Book Volume 2"
894:
650:
319:, said in his review of the resulting book -
97:, and in 2016 he coauthored the long-awaited
8:
1410:"Now Sotheby's Contract Out Arms and Armour"
806:
788:
497:The Journal of the Arms & Armour Society
459:The Journal of the Arms & Armour Society
446:The Journal of the Arms & Armour Society
397:The Journal of the Arms & Armour Society
219:Worshipful Company of Armourers and Brasiers
843:
758:
20:
253:, "or services to the Royal Collection."
52:Arms and armour researcher and consultant
1449:"Pick up the Gauntlet of Peace. Pardon?"
146:Journal of the Arms & Armour Society
85:Journal of the Arms & Armour Society
1387:Nathe, Margarite Annette (April 2005).
1313:Katz, Bill (Fall 1983). "Perspective".
955:
938:
858:
616:
567:
1015:
825:Metropolitan Museum Annual Report 1982
974:
870:
743:
692:
665:
542:Norman, A. V. B.; Eaves, Ian (2016).
16:British consultant on arms and armour
7:
1527:Members of the Royal Victorian Order
1369:"And with Mailed Fist Raise a Toast"
882:
308:Surveyor of the Queen's Works of Art
92:Catalogue of European Armour at the
1299:The Gazette: Official Public Record
1128:"Evidence Sheds Light on Shipwreck"
364:. The books covered guns from the
14:
290:, the keeper of metalwork at the
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1159:Society of Antiquaries of London
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927:Society of Antiquaries directory
435:
362:Pebble Beach Concours d'Elegance
240:Society of Antiquaries of London
1473:The Journal of Military History
1203:Library & Archival Security
598:Library & Archival Security
1:
298:(armour, edged weapons) and
109:and Thomas Del Mar Limited.
915:Antiques Trade Gazette 2005
1543:
1113:Metropolitan Museum of Art
1109:"Defense for the Left Arm"
774:Metropolitan Museum of Art
546:. Royal Collection Trust.
292:Victoria and Albert Museum
153:Metropolitan Museum of Art
114:Metropolitan Museum of Art
1434:Arms & Armour Society
992:The Art of the Gun vol. 2
678:Arms & Armour Society
576:"Throw down the gauntlet"
67:Ian Donald Dietrich Eaves
35:Ian Donald Dietrich Eaves
207:Art Institute of Chicago
1253:"Higgins-Armory Museum"
1230:"Higgins-Armory Museum"
215:University of Cambridge
1414:Antiques Trade Gazette
1155:"Fellows Directory: E"
578:, when Prime Minister
503:(3). London: 133β136.
333:Fitzwilliam collection
330:
129:
1485:10.1353/jmh.2003.0155
1215:10.1300/J114v04n03_03
1032:"About Robert M. Lee"
304:Geoffrey de Bellaigue
251:Royal Victorian Order
247:2017 New Year Honours
199:Henry VIII of England
187:Higgins Armory Museum
127:
1365:Montgomery, Paul L.
1315:Collection Building
1036:Robert M. Lee Trust
1004:Robert M. Lee Trust
746:, pp. 551β552.
523:Eaves, Ian (2002).
465:. London: 137β138.
315:, a curator at the
205:Museum of Art, the
1416:. 14 December 2005
1373:The New York Times
1367:(3 October 1981).
1055:Thomas Del Mar Ltd
424:(4). London: 468.
358:The Art of the Gun
351:The Art of the Gun
337:Eaves's 2002 work
317:Wallace Collection
267:The Art of the Gun
211:Fitzwilliam Museum
130:
94:Fitzwilliam Museum
1280:Yellowstone Press
1097:The Art Newspaper
1074:Yellowstone Press
651:Yellowstone Press
553:978-1-90568-648-3
534:978-0-85115-857-0
527:. Boydell Press.
136:, located in the
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1103:on 18 June 2016.
1099:. Archived from
1091:(16 June 2016).
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142:Barendyne helmet
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1371:. Book Review.
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1181:: 59β60. 1982.
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1089:Capwell, Tobias
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296:A. V. B. Norman
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245:As part of the
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134:Royal Armouries
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81:Royal Armouries
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323:(2016) - that
313:Tobias Capwell
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