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in Rome. Ibert, with the enthusiastic support of his wife "threw himself wholeheartedly into his administrative role and proved an excellent ambassador of French culture in Italy." He held the post until the end of 1960, except for an enforced break while France and Italy were at war during World War
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Ibert refused to ally himself to any particular musical fashion or school, maintaining that "all systems are valid", a position that has caused many commentators to categorise him as "eclectic". His biographer
Alexandra Laederich writes, "His music can be festive and gay … lyrical and inspired, or
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and encouraged the young Ibert's musical interests. From the age of four, he began studying music, first learning the violin and then the piano from his mother, despite his father's wishes that his son would follow in his business profession. After leaving school, he earned a living as a private
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Ibert pursued a successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, incidental music for plays and films, works for piano solo, choral works, and chamber music. He is probably best remembered for his orchestral works including
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Ibert's musical studies were interrupted by the outbreak of World War I, in which he served as a naval officer. After the war he married
Rosette Veber, daughter of the painter Jean Veber. Resuming his studies, he won the Conservatoire's top prize, the
346:, a choreographic piece incorporating chorus and two reciters, is in an epic style. Ibert's practice of collaborating with other composers extended to his works for the ballet stage. His first work composed expressly for the ballet was a waltz for
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teacher, as an accompanist, and as a cinema pianist. He also started composing songs, sometimes under the pen name
William Berty, and helped his father's business, which had suffered a financial setback. In 1910, Ibert became a student at the
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descriptive and evocative … often tinged with gentle humour … all the elements of his musical language bar that of harmony relate closely to the
Classical tradition." The early orchestral works, such as
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government in Paris, and for a time he went into exile in
Switzerland. Restored to his former eminence in French musical life after the war, his final musical appointment was in charge of the
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As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. This is seen even in his best-known pieces:
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In addition to composing, Ibert was active as a conductor and in musical administration. He was a member of professional committees, and in 1937 he was appointed director of the
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productions. His cinema scores covered a similarly broad range. He wrote the music for more than a dozen French films, and for
American directors he composed a score for
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at his first attempt, in 1919. The prize gave him the opportunity to pursue further musical studies in Rome. In the course of these, Ibert composed his first opera,
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recalled him to Paris. In 1955 Ibert was appointed administrator of the Réunion des Théâtres
Lyriques Nationaux, which ran both the
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141:(composition). GĂ©dalge also gave him private lessons in orchestration; Ibert's fellow-students at these private classes included
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1255:"Entr'acte, for flute (or violin) & harp (or guitar)(from "Le médecin de son honneur"). "ALLMUSIC", accessed 30 March 2014
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For the theatre and cinema, Ibert was a prolific composer of incidental music. His best-known theatre score was music for
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Ibert was born in Paris. His father was a successful businessman, and his mother a talented pianist who had studied with
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was produced; it was the most successful of his operas, a musical farce, displaying eclectic style and flair.
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161:(1921), to a libretto by his brother-in-law, the author Michel Veber, writing under the pen name "Nino".
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characters and much musical pastiche in a style both accessible and sophisticated. For the farcical
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for flute, oboe, clarinet, bassoon, trumpet, harp, 2 violins, viola, and cello (1936–1938)
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displays his "eclectic style and his accomplished writing of pastiche set pieces".
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Ibert's stage works similarly embrace a wide variety of styles. His first opera,
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the music is in set pieces in the manner of an operetta. By contrast
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at his first attempt, despite studies interrupted by his service in
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for flute, clarinet, trumpet, violin, cello and percussion (1924)
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is written, in part in a simple folklike style. The opéra bouffe
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In tandem with his creative work, Ibert was the director of the
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for 2 flutes (or flute and oboe), clarinet and bassoon (1921)
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Performed by
Michael Henoch, Larry Combs and William Buchman
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45:. Having studied music from an early age, he studied at the
41:(15 August 1890 – 5 February 1962) was a French composer of
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for small orchestra is lighthearted, even frivolous, and
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for flute (or other instrument) and piano (1927, 1930)
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commissioned two collections of piano music from him,
80:(1922) is a ripely romantic work for large orchestra.
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for Alto
Saxophone and Eleven Instruments (1935–1936)
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The war years were difficult for Ibert. In 1940 the
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1241:, Oxford Music Online, accessed 18 September 2010
1175:. Oxford Music Online, accessed 18 September 2010
745:for flute, violin and harpsichord (or harp) (1946)
721:for flute (or violin) and harp (or guitar) (1935)
1203:, Grove Music Online, accessed 18 September 2010
880:El médico de su honra (Le médecin de son honneur)
661:for organ Pièce Solennelle, Musette, Fugue (1920)
177:Among Ibert's early orchestral compositions were
617:(1961; first movement of an unfinished symphony)
328:is another essay in the old opera bouffe style.
201:; the second was performed in January 1924 with
627:Concerto for Cello and Wind Instruments (1925)
276:Ibert died in Paris aged 71, and is buried at
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309:for small orchestra and the Flute Concerto.
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1236:"Ibert, Jacques (François Antoine Marie)."
1234:Griffiths, Paul and Richard Langham Smith
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1279:The official website of Jacques Ibert
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715:for oboe, clarinet and bassoon (1935)
673:, Sonatine for flute and piano (1923)
609:Tropismes pour des amours imaginaires
249:banned his music and he retreated to
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39:Jacques François Antoine Marie Ibert
423:Cinq Pieces en Trio - II. Andantino
1694:20th-century French male musicians
691:for flute, violin and piano (1927)
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1679:French expatriates in Switzerland
1217:Ibert, Jacques (François Antoine)
1201:The New Grove Dictionary of Opera
815:(Petite suite en forme de ballet)
539:La ballade de la geĂ´le de Reading
493:(1937, Acts 1 and 5, the rest by
179:La Ballade de la geĂ´le de Reading
1629:French male film score composers
1619:20th-century classical composers
840:(arr. for piano by the composer)
803:(arr. for piano by the composer)
445:Problems playing this file? See
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1270:Works by or about Jacques Ibert
528:, épopée choréographique (1951)
503:(1938, operetta, with Honegger)
1067:Les Petites du quai aux fleurs
734:Capriccio pour dix instruments
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1689:20th-century French composers
1654:Conservatoire de Paris alumni
1450:Jean-Auguste-Dominique Ingres
1239:The Oxford Companion to Music
1196:Langham Smith, Richard 1992,
877:for Pedro Ignacio CalderĂłn's
794:, ten pieces for piano (1922)
367:Un chapeau de paille d'Italie
95:he was proscribed by the pro-
1684:Directors of the Paris Opera
1644:Prix de Rome for composition
1474:Joseph-Nicolas Robert-Fleury
1402:Louis-Jean-François Lagrenée
896:(director, Jean Arroy), 1931
775:for bassoon and piano (1953)
769:for trumpet and piano (1950)
575:for chamber orchestra (1930)
568:for chamber orchestra (1930)
1639:French male opera composers
1408:François-Guillaume Ménageot
49:and won its top prize, the
27:French composer (1890–1962)
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1426:Guillaume Guillon-Lethière
730:String Quartet (1937–1942)
165:Composer and administrator
122:Antoine François Marmontel
1669:Burials at Passy Cemetery
1528:Paul-Maximilien Landowski
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1142:, H & D, 2004, p. 135
868:A Midsummer Night's Dream
829:Petite suite en 15 images
655:for harp solo (1916–1917)
1360:Charles-François Poerson
983:The Former Mattia Pascal
1649:French ballet composers
1348:Matthieu de La Teulière
1243:(subscription required)
1221:(subscription required)
1205:(subscription required)
1177:(subscription required)
1095:Invitation to the Dance
807:Le vent dans les ruines
703:for wind quintet (1930)
398:Invitation to the Dance
271:Académie des Beaux-Arts
1634:French opera composers
1438:Pierre-Narcisse Guérin
1384:Charles-Joseph Natoire
1319:French Academy in Rome
1168:Laederich, Alexandra,
763:for violin solo (1950)
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1486:Jules Eugène Lenepveu
1378:Jean François de Troy
1055:La Comédie du bonheur
988:L'Homme de nulle part
781:for bassoon and piano
757:for cello solo (1950)
751:for cello solo (1949)
727:for flute solo (1936)
677:Le Jardinier de Samos
520:Les amours de Jupiter
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1614:Composers from Paris
1354:René-Antoine Houasse
1140:Jean-Pierre Thiollet
1127:"Jacques Ibert", in
1107:Marianne of My Youth
1035:The Phantom Carriage
837:L'Ă©ventail de Jeanne
647:Chamber/Instrumental
637:Concertino da camera
559:L'Ă©ventail de Jeanne
501:Les petites cardinal
348:L'Ă©ventail de Jeanne
340:Les petites Cardinal
1624:Composers for piano
1576:Frédéric Mitterrand
1558:Pierre-Jean Angremy
1516:Paul-Albert Besnard
1492:Louis-Nicolas Cabat
1468:Jean-Victor Schnetz
1456:Jean-Victor Schnetz
1420:Pierre-Adrien Pâris
1414:Joseph-Benoît Suvée
1372:Pierre de l’Estache
1043:Heroes of the Marne
949:Justin de Marseille
918:Georg Wilhelm Pabst
863:Suite Élisabéthaine
713:Cinq pièces en trio
701:Trois pièces brèves
591:Louisville Concerto
526:Le chevalier errant
462:Persée et Andromède
344:Le chevalier errant
314:Persée et Andromède
282:16th arrondissement
207:Orchestre Lamoureux
159:Persée et Andromède
137:(counterpoint) and
127:Paris Conservatoire
47:Paris Conservatoire
1215:Kuhn, Laura (ed.)
1173:Grove Music Online
865:for Shakespeare's
851:Le poète et la fée
571:Suite symphonique
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336:commedia dell'arte
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230:Académie de France
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173:Ibert in the 1930s
85:Académie de France
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1396:Joseph-Marie Vien
1366:Nicolas Vleughels
1198:"Ibert, Jacques."
1170:"Ibert, Jacques."
901:Moon Over Morocco
797:Toccata (D major)
709:for guitar (1935)
685:for guitar (1926)
585:Ouverture de fĂŞte
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381:'s 1948 film of
259:General de Gaulle
16:(Redirected from
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1504:Eugène Guillaume
1432:Charles Thévenin
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857:Incidental Music
824:Noel en Picardie
597:Hommage Ă Mozart
579:Symphonie marine
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135:André Gedalge
132:
131:Émile Pessard
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34:Jacques Ibert
32:
19:
1564:Bruno Racine
1533:
1249:
1238:
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1200:
1172:
1128:
1123:
1105:
1093:
1092:(ballet for
1089:
1084:Orson Welles
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845:Vocal/Choral
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664:
659:Trois Pièces
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93:World War II
89:Villa Medici
82:
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62:
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51:Prix de Rome
38:
37:
1609:1962 deaths
1604:1890 births
1522:Denys Puech
1336:Noël Coypel
1048:André Hugon
1011:The Patriot
964:Le Coupable
894:S.O.S. Foch
755:Ghirlarzana
622:Concertante
507:Barbe-bleue
391:ballet for
375:Shakespeare
263:Paris Opera
241:Later years
183:Oscar Wilde
133:(harmony),
116:Early years
101:Paris Opera
65:(1930) and
55:World War I
1598:Categories
1462:Jean Alaux
1390:Noël Hallé
1115:References
1100:Gene Kelly
975:Anne-Marie
942:Jean Choux
937:Motherhood
888:Film Music
653:Six pièces
615:Bostoniana
603:Bacchanale
533:Orchestral
447:media help
393:Gene Kelly
387:, and the
203:Paul Paray
139:Paul Vidal
1315:Directors
875:Entr'acte
834:Valse de
792:Histoires
779:Arabesque
773:Carignane
767:Impromptu
761:Caprilena
719:Entr'acte
683:Française
556:Valse de
470:Angélique
401:in 1952.
318:Angélique
223:Angélique
215:Histoires
111:Biography
1136:& Co
1102:), 1952;
1019:Angelica
999:Conflict
957:Golgotha
551:FĂ©erique
490:L'Aiglon
483:Gonzague
331:L'Aiglon
326:Gonzague
265:and the
103:and the
69:(1922).
1540:Balthus
1317:of the
1272:at the
1086:), 1948
1079:Macbeth
1074:), 1944
1062:), 1940
1050:), 1939
1006:), 1938
994:), 1937
970:), 1936
944:), 1934
932:), 1933
920:), 1932
908:), 1931
883:(1937)
801:Escales
707:Ariette
545:Escales
514:Ballets
384:Macbeth
356:Poulenc
303:Escales
251:Antibes
232:at the
191:Escales
87:at the
78:Escales
67:Escales
1584:(2009)
1578:(2008)
1572:(2002)
1566:(1997)
1560:(1994)
1554:(1985)
1548:(1977)
1542:(1961)
1536:(1937)
1530:(1933)
1524:(1921)
1518:(1913)
1512:(1905)
1506:(1891)
1500:(1885)
1494:(1879)
1488:(1873)
1482:(1867)
1476:(1866)
1470:(1853)
1464:(1847)
1458:(1841)
1452:(1835)
1446:(1829)
1440:(1823)
1434:(1816)
1428:(1807)
1422:(1807)
1416:(1792)
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1398:(1775)
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1386:(1751)
1380:(1738)
1374:(1737)
1368:(1725)
1362:(1704)
1356:(1699)
1350:(1684)
1344:(1675)
1338:(1673)
1332:(1666)
1090:Circus
1038:(1939)
1030:(1939)
1022:(1939)
1014:(1938)
978:, 1936
871:(1942)
831:(1944)
633:(1934)
611:(1957)
605:(1956)
599:(1955)
593:(1953)
587:(1940)
581:(1931)
562:(1927)
553:(1924)
547:(1922)
541:(1920)
509:(1943)
485:(1931)
479:(1930)
473:(1927)
465:(1921)
455:Operas
389:Circus
189:, and
786:Piano
725:Pièce
573:Paris
405:Works
352:Ravel
296:Music
18:Ibert
1134:Mule
695:Aria
671:Jeux
354:and
237:II.
217:and
187:poem
145:and
97:Nazi
1130:Sax
990:) (
395:'s
365:'s
185:'s
1600::
1227:^
1183:^
1147:^
1138:,
1132:,
1098:,
284:.
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149:.
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57:.
1307:e
1300:t
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193:(
20:)
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