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in 1960, but opposed the passive role taken by the JCP. In 1961, Hariu was expelled from the party for joining other writers in criticizing the party's political and cultural policies, and in 1962, he joined other art prominent critics in protesting the implementation of new restrictions on the
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As an art critic, Hariu initially supported art that adhered the
Communist party's policies of promoting socialist revolution. However, over time he became increasingly opposed to JCP policies and supported the emergence of avant-garde art that broke free from conventional styles of
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and
Communist party orthodoxy. As early as 1953, Hariu complained that the socialist realist art promoted by the party "lacked originality." In the late 1950s, Hariu became one of the first Japanese Marxist critics to embrace
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As his stature in Japan's art and literary community grew, Hariu became involved in professional associations and organizing international art exhibitions. In 1968, he served as commissioner of the
Japanese pavilion for the
277:( 日本心中: 針生一郎・日本を丸ごと抱え込んでしまった男), a 90-min fantastical film exploring the correlation between self and otherness and the many layers of Japan's history by following Hariu as he walks around
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495:: The Yomiuri Indépendant Artists and Social Protest Tendencies in the 1960s". In Munroe, Alexandra (ed.).
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in 1977 and 1977. Hariu was opposed, however, to the participation of artists in the state-sponsored
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Radicals and
Realists in the Japanese Nonverbal Arts: The Avant-garde Rejection of Modernism
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with a degree in literature in 1948, before going on to attend graduate school at
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The Heart of Japan: Ichirō Hariu, the Man Who
Embraced the Whole of Japan
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Breaching the Frame: The Rise of
Contemporary Art in Brazil and Japan
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and declined to take part. Hariu was an active participant in the
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Hariu died of heart failure on May 26, 2010, at the age of 84.
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Japan at the
Crossroads: Conflict and Compromise after Anpo
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Ichirō Hariu was born on
December 1, 1925, in the city of
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191:. While in graduate school, he participated in the
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195:("Nighttime Society") literary society alongside
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499:. New York: Harry N. Abrams. pp. 149–163.
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260:New Japanese Literature Association
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273:'s avant-garde documentary film
145:, December 1, 1925–May 26, 2010)
451:. University of Hawai'i Press.
544:Writers from Miyagi Prefecture
425:University of California Press
240:Yomiuri Indépendant Exhibition
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491:Munroe, Alexandra (1994). "
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580:
554:University of Tokyo alumni
398:"Hariu ichiro (1925-2010)"
269:In 2005, Hariu starred in
519:Japanese literary critics
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549:Tohoku University alumni
474:Harvard University Press
171:Early life and education
183:. Hariu graduated from
529:20th-century essayists
233:. Hariu supported the
227:Abstract Expressionism
493:Morphology of Revenge
417:Erber, Pedro (2014).
209:Japan Communist Party
514:Japanese art critics
466:Kapur, Nick (2018).
443:Havens, Thomas R. H.
264:Shin Nihon Bungakkai
534:Japanese communists
371:, pp. 213–214.
16:Japanese art critic
539:People from Sendai
524:Japanese essayists
252:Sao Paulo Biennale
76:Kawasaki, Kanagawa
472:. Cambridge, MA:
222:socialist realism
185:Tohoku University
181:Miyagi Prefecture
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165:Yūsuke Nakahara
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404:. May 27, 2010
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406:. Retrieved
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231:Art Informel
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197:Tarō Okamoto
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142:Hariu Ichirō
130:Ichirō Hariu
129:
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71:(2010-05-26)
69:May 26, 2010
23:Ichirō Hariu
564:2010 deaths
559:1925 births
381:Havens 2006
333:Munroe 1994
321:Art iT 2010
283:South Korea
193:Yoru no Kai
159:(alongside
104:Nationality
29:Native name
508:Categories
408:August 30,
369:Kapur 2018
357:Kapur 2018
345:Erber 2014
292:References
149:art critic
86:Occupation
45:1925-12-01
297:Citations
445:(2006).
256:Expo '70
205:Kōbō Abe
108:Japanese
98:Japanese
94:Language
279:Gwangju
480:
455:
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402:Art iT
215:Career
177:Sendai
56:Miyagi
52:Sendai
136:針生 一郎
80:Japan
33:針生 一郎
478:ISBN
453:ISBN
429:ISBN
410:2021
229:and
163:and
151:and
66:Died
39:Born
179:in
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