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139:. The artist use of a similar hairstyle, pose, table and indirect light all recall this painting, and the reduction of household items to a minimum of objects is typical of the 17th-century Dutch interiors. This painting was painted a year after Hammershoi moved into his apartment at Strandgade 30, in
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Hammershoi's work was well received at an exhibition in London in 2008, which revived international interest in his work. This painting had been purchased from the artist himself by Edmund
Henriques and remained in the hands of his descendants until appearing on the art market in 1984. It was sold 11
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The work shows the artist's wife Ida reading a letter. She is standing near a table laid with a double coffee pot and one cup. The table, the closed door behind her and the open door in her front, all serve to anchor her position in a otherwise gray space. These and other architectural elements of
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and his Delft contemporaries. This painting shows many characteristics of
Vermeer's interiors, usually featuring a woman at an everyday task. This painting seems to have been directly inspired by a Vermeer he must have seen in Amsterdam,
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this apartment were often painted by
Hammershoi during this period.
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Vilhelm
Hammershøi at the Royal Academy: the poetry of silence
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is an 1899 oil-on-canvas painting by the Danish artist
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76:66 cm (26 in) × 59 cm (23 in)
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329:Interior with Young Woman Seen from the Back
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106:and is currently in a private collection.
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102:. It is an example of a work inspired by
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124:In 1887 Hammershoi travelled to the
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321:Støvkornenes dans i solstrålerne
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383:Paintings by Vilhelm Hammershøi
305:Amalienborg Square, Copenhagen
147:Description and interpretation
136:Woman in Blue Reading a Letter
119:Woman in Blue Reading a Letter
16:Painting by Vilhelm Hammershøi
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252:, 2008 article about the show
165:Interior with a Reading Lady
203:Later history and influence
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104:Dutch Golden Age painting
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73:Dimensions
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66:oil paint
357:(master)
195:Interior
180:Interior
68:, canvas
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