307:, Walker said, "In the early '80s and maybe even the late '80s it was an artist-driven business. You probably weren't taken seriously if you weren't over 35 years old. Now, it's a song-driven format. You still have to go out there and hit a home run with every single you release. There are so many artists out there that do mediocre material but can sing. And it doesn't matter how good you sing, how many notes you can hit, how high or how low you can go, you have to make people believe what you're singing. You can't fool the public all the time. It makes me buckle down and try to find the best music I can find. I don't take any chances. I'm not looking for one-hit wonders or that gimmick record. I want growth. I want it to take a steady climb."
609:
604:
599:
594:
589:
670:
gave the album a mixed review and wrote, " At times, he sounds a little too congested, especially when he sings ballads written by others. But when he gets into a Texas swing on his own he's fine. What Do You Want For
Nothing stands out for its tougher sentiments and sound. Occasionally, he heads for
316:
when asked about if the lyrics to the song "Money Ain't
Everything" represent a longing for a more simple life Walker responded "Well, I feel blessed everyday for what God has given me. I think I appreciate every show more than I used to because I know it could be taken from me. But part of the song
290:
Walker said, "Speaking of the `sophomore jinx,' I've got the `sophomore jitters.' I hope my second album does as well as the first album. I think I've progressed some as a singer and performer since the first one, but they (the buying public) have to like what's on the album itself if they're going
280:
Walker said, "I approached the second a little bit differently from the first one, because it's kind of like scuba diving, the first time, you're down there at the bottom, and it's a little bit dirty, so you have to feel around a lot before you can find the treasure. For the second one, the water
663:
gave the album a B+ rating and wrote "This sophomore project, while not quite as satisfying as his first one, reinforces his credibility as an up-and-coming major player. Walker has written and chosen material that treat old themes in new ways. And his vocal intensity carries them all off. Susan
317:-- "What good is first place when you're in a rat race ... money ain't everything," means I have tried to remain true to myself and be completely honest as a recording artist and a man. Everything that has happened to me over the last several years gave me a newfound courage."
291:
to buy it." He also stated, " On the first album, I'd been writing for years and had all my best work to pick from ... That's one thing I've missed, not being able to write on the road. I went home for two weeks and wrote three songs for this album." Walker told the
300:
After the album's release, Walker stated, "I'll be honest, the second album could have been stronger, but with the success we've had, I know we avoided the sophomore jinx. I just felt really pressed when selecting songs for the entire album." In an interview with
281:
was a little more clear." He also said, "The only thing I try to do is just look for good songs, and not worry about what kind they are. I think if you do that, it does two things: It gets you some hits on radio, and it gives the listener a little variety."
1378:
1192:
297:, about his success of his albums and said, "It's really because of radio. They'll play music they think is good. I'm flattered to be considered one of the artists they like."
1149:
262:. It produced the singles "If I Could Make a Living", "This Woman and This Man", and "My Heart Will Never Know", which respectively reached #1, #1, and #16 on the
251:
106:
29:
1089:
1568:
677:
wrote, "If I Could Make A Living, offers a slightly more inventive batch of tunes (excluding the by-the-numbers title cut) than his first record."
1099:
1578:
1082:
1418:
1374:
1523:
1463:
1477:
1014:
349:
191:
1530:
1143:
1583:
1239:
1498:
671:
Garth Brooks territory in story songs that try to make a mountain out of a molehill of emotion. Mario
Tarradell of
1470:
1411:
790:
775:
473:
1491:
1052:
726:
391:
217:
1547:
1035:
673:
621:
436:
303:
204:
28:
1166:
The Second Coming of CLAY WALKER // Country Star Dives Into
Clearer Waters With New Album (October 2, 1994)
1324:
1573:
1404:
1309:
1291:
921:
1442:
1349:
659:
645:
138:
1505:
1456:
1305:
1283:
917:
666:
633:
156:
1000:
995:
758:
263:
421:
286:
1274:
R.E.M.'s latest is a `Monster' (R.E.M. Monster Warner
Brothers Grade A-) (October 14, 1994)
1484:
706:
702:
293:
113:
890:
876:
255:
174:
1562:
903:
799:
717:
355:
243:
78:
784:
730:
689:
501:
401:
363:
359:
118:
101:
1427:
814:
808:
794:
769:
698:
497:
477:
456:
397:
276:
247:
125:
73:
41:
823:
481:
1226:
Honky-tonk rigors prepared Texas singer for trek to the top. (March 24, 1995)
779:
763:
751:
746:
742:
721:
693:
613:
580:
312:
712:
803:
734:
36:
259:
1400:
1396:
1208:
Walker is no stroller in fast rise to the top (June 11, 1995)
254:. Like his self-titled debut album, this album was certified
1258:
Dancehall duo flogs old horse skillfully (November 12, 1994)
851:
1138:(Media notes). Clay Walker. Giant Records. 1994. 9 24582-2.
1179:
WALKER COMPLETES YEAR OF SUCCESSES (September 9, 1994).
839:
Performed on all tracks except for "Lose Your Memory"
1540:
1515:
1434:
339:
328:
173:
124:
112:
100:
84:
72:
64:
56:
48:
35:
21:
1306:"Clay Walker Chart History (Top Country Albums)"
1148:: CS1 maint: others in cite AV media (notes) (
1193:Down to Earth Clay Walker counts his blessings
586:
1412:
8:
1419:
1405:
1397:
1325:"Top Billboard 200 Albums β Year-End 1995"
939:
860:
559:
27:
18:
1250:
1248:
1218:
1216:
1214:
1075:
980:
325:
1266:
1264:
1130:
1128:
1124:
242:is the second studio album by American
1141:
565:
7:
1350:"Top Country Albums β Year-End 1995"
842:Performed only on "Lose Your Memory"
16:1994 studio album by Clay Walker
1375:"Gold & Platinum - May 4, 1995"
588:
14:
820:Dennis Wilson β background vocals
829:Curtis Young β background vocals
607:
602:
597:
592:
587:
453:"Boogie Till the Cows Come Home"
1569:Albums produced by James Stroud
1314:. Retrieved February 27, 2021.
1296:. Retrieved February 27, 2021.
1240:Fame & Fortune: Clay Walker
376:"The Melrose Avenue Cinema Two"
329:
274:In a telephone interview with
1:
1579:Giant Records (Warner) albums
1284:"Clay Walker Chart History (
928:
910:
739:Sonny Garrish β steel guitar
414:"What Do You Want for Nothin
197:Released: September 13, 1994
210:Released: December 13, 1994
1600:
1050:
1033:
1012:
685:As listed in liner notes.
494:"You Make It Look So Easy"
68:Loud Recording (Nashville)
1081:
1078:
1030:
989:
986:
983:
962:
950:
945:
942:
915:
901:
888:Canadian Country Albums (
887:
873:
866:
863:
847:Charts and certifications
573:
570:
538:
524:
510:
490:
466:
449:
442:Jeff Pennig, Michael Lunn
431:
410:
386:
372:
344:
336:
333:
231:
184:
169:
132:
26:
1499:She Won't Be Lonely Long
1450:If I Could Make a Living
1136:If I Could Make a Living
1053:My Heart Will Never Know
1015:If I Could Make a Living
1004:
999:
994:
528:"Money Ain't Everything"
392:My Heart Will Never Know
350:If I Could Make a Living
239:If I Could Make a Living
223:Released: April 25, 1995
218:My Heart Will Never Know
192:If I Could Make a Living
148:If I Could Make a Living
22:If I Could Make a Living
1224:The Dallas Morning News
1036:This Woman and This Man
963:US Top Country Albums (
674:The Dallas Morning News
545:Williams, Walker, Blazy
542:"Down by the Riverside"
531:Williams, Walker, Blazy
437:This Woman and This Man
304:The Dallas Morning News
205:This Woman and This Man
1377:. RIAA. Archived from
1206:The Grand Rapids Press
250:, released in 1994 on
179:I Could Make a Living
990:Peak chart positions
310:In an interview with
284:In an interview with
1381:on February 25, 2013
561:Professional ratings
1272:Rocky Mountain News
1144:cite AV media notes
660:Rocky Mountain News
657:Chris Rimlinger of
646:Rocky Mountain News
622:Dallas Morning News
562:
470:"Heartache Highway"
1584:Clay Walker albums
1506:Texas to Tennessee
1457:Hypnotize the Moon
1256:The Ottawa Citizen
1222:Tarradell, Mario.
1204:Gonzalez, John D.
1188:Dickerson, James.
918:Top Country Albums
864:Chart (1994β1995)
667:The Ottawa Citizen
560:
556:Critical reception
514:"Lose Your Memory"
157:Hypnotize the Moon
52:September 27, 1994
1556:
1555:
1471:Live, Laugh, Love
1270:Rimlinger, Chris
1242:(August 28, 2007)
1235:Siegler, Bonnie.
1175:Jinkins, Shirley
1115:
1114:
1108:
1107:
1067:
1066:
974:
973:
933:
932:
874:Canadian Albums (
811:β electric guitar
772:β electric guitar
759:background vocals
754:β electric guitar
655:
654:
552:
551:
264:Hot Country Songs
235:
234:
165:
164:
1591:
1541:Related articles
1421:
1414:
1407:
1398:
1391:
1390:
1388:
1386:
1371:
1365:
1364:
1362:
1360:
1346:
1340:
1339:
1337:
1335:
1321:
1315:
1303:
1297:
1281:
1275:
1268:
1259:
1252:
1243:
1233:
1227:
1220:
1209:
1202:
1196:
1186:
1180:
1177:The Plain Dealer
1173:
1167:
1160:
1154:
1153:
1147:
1139:
1132:
1076:
981:
940:
861:
852:
612:
611:
610:
606:
605:
601:
600:
596:
595:
591:
590:
563:
417:
331:
326:
287:The Plain Dealer
224:
221:
211:
208:
198:
195:
134:
133:
96:
95:
91:
31:
19:
1599:
1598:
1594:
1593:
1592:
1590:
1589:
1588:
1559:
1558:
1557:
1552:
1536:
1511:
1485:A Few Questions
1430:
1425:
1395:
1394:
1384:
1382:
1373:
1372:
1368:
1358:
1356:
1348:
1347:
1343:
1333:
1331:
1323:
1322:
1318:
1304:
1300:
1282:
1278:
1269:
1262:
1253:
1246:
1234:
1230:
1221:
1212:
1203:
1199:
1190:Boca Raton News
1187:
1183:
1174:
1170:
1161:
1157:
1140:
1134:
1133:
1126:
1121:
1116:
1074:
979:
938:
936:Year-end charts
868:
859:
849:
707:electric guitar
703:acoustic guitar
683:
608:
603:
598:
593:
558:
553:
424:, Michael Woody
415:
323:
294:Boca Raton News
272:
227:
222:
215:
214:
209:
202:
201:
196:
189:
188:
160:
151:
142:
93:
89:
88:
44:
17:
12:
11:
5:
1597:
1595:
1587:
1586:
1581:
1576:
1571:
1561:
1560:
1554:
1553:
1551:
1550:
1544:
1542:
1538:
1537:
1535:
1534:
1527:
1519:
1517:
1513:
1512:
1510:
1509:
1502:
1495:
1488:
1481:
1474:
1467:
1460:
1453:
1446:
1438:
1436:
1432:
1431:
1426:
1424:
1423:
1416:
1409:
1401:
1393:
1392:
1366:
1341:
1316:
1298:
1276:
1260:
1244:
1228:
1210:
1197:
1195:(May 31, 1995)
1181:
1168:
1162:Wooley, John.
1155:
1123:
1122:
1120:
1117:
1113:
1112:
1106:
1105:
1102:
1096:
1095:
1092:
1086:
1085:
1080:
1073:
1072:Certifications
1070:
1068:
1065:
1064:
1061:
1059:
1056:
1048:
1047:
1044:
1042:
1039:
1032:
1028:
1027:
1024:
1021:
1018:
1011:
1007:
1006:
1003:
998:
992:
991:
988:
985:
978:
975:
972:
971:
968:
960:
959:
956:
948:
947:
944:
937:
934:
931:
930:
927:
913:
912:
909:
899:
898:
895:
885:
884:
881:
871:
870:
865:
858:
855:
850:
848:
845:
844:
843:
840:
836:
835:
831:
830:
827:
821:
818:
812:
806:
797:
791:Michael Rhodes
788:
782:
776:Terry McMillan
773:
767:
761:
755:
749:
740:
737:
724:
715:
711:Glen Duncan β
709:
696:
682:
679:
653:
652:
649:
641:
640:
637:
634:Ottawa Citizen
629:
628:
625:
617:
616:
584:
576:
575:
572:
568:
567:
557:
554:
550:
549:
546:
543:
540:
536:
535:
532:
529:
526:
522:
521:
518:
515:
512:
508:
507:
504:
495:
492:
488:
487:
484:
471:
468:
464:
463:
460:
454:
451:
447:
446:
443:
440:
433:
429:
428:
425:
419:
412:
408:
407:
404:
395:
388:
384:
383:
380:
377:
374:
370:
369:
366:
353:
346:
342:
341:
338:
335:
332:
324:
322:
319:
271:
268:
233:
232:
229:
228:
226:
225:
212:
199:
185:
182:
181:
171:
170:
167:
166:
163:
162:
153:
144:
130:
129:
122:
121:
116:
110:
109:
104:
98:
97:
86:
82:
81:
76:
70:
69:
66:
62:
61:
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1596:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1566:
1564:
1549:
1546:
1545:
1543:
1539:
1533:
1532:
1528:
1526:
1525:
1524:Greatest Hits
1521:
1520:
1518:
1514:
1508:
1507:
1503:
1501:
1500:
1496:
1494:
1493:
1489:
1487:
1486:
1482:
1480:
1479:
1475:
1473:
1472:
1468:
1466:
1465:
1461:
1459:
1458:
1454:
1452:
1451:
1447:
1445:
1444:
1440:
1439:
1437:
1435:Studio albums
1433:
1429:
1422:
1417:
1415:
1410:
1408:
1403:
1402:
1399:
1380:
1376:
1370:
1367:
1355:
1351:
1345:
1342:
1330:
1326:
1320:
1317:
1313:
1312:
1307:
1302:
1299:
1295:
1294:
1289:
1287:
1280:
1277:
1273:
1267:
1265:
1261:
1257:
1254:Beyer, Susan
1251:
1249:
1245:
1241:
1238:
1232:
1229:
1225:
1219:
1217:
1215:
1211:
1207:
1201:
1198:
1194:
1191:
1185:
1182:
1178:
1172:
1169:
1165:
1159:
1156:
1151:
1145:
1137:
1131:
1129:
1125:
1118:
1111:
1103:
1101:
1098:
1097:
1093:
1091:
1090:United States
1088:
1087:
1084:
1083:Certification
1077:
1071:
1069:
1062:
1060:
1057:
1054:
1049:
1045:
1043:
1040:
1037:
1029:
1025:
1022:
1019:
1016:
1009:
1008:
1002:
997:
993:
982:
976:
969:
966:
961:
957:
954:
949:
943:Chart (1995)
941:
935:
925:
924:
919:
914:
908:
906:
900:
896:
893:
892:
886:
882:
879:
878:
872:
862:
857:Weekly charts
856:
854:
853:
846:
841:
838:
837:
833:
832:
828:
826:β bass guitar
825:
822:
819:
817:β lead vocals
816:
813:
810:
807:
805:
801:
800:Matt Rollings
798:
796:
792:
789:
786:
783:
781:
777:
774:
771:
768:
765:
762:
760:
756:
753:
750:
748:
744:
741:
738:
736:
732:
728:
727:Paul Franklin
725:
723:
719:
718:Stuart Duncan
716:
714:
710:
708:
704:
700:
697:
695:
691:
688:
687:
686:
680:
678:
676:
675:
669:
668:
662:
661:
650:
648:
647:
643:
642:
638:
636:
635:
631:
630:
626:
624:
623:
619:
618:
615:
585:
583:
582:
578:
577:
569:
566:Review scores
564:
555:
547:
544:
541:
537:
533:
530:
527:
523:
519:
516:
513:
509:
505:
503:
499:
496:
493:
489:
485:
483:
479:
475:
472:
469:
465:
461:
459:, Roger Brown
458:
455:
452:
448:
444:
441:
438:
434:
430:
426:
423:
422:Keith FollesΓ©
420:
413:
409:
405:
403:
399:
396:
393:
389:
385:
381:
378:
375:
371:
367:
365:
361:
357:
356:Keith Stegall
354:
351:
347:
343:
327:
321:Track listing
320:
318:
315:
314:
308:
306:
305:
298:
296:
295:
289:
288:
282:
279:
278:
269:
267:
265:
261:
257:
253:
252:Giant Records
249:
245:
244:country music
241:
240:
230:
219:
213:
206:
200:
193:
187:
186:
183:
180:
176:
172:
168:
159:
158:
154:
150:
149:
145:
141:
140:
136:
135:
131:
127:
123:
120:
117:
115:
111:
108:
105:
103:
99:
87:
83:
80:
77:
75:
71:
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
1529:
1522:
1516:Compilations
1504:
1497:
1490:
1483:
1476:
1469:
1464:Rumor Has It
1462:
1455:
1449:
1448:
1441:
1383:. Retrieved
1379:the original
1369:
1359:February 27,
1357:. Retrieved
1353:
1344:
1334:February 27,
1332:. Retrieved
1328:
1319:
1310:
1301:
1292:
1285:
1279:
1271:
1255:
1236:
1231:
1223:
1205:
1200:
1189:
1184:
1176:
1171:
1163:
1158:
1135:
1109:
1005:CAN Country
964:
952:
922:
904:
889:
875:
785:Steve Nathan
757:Mark Ivey β
731:steel guitar
690:Eddie Bayers
684:
672:
665:
658:
656:
644:
632:
620:
579:
502:Chris Waters
474:Kim Williams
402:Billy Kirsch
379:Reese Wilson
364:Alan Jackson
360:Roger Murrah
311:
309:
302:
299:
292:
285:
283:
275:
273:
238:
237:
236:
178:
155:
147:
146:
137:
119:James Stroud
37:Studio album
1574:1994 albums
1548:Discography
1478:Say No More
1443:Clay Walker
1428:Clay Walker
1164:Tulsa World
815:Clay Walker
809:Brent Rowan
795:bass guitar
787:β keyboards
770:Brent Mason
699:Larry Byrom
627:(favorable)
498:Tom Shapiro
478:Clay Walker
457:Clay Blaker
398:Steve Dorff
277:Tulsa World
248:Clay Walker
139:Clay Walker
126:Clay Walker
42:Clay Walker
1563:Categories
1119:References
996:US Country
824:Glenn Worf
720:β fiddle,
482:Kent Blazy
270:Background
128:chronology
1531:Christmas
1354:Billboard
1329:Billboard
1311:Billboard
1293:Billboard
1286:Billboard
1094:Platinum
965:Billboard
953:Billboard
946:Position
923:Billboard
905:Billboard
869:position
780:harmonica
764:Paul Leim
752:Dann Huff
747:saxophone
681:Personnel
664:Beyer of
337:Writer(s)
1237:Bankrate
1079:Country
743:Jim Horn
722:mandolin
581:Allmusic
313:Bankrate
266:charts.
256:platinum
114:Producer
57:Recorded
49:Released
39: by
1385:July 7,
987:Single
977:Singles
766:β drums
639:(mixed)
258:by the
246:singer
175:Singles
161:(1995)
152:(1994)
143:(1993)
79:Country
1110:
1100:Canada
713:fiddle
574:Rating
571:Source
517:Walker
340:Length
85:Length
65:Studio
1288:200)"
1104:Gold
1031:1995
1010:1994
984:Year
834:Notes
804:piano
735:Dobro
694:drums
416:'
334:Title
177:from
107:Giant
102:Label
74:Genre
1492:Fall
1387:2011
1361:2021
1336:2021
1150:link
958:130
955:200
867:Peak
614:link
548:3:40
534:3:47
520:2:48
506:3:10
486:3:19
462:3:27
445:4:23
427:3:28
406:3:24
382:3:01
368:2:12
260:RIAA
60:1994
1058:16
1023:73
970:21
951:US
916:US
911:42
907:200
902:US
891:RPM
883:58
877:RPM
539:11.
525:10.
330:No.
1565::
1352:.
1327:.
1308:.
1290:.
1263:^
1247:^
1213:^
1146:}}
1142:{{
1127:^
1063:6
1055:"
1046:2
1041:1
1038:"
1026:1
1020:1
1017:"
1001:US
967:)
929:4
926:)
897:1
894:)
880:)
802:β
793:β
778:β
745:β
733:,
729:β
705:,
701:β
692:β
651:B+
511:9.
500:,
491:8.
480:,
476:,
467:7.
450:6.
432:5.
411:4.
400:,
387:3.
373:2.
362:,
358:,
345:1.
94:19
90:36
1420:e
1413:t
1406:v
1389:.
1363:.
1338:.
1152:)
1051:"
1034:"
1013:"
920:(
439:"
435:"
418:"
394:"
390:"
352:"
348:"
220:"
216:"
207:"
203:"
194:"
190:"
92::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.