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371:. Vases tend to be made out of rough clay, sometimes with tiny white stones added. In the past these were kneaded by hand, which gave it a distorted form and thus character, but later production by wheel also developed. The ear lugs at the end of the production are what define the quality of a vase. They are shaped and formed to balance the vessel; they express the strength and energy of the piece.
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424:(b. 1939) have developed a glaze that produces the same colours as the natural jade green ash wood glaze when fired in a gas kiln. This is sprayed on the pottery to make a base coat, and then poured with more glaze in layers. The thicker the coat is the darker green the glaze that will result.
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called a "dragonfly eye." The clay's durability means it can be fired multiple times without cracking, sometimes up to three times. The ash glaze builds up in layers and produces a translucence. It does not form in modern gas-fired kilns.
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Iga ware's origins are believed to date to the second half of the 7th century and 8th century CE. The area has long produced a clay known for its high resistance to fire. In the early phase it did not differ from nearby
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Modern Iga ware is known for earthen pots with a distinctive shape used in kitchens and households. One of the known kilns is the Iga Mono kiln, which has been in operation since the
19:
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https://emuseum.cornell.edu/view/objects/asitem/8559/3301/displayDate-asc;jsessionid=BF98046D76F8BE2B06A2C213BB0405DE?t:state:flow=9e55ffd1-0416-4a63-a48d-9fa969264a79
136:
appeared. The ear lugs added prestige to a vessel and thus became the popular norm. Since then the ears have become a mark of not only Iga flower vessels but also
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to give curvature. This distinctive curve lets the flames lick over the round edge. Furthermore, tiny pebbles in the clay give it additional surface texture.
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Iga ware uses local clay which is extremely resistant to heat, reacts well to repeated firing, and is fired over three days in a kiln dug into the ground.
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room, vases used to be made out of cut bamboo in order to match the ambiance of the room. Precious vases were offered as gifts to feudal
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from the burning wood forms. This occurs when firewood ash melts at 1400 Celsius. Since they are free of impurities, a clear
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aesthetics with a rustic appearance and purposefully deformed shapes, given extra character by the addition of "ear" lugs (
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causing it to crystallize in a reddish hue, often with brown-grey scorch marks caused by log ashes called
240:(b. 1947) who studied in the 1970s under master potter Tanimoto Mitsuo, Takemura Osamu, and Hasu Yoshitaka
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in
Marubashira, which has been in operation since seven generations and specialises in the production of
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227:(b. 1958) are traditional artists who specialise in Iga ware water jars and vases. Other artists are
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glaze formed by ash. A number of pieces from this period have been registered by the government. The
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207:; it is, however, his Iga ware that is considered some of his most outstanding work. Tanimoto Kei
115:. The most well-known kilns were at Makiyama and Marubashira, in the Ayama district of Iga city.
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Iga ware does not use applied glaze. Instead it is fired at a very high temperature in a
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692:"Bonhams : An Iga ware tea bowl (chawan) Tanimoto Kei (b. 1948)"
642:"Kishimoto Kennin - Artists - Joan B Mirviss LTD - Japanese Fine Art"
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264:, which has similarities. He was succeeded by his son Furutani Kazuya
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container, with two decorative grains. Momoyama period, 17th century
1113:"Fujioka Shuhei - Artists - Joan B Mirviss LTD - Japanese Fine Art"
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260:(1946-2000) was an artist who made works not only in Iga but also
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64:
18:
828:"Touching Stone Japanese pottery, ceramics, & sumi-e Gallery"
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pots. One of the artists who works at Doraku is
Fukumori Masatake
427:
Iga pots have a high level of functionality for everyday use. A
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retention due to the quality of the clay and the thick walls.
610:
Zen
Landscapes: Perspectives on Japanese Gardens and Ceramics
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The kilns are thought to have been established during the
168:). Many pieces are finished with the classic, glass-like
667:"LARGE IGA CHAWAN BY KISHIMOTO KENNIN (item #1217563)"
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Anagama: Building Kilns and Firing By
Furutani Michio
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83:) in Nagatanien, which was used until the mid-1960s
199:Kishimoto Kennin (b. 1934) is an artist who makes
132:, Iga ware water vases with characteristic "ear"
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908:"Furutani Michio -- The King of Anagama Kilns"
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353:The lugs on an Iga ware vase are called "ears"
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1163:"作家・作品のご紹介 恒岡 光興 Mitsuoki Tsuneoka- ギャラリー桃青"
451:
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150:and others. Old Iga ware, which is known as
958:"Japanese Pottery - Four Tokyo Exhibitions"
530:"IGA Menu - EY Net Japanese Pottery Primer"
1294:
1280:
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1088:"福森雅武について - 【土楽 公式ホームページ】伊賀焼<土楽>の和食器通販サイト"
128:lords. Starting in the late 16th century
99:era (1596–1615) under the rule of Lords
445:
338:The clay tends to have a high level of
457:"Iga Ware - Google Arts & Culture"
398:, after the Portuguese word for glass
607:Weiss, Allen S. (15 September 2013).
414:Modern artists like Tsuneoka Mitsuoki
7:
281:. Also well-known is the Doraku kiln
164:) and intentional gouges and dents (
933:"Furutani Michio -- Memorial Story"
717:"Kei Akira Tanimoto- Gallery Tosei"
983:"Ceramics Today - Furutani Kazuya"
14:
883:"Furutani Michio -- Anagama Work"
1373:
1311:
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500:"伊賀焼伝統産業会館 - 体験施設 - 伝統工芸 青山スクエア"
23:Iga ware flower vase with "ear"
1589:list of Japanese ceramics sites
1063:"【土楽 公式ホームページ】伊賀焼<土楽>の和食器通販サイト"
346:. The potter delicately uses a
1303:Japanese pottery and porcelain
142:water jars. They were used as
1:
482:"Iga ware(Mie) - KOGEI JAPAN"
406:glass coagulates to form a
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194:Important Cultural Property
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43:
1972:
382:, and a translucent green
250:(b. 1949). Furutani Michio
217:(b. 1948) and Tanimoto Yoh
192:has been registered as an
55:traditionally produced in
27:, 17th century, Edo period
1946:Culture in Mie Prefecture
1682:Japanese export porcelain
1371:
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1138:"窯元めぐり - 伊賀焼 – 伊賀焼振興協同組合"
630:– via Google Books.
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16:Style of Japanese pottery
1267:http://www.igayaki.or.jp
1038:"土楽窯 - yamahon web shop"
853:"Yoshitaka Hasu-boboya"
558:"Iga Pottery (Igayaki)"
1224:"Japanese-kitchen.net"
803:"SHUHEI FUJIOKA 藤岡 周平"
767:"陶芸ZANMAI-現代陶人名鑑:谷本 洋"
332:
103:(1562–1615) and later
84:
28:
1262:at Wikimedia Commons
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176:called "Broken Pouch"
154:, generally reflects
144:Japanese tea utensils
120:Japanese tea ceremony
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22:
771:www.tougeizanmai.com
342:and is created on a
1042:gallery-yamahon.com
1017:furutani-kazuya.com
857:boboya-kanazawa.com
118:Historically, in a
613:. Reaktion Books.
587:gotoh-museum.or.jp
562:artisticnippon.com
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1791:chasen kusenaoshi
1744:Gold applications
1258:Media related to
987:ceramicstoday.com
832:touchingstone.com
807:shuheifujioka.net
101:Tsutsui Sadatsugu
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1951:Japanese pottery
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993:on 26 April 2017
989:. Archived from
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583:"02094_001"
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292:Doraku-gama
274:(b. 1976).
1940:Categories
1639:Iro-e Jiki
1470:Koishiwara
461:google.com
441:References
279:Edo period
205:Shino ware
81:noborigama
63:, central
1910:suribachi
1896:shimamono
1882:mizutsugi
1875:mizusashi
1720:Seto-guro
1706:nigoshide
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1665:Nabeshima
1660:Mikawachi
1617:Seihakuji
1599:Porcelain
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1514:Ōborisōma
1395:Aizuhongō
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384:ash glaze
364:mimitsuki
328:mizusashi
174:mizusashi
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139:mizusashi
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1956:Iga, Mie
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1819:futa-oki
1759:kintsugi
1752:kinrande
1645:Kakiemon
1574:Tokoname
1564:Takatori
1465:Kiyomizu
1383:Ceramics
1260:Iga ware
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466:12 April
340:hardness
162:katamimi
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44:Iga-yaki
32:Iga ware
1917:tokkuri
1840:hibachi
1833:hanaire
1826:guinomi
1776:Objects
1727:Tenmoku
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1554:Shitoro
1534:Satsuma
1490:Mashiko
1455:Karatsu
1430:Echizen
1410:Amakusa
1400:Akahada
408:globule
404:biidoro
396:biidoro
348:spatula
71:History
1924:yunomi
1903:suiban
1847:kensui
1812:donabe
1798:chawan
1784:chaire
1691:Glazes
1655:Kutani
1623:Hasami
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1243:(PDF)
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