Knowledge (XXG)

Iga ware

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20: 1375: 1313: 322: 371:. Vases tend to be made out of rough clay, sometimes with tiny white stones added. In the past these were kneaded by hand, which gave it a distorted form and thus character, but later production by wheel also developed. The ear lugs at the end of the production are what define the quality of a vase. They are shaped and formed to balance the vessel; they express the strength and energy of the piece. 1255: 76: 424:(b. 1939) have developed a glaze that produces the same colours as the natural jade green ash wood glaze when fired in a gas kiln. This is sprayed on the pottery to make a base coat, and then poured with more glaze in layers. The thicker the coat is the darker green the glaze that will result. 410:
called a "dragonfly eye." The clay's durability means it can be fired multiple times without cracking, sometimes up to three times. The ash glaze builds up in layers and produces a translucence. It does not form in modern gas-fired kilns.
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Iga ware's origins are believed to date to the second half of the 7th century and 8th century CE. The area has long produced a clay known for its high resistance to fire. In the early phase it did not differ from nearby
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Modern Iga ware is known for earthen pots with a distinctive shape used in kitchens and households. One of the known kilns is the Iga Mono kiln, which has been in operation since the
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https://emuseum.cornell.edu/view/objects/asitem/8559/3301/displayDate-asc;jsessionid=BF98046D76F8BE2B06A2C213BB0405DE?t:state:flow=9e55ffd1-0416-4a63-a48d-9fa969264a79
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appeared. The ear lugs added prestige to a vessel and thus became the popular norm. Since then the ears have become a mark of not only Iga flower vessels but also
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to give curvature. This distinctive curve lets the flames lick over the round edge. Furthermore, tiny pebbles in the clay give it additional surface texture.
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Iga ware uses local clay which is extremely resistant to heat, reacts well to repeated firing, and is fired over three days in a kiln dug into the ground.
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room, vases used to be made out of cut bamboo in order to match the ambiance of the room. Precious vases were offered as gifts to feudal
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from the burning wood forms. This occurs when firewood ash melts at 1400 Celsius. Since they are free of impurities, a clear
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aesthetics with a rustic appearance and purposefully deformed shapes, given extra character by the addition of "ear" lugs (
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causing it to crystallize in a reddish hue, often with brown-grey scorch marks caused by log ashes called
240:(b. 1947) who studied in the 1970s under master potter Tanimoto Mitsuo, Takemura Osamu, and Hasu Yoshitaka 297:
in Marubashira, which has been in operation since seven generations and specialises in the production of
143: 119: 1790: 1037: 1513: 1259: 227:(b. 1958) are traditional artists who specialise in Iga ware water jars and vases. Other artists are 172:
glaze formed by ash. A number of pieces from this period have been registered by the government. The
108: 1698: 557: 1733: 104: 582: 207:; it is, however, his Iga ware that is considered some of his most outstanding work. Tanimoto Kei 115:. The most well-known kilns were at Makiyama and Marubashira, in the Ayama district of Iga city. 1638: 766: 1719: 1705: 957: 932: 1955: 1818: 1394: 1337: 614: 608: 100: 1902: 1846: 1342: 52: 1860: 1469: 1409: 387: 129: 716: 456: 374:
Iga ware does not use applied glaze. Instead it is fired at a very high temperature in a
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container, with two decorative grains. Momoyama period, 17th century
1113:"Fujioka Shuhei - Artists - Joan B Mirviss LTD - Japanese Fine Art" 320: 260:(1946-2000) was an artist who made works not only in Iga but also 74: 64: 18: 828:"Touching Stone Japanese pottery, ceramics, & sumi-e Gallery" 303:
pots. One of the artists who works at Doraku is Fukumori Masatake
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Iga pots have a high level of functionality for everyday use. A
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retention due to the quality of the clay and the thick walls.
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Zen Landscapes: Perspectives on Japanese Gardens and Ceramics
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The kilns are thought to have been established during the
168:). Many pieces are finished with the classic, glass-like 667:"LARGE IGA CHAWAN BY KISHIMOTO KENNIN (item #1217563)" 1240:
Anagama: Building Kilns and Firing By Furutani Michio
552: 550: 1775: 1743: 1690: 1598: 1382: 1318: 83:) in Nagatanien, which was used until the mid-1960s 199:Kishimoto Kennin (b. 1934) is an artist who makes 132:, Iga ware water vases with characteristic "ear" 524: 522: 520: 362: 290: 185: 42: 908:"Furutani Michio -- The King of Anagama Kilns" 417: 356: 353:The lugs on an Iga ware vase are called "ears" 306: 284: 267: 253: 243: 233: 220: 210: 179: 36: 1287: 8: 1163:"作家・作品のご紹介 恒岡 光興 Mitsuoki Tsuneoka- ギャラリー桃青" 451: 449: 150:and others. Old Iga ware, which is known as 958:"Japanese Pottery - Four Tokyo Exhibitions" 530:"IGA Menu - EY Net Japanese Pottery Primer" 1294: 1280: 1272: 1088:"福森雅武について - 【土楽 公式ホームページ】伊賀焼<土楽>の和食器通販サイト" 128:lords. Starting in the late 16th century 99:era (1596–1615) under the rule of Lords 445: 338:The clay tends to have a high level of 457:"Iga Ware - Google Arts & Culture" 398:, after the Portuguese word for glass 607:Weiss, Allen S. (15 September 2013). 414:Modern artists like Tsuneoka Mitsuoki 7: 281:. Also well-known is the Doraku kiln 164:) and intentional gouges and dents ( 933:"Furutani Michio -- Memorial Story" 717:"Kei Akira Tanimoto- Gallery Tosei" 983:"Ceramics Today - Furutani Kazuya" 14: 883:"Furutani Michio -- Anagama Work" 1373: 1311: 1253: 500:"伊賀焼伝統産業会館 - 体験施設 - 伝統工芸 青山スクエア" 23:Iga ware flower vase with "ear" 1589:list of Japanese ceramics sites 1063:"【土楽 公式ホームページ】伊賀焼<土楽>の和食器通販サイト" 346:. The potter delicately uses a 1303:Japanese pottery and porcelain 142:water jars. They were used as 1: 482:"Iga ware(Mie) - KOGEI JAPAN" 406:glass coagulates to form a 363: 291: 194:Important Cultural Property 186: 43: 1972: 382:, and a translucent green 250:(b. 1949). Furutani Michio 217:(b. 1948) and Tanimoto Yoh 192:has been registered as an 55:traditionally produced in 27:, 17th century, Edo period 1946:Culture in Mie Prefecture 1682:Japanese export porcelain 1371: 1309: 1138:"窯元めぐり - 伊賀焼 – 伊賀焼振興協同組合" 630:– via Google Books. 418: 402:, results. Sometimes the 357: 307: 285: 268: 254: 244: 234: 221: 211: 180: 37: 16:Style of Japanese pottery 1267:http://www.igayaki.or.jp 1038:"土楽窯 - yamahon web shop" 853:"Yoshitaka Hasu-boboya" 558:"Iga Pottery (Igayaki)" 1224:"Japanese-kitchen.net" 803:"SHUHEI FUJIOKA 藤岡 周平" 767:"陶芸ZANMAI-現代陶人名鑑:谷本 洋" 332: 103:(1562–1615) and later 84: 28: 1262:at Wikimedia Commons 324: 176:called "Broken Pouch" 154:, generally reflects 144:Japanese tea utensils 120:Japanese tea ceremony 78: 22: 771:www.tougeizanmai.com 342:and is created on a 1042:gallery-yamahon.com 1017:furutani-kazuya.com 857:boboya-kanazawa.com 118:Historically, in a 613:. Reaktion Books. 587:gotoh-museum.or.jp 562:artisticnippon.com 333: 85: 29: 1933: 1932: 1791:chasen kusenaoshi 1744:Gold applications 1258:Media related to 987:ceramicstoday.com 832:touchingstone.com 807:shuheifujioka.net 101:Tsutsui Sadatsugu 1963: 1951:Japanese pottery 1377: 1315: 1296: 1289: 1282: 1273: 1257: 1228: 1227: 1220: 1214: 1213: 1211: 1209: 1195: 1189: 1184: 1178: 1177: 1175: 1173: 1167:gallerytosei.com 1159: 1153: 1152: 1150: 1148: 1134: 1128: 1127: 1125: 1123: 1109: 1103: 1102: 1100: 1098: 1084: 1078: 1077: 1075: 1073: 1059: 1053: 1052: 1050: 1048: 1034: 1028: 1027: 1025: 1023: 1009: 1003: 1002: 1000: 998: 993:on 26 April 2017 989:. Archived from 979: 973: 972: 970: 968: 954: 948: 947: 945: 943: 929: 923: 922: 920: 918: 904: 898: 897: 895: 893: 879: 873: 872: 870: 868: 863:on 23 March 2017 859:. 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Index


lugs
Japanese pottery
Iga, Mie
Iga Province
Japan

Shigaraki ware
Keichō
Tsutsui Sadatsugu
Tōdō Takatora
Tōdō Takatsugu
Iga Province
Japanese tea ceremony
daimyō
Momoyama period
lugs
mizusashi
Japanese tea utensils
Sen no Rikkyu
wabi-sabi
Important Cultural Property
Oribe
Shino ware
Fujioka Shuhei
Shigaraki ware
Edo period
donabe

mizusashi

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