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at the Kirov Ballet. This work was characterized by a simple and clear style, lacking a clutter of props characteristic of the time; it became a great success, launching his directing career. Shortly after becoming chief choreographer of
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Disappointed with the Maly's preference for lyrical-comedy ballets, he returned to Kirov Ballet to focus on more epic themes. In 1973 he became artistic director and in 1974 choreographed
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Belsky got his passion to ballet from his parents, famous vaudeville dancers. While still studying at the
Vaganova Academy, in 1942, he was allowed to perform with the
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In parallel, Belsky had a long career as a teacher, which started with character dance in 1946 at the
Vaganova School and continued from 1966 at the
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51:(1977–78), chief ballet master at the Leningrad Music Hall (1979–92), and artistic director of the
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due to the lack of male dancers during World War II. In the 1950s he continued his studies at the
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152:(1979–92) and then as the artistic director of the Vaganova Ballet Academy.
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39:, Russia – 3 July 1999, Saint Petersburg) was a Russian ballet dancer and
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in Saint
Petersburg he retired from dancing. At Maly he choreographed
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Igor Belsky, 74, Dancer, Choreographer and Former
Director of Kirov
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159:. He died of a stroke, aged 74. He was survived by his wife,
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In 1959, while still dancing, he choreographed the two-act
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69:Russian Academy of Theatre Arts
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81:(1950) and Negro Mako in
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25:Igor Dmitrievich Belsky
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186:Obituary: Igor Belsky
106:The Hump-Backed Horse
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127:Dmitri Shostakovich
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135:(1967) and
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141:(1969).
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