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lithography, part of the cloistered arches, seen from the outside. It is three unequal and another blind arches, all with archivolts, with diamond tips, supported by pillars with beams of not less than eight columns, with high floral and figurative capitals. Next to the serving of door, another arch, the blind and the gemed that rests on three pillars, attaches to these caryatids of the best
Romanesque sculpture. The such caryatids as Parcerisa met it beheaded. But a seated Virgin, on the other side of the entrance arch, itself kept whole.
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Sculptural wealth such, showing luxury of economic resources and work of sculptors of very first order within an already well advanced 12th century, what informs all ornamental details, it is not easy to explain, even admitting the relationship of this monument with the Order of the
Templars. But in
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The most beautiful and spectacular part of the monument was another, consisting of the square enclosure, extending west of the church, composing a chapel in which the artists overstepped niceties. Halfway up the section, the square became octagon with four scallops, under each the corresponding
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But the sights of this chapel did not end here. If each section of the lantern lit the inside by double windows, the low walls themselves developed semicircular arches hosting images, and two of the sides opened to the outside. Fortunately, Parcerisa copied in oil painting, then reproduced in
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In 1799 the neoclassical architect
Francisco Álvarez Benavides considered its demolition, but the attack did not hurt but some parts of the precious monument. Then the church was used to convert it into a cemetery. In 1853 and 1860 it is being completed the ruin, and years later, the
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factory, had a single nave divided into four sections, with the normal attachments of semicircular apse and tower. The apse, with exceptional sculptural richness in its columns and capitals, both internally and externally; the tower, with two floors of windows, decorated its
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acquired, from the owners of the chapel, some of the sculptural remains and arches of the gallery described. In 4,000 pesetas were bought three arches, two window arches, four columns, six capitals and a few of sculptural fragments of the
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The town of Ceinos, poor, dark, reduced, possessed a jewel able to make conceited to the most affluent cities; and this gem have destroyed in cold blood, on a whim, on the edge of the road where, surprised the travelers stopped to
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the absence of historical information, there in Ceinos de Campos was the pilgrim building, undoubtedly the most notable of the
Romanesque Valladolidan (province).
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with double thread of quadrangular stars, it was covered with slate pyramidal spire. Outside the nave, the
Romanesque buttresses must have appeared weak in the
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Arcaded gallery of the chapel of Lara (13th c.) of the
Iglesia de Santa María del Temple. Drawing by Francesc Parcerisa in 1860.
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453:"MONUMENTOS DESAPARECIDOS: La iglesia de Santa María del Temple de Ceinos de Campos", Arte en Valladolid
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Exterior of the
Iglesia de Santa María del Temple published in the old Seminario Pintoresco Español.
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The history of this monument José María
Quadrado summarized in a few words:
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are preserved certain architectural elements that belonged to the church.
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Iglesia de Santa María del Temple. Drawing by
Francesc Parcerisa in 1860.
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medallion. Meant one of the clear influences of the domes cycle of the
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Buildings and structures completed in the 12th century
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251:Interior of the Iglesia de Santa María del Temple.
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275:(Church of Saint Mary of the Templars) was a
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338:, was exiled to Muslim lands. He died in
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172:This article includes a list of general
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