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383:. In his service at these sites, he worked primarily as a skilled hand painter. In addition, he performed various supporting roles, such as table service (involving the preparation of meals for a common dining room) and care of elderly Jesuit companions. During this period, Raab produced a large number of images. His painting was involved in the decoration of a series of new churches, large-scale cycles of the lives of saints in corridors of Jesuit colleges, and to a lesser extent, frescos.
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470:. These 137 images of the saints (92 of them hanging in the New Church of St. Ignatius and adjacent buildings), each of approximately 2.2 x 2 meters were completed in about three years, between 1769-71. Raab was occasionally assisted in this work by his workshop, but the quality of many of them indicates that they were created by Raab alone.
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in Prague, where he lived from 1758 to 1769 and again in 1771. At the
Clementinum he gradually created a painting workshop. In addition to paintings, Raab produced drawings for works of sculpture, oversaw their implementation, and, if necessary, sculpted them himself. His Jesuit colleagues included
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In 1784, the
Velehrad Monastery met the fate of many other religious houses in the Habsburg empire, and was abolished. However, Raab opted to stay, and spent the rest of his life in Velehrad, earning a livelihood from his artistic work. He died in 1787.
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are still evident. Raab tended to sign his works, considering this to be a right given to an author by God, who was the originator of his talent.
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426:. Corridors of the adjacent dormitory buildings were originally decorated with three major life cycles of the Jesuit saints, namely St.
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was abolished and Raab had to adapt to a new life. He was eventually accepted by the
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Raab's work can be traced to the influence of
Italian and Czech masters, such as
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Raab's stay at the
Clementinum was interrupted in 1770, while living at the
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and other religious buildings, including the altarpieces of the
Churches of
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to study art under the painter Jan Jiří Major, a disciple of the painter
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254:(5 September 1715 – 2 February 1787) was a Czech painter and
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He created many paintings and frescoes in various churches,
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The longest period of his Jesuit life was spent at the
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182:but its sources remain unclear because it lacks
269:among others. His work is considered to be in
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247:St. James the Greater by Ignác Viktorin Raab
92:introducing citations to additional sources
430:(27 canvases; 24 of which are preserved at
53:Learn how and when to remove these messages
343:In 1744, at the age of 29, he entered the
231:Learn how and when to remove this message
213:Learn how and when to remove this message
82:Relevant discussion may be found on the
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517:Malířské práce Ignáce Raabana Opavsku
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543:Extended biography at www.jesuit.cz
450:). He also produced series of St.
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520:(MS). Palacký University Olomouc
273:style, but some remnants of the
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466:) which were done at the
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400:Church of St. Ignatius
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591:People from Nechanice
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489:style replaced with
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581:Czech male painters
302:Holy Trinity Church
252:Ignác Viktorin Raab
462:(26, preserved in
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428:Ignatius of Loyola
404:New Town of Prague
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566:1787 deaths
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468:Clementinum
420:St. Barbara
388:Clementinum
338:Petr Brandl
330:Nový Bydžov
282:monasteries
267:Petr Brandl
195:introducing
555:Categories
546:(in Czech)
524:20 October
501:References
493:elements.
479:Cistercian
458:) and St.
442:) and St.
422:, and St.
377:Kutná Hora
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491:Classical
481:monks of
440:Bohosudov
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345:novitiate
326:Nechanice
320:Biography
84:talk page
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483:Velehrad
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203:May 2014
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353:brother
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275:Baroque
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