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Il Grido

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384:. They stop at the house of his former girlfriend Elvia, who works as a seamstress. He flatters her and helps repair a racing boat owned by the boyfriend of Elvia's younger sister Edera. Later he and Rosina join Elvia and Edera watching the river race, with Elvia holding Aldo's arm, but Aldo cannot hide his sadness for long and retracts. In his absence, Irma shows up at Elvia's house to deliver Aldo's valise and gives her the news of their separation. Elvia has little sympathy for Irma, believing she will regret throwing away her relationship with Aldo. That night Elvia and Aldo go to a dance, but Elvia asks to leave early so she can talk with him. Upset that Aldo returned to her only after Irma broke off their relationship, she asks him to move on. She also tells him she received his valise from Irma, but does not mention Irma's visit. Later that evening, Edera returns drunk from the dance. She gets flirtatious, and she and Aldo kiss, but Aldo can only think of Irma. He leaves with his daughter early the next morning. Elvia tells her sister that she is sad about his departure, but remains calm on the outside. 388:
disembark before a police check point near a filling station, as passengers on the vehicle are not allowed. The driver tells Aldo that he will pick him up the following day when the police are not around. The filling station is run by Virginia, a young widow who lives with her father, a former farmer whose land she sold. She offers Aldo and Rosina the shack next to the station for the night. The next morning, Virginia offers Aldo a job. When the truck driver from the previous day approaches and asks if Aldo still wants the ride, he declines, choosing to stay. Soon, he and Virginia become lovers.
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Concerned about her behaviour, Aldo goes back to the house where they discuss her husband's death. Aldo suggests that after seven years they can finally get married and legitimise their daughter Rosina. The next day, Irma reveals that she has fallen in love with someone else a few months ago. Aldo is devastated and desperately tries to change her mind during the following days, but to no avail. When he slaps Irma in public, she declares this incident the end of their relationship.
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own, and walks away. Irma notices him and follows him to the deserted sugar refinery, whose workers have joined the protesters. Exhausted, Aldo climbs to the top of the refinery tower where he once worked. From the ground Irma calls up to him, and he turns and sees her down below. Appearing weak and disoriented, Aldo falls to his death as Irma cries out in horror. She kneels over his dead body, while the townspeople, heading for a rally, pass by in the background.
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who ran away, and later because Rosina discovers them making love in an open field. Virginia starts crying, while Aldo utters Irma's name. Back at the house, Virginia suggests that they can no longer take care of Rosina, and soon Aldo puts her on a bus back to her mother. As the bus pulls away, Aldo runs after her, shouting that he loves her.
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doctor to examine her. When the police show up, Aldo, convinced that they are after him, rushes off, leaving behind his coat. Andreina finds the shack where Aldo is hiding, and they go for a walk, speaking about their past. Aldo recalls how he met Irma, and Andreina how she once almost got married but lost her unborn child.
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as his "first genuine critical success".) In a later interview, Antonioni explained that he had been in a state of depression at the time, and that the film reflected this in a more pessimistic, desperate tone. As a result of the film's disappointing domestic reception, Antonioni was forced to cancel
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Some time later, after leaving Virginia, Aldo finds work as a mechanic with a dredge crew. Listening to his boss' tales of travel, Aldo thinks about going to Venezuela and starts learning Spanish, but soon loses interest. He helps Andreina, a local prostitute living in a riverside shack, by forcing a
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Arriving in Goriano, Aldo finds the town in turmoil over the construction of an airfield, which the inhabitants, threatened with dispossession, protest against. He walks through the deserted streets and sees Rosina entering Irma's house. Through the window, he sees Irma comforting a new child of her
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During the following days the rain falls heavy over the Po valley, and the river rises. The roof of the shack which Andreina and Aldo have moved into leaks, and both she and Aldo are starving. Infuriated about Aldo's lethargy, she goes to a nearby restaurant where she intends to sleep with the owner
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Aldo and Rosina continue their travels. He is unsuccessful in finding a steady job, as there is no worksite with a school for Rosina nearby. The relationship between the two becomes strained, and when Rosina is almost hit by a car, he slaps her. They get a ride atop a petrol truck, but are forced to
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anthems with him or throwing stones at the workers on the land which he previously owned. Enervated by her father's erratic behaviour, Virginia decides to put him in a retirement home. On the way back, Aldo and Virginia get into repeated quarrels, first because Virginia didn't have an eye on Rosina
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Aldo works as a mechanic in a sugar refinery in Goriano in Northern Italy. Irma, his mistress for seven years, learns that her husband, who left for Australia years ago in search of a job, recently died there. Irma goes to the refinery and drops off Aldo's lunch, but does not stay to talk with him.
652:) saw it as a suicide, Seymour Chatman argues that Aldo is overcome with vertigo as he stands atop the tower, causing him to fall to his death. Chatman found support in the original screenplay, which mentions that Aldo attempts to resist a sudden onset of vertigo as he looks down on the ground. 407:
Taking a ride on a truck back to Goriano, Aldo meets Virginia at the filling station again. She gives him the valise he left behind and tells him about a postcard that arrived from Irma, which she says she has misplaced. In his anger, Aldo grabs Virginia, but finally lets go of her.
504:, Stienta and Ca'Venier. Antonioni later spoke of problems he had with some of his foreign actors: with Betsy Blair, because she wanted the meaning behind her complete dialogue explained in detail, and with Steve Cochran for regularly refusing to follow the director's instructions. 40: 495:
in the late 1940s while working on another production in the Po area. The film was realised as an Italian–American co-production and shot in Winter 1956/1957 on location in the lower Po Valley, including
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In English speaking countries, the film saw a delayed release, in late 1961 in the UK and in October 1962 in the US. In the US, it was also shown in a dubbed and shortened version, released by
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contains neo-realist elements, "particularly the interdependence between the landscapes and the characters and the emphasis on objects", protagonist Aldo "foreshadows Sandro in
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for food. Aldo follows and tries to get her to come back, but, confronted with her ongoing accusations, eventually walks out in silence, leaving behind a grieving Andreina.
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were, depending on the source, unanimously negative or sympathetic only in a handful of cases, calling its director "cold" and "inhuman". (Contrary to this,
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is a member of the working class instead of the bourgeoisie, an observation confirmed by the director in an interview in which he stated that only
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saw an "interesting, sometimes arresting slice of life at the lower depths", but the outlook of its director as "dismal and depressed".
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Liehm, Brunette and Geoffrey Nowell-Smith also point out that as an exception in Antonioni's films, the protagonist of
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regards the ending as being ambiguous: Aldo's death can be viewed either as caused by a fall or a deliberate jump.
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Reviewers disagree about whether Aldo's death at the end is intentional or not. While French critic GĂ©rard Gozlan (
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Distraught and disillusioned, Aldo leaves Goriano with Rosina, and the two start wandering throughout the
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roots and his later films. In her 1984 analysis of Italian cinema, Mira Liehm writes that while
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planned film projects and turn to theatre work, before returning to the cinema with his 1960
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1957 Locarno International Film Festival: Golden Leopard for Michelangelo Antonioni
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proved to be the least successful at the box office, earning a mere 25 million
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Gozlan, Gérard (July–August 1960). "Le Cri ou la faillite de nos sentiments".
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had been artistically acknowledged by Italian critics, the reactions towards
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Astor Pictures: A Filmography and History of the Reissue King, 1933-1965
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on 29 November 1957. Of the films Antonioni had made up to this point,
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release (where it was screened in Italian with English subtitles),
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premiered at the Locarno Film Festival on 14 July 1957 and in
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Passion and Defiance: Italian Film from 1942 to the Present
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by removing unnecessary details and making it more concise.
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Rosina spends time with Virginia's father, singing old
345: 932:. New York: Cambridge University Press. p. 21. 2134: 1923: 1552: 1450: 1311: 1117:. University of California Press. pp. 156–59. 712:), protagonist Fabio reflects on Antonioni's film. 643:in his refusal to acknowledge the fading of love". 242: 225: 215: 191: 183: 160: 150: 140: 130: 99: 91: 83: 59: 49: 32: 774:Jansen, Peter W.; SchĂĽtte, Wolfram, eds. (1984). 883:. University Press of Mississippi. p. XXV. 1530: 1288: 1157:Arrowsmith, William (1995). Ted Perry (ed.). 601:In retrospect, critics such as Leslie Camhi ( 8: 874: 872: 870: 868: 798:. Berkeley: University of California Press. 769: 767: 765: 763: 761: 759: 757: 627:as a transitional work between Antonioni's 1537: 1523: 1515: 1295: 1281: 1273: 1232: 983:Michaelangelo Antonioni: The Investigation 923: 921: 919: 671:(1947) were about working class concerns. 553:Michaelangelo Antonioni: The Investigation 38: 29: 789: 787: 785: 364:Learn how and when to remove this message 2372:Films directed by Michelangelo Antonioni 1180:. New York: Cambridge University Press. 1108: 1106: 951: 949: 778:. Munich and Vienna: Carl Hanser Verlag. 464:Guerrino Campanilli as Virginia's father 306:. In 2008, the film was included on the 2036:Why Has Bodhi-Dharma Left for the East? 1034:"Philip French's classic DVD: Il grido" 796:Antonioni, or, The Surface of the World 731: 729: 727: 725: 721: 2295:Vengeance Is Mine, All Others Pay Cash 1161:. New York: Oxford University Press. 491:Antonioni had written the script for 308:Italian Ministry of Cultural Heritage 7: 1499:"The Dangerous Thread of Things" in 461:Pina Boldrini as Lina, Irma's sister 1940:Antonio Gramsci: The Days of Prison 1178:The Films of Michelangelo Antonioni 930:The Films of Michelangelo Antonioni 569:On the occasion of the film's 1962 476:Gaetano Matteucci as Edera's fiancĂ© 881:Michelangelo Antonioni: Interviews 25: 1948:The Idlers of the Fertile Valley 1084:Phipps, Keith (March 29, 2002). 1006:Weiler, A.H. (23 October 1962). 667:and his early documentary short 537:While Antonioni's previous film 339:too long or excessively detailed 326: 1593:When Willie Comes Marching Home 956:Nowell-Smith, Geoffrey (2019). 820:"Winners of the Golden Leopard" 2382:Films scored by Giovanni Fusco 2143:Off to the Revolution by a 2CV 1242:"Il grido: Modernising the Po" 1058:Camhi, Leslie (30 July 2002). 1032:French, Philip (31 May 2009). 910:Il grido (DVD release booklet) 467:Pietro Corvelatti as Fisherman 1: 2352:Italian black-and-white films 1259:Dennis Schwartz Movie Reviews 1159:Antonioni: The Poet of Images 912:. Eureka Entertainment. 2009. 740:. McFarland. pp. 85–86. 312:100 Italian films to be saved 278:in the US) is a 1957 Italian 2362:1950s Italian-language films 2068:The Place on a Grey Tricorne 1857:They Have Changed Their Face 1546:Golden Leopard winning films 879:Cardullo, Bert, ed. 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Retrieved 1258: 1245: 1224: 1213: 1202: 1177: 1158: 1151:Bibliography 1139: 1133: 1114: 1093:. Retrieved 1089: 1079: 1067:. Retrieved 1063: 1053: 1041:. Retrieved 1038:The Guardian 1037: 1027: 1015:. Retrieved 1011: 1001: 982: 976: 957: 929: 909: 905: 899: 880: 856:. Retrieved 852: 843: 832:. Retrieved 828:the original 823: 814: 795: 775: 737: 709: 705: 699: 669:Gente del Po 668: 664: 660: 658: 647: 645: 640: 636: 632: 624: 618: 614:The Guardian 612: 602: 600: 588: 581:A. H. Weiler 574: 568: 561: 556: 552: 544: 538: 536: 524: 515: 507: 506: 492: 490: 450:Monica Vitti 410: 406: 402: 398: 390: 386: 379: 375: 360: 351: 336: 302:at the 1957 282:directed by 274: 273: 268: 267: 262: 261: 260: 217:Running time 193:Release date 2191:The Rebirth 2151:The Longing 2060:Autumn Moon 1996:Alpine Fire 1865:The Friends 1745:Black Peter 1451:Short films 1360:L'Avventura 958:L'avventura 710:The Redhead 637:L'avventura 590:Film Review 563:L'Avventura 498:Occhiobello 471:Lilia Landi 446:Dorian Gray 434:Betsy Blair 428:Alida Valli 296:Betsy Blair 292:Alida Valli 221:116 minutes 122:Dorian Gray 117:Betsy Blair 112:Alida Valli 92:Produced by 50:Directed by 2342:1957 films 2336:Categories 2199:Parque via 2175:Nine Lives 2100:The Mirror 1729:The Winner 1649:Wild Fruit 1384:Red Desert 1264:31 January 1255:"Il grido" 1086:"Il grido" 1043:31 January 1017:31 January 858:2021-03-11 834:2012-08-12 716:References 629:neorealist 480:Elli Parvo 354:March 2023 280:drama film 275:The Outcry 204:1957-07-14 162:Production 2271:Mrs. Fang 1924:1976–2000 1553:1946–1975 1376:L'Eclisse 1344:Le Amiche 1090:A.V. Club 540:Le Amiche 533:Reception 393:Anarchist 382:Po Valley 243:Languages 226:Countries 164:companies 141:Edited by 27:1957 film 2303:Regra 34 2108:Mr. Zhao 1956:The Herd 1833:Soleil O 1689:Il Grido 1657:Rotation 1368:La Notte 1352:Il Grido 1225:Il grido 1219:AllMovie 1214:Il Grido 1203:Il Grido 906:Il grido 706:Die Rote 665:Il grido 661:Il grido 641:La notte 633:Il grido 625:Il grido 571:New York 557:Il grido 545:Il grido 516:Il grido 508:Il grido 493:Il grido 473:as Woman 436:as Elvia 263:Il grido 151:Music by 100:Starring 84:Story by 33:Il grido 18:Il grido 2263:Godless 2167:Private 2076:Khomreh 1328:I Vinti 1140:Positif 1069:May 28, 824:Locarno 649:Positif 579:critic 502:Ferrara 430:as Irma 424:as Aldo 344:Please 337:may be 252:Spanish 249:Italian 202: ( 2322:(2024) 2314:(2023) 2306:(2022) 2298:(2021) 2290:(2019) 2282:(2018) 2274:(2017) 2266:(2016) 2258:(2015) 2250:(2014) 2242:(2013) 2234:(2012) 2226:(2011) 2218:(2010) 2210:(2009) 2202:(2008) 2194:(2007) 2186:(2006) 2178:(2005) 2170:(2004) 2162:(2003) 2154:(2002) 2146:(2001) 2127:(2000) 2124:Father 2119:(1999) 2111:(1998) 2103:(1997) 2095:(1996) 2087:(1995) 2079:(1994) 2071:(1993) 2063:(1992) 2055:(1991) 2047:(1990) 2039:(1989) 2031:(1988) 2023:(1988) 2015:(1987) 2012:O Bobo 2007:(1986) 1999:(1985) 1991:(1984) 1983:(1983) 1975:(1981) 1972:Chakra 1967:(1980) 1959:(1979) 1951:(1978) 1943:(1977) 1935:(1976) 1916:(1975) 1908:(1974) 1900:(1973) 1892:(1972) 1884:(1971) 1876:(1971) 1868:(1971) 1860:(1971) 1852:(1971) 1844:(1970) 1836:(1970) 1828:(1970) 1820:(1970) 1817:Lilika 1812:(1969) 1804:(1969) 1796:(1969) 1788:(1969) 1780:(1968) 1772:(1967) 1764:(1966) 1756:(1965) 1748:(1964) 1740:(1963) 1732:(1962) 1724:(1961) 1716:(1960) 1708:(1959) 1700:(1958) 1692:(1957) 1684:(1955) 1676:(1955) 1668:(1954) 1660:(1954) 1652:(1954) 1644:(1954) 1636:(1954) 1628:(1953) 1620:(1953) 1612:(1953) 1604:(1952) 1601:Hunted 1596:(1950) 1588:(1949) 1580:(1948) 1572:(1947) 1564:(1946) 1505:(2004) 1496:(1965) 1487:(1953) 1478:(1949) 1470:(1948) 1462:(1947) 1443:(1995) 1435:(1982) 1427:(1980) 1419:(1975) 1411:(1972) 1403:(1970) 1395:(1966) 1392:Blowup 1387:(1964) 1379:(1962) 1371:(1961) 1363:(1960) 1355:(1957) 1347:(1955) 1339:(1953) 1331:(1952) 1323:(1950) 1184:  1165:  1121:  1095:31 May 989:  964:  936:  887:  802:  744:  675:Awards 623:) saw 597:Themes 555:cites 294:, and 2319:Toxic 683:1958 232:Italy 187:CEIAD 1825:Mujo 1502:Eros 1467:N.U. 1266:2023 1208:IMDb 1182:ISBN 1163:ISBN 1119:ISBN 1097:2012 1071:2012 1045:2023 1019:2023 987:ISBN 962:ISBN 934:ISBN 885:ISBN 800:ISBN 742:ISBN 520:lire 512:Rome 416:Cast 318:Plot 2084:RaĂŻ 1228:at 1217:at 1206:at 908:". 700:In 607:), 551:in 310:’s 2338:: 1257:. 1244:. 1105:^ 1088:. 1062:. 1036:. 1010:. 948:^ 918:^ 867:^ 851:. 822:. 784:^ 756:^ 724:^ 566:. 529:. 290:, 1538:e 1531:t 1524:v 1296:e 1289:t 1282:v 1268:. 1248:. 1190:. 1171:. 1127:. 1099:. 1073:. 1047:. 1021:. 995:. 970:. 942:. 893:. 861:. 837:. 808:. 750:. 708:( 691:) 611:( 452:) 367:) 361:( 356:) 352:( 341:. 206:) 20:)

Index

Il grido

Michelangelo Antonioni
Elio Bartolini
Ennio De Concini
Steve Cochran
Alida Valli
Betsy Blair
Dorian Gray
Gianni di Venanzo
Eraldo Da Roma
Giovanni Fusco
drama film
Michelangelo Antonioni
Steve Cochran
Alida Valli
Betsy Blair
Golden Leopard
Locarno Film Festival
Italian Ministry of Cultural Heritage
100 Italian films to be saved
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Po Valley
Anarchist
Steve Cochran
Alida Valli
Betsy Blair
Gabriella Pallotta

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