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461:, a shorter and simpler opera, which was not a success with London audiences at its first performances. The substantial revision of 1734, with the famed castrato Carestini, was much more successful, and the subsequent revival the same year featured dances by celebrated French ballerina Marie Sallé and her troupe, with specially composed music by Handel. 18th century musicologist
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Eurilla's scheme has been successful - Amarilli has been condemned to die for unchastity. Mirtillo begs to be allowed to die in her place but he is refused. Amarilli is being led to her execution when the chief priest of Diana enters with a new decree from the goddess. Mirtillo is of divine parentage
369:
Amarilli is also unhappy about her proposed marriage as she has fallen in love with
Mirtillo, whose family background is not known, although she has not told him she loves him. Mirtillo overhears her lamenting her love for him and woos her, but she rejects him as her duty is to marry Silvio for the
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Diana, virgin huntress goddess, has become displeased with
Arcadia and has let it be known that only through the marriage of a couple descended from heavenly ancestors, one of whom will be "a faithful shepherd", will her wrath be appeased. The couple who are believed to fit this description are the
404:
Eurilla tells
Mirtillo that his love is on her way and he should go into the nearby cave and wait for her, which he does. Eurilla then fetches Amarilli and tells her she can watch what Mirtillo is up to with the other girl from inside the same cave, and leads Amarilli into it too. Now that the two
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In the sacred grove outside the temple of Diana, the lovesick
Dorinda hears her Silvio coming with his fellow hunters and hides in the bushes to watch him. Silvio, seeing movement in the growth, thinks it is a deer and spears it, but he is sorry to find it is Dorinda, who is not dead but wounded.
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In a rocky grove, Mirtillo sings himself to sleep with a song in praise of his beloved
Amarilli. As he slumbers, Eurilla enters with a garland of flowers with a note "From someone who adores you and is waiting for you there" and places it on his body. When he awakes, he thinks it must be from
72:
473:'upon the whole, is inferior in solidity and invention to almost all his other dramatic productions, yet there are in it many proofs of genius and abilities which must strike every real judge of the art, who is acquainted with the state of dramatic Music at the time it was composed.'
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Mirtillo is in such despair at this that he resolves on suicide. The shepherdess
Eurilla is also in love with Mirtillo, prevents him from killing himself, and offers to try to win Amarilli for him. Eurilla is really only interested in winning Mirtillo for herself.
426:
and is the "faithful shepherd" of the prophecy. Human sacrifice is abolished, a double wedding is announced, Mirtillo and
Amarilli as well as Silvio and Dorinda. Eurilla asks for and receives forgiveness, the curse is lifted from the land, and all rejoice.
405:
are in the cave together, Eurilla will go and tell the law authorities to arrest them for illicit sex, for which
Arcadian law prescribes death for the female partner, Amarilli will be executed, and then Eurilla will have Mirtillo for her own.
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Silvio, the hunter, has no interest in girls or getting married at all, he wishes to remain chaste like his patroness the goddess Diana. Yet another shepherdess, Dorinda, is smitten with Silvio but he rejects her love, to her sorrow.
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hunter Silvio, but he has no interest in love, being dedicated to Diana and only interested in hunting, and the shepherdess
Amarilli, who however is in love with the shepherd Mirtillo, whose ancestry is unknown.
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The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought
Italian opera for the first time with his opera
83:
It was composed in 1712 and first performed on 22 November of the same year under the composer. The opera opened to a largely hostile reception, probably due to disappointment after the success of
128:, was added to the opera for this run of performances. The prologue consisted of solo arias, choral movements, and orchestral writing for dance: the danced role of Terpsichore was performed by
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89:: one diarist noted critically that "the scene represented only the Country of Arcadia; the Habits were old – the Opera short". The roles of Mirtillo and Silvio were originally sung by the
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The second edition is notable for its extended overture. In six movements, it includes numerous contrasted sections and may originally have been intended for independent performance.
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remained, and those cut were replaced by arias from Handel's cantatas or earlier operas. This production proved popular and enjoyed a run of 13 performances. In the winter of 1734
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The shepherd Mirtillo is unhappy due to his great love for Amarilli, who is going to have to marry the hunter Silvio in order to please the goddess Diana.
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100:. The overture is in six movements and is long for its time: it is thought that it may have been originally composed as an unrelated orchestral suite.
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Eurilla tells Amarilli that Mirtillo has received a love token and an invitation to an amorous tryst from another girl, which makes her very jealous.
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481:(cello, lute, harpsichord) in the 1712 version and for two flutes, two oboes, bassoon, two horns, strings, and continuo in the 1734 version.
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Meanwhile, Dorinda continues to pester Silvio with her protestations of affection, and he continues to make it clear he is not interested.
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created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers.
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took the role of Mirtillo, was far more successful, but Handel significantly altered the music: only seven of the original
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Silvio discovers he is overwhelmed with love with her after all and they vow to be one.
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went unperformed for many years, but with the revival of interest in Baroque music and
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Caricature of Anna Maria Strada, who sang the role of Amarilli in the 1734 revivals
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The first of the two volume definitive reference on the operas of Handel
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Giovanni Carestini, who sang the role of Mirtillo in the 1734 revivals
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The opera is scored for two flutes, two oboes, bassoon, strings, and
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The overture was included in the 1986 album of Handel Overtures on
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was revived again: Carestini remained as Mirtillo and the English
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Scene: Arcadia, in the Greek countryside, in legendary antiquity.
574:, and is a popular stand-alone work for concerts or recordings.
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based on the famed and widely familiar pastoral poem of the '
59:. It had its first performance on 22 November 1712 at
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took the role of Silvio. A newly composed prologue,
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Agrippina condotta a morire or Dunque sarĂ pur vero
1628:
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1335:
1296:
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766:The New Grove Dictionary of Music and Musicians
648:"Halle: Il pastor fido / Online Musik Magazin"
907:
755:Hicks, Anthony (2001). "Pastor fido, Il". In
8:
103:The revival of the spring of 1734, in which
914:
900:
892:
438:Illustration for Il pastor fido (undated).
887:International Music Score Library Project
878:International Music Score Library Project
141:historically informed musical performance
818:Dean, Winton; Knapp, J. Merrill (1987),
693:
691:
170:
840:ed L. Macy (Accessed 16 January 2007),
588:
1440:L'Allegro, il Penseroso ed il Moderato
1376:Il trionfo del Tempo e del Disinganno
173:Roles, voice types, and premiere cast
7:
2247:
597:"Handel:A Biographical Introduction"
2114:Keyboard suite in D minor (HWV 437)
1380:Il trionfo del Tempo e della VeritĂ
810:. L'Almanacco di Gherardo Casaglia
75:The Queen's Theatre, London, where
1605:Ode for the Birthday of Queen Anne
672:. Handel Institute. Archived from
14:
1770:Funeral Anthem for Queen Caroline
862:Italian libretto (third version).
836:Hicks, Anthony "Il pastor fido",
501:Singers: Anna Dennis (Mirtillo),
135:As with all Baroque opera seria,
2283:Operas by George Frideric Handel
2256:
2246:
2236:
2235:
1791:Wedding anthem for Princess Anne
998:
250:Francesca Margherita de L'Epine
206:Elisabetta Pilotti-Schiavonetti
185:Premiere Cast, 22 November 1712
2212:Handel & Hendrix in London
1:
1885:Music for the Royal Fireworks
1384:The Triumph of Time and Truth
621:Ashley, Tim (17 April 2012).
189:Revised version, 18 May 1734
1816:Utrecht Te Deum and Jubilate
1700:Tra le fiamme (Il consiglio)
955:Handel's lost Hamburg operas
883:Il Pastor Fido, 1734 version
874:Il Pastor Fido, 1712 version
726:"Synopsis of Il Pastor Fido"
370:sake of the common welfare.
822:, Oxford: Clarendon Press,
417:Amarillis Crowning Mirtillo
31:("The Faithful Shepherd") (
2324:
820:Handel's Operas, 1704-1726
798:Casaglia, Gherardo (2005).
63:in the Haymarket, London.
22:title page of the libretto
2230:
2130:Handel Reference Database
2108:The Harmonious Blacksmith
1798:Foundling Hospital Anthem
1686:O lucenti, o sereni occhi
1619:Ode For St. Cecilia's Day
929:
666:"Casts of Il Pastor Fido"
623:"Il Pastor Fido – review"
508:Orchestra:La Nuova Musica
79:had its first performance
57:Giovanni Battista Guarini
2145:Hallische Händel-Ausgabe
2135:Händel-Werke-Verzeichnis
2123:Catalogs and collections
769:(2nd ed.). London:
449:. A tremendous success,
192:Revival 9 November 1734
2288:Italian-language operas
1644:Allor ch'io dissi addio
1598:Aci, Galatea e Polifemo
1503:Joseph and his Brethren
2070:Concerti grossi, Op. 6
2065:Concerti grossi, Op. 3
2060:Organ concertos, Op. 7
2055:Organ concertos, Op. 4
1830:Queen Caroline Te Deum
1573:The Choice of Hercules
923:George Frideric Handel
851:, subscription access.
475:
439:
418:
391:
349:
168:
149:London Handel Festival
80:
41:George Frideric Handel
23:
2308:Operas based on plays
1658:Clori, Tirsi e Fileno
706:. Handel House Museum
498:Conductor:David Bates
471:
437:
416:
389:
347:
255:Margherita Durastanti
238:Maria Caterina Negri
166:
153:Handel Festival Halle
74:
21:
2192:Letters and writings
1665:Dalla guerra amorosa
1326:Va tacito e nascosto
1319:Svegliatevi nel core
939:List of compositions
867:6 March 2009 at the
771:Macmillan Publishers
430:Context and analysis
274:Valeriano Pellegrini
234:Maria Caterina Negri
151:in 2012 and by the
94:Valeriano Pellegrini
2187:British citizenship
2140:Händel-Gesellschaft
1864:Oboe Concerto No. 2
1859:Oboe Concerto No. 1
1854:Oboe Concerto No. 3
1524:Occasional Oratorio
1305:Lascia ch'io pianga
847:16 May 2008 at the
568:The English Concert
283:Giovanni Carestini
175:
67:Performance history
61:the Queen's Theatre
1717:Latin church music
1707:Un'alma innamorata
1672:Del bell'idolo mio
1651:Aure soavi e lieti
838:Grove Music Online
698:Chisholm, Duncan.
440:
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279:Giovanni Carestini
215:Anna Maria Strada
171:
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105:Giovanni Carestini
81:
43:. It was set to a
24:
2270:
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2202:Handel at Cannons
1873:Orchestral suites
1823:Dettingen Te Deum
1756:As Pants the Hart
1612:Alexander's Feast
1259:Alessandro Severo
1196:Parnasso in festa
808:22 November 1712"
780:978-1-56159-239-5
564:Archiv Produktion
337:
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324:Richard Leveridge
259:Maria Rosa Negri
211:Anna Maria Strada
39:in three acts by
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2180:Related articles
1837:Chandos Jubilate
1763:Zadok the Priest
1590:Odes and masques
1531:Judas Maccabaeus
1336:Incidental music
1189:Arianna in Creta
1140:Lotario (Handel)
1035:Acis and Galatea
1028:Amadigi di Gaula
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885:: Scores at the
876:: Scores at the
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732:. Archived from
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700:"Il Pastor Fido"
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530:Nicholas McGegan
518:Cat:907585.86,CD
298:Valentino Urbani
176:
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143:since the 1960s,
98:Valentino Urbani
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2293:Pastoral operas
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1784:Chandos Anthems
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1545:Alexander Balus
1481:Scratch Messiah
1433:Israel in Egypt
1398:Brockes Passion
1391:La resurrezione
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558:Cat:HCD 12912-3
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1847:Oboe concertos
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934:List of operas
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802:Il pastor fido
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757:Sadie, Stanley
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516:Harmonia Mundi
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467:Il Pastor Fido
463:Charles Burney
459:Il Pastor Fido
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329:Gustavus Waltz
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300:("Valentini")
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137:Il Pastor Fido
113:Il pastor fido
77:Il Pastor Fido
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28:Il pastor fido
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1777:Sing Unto God
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1724:Dixit Dominus
1722:
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1704:
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1697:
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1693:Ero e Leandro
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1477:(Mozart arr.)
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1344:The Alchemist
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1273:Giove in Argo
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1077:Giulio Cesare
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1049:Muzio Scevola
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761:Tyrrell, John
758:
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736:on 6 May 2016
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602:
601:GF Handel.org
598:
592:
589:
585:
584:
577:
575:
573:
570:conducted by
569:
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66:
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58:
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50:
49:Giacomo Rossi
46:
42:
38:
34:
30:
29:
20:
16:
2234:
2217:Georg Händel
2207:Handel House
2106:
2099:
2092:
2085:
1835:
1828:
1821:
1814:
1796:
1789:
1782:
1775:
1768:
1761:
1754:
1739:Salve Regina
1734:Nisi Dominus
1705:
1698:
1691:
1684:
1677:
1670:
1663:
1656:
1649:
1642:
1635:
1617:
1610:
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1508:
1501:
1494:
1487:
1472:
1445:
1438:
1431:
1424:
1417:
1410:
1403:
1396:
1389:
1383:
1382: /
1379:
1378: /
1375:
1356:
1349:
1342:
1312:Ombra mai fu
1285:
1278:
1271:
1264:
1257:
1250:
1243:
1236:
1229:
1222:
1215:
1208:
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1019:
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986:
979:
972:
964:
958:
837:
819:
812:(in Italian)
801:
792:
791:
764:
750:
738:. Retrieved
734:the original
729:
720:
708:. Retrieved
703:
678:. Retrieved
674:the original
670:Gfhandel.org
669:
660:
651:
642:
630:. Retrieved
627:The Guardian
626:
616:
604:. Retrieved
600:
591:
582:
581:
561:
538:(Mirtillo),
536:Paul Esswood
523:1734 version
493:1712 version
483:
476:
472:
466:
458:
454:
450:
444:
441:
424:
420:
403:
400:
397:
393:
376:
372:
368:
365:
356:
304:Carlo Scalzi
229:Jane Barbier
144:
136:
134:
123:
112:
102:
84:
82:
76:
27:
26:
25:
15:
2303:1712 operas
1918:Fitzwilliam
1880:Water Music
1474:Der Messias
606:28 December
465:wrote that
182:Voice type
130:Marie Sallé
37:opera seria
2277:Categories
1517:Belshazzar
1105:Alessandro
1056:Floridante
829:0193152193
652:www.omm.de
578:References
556:Hungaroton
545:Orchestra:
528:Conductor:
503:Lucy Crowe
488:Recordings
395:Amarilli.
309:John Beard
125:Terpsicore
120:John Beard
2161:Göttingen
2154:Festivals
2087:Germanico
1808:Canticles
1453:Structure
1368:Oratorios
1252:Faramondo
1210:Ariodante
1147:Partenope
1091:Rodelinda
1084:Tamerlano
1042:Radamisto
988:Agrippina
730:Naxos.com
551:Year:1988
511:Year:2012
294:castrato
264:Mirtillo
224:contralto
197:Amarilli
155:in 2019.
91:castratos
35:8) is an
2241:Category
1629:Cantatas
1566:Theodora
1510:Hercules
1468:Part III
1287:Deidamia
1245:Berenice
1238:Giustino
1224:Atalanta
1098:Scipione
960:Florindo
865:Archived
845:Archived
763:(eds.).
534:Singers:
479:continuo
340:Synopsis
315:Tirenio
269:castrato
267:soprano
246:soprano
243:Eurilla
220:Dorinda
45:libretto
2252:Commons
1905:sonatas
1903:XV solo
1748:Anthems
1580:Jephtha
1559:Solomon
1552:Susanna
1463:Part II
1447:Messiah
1419:Athalia
1412:Deborah
1358:Alceste
1231:Arminio
1182:Orlando
1168:Sosarme
1133:Tolomeo
995:Rinaldo
981:Rodrigo
793:Sources
740:18 June
710:18 June
680:17 June
632:17 June
566:, with
455:Rinaldo
451:Rinaldo
446:Rinaldo
348:Arcadia
288:Silvio
201:soprano
86:Rinaldo
2298:Operas
2171:London
2101:Gideon
1729:Gloria
1538:Joshua
1496:Semele
1489:Samson
1458:Part I
1405:Esther
1280:Imeneo
1217:Alcina
1203:Oreste
1175:Catone
1112:Admeto
1070:Flavio
1063:Ottone
974:Almira
966:Daphne
948:Operas
826:
806:
777:
554:Label:
514:Label:
2262:Audio
2166:Halle
2094:Nabal
2079:Other
1895:Flute
1351:Comus
1266:Serse
1126:Siroe
1021:Silla
1014:Teseo
583:Notes
409:Act 3
382:Act 2
362:Act 1
179:Role
159:Roles
117:tenor
109:arias
55:' by
2197:Will
2048:Opus
1984:367b
1979:367a
1964:364b
1959:364a
1954:363b
1949:363a
1929:359b
1924:359a
1901:and
1899:solo
1426:Saul
1161:Ezio
1154:Poro
824:ISBN
775:ISBN
742:2014
712:2014
682:2014
634:2014
608:2016
319:bass
292:alto
96:and
2039:379
2034:378
2029:376
2024:375
2019:374
2014:373
2009:372
2004:371
1999:370
1994:369
1989:368
1974:366
1969:365
1944:362
1939:361
1934:360
1912:358
47:by
33:HWV
2279::
1897:,
963:,
773:.
759:;
728:.
702:.
690:^
668:.
650:.
625:.
599:.
1920:"
1916:"
1328:"
1324:"
1321:"
1317:"
1314:"
1310:"
1307:"
1303:"
969:)
957:(
915:e
908:t
901:v
814:.
804:,
800:"
785:‎
783:.
744:.
714:.
684:.
654:.
636:.
610:.
469::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
