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mostly on the story; others, however, read more like serious, academic reviews. Some of the reviews are parodies, or the books being reviewed are parodies or complete impossibilities, others are quite serious and can be seen almost as drafts for novels that Lem never got around to write. Lem wrote: "With years passing a great impatience grew in me. It would be a hard work to convert ideas into narration, and that was one of the main reasons I went for such cruel abridgements of the books". Lem was not alone in passing through this kind of crisis: examples abound of works planned by literary celebrities, but never completed. Lem also remarked that he was eventually convinced that writing summaries and introductions enabled him to save time on producing things of importance, namely, his modeling experiments, compared to full-blown literary efforts, most of which would have constituted mundane craftsmanship.
530:"Stanislaw Lem described the threatricity of the Holocaust in shocking terms, including its connections with eschatological forms of Christian pageant - drawing attention to the libidinal aspect of the Holocaust and to the excess of the spectacle written into it. The killing of people on an industrial scale devoid of precedent produced, according to Lem, a void in the experience of those who took part in it. This void was taken over by tacky notions of eschatological spectacle. Theatre turned out to be the phenomenon of European culture that enabled loss of experience to be made up for; it became a remedy for the inability to outlive the events in which one had taken part. Theatrical kitsch, so Lem explains, had crept into the 'dramaturgy of conveyor-belt murder, although no one had intended this'"
28:
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198:(from #14 (04/2002) to #33 (12/2003)). In an interview he claimed that it was not an intended continuation of Lem's work; rather he had a number of ideas he didn't have time to develop in full. Some critics asserted that the latter reason was behind Lem's pseudepigraphy as well. When this opinion was brought to Lem's attention, he denied that.
546:"far more statistical evidence of human evil (murders, rapes, starving children) than of human decency". At the same time he remarks that it is impossible to measure "filial or maternal love", or to "gauge the heat of lovers' passions", or to register "those acts of kindness whose authors wished to remain anonymous."
545:
book is alleged to be a collection of statistical tables, a compilation that includes everything that happens to human life on the planet within any given 60 second period. Reviewing it, Lem expresses his fascination with this project and points out its inherent flaw. He notes that these tables show
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attempted to create different fictional reviewers and authors for each of the books. In his own words: "I tried to imitate various styles – that of a book review, a lecture, a presentation, a speech (of a Nobel Prize laureate) and so on". Some of the reviews are lighthearted, concentrating
502:
in human culture. Lem wrote that some historians took the quite voluminous review of
Aspernicus for real and tried to order the non-existing book, and one person even claimed he had the Aspernicus' book at home, despite the fact that Lem dropped a hint by dating the review by a year
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in an ordinary man is basically harmless for humankind. However stupidity of a major historical person has a tragic effect on the course of human history. And this, in Lem's view, can be observed at the roots of many tragic events of the past.
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236:, a collection of introductions to books supposedly to be written in the future, in the 21st century. One of those Lem eventually developed into a book by itself:
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133:. Some of the reviews remind the reader of drafts of his science-fiction novels, some read like philosophical pieces across scientific topics, from
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590:). "It celebrates the industrial concept of time and certain types of vigorous banality which are shared by all people throughout the world.".
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The Agora SA edition also contained the "Glossary of Lem's
Terminology" ("Słownik terminów Lemowskich") based on the book
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390:"Das kreative Vernichtungsprinzip. The World as Holocaust" ("The Creative Extermination Principle. The World as
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reads this book, and the corresponding piece is a nearly verbatim copy of a part of its faux review here.
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inspired Nick
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is a lengthy essay on the nature of intelligence, delivered by the eponymous US military computer.
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in 1980 issue 7/8, pp. 12–27. Both reviews were first published as a book in 1981 (
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975:"FICTION : ONE HUMAN MINUTE by Stanislaw Lem, translated by Catherine S. Leach"
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1057:[Stanislaw Lem: Stupidity as the Driving Force of History (an interview)].
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261:", to which Lem himself did not object. The translation book included the complete
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which simulated Stanisław Lem. In fact, Dukaj maintained a column of faux reviews,
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1039:, by Dawid Rydzek, October 24, 2014, NaEkranie.pl - a review of Nick Montfort's
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Publication: Waffensysteme des 21. Jahrhunderts oder The Upside Down
Evolution
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1010:"Nick Montfort discusses his work at Harvard Book Store, with book signing"
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In a 1991 interview Lem mentioned a possible title of a nonexistent book,
397:"Weapon Systems of The Twenty First Century or The Upside-down Evolution"
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Książki -> apokryfy -> Biblioteka XXI wieku -> Komentarz Lema
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26:
817:, an interview with Jacek Dukaj originally appeared in magazine
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In 2009 the
Hungarian film director Pater Sparrow released film
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305:"Provocation", for a faux two-volume work by Horst Aspernicus:
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90:, 1973), a collection of introductions to nonexistent books.
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may be found in his following works: in three collections of
337:"One Minute", for a faux book by J. Johnson and S. Johnson:
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digital archive for
February 9, 1986, Section 7, Page 39
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by
Catherine S. Leach ( Harcourt Brace Jovanovich, 1986
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The review "Provocation" was first published in magazine
341:, Moon Publishers, London - Mare Imbrium - New York 1985.
141:, finally others satirise and parody everything from the
36:
Stanisław Lem's fictitious criticism of nonexistent books
490:) work of Aspernicus is the presentation of a certain
1037:"„Zegar Światowy”: Jedna minuta ludzkości – recenzja"
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While reviewing nonexistent books, a modern form of
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1055:"СТАНИСЛАВ ЛЕМ: ГЛУПОСТЬ КАК ДВИЖУЩАЯ СИЛА ИСТОРИИ"
400:It was first published in German in 1983 as a
31:Stanisław Lem pictured at a typewriter in 1966
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1021:"EKSPERYMENTALNA LITERATURA NICKA MONTFORTA"
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635:An Examination of the Work of Herbert Quain
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602:Stupidity as the Driving Force of History
595:Stupidity as the Driving Force of History
1053:Victor Shutkevich (February 26, 1991).
942:Stanislaw Lem: Philosopher of the Future
848:Stanislaw Lem: Philosopher of the Future
832:Stanislaw Lem: Philosopher of the Future
675:at the official website of Stanislaw Lem
386:, , 1986 contains three faux reviews,
162:The 2008 edition of the book printed by
784:"Nominacje do Nagrody Zajdla 2000−2009"
752:, Northwestern University Press, 1999,
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582:which was generated using 165 lines of
808:"Kiedy temat bierze pisarza za gardło"
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881:Internet Speculative Fiction Database
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1075:The art and science of Stanislaw Lem
588:http://nickm.com/code/world_clock.py
959:The Polish Theatre of the Holocaust
520:The Polish Theatre of the Holocaust
301:, 1984) contains two faux reviews:
895:Waffensysteme des 21. Jahrhunderts
736:"Stanislaw Lem - A Perfect Vacuum"
498:and the role of death, especially
406:Waffensysteme des 21. Jahrhunderts
125:) is a 1971 book by Polish author
25:
1670:End of the World at Eight O'Clock
1539:Voyage to the End of the Universe
1323:End of the World at Eight O'Clock
647:, reviews of fictional books, by
271:differed from the previous book,
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690:@ Culture.pl, section "Apokryfy"
1571:Hospital of the Transfiguration
1157:Hospital of the Transfiguration
1043:inspired by Lem's "One Minute".
644:Nazi Literature in the Americas
418:It elaborates the idea of the "
415:oder The Upside Down Evolution"
1425:Science Fiction and Futurology
1027:Dariusz Jaroń, October 8, 2014
507:of the book publication date.
494:hypothesis about the roots of
1:
770:"Kto dostanie nagrodę Zajdla"
625:Pierre Menard, Author of the
446:"One Minute", the same as in
223:In 1973 Lem published a book
1855:Rozmowy ze Stanisławem Lemem
879:publication contents at the
772:. Wyborcza.pl. 26 June 2009.
249:was published in English by
155:, "authorless writing", and
1877:Neologisms of Stanisław Lem
1704:The Invincible (video game)
1073:Peter Swirski, ed. (2006).
359:), in German language, by
311:Die Endlösung als Erlösung.
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1247:The Futurological Congress
1215:Memoirs Found in a Bathtub
166:contained a supplement by
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931:("My Life"), Berlin, 1983
865:at Lem's official website
707:at Lem's official website
422:" described in the novel
207:? Wszystko o Lemie (2007)
189:"Księgarnia alternatywna"
174:, nominated for the 2009
1497:Do You Exist, Mr. Jones?
1417:The Philosophy of Chance
1077:. McGill-Queen's Press.
180:artificial intelligences
172:Who Wrote Stanisław Lem?
137:to the pervasiveness of
1654:Ijon Tichy: Space Pilot
1375:Tales of Pirx the Pilot
1279:Observation on the Spot
572:The Chronogram for 1998
468:; Mariner Books, 1986,
70:Library of 21st Century
1929:Works by Stanisław Lem
1872:Honors bestowed on Lem
1843:A Stanislaw Lem Reader
1646:The Adventures of Pirx
913:an afterword by prof.
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431:In Chapter 2 of Lem's
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176:Janusz A. Zajdel Award
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78:, 1986) translated as
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1849:Correspondence of Lem
1579:Inquest of Pilot Pirx
1199:Return from the Stars
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192:) in Polish magazine
184:Alternative Bookstore
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1662:Fear of a Bot Planet
1175:The Magellanic Cloud
1060:Komsomolskaya Pravda
863:BIBLIOTEKA XXI WIEKU
578:, to create a novel
384:Biblioteka XXI wieku
259:delusion of grandeur
75:Biblioteka XXI wieku
1924:Metafictional works
1821:Franz Rottensteiner
1801:Konstantin Dushenko
1735:Professor Tarantoga
1587:Victim of the Brain
1462:Imaginary Magnitude
1352:Lymphater's Formula
1263:The Chain of Chance
956:Grzegorz Niziołek,
604:. The idea is that
269:Imaginary Magnitude
255:Imaginary Magnitude
218:Imaginary Magnitude
84:Imaginary Magnitude
18:Imaginary Magnitude
1627:His Master's Voice
1409:Summa Technologiae
1255:Professor A. Dońda
1239:His Master's Voice
813:2012-01-12 at the
722:, an afterword of
456:was translated as
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1911:
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1816:Wojciech Orliński
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1359:Fables for Robots
1183:The Investigation
1142:The Man from Mars
821:, no. 25, 04/2006
619:Jorge Luis Borges
509:Grzegorz Niziołek
492:historiographical
466:978-0-15-169550-8
211:Wojciech Orliński
123:Doskonała próżnia
55:Doskonała próżnia
16:(Redirected from
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339:One human minute
284:One Human Minute
273:A Perfect Vacuum
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247:Wielkość Urojona
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908:"CAŁY TEN ZŁOM"
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815:Wayback Machine
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720:"APOKRYFY LEMA"
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68:, 1984), and
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1853:
1841:
1756:Lem's robots
1749:A. Lymphater
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1619:The Congress
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1399:
1393:Major essays
1373:
1367:The Cyberiad
1365:
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978:
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964:Google Books
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891:Kai Denker,
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792:. Retrieved
788:the original
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47:
39:
35:
34:
1899:Year of Lem
1811:Daniel Mróz
1699:(2019 play)
1516:Adaptations
1433:Microworlds
1041:World Clock
1025:(in Polish)
962:, p. 6, at
911:(in Polish)
580:World Clock
555:, based on
524:Provocation
512: [
500:mass murder
481:Provocation
448:Provocation
409: [
374: [
367:Provokation
324:Fremdkörper
295:Provocation
280:Provocation
230: [
168:Jacek Dukaj
147:pornography
60:Provocation
42:reviews of
1918:Categories
1765:Klapaucius
1730:Pilot Pirx
1725:Ijon Tichy
1718:Characters
1231:Highcastle
1084:0773530460
928:Mein Leben
898:, a review
794:2012-04-12
655:References
474:015668795X
439:Ijon Tichy
357:3518017403
299:Prowokacja
157:Dostoevsky
65:Prowokacja
1887:Lem's Law
1689:Cyberiada
1555:Roly Poly
1340:" (1950s)
1338:The Hunt
1271:Golem XIV
606:stupidity
392:Holocaust
332:Göttingen
319:Salvation
263:Golem XIV
239:Golem XIV
203:Co to są
139:computers
135:cosmology
121:(Polish:
82:, and in
58:, 1971),
1781:Lemology
1769:Terminus
1745:A. Dońda
1489:Korzenie
1385:" (1974)
1383:The Mask
1354:" (1961)
1347:" (1961)
1345:Terminus
1325:" (1947)
998:NY Times
979:LA Times
811:Archived
673:Aporkyfy
613:See also
496:genocide
404:titled "
402:chapbook
380:series.
245:In 1985
164:Agora SA
1882:Sepulka
1697:Solaris
1691:(opera)
1595:Solaris
1563:Solaris
1547:Solaris
1492:(1940s)
1401:Dialogs
1207:Solaris
627:Quixote
369:in its
334:, 1980.
321:") II.
205:sepulki
170:titled
152:Ulysses
1789:People
1706:(2023)
1673:(2015)
1665:(1999)
1657:(2007)
1649:(1973)
1630:(2018)
1622:(2013)
1614:(2010)
1606:(2009)
1598:(2002)
1590:(1988)
1582:(1979)
1574:(1978)
1566:(1972)
1558:(1968)
1550:(1968)
1542:(1963)
1534:(1960)
1508:(1961)
1500:(1955)
1473:(1986)
1465:(1973)
1457:(1971)
1436:(1984)
1428:(1970)
1420:(1968)
1412:(1964)
1404:(1957)
1378:(1966)
1370:(1965)
1362:(1964)
1333:(1957)
1298:(1987)
1290:(1986)
1287:Fiasco
1282:(1982)
1274:(1981)
1266:(1975)
1258:(1973)
1250:(1971)
1242:(1968)
1234:(1966)
1226:(1964)
1218:(1961)
1210:(1961)
1202:(1961)
1194:(1959)
1186:(1959)
1178:(1955)
1170:(1951)
1160:(1948)
1145:(1946)
1134:Novels
1081:
756:
586:code (
584:Python
562:Lem's
472:
464:
355:
313:("The
1865:Other
1835:Works
1761:Trurl
1681:Other
1611:Maska
1523:Films
1481:Plays
1123:Works
946:p. 47
893:Lems
819:Lampa
566:and
516:]
505:ahead
486:The (
413:]
378:]
234:]
1763:and
1191:Eden
1079:ISBN
852:p.46
836:p.45
754:ISBN
543:faux
488:faux
470:ISBN
462:ISBN
353:ISBN
348:Odra
282:and
40:faux
1125:by
576:MIT
570:’s
518:in
365:as
327:Tod
317:as
309:I.
209:by
145:to
1920::
1767:,
1747:,
1638:TV
1023:,
996:,
977:,
944:,
850:,
834:,
712:^
695:^
680:^
663:^
559:.
514:pl
476:)
437:,
411:de
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376:de
330:,
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232:pl
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159:.
149:,
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1603:1
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1115:e
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1101:v
1087:.
797:.
738:.
637:"
633:"
630:"
623:"
552:1
428:.
297:(
186:(
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52:(
20:)
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