455:
during its
Fillmore stand. "One of them I hated," Dowd says, "but two of them were fantastic!" Dowd and mixer Jay Mark mixed down those two versions and proceeded to, as Dowd puts it, "take this song apart. I came to the conclusion that in the first half of the song, up to Duane's solo, I had a better band performance and Dickey Betts solo on the version that we had not used before. Starting with Duane's solo, though, it's the original version. Twenty-one years later, I know 'Liz Reed' as well as I know any song, certainly more than I did in that time of instant decisions. Putting the two versions together showed off the song best. Listen to it! Listen to the togetherness of Dickey, Duane, and Gregg on the theme lines, and how Butch and Jaimoe adjust to the changes up front. There's much more exciting interplay now, more like the band sounded those nights."
489:
it is a version of the liz reed from the 13th early set. this tape was included in the shipment of tape from the tape vault to the mixing studio where tom worked. this tape is not clearly marked as a "comp tape" but upon close investigation it proved to be just that back in 91-92. as i said, i had picked all these alt tracks in the winter of 91-92 and was on the road when tom did the mixing. tom did splice the front end of liz reed from one tape to the back end of liz reed from a second tape. unfortunately, it was two tapes of the same performance of liz reed, that of the 13th early show. in the process of remixing these tapes in 92 tom did hear things that he hadn't heard before, he says that exact thing in the liner notes.
224:
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400:. I've listened to that album so many times that for the past couple of years, I haven't hardly listened to anything else." Almost two decades later, Palmer would write of the Allmans, "that if the musicians hadn't quite scaled Coltrane-like heights, they had come as close as any rock band was likely to get."
369:
Duane Allman then starts quietly rephrasing the first theme, gradually building to a high-pitched climax, Berry Oakley's bass guitar playing a strong counterpoint against the band's trademark percussion. Allman cools into a reverie, then starts again, finding an even more furious peak. Parts of this
463:
review of this album stated: "It is also a slightly less honest release , where 'In Memory of
Elizabeth Reed' is concerned—Dowd edited the version here together from two different performances, first and second shows, the dividing line being where Duane Allman's solo comes in." C. Michael Bailey of
488:
the problem with liz reed is this (and i know this to be true because i've spent months in the polygram tape vaults over the years and have handled and listened to all of these things), there is a tape in the vaults that is a "compilation reel", that is the selected versions of several songs and on
454:
The clearest example of Tom Dowd's approach to the project comes in the 13 minute version of "In Memory of
Elizabeth Reed" that is pieced together from multiple takes, one of them being the March 13th (first show) version that appeared on the original album. The band played the song three times
304:
has written that "its written riffs and jazz-ish harmonies improvisers room." Accordingly, "Elizabeth Reed" has appeared in many Allman
Brothers concerts, sometimes running half an hour or more, and on numerous Allman Brothers live albums, but first and most notably on
1823:
266:, where band members often ventured in their early days to relax and write songs. Considerable legend developed about the piece's genesis and what Betts was doing at the time, much of it fueled by a put-on interview band leader
262:, with Betts later saying she "was Hispanic and somewhat dark and mysterious—and she really used it to her advantage and played it to the hilt." To cloak her identity, the composition is named after a headstone Betts saw at the
521:
double live album. Eder of
Allmusic states that the band knew "they could never spark more fire than the version from the Fillmore, so they transform it into a moodier piece with more space for the keyboards to open up."
280:
was candid about his experiences in the cemetery: "I'd be lying if I said I didn't have my way with a lady or two down there." The cemetery later became the final resting spot of Duane and Gregg Allman, along with bassist
472:
represented "digital editing" combining multiple takes of "Elizabeth Reed" onto one track. Dave Lynch of
Allmusic later said that of the 1992 editing, that "Duane's 'Liz Reed' solo, although from the same take used on
357:
Betts next plays a solo using the second theme as a starting-off point. This leads into an organ solo from Gregg Allman, with the two guitars playing rhythm figures in the background. Throughout, percussionists
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425:'s work. The full band then enters to recap the mid-tempo second theme, finishing the performance abruptly. Several silent beats pass before the Fillmore audience erupts in riotous applause.
1883:
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named "In Memory of
Elizabeth Reed" one of its Fifty Best Songs Over Seven Minutes Long—and in giving it Honorable Mention on its 100 Greatest Guitar Songs of All Time list made 2008,
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would say in 2002 that the composition's performance found the musicians "lock together ... with the grace and passion of the tightest jazz musicians," while in 2008, it said the
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342:. Slowly the first theme begins to emerge, Duane Allman's guitar joining Betts in a dual lead that variously doubles the melody, provides a harmony line, or provides
237:. Composed by Dickey Betts, it is the first instrumental written by a band member, and the first of several that Betts would write and become known for. The original
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for conciseness or other reasons. "In Memory of
Elizabeth Reed", however, was not edited on that album, and was a recording of a single performance of the song.
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called "In Memory of
Elizabeth Reed" in its original studio incarnation "the blueprint of a concert warhorse, capturing the Allmans at their most adventurous."
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477:, is mixed lower than on the version listeners first heard in 1971—as a result, the power and beauty of the solo doesn't stand out quite as effectively."
525:
Concert performances of "In Memory of
Elizabeth Reed" that the band has released on live albums (some of which are archival in nature) include those on
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276:. "Duane told some crazy shit about that graveyard. I don't wanna tell all—but that's the part that matters," Betts later said. For his part, vocalist
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Following the Duane Allman solo the band drops off to a relatively brief but to-the-point percussion break by Trucks and Johanson reflecting
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499:, came out, whatever had been done in 1992 was undone, and "In Memory of Elizabeth Reed" was restored to the 1971 mix and unedited.
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197:, among his first writing credits for the group. Betts named it after a headstone he saw for Elizabeth Jones Reed Napier in
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334:
In this performance, taken from the March 13, 1971 (first show) concert by the group, Betts opens the piece with ethereal
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play in unison, laying what has been described as "a thick bed of ride-snare rhythm for the soloists to luxuriate upon."
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album. Duane Allman biographer Randy Poe wrote that "'s playing jazz in a rock context" reflected the emerging
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The original studio recording of "In Memory of Elizabeth Reed" is the fourth track on the group's 1970 album
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250:"In Memory of Elizabeth Reed" was inspired by a woman Betts was involved with in the group's hometown of
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609:. Mann had always expressed his admiration for the tune, and Duane Allman had played on his 1971 album
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A rearranged take on "In Memory of Elizabeth Reed", running seventeen minutes and featuring an
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release, has been posited by rock photographer Kirk West on the Allman Brothers website forum:
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of the guitar work represented "the language of jazz charged with electric R&B futurism."
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beat, a strong second-theme melody driven by unison playing and harmonized guitars arising.
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in place of the Duane Allman guitar parts, appeared on the band's generally unloved 1976
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1971:
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20th Century Masters – The Millennium Collection: The Best of the Allman Brothers Band
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An alternate theory, that two tapes of the same performance were edited together for
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at that time, "that kind of playing comes from Miles and Coltrane, and particularly
247:
said the piece "just goes and goes for a stupendous, and unnoticed, seven minutes."
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591:(1992/94), in addition to any number of the group's "Instant Live" recordings.
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311:, which many fans and critics believe is the definitive rendition. In 2007,
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1077:
Budofsky, Adam; Heusel, Michele; Dawson, Michael; Parillo, Michael (2006).
1261:
1220:
1183:
460:
438:
152:
91:
1179:
411:
732:
Take a Walk on the Dark Side: Rock and Roll Myths, Legends, and Curses
1422:
339:
1671:
Live at the Atlanta International Pop Festival: July 3 & 5, 1970
540:
Live at the Atlanta International Pop Festival: July 3 & 5, 1970
1197:"The Colossal Mess of 'The Allman Brothers Band at Fillmore East'"
222:
1049:"The Allman Brothers Band :: "In Memory of Elizabeth Reed""
450:
was released, the liner notes stated it was edited on that set:
190:
1362:
946:, Allman Brothers Band official website. Accessed May 27, 2007.
886:"The 100 Greatest Guitar Songs of All Time: Honorable Mentions"
1258:"Wipe the Windows, Check the Oil, Dollar Gas: Allmusic Review"
69:
March 12–March 13, 1971, Fillmore East, New York City (Live)
1322:
One Way Out: The Inside History of the Allman Brothers Band
671:"Guitarist Dickey Betts Likes Smaller, Intimate Concerts".
850:"Rock List: The Fifty Best Songs Over Seven Minutes Long"
166:
In Memory of Elizabeth Reed (Space Ghost Coast to Coast)
392:
movement, only in reverse. Allman himself told writer
175:" is an instrumental composition by the American group
1769:
Manley Field House, Syracuse University, April 7, 1972
1081:
The Drummer: 100 Years of Rhythmic Power and Invention
1237:. Hittin' The Web with the Allman Brothers Band Forum
1159:
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1155:
962:
960:
958:
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952:
649:"Elizabeth Jones Reed Napier (1845-1935) - Find A..."
712:
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2118:
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1900:
1861:
1778:
1639:
1595:
An Evening with the Allman Brothers Band: First Set
1498:
346:. The tempo then picks up in the next section to a
227:
Headstone for Elizabeth Reed at Rose Hill Cemetery.
144:
130:
118:
99:
73:
63:
53:
37:
26:
21:
1838:The Essential Allman Brothers Band: The Epic Years
1298:
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179:. It first appeared on their second studio album,
1609:An Evening with the Allman Brothers Band: 2nd Set
1136:"The Allman Brothers Band: Live At Fillmore East"
588:An Evening with the Allman Brothers Band: 2nd Set
1235:"which fillmore remaster is the best one ?"
493:In any case, when yet another release, the 2003
2138:Col. Bruce Hampton and the Aquarium Rescue Unit
1706:Play All Night: Live at the Beacon Theatre 1992
1112:"A Band That Gave An Age of Excess A Good Name"
830:"A Band of the 60's With Mushrooms on the Mind"
582:Play All Night: Live at the Beacon Theatre 1992
215:generally considered the definitive rendition.
1678:S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71
806:"Allman Band Explores The Realm Of the Guitar"
599:The composition was recorded by jazz flautist
564:S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71
338:on his guitar, giving the aural impression of
1374:
16:1970 instrumental by The Allman Brothers Band
8:
1852:Trouble No More: 50th Anniversary Collection
1211:
1209:
1553:Wipe the Windows, Check the Oil, Dollar Gas
1042:
1040:
1038:
914:
912:
760:
518:Wipe the Windows, Check the Oil, Dollar Gas
193:-influenced piece was written by guitarist
1381:
1367:
1359:
880:
878:
876:
693:"The Allman Brothers Band: Idlewild South"
18:
1203:, October 7, 2006. Accessed May 27, 2007.
1016:Newquist, H. P.; Maloof, Richard (2002).
977:
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932:
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686:
684:
640:
36:
25:
1692:Nassau Coliseum, Uniondale, NY: 5/1/73
1233:verbal (Kirk West) (January 7, 2006).
570:Nassau Coliseum, Uniondale, NY: 5/1/73
984:The Cambridge Companion to the Guitar
433:Some selections on the original 1971
258:. She was the girlfriend of musician
7:
2288:Song recordings produced by Tom Dowd
716:
1297:Allman, Gregg; Light, Alan (2012).
1280:
1217:"At Fillmore East (Deluxe Edition)"
1163:
966:
14:
1343:. San Francisco: Backbeat Books.
775:The New Rolling Stone Album Guide
2237:
2236:
1748:Warner Theatre, Erie, PA 7-19-05
1047:McPherson, Steve (2008-01-15).
677:. February 9, 1986. p. D3.
444:When the 1992 expanded edition
2278:The Allman Brothers Band songs
1685:Macon City Auditorium: 2/11/72
1341:Skydog: the Duane Allman story
549:(three different renditions),
370:solo would draw comparison to
1:
2283:Songs written by Dickey Betts
1423:Jai Johanny "Jaimoe" Johanson
988:Cambridge Companions to Music
982:Coelho, Victor Anand (2003).
804:Watrous, Peter (1994-04-07).
691:Leimbacher, Ed (1970-12-24).
22:"In Memory of Elizabeth Reed"
2007:Revival (Love Is Everywhere)
1664:American University 12/13/70
1657:Fillmore East, February 1970
894:. 2008-06-12. Archived from
858:. 2007-12-13. Archived from
528:Fillmore East, February 1970
323:performance "transcendent".
1944:In Memory of Elizabeth Reed
1650:Live at Ludlow Garage: 1970
729:Patterson, R. Gary (2004).
534:Live at Ludlow Garage: 1970
173:In Memory of Elizabeth Reed
67:February–July 1970 (Studio)
57:September 23, 1970 (Studio)
2304:
2224:Summer Jam at Watkins Glen
1909:Ain't Wastin' Time No More
1884:Live at the Beacon Theatre
1810:A Decade of Hits 1969–1979
992:Cambridge University Press
468:also stated that the 1992
459:In reaction, Bruce Eder's
201:in the band's hometown of
162:Space Ghost Coast to Coast
159:
2232:
1831:Stand Back: The Anthology
1713:Live from A&R Studios
1396:
558:Live from A&R Studios
295:Rolling Stone Album Guide
1951:Its Not My Cross to Bear
1796:The Road Goes on Forever
1511:The Allman Brothers Band
1390:The Allman Brothers Band
1223:. Accessed May 27, 2007.
1186:, accessed May 27, 2007.
437:were edited by producer
177:The Allman Brothers Band
32:The Allman Brothers Band
2028:Straight from the Heart
761:Allman & Light 2012
674:Lexington Herald-Leader
1817:Mycology: An Anthology
1727:Cream of the Crop 2003
1699:Boston Common, 8/17/71
1324:. St. Martin's Press.
1018:The Blues-Rock Masters
552:Boston Common, 8/17/71
491:
457:
228:
2183:The Allman Betts Band
2148:The Derek Trucks Band
2143:Derek and the Dominos
1616:Peakin' at the Beacon
1180:The Fillmore Concerts
921:The Fillmore Concerts
625:Musical improvisation
486:
482:The Fillmore Concerts
470:The Fillmore Concerts
452:
447:The Fillmore Concerts
226:
2178:Tedeschi Trucks Band
2128:The 31st of February
1870:Brothers of the Road
1588:Shades of Two Worlds
1574:Brothers of the Road
1539:Brothers and Sisters
1148:on December 5, 2008.
737:Simon & Schuster
364:Jai Johanny Johanson
185:(1970), released on
2067:Hoochie Coochie Man
2053:Done Somebody Wrong
1877:Live at Great Woods
1602:Where It All Begins
1339:Poe, Randy (2006).
1320:Paul, Alan (2014).
1195:C. Michael Bailey,
1059:on November 1, 2013
862:on December 4, 2007
576:Live at Great Woods
503:Other live versions
2268:Rock instrumentals
2219:Joseph L. Campbell
1986:No One to Run With
1560:Enlightened Rogues
1305:. William Morrow.
1117:The New York Times
1020:. Backbeat Books.
942:2014-07-03 at the
835:The New York Times
811:The New York Times
652:www.findagrave.com
603:on his 1973 album
301:The New York Times
264:Rose Hill Cemetery
229:
199:Rose Hill Cemetery
2273:Jazz fusion songs
2250:
2249:
2158:Gregg Allman Band
2109:You Don't Love Me
1755:Down in Texas '71
1734:Fillmore West '71
1567:Reach for the Sky
1546:Win, Lose or Draw
1053:Reveille Magazine
630:Instrumental rock
546:Fillmore West '71
496:At Fillmore East
378:, other parts to
187:Capricorn Records
158:
157:
125:Capricorn Records
87:instrumental rock
2295:
2240:
2239:
2197:Related articles
2119:Associated bands
2088:Statesboro Blues
1623:Hittin' the Note
1525:At Fillmore East
1383:
1376:
1369:
1360:
1354:
1335:
1316:
1304:
1301:My Cross to Bear
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1144:. Archived from
1128:
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1055:. Archived from
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898:on June 13, 2008
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475:At Fillmore East
435:At Fillmore East
328:At Fillmore East
321:At Fillmore East
308:At Fillmore East
212:At Fillmore East
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135:
111:
110:
106:
59:July 1971 (Live)
46:At Fillmore East
19:
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2133:The Allman Joys
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2102:Trouble No More
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1480:Oteil Burbridge
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1085:. Hal Leonard.
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944:Wayback Machine
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924:, 1992 release.
918:Liner notes to
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376:sheets of sound
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38:from the album
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2060:Heart of Stone
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1996:
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1979:Midnight Rider
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1968:
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1954:
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1930:Good Clean Fun
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1901:Original songs
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1741:The Final Note
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1518:Idlewild South
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1450:Lamar Williams
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1331:978-1250040497
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1312:978-0062112033
1311:
1293:
1286:
1285:
1283:, p. 177.
1273:
1248:
1225:
1205:
1201:All About Jazz
1188:
1168:
1166:, p. 183.
1151:
1134:(2002-07-16).
1123:
1110:(1989-06-25).
1108:Palmer, Robert
1099:
1091:
1069:
1034:
1026:
1008:
1000:
971:
969:, p. 182.
948:
926:
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872:
841:
828:(1997-03-15).
817:
796:
788:
780:Fireside Books
765:
763:, p. 127.
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663:
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509:electric piano
504:
501:
466:All About Jazz
430:
427:
410:, crawls, and
331:
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245:Idlewild South
234:Idlewild South
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2188:Thom Doucette
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2095:Stormy Monday
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2035:Whipping Post
2032:
2029:
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2022:
2018:
2015:
2011:
2008:
2004:
2001:
1997:
1994:
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1965:Little Martha
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1640:Retrospective
1638:
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1490:Jimmy Herring
1488:
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1476:
1475:Marc Quiñones
1473:
1471:
1468:
1466:
1463:
1461:
1460:Warren Haynes
1458:
1456:
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1446:
1445:Chuck Leavell
1443:
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1141:Rolling Stone
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1092:1-4234-0567-6
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1027:0-87930-735-8
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891:Rolling Stone
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855:Rolling Stone
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789:0-7432-0169-8
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746:0-7432-4423-0
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734:
733:
725:
722:
719:, p. 73.
718:
713:
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698:Rolling Stone
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595:Other artists
594:
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514:
513:Chuck Leavell
510:
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485:
483:
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429:Later editing
428:
426:
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420:
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409:
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404:
403:Rolling Stone
399:
395:
394:Robert Palmer
391:
387:
386:
381:
377:
373:
372:John Coltrane
367:
365:
361:
355:
353:
350:-like, quasi-
349:
345:
341:
337:
336:volume swells
329:
326:
324:
322:
318:
317:Rolling Stone
314:
313:Rolling Stone
310:
309:
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297:
296:
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273:Rolling Stone
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240:Rolling Stone
236:
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218:
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184:
183:
178:
174:
167:
164:episode, see
163:
154:
151:
148:
143:
140:
137:
134:
133:Songwriter(s)
129:
126:
123:
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117:
102:
98:
93:
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88:
85:
83:
80:
79:
78:
76:
72:
66:
62:
56:
52:
49:
47:
42:
33:
29:
20:
2074:Mountain Jam
2000:Ramblin' Man
1943:
1889:
1882:
1875:
1868:
1862:Video albums
1850:
1843:
1836:
1829:
1822:
1815:
1808:
1801:
1794:
1787:
1781:and box sets
1779:Compilations
1767:
1762:Syria Mosque
1760:
1753:
1746:
1739:
1732:
1725:
1718:
1711:
1704:
1697:
1690:
1683:
1676:
1669:
1662:
1655:
1648:
1628:
1621:
1614:
1607:
1600:
1593:
1586:
1579:
1572:
1565:
1558:
1551:
1544:
1537:
1530:
1523:
1516:
1509:
1501:contemporary
1485:Derek Trucks
1437:Butch Trucks
1435:
1430:Berry Oakley
1428:
1421:
1416:Dickey Betts
1414:
1409:Gregg Allman
1407:
1402:Duane Allman
1400:
1340:
1321:
1300:
1289:
1288:
1276:
1265:. Retrieved
1251:
1239:. Retrieved
1228:
1215:Dave Lynch,
1191:
1178:Bruce Eder,
1146:the original
1139:
1126:
1115:
1102:
1080:
1072:
1061:. Retrieved
1057:the original
1052:
1017:
1011:
983:
937:FAQ entry 80
919:
900:. Retrieved
896:the original
889:
864:. Retrieved
860:the original
853:
844:
833:
826:Ratliff, Ben
820:
809:
799:
773:
768:
756:
731:
724:
696:
672:
666:
655:. Retrieved
651:
643:
610:
604:
598:
586:
580:
574:
568:
562:
556:
550:
544:
538:
532:
526:
524:
516:
506:
494:
492:
487:
481:
479:
474:
469:
458:
453:
445:
443:
434:
432:
419:Kind of Blue
418:
416:
401:
398:Kind of Blue
397:
385:Kind of Blue
383:
368:
360:Butch Trucks
356:
344:counterpoint
333:
327:
320:
316:
312:
306:
299:
293:
291:
287:Butch Trucks
285:and drummer
283:Berry Oakley
278:Gregg Allman
271:
268:Duane Allman
249:
244:
238:
232:
230:
210:
195:Dickey Betts
180:
172:
170:
161:
139:Dickey Betts
114:13:04 (Live)
39:
28:Instrumental
2204:Discography
2121:and artists
2081:One Way Out
2045:Cover songs
2014:Seven Turns
1720:The Fox Box
1642:live albums
1630:One Way Out
1581:Seven Turns
1532:Eat a Peach
1503:live albums
1470:Allen Woody
1465:Johnny Neel
601:Herbie Mann
390:jazz fusion
380:Miles Davis
319:called the
147:Producer(s)
82:Jazz fusion
2263:1970 songs
2257:Categories
2163:Hour Glass
2153:Gov't Mule
1937:Hot 'Lanta
1923:Crazy Love
1789:Beginnings
1499:Studio and
1267:2017-01-28
1132:Kemp, Mark
1063:2008-06-29
902:2008-07-01
866:2008-07-01
751:pp. 42–43.
657:2021-08-11
636:References
606:Turtle Bay
511:played by
423:Jimmy Cobb
382:' classic
260:Boz Scaggs
243:review of
2173:Sea Level
2168:Les Brers
2021:Soulshine
1455:Dan Toler
1241:August 2,
717:Paul 2014
612:Push Push
330:recording
2242:Category
1916:Blue Sky
1281:Poe 2006
1262:AllMusic
1221:Allmusic
1184:Allmusic
1164:Poe 2006
967:Poe 2006
940:Archived
782:. 2004.
619:See also
579:(1991),
561:(1971),
461:Allmusic
439:Tom Dowd
421:drummer
374:and his
219:Overview
160:For the
153:Tom Dowd
112:(Studio)
92:jam rock
64:Recorded
54:Released
43:(Studio)
2209:Members
1993:Pegasus
1972:Melissa
1958:Jessica
1290:Sources
1097:p. 160.
1006:p. 120.
412:sustain
348:Santana
340:violins
256:Georgia
207:Georgia
48:(Live)
2214:Museum
1803:Dreams
1347:
1328:
1309:
1089:
1032:p. 49.
1024:
998:
794:p. 15.
786:
743:
585:, and
408:trills
189:. The
100:Length
352:Latin
270:gave
252:Macon
203:Macon
120:Label
75:Genre
1845:Gold
1345:ISBN
1326:ISBN
1307:ISBN
1243:2014
1087:ISBN
1022:ISBN
996:ISBN
784:ISBN
741:ISBN
362:and
292:The
191:jazz
615:.
30:by
2259::
1891:40
1260:.
1219:,
1208:^
1199:,
1182:,
1171:^
1154:^
1138:.
1114:.
1051:.
1037:^
994:.
990:.
986:.
974:^
951:^
929:^
911:^
888:.
875:^
852:.
832:.
808:.
778:.
739:.
735:.
707:^
695:.
683:^
573:,
567:,
555:,
543:,
537:,
531:,
289:.
254:,
205:,
109:54
2111:"
2107:"
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2100:"
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2019:"
2016:"
2012:"
2009:"
2005:"
2002:"
1998:"
1995:"
1991:"
1988:"
1984:"
1981:"
1977:"
1974:"
1970:"
1967:"
1963:"
1960:"
1956:"
1953:"
1949:"
1946:"
1942:"
1939:"
1935:"
1932:"
1928:"
1925:"
1921:"
1918:"
1914:"
1911:"
1907:"
1382:e
1375:t
1368:v
1353:.
1334:.
1315:.
1270:.
1245:.
1120:.
1095:.
1066:.
1030:.
1004:.
905:.
869:.
838:.
814:.
792:.
749:.
701:.
660:.
171:"
168:.
107::
105:6
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