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425:(2008), with albums "as varied as they were regular", the musique concrète EP is arguably the "strangest of all". Osborne says that while the EP fits firmly into the musique concrète tradition, it features "subtle melodic undertones", and felt that the project's existence would not surprise those who had kept up with ten years of Weller's "sonic shape-shifting".
354:." The musician wrote, arranged, produced the EP and played most of its instrumentation, with Rees also credited for recording, mixing and production management. According to Rees, the principle of the recording "was whatever you were thinking, you could record and them manipulate it." To this end,
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to continue this dynamic. They deemed the EP "far from perfect", writing of "a sense of Weller shifting palettes – embracing a slightly uncomfortable mirror of a 1973 dreamscape he once rebelled against – but still working within rules". Despite this, they considered the record "supremely
205:. The label approached Weller to record a release for them, the musician having already taken influence from the label's music on previous releases. Recorded with longtime engineer Charles Rees, the project allowed Weller to create more outré music and explore his passions for
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was a limited edition of 1,000 vinyl copies, although it was also available as a download. Critics contextualised the record as continuing Weller's more adventurous 2010s work. The musician later reused elements of the EP on his subsequent album
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wrote that while the EP may have baffled Weller's fans, it acted as a "signpost" of his change of direction, noting that the musique concrète breakdown in "Mirror Ball" continues the musician's experimentation. Similarly, Peter Watts of
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on "Rejoice"; Tom Van Heel, who played Moog on the title track and "Submerge", as well as "prayer bowl" percussion on the latter and drums, vocals and glockenspiel on "Rejoice", and Jan Erika, whose cello work appears on "Submerge".
306:(2015) re-energised his interest; he said of the album: "I realised just how wide ranging his influences had become. It goes without saying what an incredible songwriter he is but, I love the way he weaves in his love of
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atmosphere. Weller said: "We used the half-inch tape and put some sounds back onto that and fucked about with them and slowed them down or whatever." Besides Weller, other musicians on the album include Rees, who played
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and running water". Weller said of the EP: "Obviously a lot of it's random by the very nature of it but then there's an overall theme to it as well." The EP's sound collages and experiments exemplify the
335:. Early discussions between Weller and Jupp helped formalise some of the musician's ideas as well as "providing fresh inspiration", according to Jupp, who added that Weller sent him his
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Weller commented that once he knew Ghost Box were interested in a release, he began storing up ideas, later resulting in a wealth of sounds on the EP that were recorded from his
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and vintage electronics as well as the more obvious influences." Weller considered it " great honour to be asked to do it as a fan of the label." Paul
Osborne of
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Tom Van Heel – Moog synthesiser ("In
Another Room" and "Submerge"), prayer bowl ("Submerge"), glockenspiel ("Rejoice"), vocals ("Rejoice"), drums ("Rejoice")
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approached Weller to record material for the label; Jupp, who was surprised that Weller was a fan of Ghost Box, only infrequently followed his career until
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similarly noted: "It's worth considering for a moment how unlikely the idea of Paul Weller releasing an EP of musique concrète experimentation on a
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interesting" as an opportunity to hear the musician release "such, well, un-Weller music". They concluded: "An experiment with mixed results,
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or EP, with no particular deadline attached, thus allowing Weller to "do something a bit more out there, which was certainly fine by us!"
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grapples with a shadow
England." They added that the release moves the songwriter's vision of the country from a bucolic to a radically
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wrote that throughout the 21st century, Weller had contrasted his 'Modfather' image with some of his most daring material, considering
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seven-inch record, the EP was limited to 1,000 copies and features artwork from Julian House. It was also released as a download on
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one "with the twist of a dial", while adding a wry edge to his work by displaying "the rather more nostalgic side of the
English
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soundtrack album for "a flavour of what kind of instrumental work might be.". Jupp suggested the work result in a
609:(2015) had "acclimatised fans to the Modfather's increasingly experimental mindset," which reaches "an apogee" on
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for a late
January 2020 release, with previews and pre-orders would becoming available from December. Issued as a
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proves to have an illuminating impact that outshines much of the music underneath." In their review,
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937:"Paul Weller: "I'm trying different things as much as I can – time is of the essence, man""
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soundtrack sessions; Weller said it "didn't work out so I managed to be able to re-do ."
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wrote that Ghost Box was the ideal label for Weller to explore "his love of experimental
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describes the contents as "four tracks of eerie field recordings and musique concrète".
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feel and change the speed of recordings. The record has also been considered a work of
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to showcase "sheer acid
England, a kind of weird walk around the environs of native
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Charles Rees – recording, mixing, production manager, Moog synthesiser ("Rejoice")
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noted that Weller's experience making the hauntological EP "found its way into
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electronic label would once have seemed. The results are appealingly eerie."
528:. "Submerge" features deft effects, while "Embarkation" originated during the
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wrote that while Weller had "dabbled in all sorts of outre soundmaking" since
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consider the release to fit the label's "rubric of 'hauntology' impeccably."
433:, whom Weller had long championed in interviews, and has drawn comparison to
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The EP was created by Weller with long-time engineer
Charles Rees, utilising
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966:"Camila Cabello: Romance review – so-so songs for pop's perfect love story"
698:, Weller merges the "avant-garde montage methods" of musique concrète from
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497:", and noted the music's "fleeting glimpses, and a general sense of the
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1147:"In Another Room 7″ EP by Paul Weller and other new releases for 2020"
667:(2020), most notably on its opening song "Mirror Ball". Pat Carty of
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613:. They drew attention to the music's effective hauntology sound.
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524:." The bells on the track were recorded by Weller on a visit to
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genre pioneered by Ghost Box, described as "atmospheric, often
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wrote that while the idea of Weller "releasing an EP of eerie
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324:", and provided him with the opportunity "to visit the more
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that Weller captured during his travels and everyday life.
462:, doomy 'dongs', faraway voices and field recordings of
458:, the record is characterised by "spectral piano parts,
1121:"Paul Weller: On Sunset review – a mellower modfather"
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The EP contains four instrumentals and is a work of
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1052:"Paul Weller Biography by Stephen Thomas Erlewine"
834:Osborne, Paul (October 2019). "Deep Exploration".
919:Weller Essentials (Mojo: The Collectors' Series)
358:was employed on the tracks to provide them with
867:: CS1 maint: others in cite AV media (notes) (
657:Weller later used some of the sound clips from
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572:On 25 October 2019, Ghost Box announced
1458:Fly on the Wall: B Sides & Rarities
1206:"Album Review: Paul Weller - On Sunset"
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917:Gilbert, Pat, ed. (2023). "On Sunset".
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857:(liner). Paul Weller. Ghost Box. 2020.
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445:. Jupp compared the music to "a late
391:Containing four instrumental tracks,
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1725:Electronic albums by English artists
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964:Petridis, Alexis (5 December 2019).
897:G, P (March 2020). "Extended Play".
236:was employed to give the project an
1145:Ghost Box Admin (25 October 2019).
1451:Modern Classics: The Greatest Hits
1095:"Paul Weller – In Another Room EP"
702:with "a rich seam of classic '70s
395:has been referred to as a work of
328:corners of the musical spectrum."
292:soundtrack (2017). The genesis of
244:, a genre pioneered by Ghost Box.
14:
1093:Clash Music (17 February 2020).
766:Adapted from the liner notes of
509:espoused by some aspects of the
935:Beaumont, Mark (23 July 2020).
350:"captured during travels and
197:, released in January 2020 by
1:
1433:Live at the Royal Albert Hall
1180:"In Another Room Paul Weller"
1119:Empire, Kitty (4 July 2020).
791:Jan Erika – cello ("Rejoice")
1750:Electroacoustic music albums
1024:Watts, Peter (3 July 2020).
718:song "Earth Beat" together.
296:came when Ghost Box founder
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1204:Carty, Pat (3 July 2020).
1050:Erlewine, Stephen Thomas.
286:"Jimmy/Blackout" from the
16:2020 EP by Paul Weller
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1026:"Paul Weller – On Sunset"
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429:was partly influenced by
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739:"In Another Room" – 1:43
261:Background and recording
1710:Musique concrète albums
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282:(2008) and the lengthy
268:had long been a fan of
1735:Experimental music EPs
1550:You Do Something to Me
411:music. Pat Gilbert of
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726:All songs written by
536:Release and reception
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1715:Sound collage albums
1479:More Modern Classics
1157:on 29 September 2020
754:"Embarkation" – 1:55
541:Professional ratings
449:studio experiment."
193:by English musician
1705:Ghost Box Music EPs
863:cite AV media notes
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1585:Early Morning Rain
1536:Out of the Sinking
1443:Compilation albums
1387:Fat Pop (Volume 1)
1345:Wake Up the Nation
661:on his next album
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383:was influenced by
226:experimental music
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1664:The Style Council
1616:Touring musicians
1571:Wishing on a Star
1472:Weller at the BBC
1366:A Kind Revolution
742:"Submerge" – 2:18
591:In their review,
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477:cultural memories
356:tape manipulation
341:seven-inch single
234:Tape manipulation
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1745:Instrumental EPs
1652:Related articles
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597:musique concrete
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397:musique concrète
387:(pictured 2010).
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348:field recordings
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659:In Another Room
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630:A reviewer for
615:Alexis Petridis
611:In Another Room
607:Saturns Pattern
574:In Another Room
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491:In Another Room
443:the Focus Group
427:In Another Room
414:Mojo Essentials
393:In Another Room
381:In Another Room
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352:day to day life
303:Saturns Pattern
294:In Another Room
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186:In Another Room
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161:In Another Room
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52:31 January 2020
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1000:. 14 May 2020
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994:"Paul Weller"
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722:Track listing
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692:Mark Beaumont
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546:Review scores
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1426:Catch-Flame!
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1296:Stanley Road
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1125:The Guardian
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76:experimental
1633:Edgar Jones
1623:Steve White
1404:Live albums
1352:Sonik Kicks
1282:Paul Weller
1267:Discography
1258:Paul Weller
1099:Clash Music
774:Paul Weller
728:Paul Weller
710:and sci-fi
643:In Another
605:(2012) and
602:Sonik Kicks
511:folk horror
473:avant-garde
460:white noise
372:Composition
322:electronics
266:Paul Weller
228:, based on
211:electronics
195:Paul Weller
139:Paul Weller
133:Paul Weller
42:Paul Weller
1755:Hauntology
1689:Categories
1643:Andy Lewis
1465:Hit Parade
1324:Studio 150
1303:Heavy Soul
796:References
588:formats.
507:hypnagogia
469:hauntology
409:electronic
318:tape music
270:electronic
242:hauntology
207:tape music
199:electronic
141:chronology
86:electronic
81:hauntology
1674:Go! Discs
1522:Wild Wood
1515:Sunflower
1412:Live Wood
1380:On Sunset
1338:22 Dreams
1331:As Is Now
1289:Wild Wood
1210:Hot Press
1184:Ghost Box
1151:Ghost Box
762:Personnel
696:On Sunset
684:", while
682:On Sunset
670:Hot Press
664:On Sunset
625:leftfield
526:Rishikesh
513:guild."
503:dystopian
489:consider
431:Broadcast
423:22 Dreams
385:Broadcast
279:22 Dreams
274:Ghost Box
254:On Sunset
203:Ghost Box
170:On Sunset
122:Ghost Box
1695:2020 EPs
1599:Birthday
1215:12 April
1189:12 April
1161:12 April
1130:12 April
1104:12 April
1061:12 April
1056:AllMusic
1035:12 April
1004:12 April
975:12 April
946:12 April
836:Shindig!
747:Side two
734:Side one
647:Shindig!
578:gatefold
464:birdsong
360:analogue
313:Shindig!
298:Jim Jupp
257:(2020).
238:analogue
129:Producer
49:Released
39: by
1659:The Jam
1529:Hung Up
1507:Singles
716:R&B
690:writer
530:Jawbone
499:uncanny
447:Beatles
337:Jawbone
289:Jawbone
174:(2020)
165:(2020)
156:(2018)
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708:lounge
653:Legacy
554:Rating
551:Source
495:Woking
437:, and
407:, and
333:iPhone
272:label
201:label
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100:Length
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677:Uncut
633:Clash
561:Clash
518:Clash
486:Clash
326:outrè
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1191:2023
1163:2023
1132:2023
1106:2023
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1037:2023
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977:2023
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899:Mojo
869:link
712:soul
704:funk
593:Mojo
584:and
582:FLAC
566:7/10
481:Mojo
455:Mojo
320:and
224:and
209:and
1489:EPs
941:NME
687:NME
617:of
586:MP3
479:."
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