232:, whom Edgar considers important to the project), but is continually dissatisfied. The person Edgar really wants is someone he met two years ago, a woman who "dared speak her mind." At the urging of his financial backer Mr. Rosenthal, an art dealer whose father once owned a gallery with Edgar's grandfather, Edgar tracks down the woman, named Berthe, where she is working at night cleaning passenger cars at a railroad depot. Berthe remembers Edgar (and marvels at his memory) but emphatically does not want to be involved in his project. She holds down several jobs and also cares for her three-year-old son. Edgar continues to interview people, to his continuing dissatisfaction. He is able to visualize the stages of youth and old age but keeps having trouble with adulthood.
239:. Edgar makes it a point to tell Berthe that Hunter is an example of a "good American." Afterwards, the two wander the city of signs and monuments, talking through the night and into the next day, eventually stopping at an abandoned Renault plant, where they contemplate the collapse of the workers movement. They part company, and later Berthe speaks with Edgar over the phone; they talk about when they first met and she questions him as to why he has stopped talking about his project. They end the conversation with an air of finality. Edgar visits a homeless shelter and selects a man sleeping in one of the beds. In a tender but brief moment, Edgar directs two young people, to whom he had earlier assigned the roles of
944:
272:. The couple's granddaughter, in training to be a lawyer, is attempting to get them out of the contract, as they are afraid they have been shortchanged. The granddaughter is Berthe, and this is when she and Edgar first meet. Berthe attempts to nullify the contract by arguing that the signatories are not members of a defined nation, referring to themselves simply as "Americans," when "America" is a term that encompasses two continents with many countries – but it is a futile effort.
264:. This encounter leads Edgar to meet an elderly couple who fought in the Resistance and have been together ever since. The couple is meeting with delegates from the American state department who are helping to broker a deal on behalf of "Spielberg Associates." The company wants to purchase the rights to the couple's story for a film written by
427:. Ebert wrote, "One muses: (1) Has Godard, having also used her, sent her any money? (2) Has Godard or any other director living or dead done more than Spielberg, with his Holocaust Project, to honor and preserve the memories of the survivors?" The claim that Emilie Schindler was living in poverty was also disputed by
224:
adulthood, and old age. Edgar keeps flipping through the pages of an empty book, staring intently as if waiting for words to appear. He is unsure whether the project should be a novel, a play, an opera, or a film. In Paris, he interviews potential participants from all walks of life (including those people
275:
After spending time with Berthe, Edgar takes the train back to Paris, and reflects on his encounters. When you think of something ("de quelque chose"), he muses, you are always thinking of something else. If you see a landscape that is new to you, for example, you are comparing it to a landscape you
404:
criticized Godard for "talking about
Americans having no stories of their own, no past of their own (he claims we don't even have a name)" and questioned "How can a man who, along with his colleagues in the French new wave, did more than anyone to alert America to the art of its movies, the art we
386:
it must be said, is the most elegant and coherent feature he has made since the mid-1980s. His visual command -- of the velvety shadows of black-and-white 35-millimeter film and the thick, supersaturated tones of digital video -- still has the power to astonish, and his debonair gloom remains
223:
The first half of the film, shot on black and white film, follows a man named Edgar who is working on an undefined "project" about what he considers the four stages of love: meeting, physical passion, separation, and reconciliation, involving people at three different stages of life: youth,
243:
and his love
Eglantine, to bathe the man in a shower. Mr. Rosenthal is there to witness the scene, but the status of "the project" is unclear. In the final scene of the black and white section, Edgar goes to meet a man who has some news for him about Berthe.
251:
video with over-saturated color. An intertitle announces that it is two years earlier. Edgar arrives in
Brittany and is met by the same man he has just seen at the end of part one. The man, a minister of culture for the area, is there to take Edgar to meet
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reported that 52% of mainstream critics gave the film positive reviews, based on 73 reviews, with an average score of 5.9/10. The website's critical consensus reads, "Jean-Luc Godard remains a challenging filmmaker with admirable ambition, but
535:
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457:, stating that it is "one of the most unusual, tremulous, and understated of love stories, as well as the story of love itself; ... Godard’s third first film, thus something of a rebirth of cinema." Japanese film critic
196:
and color drama was shot by Julien Hirsch and
Christophe Pollock. Godard has famously stated that "a film should have a beginning, a middle and an end, but not necessarily in that order." This aphorism is illustrated by
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seductive. But to continue with the notebook analogy, the decorous prose, graceful penmanship and impressive paper stock cannot disguise the banality of what is written."
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already know. What Edgar cannot know is what awaits him in the future, about which he is informed at the end of the first part of the film – that Berthe commits suicide.
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polarized film critics. While some prominent reviewers were highly negative toward the work, others consider it to be one of the best films of its decade.
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reported the film had an average score of 64 out of 100, based on 31 reviews, indicating "generally favorable reviews".
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also listed the film as one of the best of the decade, and it was voted one of the thirty best films of the 2000s in a
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Edgar runs into Berthe at a lecture at a
Parisian bookstore by expatriate American journalist Mark Hunter about the
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is too self-indulgent and bereft of stylistic pleasure to engage beyond the auteur's most patient fans."
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always took for granted, suddenly turn around and proclaim the whole culture worthless?" Film critic
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which reverses the order of past and present. It was selected as the Swiss entry for the
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498:: Crystal Simorgh, International Competition: Best Film, Jean-Luc Godard; 2002.
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List of Swiss submissions for the
Academy Award for Best Foreign Language Film
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List of submissions to the 74th
Academy Awards for Best Foreign Language Film
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Valladolid
International Film Festival: Golden Spike, Jean-Luc Godard; 2001.
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520:: Swiss Film Prize, Best Film (Bester Spielfilm), Jean-Luc Godard; 2002.
256:, whom Edgar proceeds to interview about the role of Catholics in the
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658:"The Melancholy World Weariness of Godard's Twilight Work"
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Trailer of the Film That Will Never Exist: "Phony Wars"
437:, who verified that he had sent her a check himself.
1566:
Letter in Motion to Gilles Jacob and
Thierry Frémaux
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488:: Jury Special Prize, Jean-Luc Godard; Tied with
260:, in connection with a cantata he is writing for
393:named it one of the top 50 films of the decade (
331:Philippe Loyrette as Philippe, Edgar's assistant
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990:
8:
1430:"Anticipation, ou: l'amour en l'an 2000" in
682:"Film Comment's End-of-Decade Critics' Poll"
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1025:
997:
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975:
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247:The second section of the film is shot in
27:
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1990:Beresina, or the Last Days of Switzerland
849:"Sight & Sound's films of the decade"
827:(in Japanese). Little More. p. 271.
378:, while praising the film also found its
851:. British Film Institute. Archived from
875:"Festival de Cannes: In Praise of Love"
729:"In Praise of Love Movie Review (2002)"
546:
417:for her contributions to his 1993 film
486:Valladolid International Film Festival
1769:Jonah Who Will Be 25 in the Year 2000
1414:Les plus belles escroqueries du monde
1154:One Plus One (Sympathy for the Devil)
511:: Golden Palm, Jean-Luc Godard; 2001.
199:In Praise of Love (Éloge de l'amour),
7:
1130:Two or Three Things I Know About Her
735:. Ebert Digital LLC. 18 October 2002
1282:JLG/JLG – Self-Portrait in December
780:Brody, Richard (28 November 2009).
292:Cecile Camp as Elle (Berthe Samuel)
2189:The Awakening of Motti Wolkenbruch
423:, and leaving her impoverished in
334:Marie Desgranges as woman on bench
310:Claude Baignières as Mr. Rosenthal
14:
2279:Films directed by Jean-Luc Godard
757:Searching for Schindler: A memoir
711:""In Praise of Love" - Salon.com"
2294:French nonlinear narrative films
760:, Knopf Doubleday, p. 265,
656:Scott, A.O. (October 13, 2001),
33:French theatrical release poster
1689:Best International Feature Film
1371:All the Boys Are Called Patrick
382:content polemical. He wrote, "
337:Jean-Luc Godard as man on bench
1274:Les Enfants jouent Ă la Russie
697:. Retrieved February 25, 2010.
319:Mark Hunter as U.S. journalist
301:Françoise Verny as Grandmother
1:
2274:French black-and-white films
2051:One Long Winter Without Fire
1532:Ten Minutes Older: The Cello
1421:"Montparnasse-Levallois" in
307:Jérémie Lippmann as Perceval
304:Audrey Klebaner as Eglantine
209:, but it was not nominated.
16:2001 film by Jean-Luc Godard
2289:2000s French-language films
1530:"Dans le noir du temps" in
1387:Charlotte and Her Boyfriend
626:"In Praise of Love Reviews"
2320:
595:"In Praise of Love (2001)"
203:Best Foreign Language Film
1556:"The Bridge of Sighs" in
1547:"Les Trois DĂ©sastres" in
1481:A Letter to Freddy Buache
1258:Germany Year 90 Nine Zero
1028:
1012:
754:Keneally, Thomas (2008),
453:the greatest film of the
328:Bruno Mesrine as magician
120:16 October 2001
26:
1950:Adultery: A User's Guide
1870:If the Sun Never Returns
1515:The French as Seen by...
188:written and directed by
1747:The Middle of the World
1705:The Shadows Grow Longer
2159:My Life as a Courgette
1757:Assassination in Davos
1540:Tribute to Eric Rohmer
463:British Film Institute
352:The review aggregator
325:as himself (historian)
181:
1789:Every Man for Himself
1523:Histoire(s) du cinéma
1432:The Oldest Profession
1412:"Le Grand escroc" in
1396:The Seven Deadly Sins
1194:Every Man for Himself
105:15 May 2001
1980:War in the Highlands
1513:"Le Dernier mot" in
782:"Best of the Decade"
636:CBS Interactive Inc.
509:Cannes Film Festival
368:The film critic for
1930:The Diary of Lady M
1633:Groupe Dziga Vertov
1601:Le Parti des choses
1558:Bridges of Sarajevo
1403:"The New World" in
1322:Goodbye to Language
879:festival-cannes.com
207:74th Academy Awards
2304:2000s French films
2299:French drama films
2284:Films set in Paris
2041:Mein Name ist Bach
1940:Three Colours: Red
1779:Les petites fugues
1620:(1972 documentary)
1612:(2010 documentary)
1604:(1964 documentary)
1596:(1963 documentary)
1466:Here and Elsewhere
1363:Une femme coquette
1355:Operation Concrete
1242:Keep Your Right Up
1210:First Name: Carmen
1042:A Woman Is a Woman
687:2012-06-08 at the
662:The New York Times
496:Fajr Film Festival
384:In Praise of Love,
371:The New York Times
84:Christophe Pollock
2251:
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2021:In Praise of Love
1830:In the White City
1681:Swiss submissions
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1439:"Caméra-oeil" in
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1298:In Praise of Love
963:In Praise of Love
951:In Praise of Love
935:In Praise of Love
924:In Praise of Love
913:In Praise of Love
855:on March 22, 2019
834:978-4-89815-313-0
821:Kurosawa, Kiyoshi
817:Hasumi, Shigehiko
468:Sight & Sound
451:In Praise of Love
359:In Praise of Love
348:Critical response
258:French Resistance
213:In Praise of Love
173:In Praise of Love
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459:Shigehiko Hasumi
420:Schindler's List
415:Emilie Schindler
413:of never paying
411:Steven Spielberg
316:as Mayor Forlani
270:Juliette Binoche
182:Éloge de l'amour
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1290:For Ever Mozart
1162:Joy of Learning
1090:A Married Woman
1066:The Carabineers
1058:Le petit soldat
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813:Aoyama, Shinji
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787:The New Yorker
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717:on 2010-11-19.
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285:
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268:and starring
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98:Release dates
95:
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82:Julien Hirsch
81:
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72:
71:Bruno Putzulu
69:
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55:
51:
47:
44:
41:
37:
30:
25:
20:
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2211:2021–present
2197:
2187:
2177:
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2157:
2147:
2137:
2127:
2117:
2109:Summer Games
2107:
2097:
2087:
2079:
2069:
2059:
2049:
2039:
2029:
2020:
2019:
1998:
1988:
1978:
1968:
1958:
1948:
1938:
1928:
1918:
1910:The Mountain
1908:
1898:
1888:
1880:Lounge Chair
1878:
1868:
1858:
1848:
1838:
1828:
1818:
1808:
1787:
1777:
1767:
1755:
1745:
1735:
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1713:
1703:
1639:Bibliography
1631:
1623:
1615:
1607:
1599:
1591:
1572:
1564:
1557:
1548:
1538:
1531:
1521:
1514:
1505:
1504:"Armide" in
1495:
1487:
1479:
1472:
1464:
1456:
1449:
1440:
1431:
1423:Paris vu par
1422:
1413:
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1328:
1320:
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1272:
1264:
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1232:
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1216:
1208:
1200:
1192:
1184:
1178:Tout Va Bien
1176:
1168:
1160:
1152:
1144:
1136:
1128:
1120:
1112:
1104:
1096:
1088:
1082:Bande Ă part
1080:
1072:
1064:
1056:
1050:Vivre sa vie
1048:
1040:
1032:
962:
950:
933:
923:
912:
901:
882:. Retrieved
878:
869:
859:December 14,
857:. Retrieved
853:the original
843:
824:
807:
797:16 September
795:. Retrieved
785:
775:
756:
749:
739:16 September
737:. Retrieved
732:
723:
715:the original
694:Film Comment
692:
676:
667:December 28,
665:, retrieved
661:
651:
641:16 September
629:
620:
610:16 September
608:. Retrieved
598:
589:
577:. Retrieved
567:
554:
549:
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501:
489:
479:
478:
466:
450:
444:
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432:
431:, author of
418:
400:Film critic
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390:Film Comment
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383:
369:
367:
358:
351:
314:Remo Forlani
274:
246:
234:
222:
212:
211:
198:
184:) is a 2001
172:
171:
170:
141:Running time
1850:Alpine Fire
1625:Redoubtable
1405:Ro.Go.Pa.G.
1394:"Sloth" in
1138:La Chinoise
1015:Filmography
579:21 December
503:Nominations
407:Roger Ebert
262:Simone Weil
226:Victor Hugo
186:French film
156:Switzerland
74:Cecile Camp
60:Alain Sarde
57:Produced by
39:Directed by
2264:2001 films
2258:Categories
2139:The Circle
2080:The Friend
1920:Off Season
1715:First Love
1497:Meetin' WA
1186:Number Two
1098:Alphaville
1034:Breathless
940:Metacritic
884:2009-10-17
792:Condé Nast
639:Retrieved
631:Metacritic
542:References
376:A.O. Scott
363:Metacritic
237:Kosovo War
145:97 minutes
124:2001-10-16
109:2001-05-15
49:Written by
2012:2001–2020
2000:Gripsholm
1960:The Lambs
1801:1981–2000
1696:1960–1980
1593:Paparazzi
1345:Short and
1234:King Lear
1226:DĂ©tective
1218:Hail Mary
965:film clip
490:Va savoir
475:Accolades
465:poll for
449:declared
425:Argentina
343:Reception
296:Jean Davy
150:Countries
89:Edited by
2179:Eldorado
1617:One P.M.
1146:Week-end
1074:Contempt
918:AllMovie
823:(2011).
685:Archived
525:See also
289:as Edgar
241:Perceval
162:Language
67:Starring
2240:Thunder
1585:Related
1347:segment
1202:Passion
1022:Feature
970:YouTube
492:; 2001.
228:dubbed
205:at the
122: (
107: (
2243:(2023)
2233:(2022)
2223:(2021)
2202:(2020)
2192:(2019)
2182:(2018)
2172:(2017)
2162:(2016)
2152:(2015)
2142:(2014)
2132:(2013)
2122:(2012)
2119:Sister
2112:(2011)
2102:(2010)
2092:(2009)
2082:(2008)
2074:(2007)
2064:(2006)
2054:(2005)
2044:(2004)
2034:(2002)
2024:(2001)
2003:(2000)
1993:(1999)
1983:(1998)
1973:(1997)
1963:(1996)
1953:(1995)
1943:(1994)
1933:(1993)
1923:(1992)
1913:(1991)
1903:(1990)
1893:(1989)
1883:(1988)
1873:(1987)
1863:(1986)
1860:Tanner
1853:(1985)
1843:(1984)
1833:(1983)
1823:(1982)
1813:(1981)
1792:(1980)
1782:(1979)
1772:(1976)
1760:(1975)
1750:(1974)
1740:(1973)
1730:(1972)
1718:(1970)
1708:(1961)
1577:(2023)
1569:(2014)
1561:(2014)
1552:(2013)
1543:(2010)
1535:(2002)
1526:(1998)
1518:(1988)
1509:(1987)
1500:(1986)
1492:(1985)
1484:(1982)
1469:(1976)
1461:(1972)
1453:(1969)
1444:(1967)
1435:(1965)
1426:(1964)
1417:(1963)
1408:(1962)
1399:(1962)
1390:(1958)
1382:(1958)
1374:(1957)
1366:(1955)
1358:(1955)
1333:(2018)
1325:(2014)
1317:(2010)
1309:(2004)
1301:(2001)
1293:(1996)
1285:(1995)
1277:(1993)
1269:(1993)
1261:(1991)
1253:(1990)
1245:(1987)
1237:(1987)
1229:(1985)
1221:(1985)
1213:(1983)
1205:(1982)
1197:(1980)
1189:(1975)
1181:(1972)
1173:(1969)
1165:(1969)
1157:(1968)
1149:(1967)
1141:(1967)
1133:(1967)
1125:(1966)
1117:(1966)
1109:(1965)
1101:(1965)
1093:(1964)
1085:(1964)
1077:(1963)
1069:(1963)
1061:(1963)
1053:(1962)
1045:(1961)
1037:(1960)
831:
764:
192:. The
178:French
165:French
153:France
128: (
115:Cannes
113: (
2061:Vitus
455:2000s
395:2000s
2220:Olga
2089:Home
1687:for
1683:for
1549:3X3D
1506:Aria
907:IMDb
861:2016
829:ISBN
799:2016
762:ISBN
741:2016
669:2007
643:2016
612:2016
581:2021
560:IMDb
480:Wins
280:Cast
219:Plot
1820:Yol
968:on
954:at
938:at
927:at
916:at
905:at
558:at
443:of
397:).
2260::
877:.
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790:.
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702:^
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634:.
628:.
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249:DV
180::
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887:.
863:.
837:.
801:.
743:.
645:.
614:.
583:.
562:.
373:,
176:(
132:)
126:)
117:)
111:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
