357:
feeling of peace or completeness". "What Went Wrong" was written nine to ten months before the group worked on the album. Conley did not think the track was worthy enough, until one morning when he woke up with the song in his head. The song is about a kid who is being strip-searched despite having done nothing wrong. "Driving in the Dark" is about searching for peace in the world and not in a person. Conley said "Rise" was about "looking around and seeing everyone else trying to buy this or that and thinking it's going to make them happy." Conley mentioned that reverie refers to being in a dreamlike state, and the title-track is about that: "...floating through life and trying to figure it all out ... transcending the things you get really pissed off about".
360:"Morning in the Moonlight" talks about joy. "Monkey" is about filling up empty space with material possessions, despite said possessions still leaving you empty. Conley came up with the melody for "In My Waking Life" while at his mom's house. The track simply "appeared in my mind as if it were a cloud coming over the horizon." "She" is about being both confused and in love with the various aspects of life. Around the time the band toured with
337:, he learned "a bunch of complex chords", which influenced his creativity. Despite being credited to the band, Conley wrote all of the songs. Though, he said he was "nowhere near dictator" and often enjoyed what parts the other members came up with. He added, whenever guitarist David Soloway came up with a part "it’s exactly the right thing; it’s more than I could have imagined." Musically, the album has been described as
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to 4,000 people, Conley received a call from the band's A&R person at DreamWorks: "e said, 'None of the programmers at radio are biting at the single, and MTV doesn't want to play the video, so we're going have to start thinking about the next record.' I had a total breakdown. I was like, 'How is
392:
to hear the new songs. The staff enjoyed the songs so much that they proceeded to buy the record from
Vagrant. They signed to DreamWorks in July 2003. Conley reasoned they were under the impression that as the label had no shareholders that interfered in business choices, they were driven by artistic
461:
on their UK tour in May and June. In April 2009, the band was tentatively planning to re-release the album with up to 12 additional tracks. According to Conley, the reissue would've included demos and "whatnot. 'Zeebs' and 'Sister Sophs' and all that shit, 'Blossom' and what have you. All that. Then
356:
One day, Conley was playing guitar and came up with the opening riff for "Anywhere with You". The remainder of the song soon followed. Bassist Eben D'Amico said the track was originally titled "Cactus Stomp" before it had any lyrics. Conley said it talks about "longing for something better — for a
251:'s David Renshaw, "hailed as a hero with his lyrics about broken hearts and relationships." Line-up changes soon occurred: drummer Bryan Newman and guitarist Ted Alexander left the group. Conley, who had previously written songs on guitar, began playing it in the group. Newman was replaced by
40:
440:
s release, the label was absorbed by
Interscope Records. The staff at Interscope didn't care for the album, refusing to take the group's calls. They subsequently paid the band severance to leave the label. In March and April 2004, the band went on a co-headlining US tour with
393:
decisions. "Anywhere with You" was posted online on July 24, and released to radio on August 12. Around this time, a music video was filmed for the song in Los
Angeles. It features the group performing the song in a recording studio. On August 16, the group released an
302:
mastered the album at
Sterling Sound in New York City in May 2003. Conley later revealed that the group created "a record we're proud of". Two songs that did not make it on to the album, "Shattered" and "Delusional", were re-worked for the group's next album,
286:. The pair were assisted by engineer Jeff Moses at Larrabee Studios East and by engineer Steven Rhodes at Cello Studios. Richard Barron played organ on "Rise", "Monkey" and "Tomorrow Too Late". Schnapf played the tambourine on "Driving in the Dark".
289:
Rhodes performed various percussion instruments on the recordings. Reed Black contributed a number of instruments to different tracks: electric piano ("Anywhere with You", "Monkey", "In My Waking Life" and "She"), grand piano ("Rise"),
368:, which inspired "Where Are You?". The track is about "taking everything in, the depression, confusion and anxiety, but also the incredible highs." "Wednesday the Third" is about "telling ... off"
401:
was released through DreamWorks
Records on September 16. The album's artwork was done by Brazilian artist Stephan Doitschinoff, who the group met while in the UK in 2002. A few days later,
321:, Conley learned that he was writing songs out of his vocal range. He subsequently learned how to sing notes naturally as opposed to forcing them. Conley's voice subsequently changed for
270:
in Los
Angeles. They were reportedly working on 18 songs. Prior to recording, the group wished to "capture the songs" as best as they could, according to Conley. Recording took place at
397:, which included four new songs: "Anywhere with You", "Driving in the Dark", "What Went Wrong" and "Where Are You?". At the end of August, the band appeared at the Terremoto Festival.
1934:
372:. Conley explained he's "drawing a line in the sand and crossing over to the other side, which means I'm done with the past – onward and inward." With "Tomorrow Too Late", Conley is
1846:
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388:, and was expected for release in September that year. The album was planned to be Saves the Day's final one for Vagrant; they brought in some staff members from major label
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243:. The album's first single, "At Your Funeral", became the band's breakthrough hit. The album would go on to sell over 120,000 copies by early 2002. Frontman
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opened the second half. Halfway through it, the Fire Theft dropped off the tour due to their vocalist falling ill. Following this, the band supported
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329:, Conley described the songs as being "more harmonically intricate" as well as "more complicated melodically". He said that after getting into
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849:"Blossom": available as a b-side on vinyl copies of the "Anywhere With You" single and as a download for those who owned the
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outtake "Don't Go
Outside". From mid-September to late November, the group went on a co-headlining US tour with
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842:"Coconut": available on the special edition of the album and as a download for those who owned the
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294:("She" and "Wednesday the Third") and synth ("In Reverie"). Schnapf and Boehm mixed the album at
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856:"Don't Go Outside": available on the special edition of the album and also on the compilation
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739:. Despite no video or radio play, it went on to sell 150,000 copies by mid-2006.
407:, a tribute to the band's former bassist Sean McGrath, was released featuring an
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This article is about the Saves the Day album. For the Beyond Dawn album, see
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259:. In February 2002, the group were rumoured to have signed with major label
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1321:"Sound the Alarm - Saves the Day : Songs, Reviews, Credits, Awards"
2489:
1759:. Friday Morning Quarterback Album Report, Incorporated. Archived from
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248:
416:
394:
361:
1847:"Saves The Day Cancer-Benefit LP Brings Together Punk, Emo's Finest"
2338:"RollingStone.com: Recordings: Saves The Day, In Reverie, 3 Stars"
1561:"Saves The Day Attempt To Save Themselves, The World With Reverie"
47:
747:
All music by Saves the Day and all lyrics by
Christopher Conley.
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732:
sold 34,000 copies in its first week, reaching number 27 on the
2499:
1294:"Questions and Answers | The Official Saves The Day Website"
878:
433:
this possible? The album just came out!'" A few weeks after
862:. It was available as a download for those who owned the
1997:"The Fire Theft / Saves The Day / Grandaddy on the road"
221:. Shortly after its release, DreamWorks was absorbed by
2028:"The Fire Theft drops off Saves The Day/Grandaddy tour"
1878:"Saves The Day Is Taking Back Sunday (Out On The Road)"
1395:"In Reverie - Saves the Day | Songs, Reviews, Credits"
1019:"Saves The Day - 'Sound The Alarm' (Vagrant) 01/05/06"
225:, resulting in the band being dropped from the label.
2283:. Phoenix Media/Communications Group. Archived from
1966:"Grandaddy/Saves The Day To Co-Headline Spring Tour"
1815:"European Dates: Reconstruction, Terremoto and more"
376:
the feeling of restlessness and the need for peace.
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428:. Following the band's biggest headlining show in
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2385:. Prometheus Global Media. September 24, 2003.
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1245:: CS1 maint: others in cite AV media (notes) (
1177:
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517:
2691:Ups & Downs: Early Recordings and B-Sides
2511:
2111:"Saves the Day Plan to Re-Release In Reverie"
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1926:
182:Ups & Downs: Early Recordings and B-Sides
8:
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1282:
1182:Acid Rain Entertainment (October 30, 2003).
685:
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1876:Goldstein, Jeremy P. (September 14, 2003).
1554:
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1388:
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2504:
2496:
1429:"Album Review: Saves the Day - In Reverie"
889:Christopher Conley – vocals, rhythm guitar
469:
422:On October 20, 2003, the band appeared on
298:with assistance from engineer Kevin Dean.
38:
29:
2379:"DMX Proves 'Grand Champ' On Album Chart"
2275:Richardson, Sean (November 14–20, 2003).
1258:
1256:
1079:
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453:opened the first half of the tour, while
2426:Santangelo, Antonia (October 13, 2003).
1612:
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1608:
1606:
1604:
1602:
1600:
1598:
1496:"Saves the Day The Art And Leisure Club"
1117:"Saves the Day / Interscope connection?"
788:
2142:"Saves The Day to reissue "In Reverie""
1537:from the original on September 24, 2017
1086:"Saves the Day and Something Corporate"
1012:
1010:
1006:
2451:Sciarretto, Amy (September 22, 2003).
2389:from the original on February 17, 2017
2318:from the original on December 13, 2015
1371:from the original on December 11, 2015
1238:
859:In Honor: A Compilation to Beat Cancer
404:In Honor: A Compilation to Beat Cancer
384:On May 17, 2003, the album was titled
217:was released in mid-September through
27:2003 studio album by Saves the Day
1704:"Saves the Day Dream vs. Alarm clock"
498:
475:
266:In January 2003, the group was doing
233:In July 2001, Saves the Day released
7:
1964:Depalma, Amanda (January 22, 2004).
1494:Eberhardt, Thomas (March–May 2004).
1331:from the original on August 28, 2015
1092:. Stephen M. Mindich. Archived from
1029:from the original on August 19, 2016
983:Stephan Doitschinoff – illustrations
325:. Comparing the material to that of
2277:"Rock metaphysics . . . and laughs"
2213:Brunner, Rob (September 19, 2003).
1935:"Saves the Day Rock Their Paranoia"
1757:"FMQB Airplay Archive: Modern Rock"
1676:"Saves The Day Signs To Dreamworks"
1559:Wiederhorn, Jon (August 18, 2003).
519:
2244:Green, Stuart (November 1, 2003).
1907:Heisel, Scott (October 20, 2003).
1527:"Tigers Jaw: Spin | Album Reviews"
1427:Edwards, Tom (December 21, 2004).
1084:Richardson, Sean (November 2003).
980:Trooper CA – art direction, design
971:Steven Rhodes – assistant engineer
932:Steven Rhodes – various percussion
14:
2413:Griffin, Myles (March 24, 2006).
2225:from the original on June 6, 2012
2172:"In Reverie Reviews - Metacritic"
2109:Djamoos, Anton (April 22, 2009).
1995:White, Adam (February 26, 2004).
1845:Wiederhorn, Jon (July 21, 2004).
1782:Heisel, Scott (August 16, 2003).
1439:from the original on May 29, 2008
1148:"Saves The Day In Pre-Production"
1115:White, Adam (February 22, 2002).
1048:Sheffield, Rob (March 28, 2002).
766:"Morning in the Moonlight" – 1:55
687:
649:
557:
20:. For the Lacuna Coil album, see
2256:from the original on May 4, 2017
2038:from the original on May 4, 2017
1909:"Bands on TV - week of 10/20/03"
1735:"New Saves The Day Track Online"
1620:. MusicEmissions. Archived from
1405:from the original on May 3, 2016
1361:"Saves the Day: Sound the Alarm"
1265:"Saves the Day titles new album"
1146:White, Adam (January 31, 2003).
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2184:from the original on 2016-03-06
2026:Heisel, Scott (April 2, 2004).
1702:Renz, Thomas (June–July 2006).
1296:. Saves the Day. Archived from
974:Kevin Dean – assistant engineer
968:Jeff Moses – assistant engineer
2819:Albums produced by Rob Schnapf
2492:(streamed copy where licensed)
2140:Paul, Aubin (April 23, 2009).
1933:Smith, Dane (April 11, 2006).
1643:Miller, Kirk (June 10, 2003).
1263:Heisel, Scott (May 17, 2003).
1017:Renshaw, David (May 8, 2006).
953:Rob Schnapf – producer, mixing
795:
317:While working with Schnapf on
1:
2084:"May the Force Be with Them!"
1813:White, Adam (July 26, 2003).
1733:White, Adam (July 24, 2003).
1674:White, Adam (July 14, 2003).
2308:"Saves The Day - In Reverie"
2148:. Aubin Paul. Archived from
2003:. Aubin Paul. Archived from
1790:. Aubin Paul. Archived from
1154:. Aubin Paul. Archived from
1123:. Aubin Paul. Archived from
977:Eben D'Amico – art direction
908:Reed Black – electric piano
790:Special edition bonus tracks
781:"Wednesday the Third" – 3:39
757:"Driving in the Dark" – 3:14
364:, Conley was suffering from
2306:Greg (September 16, 2003).
2117:. SpinMedia. Archived from
1972:. Andy Cohn. Archived from
1884:. Andy Cohn. Archived from
1710:(in German). Archived from
1525:Cohen, Ian (May 18, 2017).
1502:(in German). Archived from
1462:"Saves the Day: In Reverie"
1359:Raper, Dan (May 31, 2006).
898:David Soloway – lead guitar
2840:
2428:"Spotlight: Saves the Day"
2419:Spartanburg Herald-Journal
2415:"Listen Up! Saves the Day"
2246:"Saves the Day In Reverie"
2058:"Ash Head Out on the Road"
784:"Tomorrow Too Late" – 3:33
772:"In My Waking Life" – 2:49
751:"Anywhere with You" – 2:32
239:through independent label
15:
2824:DreamWorks Records albums
2533:
2463:(832). CMJ Network, Inc.
2438:(835). CMJ Network, Inc.
818:
807:
799:
506:
503:
483:
480:
415:. They were supported by
157:
37:
1645:"Saves the Day Dream On"
1567:. Viacom. Archived from
754:"What Went Wrong" – 2:49
229:Background and recording
1188:Acid Rain Entertainment
926:Richard Barron – organ
875:Personnel per booklet.
778:"Where Are You?" – 1:47
1784:"Saves The Day E-Card"
1592:Santangelo 2003, p. 26
2716:I'm Sorry I'm Leaving
1888:on September 15, 2016
1835:Sciarretto 2003, p. 5
1050:"Punk From the Heart"
833:Other songs from the
272:Larrabee Studios East
72:Larrabee Studios East
2809:Saves the Day albums
2743:Equal Vision Records
2457:CMJ New Music Report
2432:CMJ New Music Report
2219:Entertainment Weekly
1945:on November 21, 2007
1655:on November 11, 2003
1349:Griffin 2006, p. D18
1300:on February 20, 2010
928:(tracks 4, 7 and 12)
903:Additional musicians
598:Entertainment Weekly
471:Professional ratings
445:, with support from
1472:on February 7, 2004
1241:cite AV media notes
895:Pete Parada – drums
892:Eben D'Amico – bass
791:
763:"In Reverie" – 2:27
472:
2753:DreamWorks Records
2683:Compilation albums
2624:Through Being Cool
2583:Alex Garcia-Rivera
2348:on January 1, 2004
2287:on October 9, 2015
1714:on August 13, 2020
1506:on August 13, 2020
1233:DreamWorks Records
959:– engineer, mixing
910:(tracks 1 and 7–9)
811:"Don't Go Outside"
789:
470:
425:Jimmy Kimmel Live!
413:Taking Back Sunday
390:DreamWorks Records
261:Interscope Records
247:was, according to
223:Interscope Records
63:September 16, 2003
2796:
2795:
2631:Stay What You Are
2567:Anthony Anastacio
2152:on April 13, 2018
2007:on April 13, 2018
1857:on August 9, 2016
1794:on April 13, 2018
1763:on March 22, 2013
1624:on April 27, 2017
1571:on March 18, 2018
1194:on April 17, 2004
1158:on April 13, 2018
1127:on April 13, 2018
992:
991:
941:
929:
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919:
918:(tracks 9 and 11)
915:
911:
829:
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727:
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335:Stay What You Are
327:Stay What You Are
319:Stay What You Are
296:The Sound Factory
236:Stay What You Are
194:
193:
190:
189:
164:Stay What You Are
2831:
2726:Related articles
2652:Under the Boards
2598:Spencer Peterson
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587:Drowned in Sound
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476:Aggregate scores
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205:by the American
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2758:Razor & Tie
2748:Vagrant Records
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2645:Sound the Alarm
2617:Can't Slow Down
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2064:. March 2, 2004
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1096:on May 20, 2017
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769:"Monkey" – 3:23
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430:Asbury Park, NJ
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366:Crohn's disease
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306:Sound the Alarm
241:Vagrant Records
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2252:. Ian Danzig.
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2202:Blender review
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2034:. Aubin Paul.
2018:
1987:
1976:on May 4, 2017
1956:
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1911:. Punknews.org
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1817:. Punknews.org
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1737:. Punknews.org
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1678:. Punknews.org
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1533:. Condé Nast.
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1433:DrownedInSound
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1267:. Punknews.org
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2601:Dennis Wilson
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2550:Rodrigo Palma
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1939:Rolling Stone
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1319:Apar, Corey.
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1229:Saves the Day
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1054:Rolling Stone
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949:
945:
938:– tambourine
937:
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884:Saves the Day
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777:
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771:
768:
765:
762:
760:"Rise" – 3:12
759:
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749:
748:
743:Track listing
742:
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684:
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680:Rolling Stone
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499:Review scores
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282:and engineer
281:
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276:Cello Studios
273:
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228:
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220:
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211:Saves the Day
208:
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184:
183:
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175:
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151:Saves the Day
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76:Cello Studios
73:
70:
66:
62:
58:
54:
53:Saves the Day
49:
45:
41:
36:
31:
23:
19:
2783:
2763:Face to Face
2714:
2698:Bug Sessions
2696:
2689:
2671:
2664:
2657:
2650:
2643:
2637:
2636:
2629:
2622:
2615:
2595:Durijah Lang
2579:Eben D'Amico
2576:Sean McGrath
2561:Bryan Newman
2554:
2549:
2544:
2539:Chris Conley
2537:
2484:
2460:
2456:
2435:
2431:
2418:
2405:
2404:
2391:. Retrieved
2382:
2373:
2362:
2350:. Retrieved
2346:the original
2341:
2332:
2322:December 13,
2320:. Retrieved
2312:Punknews.org
2311:
2301:
2291:February 11,
2289:. Retrieved
2285:the original
2280:
2270:
2258:. Retrieved
2249:
2239:
2227:. Retrieved
2218:
2215:"In Reverie"
2208:
2197:
2186:. Retrieved
2175:
2166:
2154:. Retrieved
2150:the original
2146:Punknews.org
2145:
2135:
2123:. Retrieved
2119:the original
2115:AbsolutePunk
2114:
2104:
2094:November 12,
2092:. Retrieved
2087:
2078:
2068:November 12,
2066:. Retrieved
2061:
2052:
2040:. Retrieved
2032:Punknews.org
2031:
2021:
2009:. Retrieved
2005:the original
2001:Punknews.org
2000:
1990:
1978:. Retrieved
1974:the original
1969:
1959:
1947:. Retrieved
1943:the original
1938:
1913:. Retrieved
1902:
1890:. Retrieved
1886:the original
1881:
1871:
1859:. Retrieved
1855:the original
1850:
1840:
1831:
1819:. Retrieved
1808:
1796:. Retrieved
1792:the original
1788:Punknews.org
1787:
1777:
1765:. Retrieved
1761:the original
1751:
1739:. Retrieved
1728:
1716:. Retrieved
1712:the original
1707:
1680:. Retrieved
1669:
1657:. Retrieved
1653:the original
1648:
1638:
1626:. Retrieved
1622:the original
1573:. Retrieved
1569:the original
1564:
1539:. Retrieved
1530:
1520:
1508:. Retrieved
1504:the original
1499:
1474:. Retrieved
1470:the original
1465:
1441:. Retrieved
1432:
1407:. Retrieved
1398:
1373:. Retrieved
1364:
1354:
1345:
1333:. Retrieved
1324:
1314:
1302:. Retrieved
1298:the original
1269:. Retrieved
1224:
1196:. Retrieved
1192:the original
1187:
1160:. Retrieved
1156:the original
1152:Punknews.org
1151:
1141:
1129:. Retrieved
1125:the original
1121:Punknews.org
1120:
1110:
1098:. Retrieved
1094:the original
1089:
1062:. Retrieved
1058:the original
1053:
1043:
1031:. Retrieved
1022:
1000:
999:
986:
947:
946:
916:, mellotron
902:
901:
883:
882:
874:
863:
857:
850:
843:
834:
775:"She" – 2:34
746:
734:
729:
728:
716:
678:
644:Punknews.org
632:
620:
608:
596:
548:
455:Hey Mercedes
434:
423:
421:
408:
402:
398:
385:
383:
374:personifying
359:
355:
343:melodic punk
334:
326:
322:
318:
316:
304:
288:
265:
253:Face to Face
245:Chris Conley
234:
232:
214:
203:studio album
197:
196:
195:
180:
172:
171:
162:
48:Studio album
22:In a Reverie
2814:2003 albums
2784:Two Tongues
2778:Two Tongues
2733:Discography
2588:Pete Parada
2393:February 4,
2367:Spin review
2281:The Phoenix
1767:October 30,
1375:December 3,
1227:(Booklet).
965:– mastering
936:Rob Schnapf
622:The Phoenix
331:the Beatles
313:Composition
280:Rob Schnapf
257:Pete Parada
144:Rob Schnapf
18:Beyond Dawn
2803:Categories
2638:In Reverie
2485:In Reverie
2352:August 28,
2229:August 28,
2188:2013-01-10
2177:Metacritic
1949:August 28,
1718:August 13,
1708:Ox-Fanzine
1659:August 28,
1510:August 13,
1500:Ox-Fanzine
1476:August 28,
1466:PopMatters
1443:August 28,
1365:PopMatters
1335:August 28,
1225:In Reverie
1064:August 28,
996:References
963:Ted Jensen
957:Doug Boehm
948:Production
864:In Reverie
851:In Reverie
844:In Reverie
835:In Reverie
730:In Reverie
634:PopMatters
627:Favorable
615:Favorable
490:Metacritic
435:In Reverie
409:In Reverie
399:In Reverie
386:In Reverie
339:indie rock
333:following
323:In Reverie
300:Ted Jensen
284:Doug Boehm
219:DreamWorks
215:In Reverie
198:In Reverie
173:In Reverie
153:chronology
132:DreamWorks
91:Indie rock
33:In Reverie
2738:Song list
2545:Arun Bali
2469:0890-0795
2453:"Reviews"
2444:0890-0795
2383:Billboard
2156:April 13,
1970:The Fader
1915:March 13,
1882:The Fader
1821:March 10,
1798:April 13,
1741:March 10,
1628:April 13,
1575:April 13,
1531:Pitchfork
1304:April 17,
1162:April 13,
1131:April 13,
1100:April 13,
1001:Citations
940:(track 3)
922:(track 5)
914:(track 4)
871:Personnel
822:"Coconut"
735:Billboard
639:Favorable
466:Reception
443:Grandaddy
351:power pop
292:mellotron
101:power pop
2768:Glassjaw
2659:Daybreak
2387:Archived
2316:Archived
2254:Archived
2250:Exclaim!
2223:Archived
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