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In the Court of the Crimson King

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591:. The Blu-ray features the all-new 2019 stereo and 5.1 mixes encoded at 24/96 resolution, the 2004 "Original Master Edition" with the 1969 mix (also encoded at 24/96), a complete alternate version of the album comprising 2019 Steven Wilson mixes and 2019 instrumental mixes, while the three CDs in the box set feature the new 2019 stereo mix, an expanded edition of the alternate album in the Blu-ray and the "Original Master Edition" plus additional tracks. 4821: 49: 923: 873: 747: 918: 913: 908: 903: 868: 863: 858: 853: 835: 830: 825: 820: 815: 785: 780: 775: 770: 765: 684: 679: 674: 669: 664: 648: 643: 638: 633: 628: 742: 737: 732: 727: 722: 717: 712: 707: 702: 1039:
and a rhythmic discontinuity bordering on the perverse are also components of an essentially tonal, approachable whole inoffensive to any classical or pop listener." Stump further commented that while the album is defined by avant-garde sensibility and subtle arrangements, it still communicates through the accessible language of rockers.
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Peter brought this painting in and the band loved it. I recently recovered the original from offices because they kept it exposed to bright light, at the risk of ruining it, so I ended up removing it. The face on the outside is the Schizoid Man, and on the inside it's the Crimson King. If you cover
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is probably it. All the elements that characterize Progressive's maturity are in place: jazz and blues influences are subservient to intense compositional rigour characterized by Mellotron-induced Western classical symphonic arrangements ... Individual and collective passages of arresting virtuosity
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presented an example of every significant element of a mature progressive rock genre. Further, Macan mentions that the album coalesces prog rock tropes and conventions, some of which are only established in the future, into a single congestable medium. The impact of these developments, in his eyes,
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mix, released as the album's 40th Anniversary edition. The album was sold as three different packages: a two-CD set with the old and new stereo versions, a CD and DVD set with the new stereo and surround sound mixes, and a six-disc (5 CD/1 DVD) box with all mixes and bonus audio and video tracks.
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Barry Godber (1946–1970), a computer programmer friend of Sinfield's, painted the design for the album cover. He used his own face, viewed through a mirror, as the model. Godber died in February 1970 from a heart attack, shortly after the album's release. It was his only album cover; the original
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In 2019, the album was remixed in 5.1 and stereo by Steven Wilson once again for a 50th anniversary box set of the album. Wilson expressed satisfaction with his 2009 remix, but stated that his 50th anniversary mixes are a significant improvement, being more faithful to the original 1969 mix and
567:" yet to be created. In 2004, a new remaster was done by Simon Heyworth using these first-generation stereo master tapes and it was released the same year with a 12-page booklet. This release was called "Original Master Edition" and used the same HDCD and 24 bit technology as the 1999 remaster. 519:
or "some tapes were mastered in different countries on machines that were not very well maintained or from copies made in the source country (normally US or UK in the case of rock music) where the second machine was inadequately maintained/monitored. These tapes were then sent out to licensee
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said that although the album lacked the impact of their live concerts, the diverse musical influences from pop, jazz and classical music had produced a result that was "totally original and always captivating", and stating that "King Crimson, on this showing, have it in them to be huge."
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In 2010, the original 1969 stereo mix was remastered and reissued on 200-gram super-heavyweight vinyl. This edition was cut by John Dent at Loud Mastering, it was approved by Robert Fripp and included a download code for a 320 kbit/s transfer of the original 1969 vinyl.
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in London, but King Crimson had played an earlier show in February 1969 at the Change Is club in Newcastle. Sinfield describes the April Speakeasy concert as their second. Another concert at the Speakeasy Club circa August 1969, was disrupted by members of
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and Tony Arnold; this version was part of "The Definitive Edition" series, which consisted of other remastered albums by the band. In 1999, in commemoration of its 30th anniversary, the album was remastered again, this time using 24 bit and
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countries who had no adequate measure of comparison & trusted the source material from the record company office. Tape machines running at different speeds occasionally resulted in albums being a couple of seconds shorter/longer".
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praising it "s if somehow prophetic, King Crimson projected a darker and edgier brand of post-psychedelic rock" in its original review by Lindsay Planer, and calling it "definitive" and "daring" in its current review. In
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in London, engineered by Robin Thompson and assisted by Tony Page. In order to achieve the characteristic lush, orchestral sounds on the album, Ian McDonald spent many hours overdubbing layers of
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also noted that the album did not fully capture the power of the band's live performances, but that it "still packs tremendous impact", and that "this is one you should try to hear".
271:. The album is one of the earliest and most influential of the progressive rock genre, with the band combining musical influences that rock music was founded upon with elements of 4719: 4890: 2461: 2347: 2319: 2287: 1907: 1634: 511:
discovered that the copy master had a problem on the right track, and because the first generation master tapes were missing since 1969, this problem was compensated for by
4154: 976:". The magazine stated that "this must be heard as a complete entity" and concluded that it would "establish King Crimson as a major talent". In the US, John Morthland of 2476:"Steven Wilson on Instagram: "Mr Fripp gives the thumbs up at my studio today to the 50th anniversary stereo and 5.1 surround remix of what is without doubt one of THE…"" 552:; this edition was part of the "30th Anniversary Edition" series, which consisted of remastered editions of King Crimson's back-catalogue for their 30th anniversaries. 4425: 4126: 504:, with pressings made from copies that were several generations removed from the stereo sub-master tape. This resulted in sub-par audio quality and audible tape hiss. 3486: 2070: 48: 4207: 2022: 1014:
as the album which "blew off the doors of musical convention and cemented these quintessentially British innovators' place in rock history for all time".
4905: 4450: 4369: 3586: 347:(the only song on the album for which this was the case), but was retained by King Crimson in order to show the group's soft side. According to lyricist 2542: 2915: 4900: 4634: 4348: 4319: 4235: 3980: 3479: 2189: 1679: 486: 306: 3253: 4885: 4172: 4061: 1578: 1100: 4673: 4362: 4256: 4019: 3395: 1649: 1511: 4291: 3668: 1610: 4485: 4895: 2732: 2669: 972:
described the album as "a brilliant mixture of melody and freakout, fast and slow, atmospheric and electric, all heightened by the words of
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and various woodwind and reed instruments. In some cases, the band went through 5 tape generations to attain deeply layered, segued tracks.
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is the album representing but also influencing the overall musical impact of progressive rock as a whole for decades to come. Paul Stump's
431:. After these sessions failed to work out, the group were given permission to produce the album themselves. The album was recorded on a 1" 4457: 1922: 4680: 4376: 4221: 4140: 3948: 2749: 2637: 1548: 541: 4492: 4305: 3625: 3454: 3330: 3238: 3188: 3073: 3039: 2945: 2787: 2507: 2005: 1980: 1932: 1875: 1850: 1772: 1135: 3109: 3090: 4855: 4641: 1814: 4870: 4860: 4762: 4054: 4005: 3885: 4875: 4850: 4574: 4242: 3613: 982:
said King Crimson had "combined aspects of many musical forms to create a surreal work of force and originality". However,
4620: 4581: 4567: 4524: 4404: 4147: 3565: 3558: 3420: 2958: 2777: 2623: 1664: 1303: 1285: 1034:, published the same year, stated that "If Progressive rock as a discrete genre can be said to have had a starting point, 894: 756: 359: 228: 28: 4880: 4865: 4709: 4506: 4432: 4040: 4026: 3857: 3595: 2455: 2341: 2313: 2281: 1901: 1891: 4627: 3213: 4499: 3391: 2362: 3008: 4845: 4802: 4787: 4588: 4263: 3913: 3864: 3774: 3661: 3139: 3297: 2211: 4752: 4595: 4542: 4228: 3892: 3526: 2475: 1178: 1126: 1094: 524: 318: 4714: 4704: 4355: 4200: 4012: 3878: 3871: 3632: 3619: 3313: 3269: 3060: 2568: 2237: 1792: 1537: 1110: 4075: 2043: 1778: 420:, London, in July 1969, before an estimated 250,000 to 500,000 people, which brought them positive attention. 4277: 4105: 4047: 3899: 3843: 3754: 3317: 3301: 3285: 2604: 2399: 2381: 2144: 2113: 1582: 1567: 1552: 1471: 1364: 1188: 1130: 1076: 1006: 693: 508: 363: 193: 3281: 4735: 3955: 3799: 3764: 3176: 424: 409: 344: 1337:
The timings on the inner sleeve of original pressings, giving a total album time of 42:00, are incorrect.
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for the song, they claimed that West had sampled it without a licence. The case was settled in May 2024.
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by Stan Ricker with the Ortofon Cutting System. In 1989 the album was remastered for its debut on CD by
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the smiling face, the eyes reveal an incredible sadness. What can one add? It reflects the music.
413: 379: 340: 302: 4312: 1025:"may be the most influential progressive rock album ever released". Macan went on to argue that 17: 4792: 4666: 4560: 3460: 3450: 3234: 3184: 3069: 3035: 2941: 2816: 2783: 2728: 2724: 2696: 2692: 2665: 2633: 2001: 1976: 1938: 1928: 1871: 1846: 1768: 1430: 1070:, the album came fourth in its list of "40 Cosmic Rock Albums". The album was named as one of 932: 532: 417: 559:
archives, with splicing tape still present between the various songs, and crossfade between "
3110:"Lawsuit Over Kanye West's King Crimson Sample in 2010 Track 'Power' Settles Ahead of Trial" 2653: 1372: 989: 794: 396: 260: 145: 103: 4531: 4478: 4464: 2885: 2687: 2661: 2450:(Media Notes). King Crimson. Discipline Global Mobile/Panegyric/ Inner Knot (KCLP1). 2010. 2260:
In The Court of the Crimson King (An Observation By King Crimson) (Liner Notes and Runout)
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King Crimson - In the Court of the Crimson King Album Reviews, Songs & More | AllMusic
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voted it the eighth greatest drumming album in the history of progressive rock. In 2015,
395:'s August/September 1969 debut American tour) who were out celebrating the completion of 3133: 4538: 3850: 3759: 3739: 3717: 3710: 3540: 3208: 2538: 2305: 1443: 1388: 1384: 1232: 1200: 1122: 1051: 973: 619: 564: 556: 545: 348: 268: 211: 140: 3265: 587:
benefitting from his 10 years of ensuing experience. The box set includes 3 CDs and a
4839: 4553: 4549: 4091: 4068: 3769: 3744: 3731: 3724: 2910: 2629: 2044:"Hyde Park, 1969: the counterculture's greatest day. And the Rolling Stones came too" 2027: 1819: 1730: 1563: 1483: 1378: 1196: 984: 978: 571: 475: 352: 311: 295: 3091:"Kanye West's King Crimson Sample in 'Power' Sparks Lawsuit Against Universal Music" 4767: 3941: 3819: 3809: 3789: 3689: 3677: 3471: 3355: 3334: 3331:"Canadian album certifications – King Crimson – In the Court of the Crimson King" 3065: 2864: 2619: 2255: 2186:"American album certifications – King Crimson – In the Court of the Crimson King" 1764: 1619: 1358: 1184: 1056: 962: 536: 501: 453: 392: 384: 355:; in a 1997 interview, he said it is still his favourite lyric that he ever wrote. 264: 169: 150: 133: 61: 3417:"British album certifications – King Crimson – In the Court of the Crimson King" 3392:"Italian album certifications – King Crimson – In the Court of the Crimson King" 2508:"King Crimson / In The Court of the Crimson King 3CD+blu-ray | superdeluxeedition" 378:
Multiple sources state that King Crimson made their live debut on 9 April 1969 at
3356:"French album certifications – King Crimson – In the Court of the Crimson King" 4757: 3794: 3779: 3696: 1375:, vibraphone, backing vocals, co-lead vocals on "I Talk to the Wind", production 96: 2962: 2807: 2071:"Interview: Steven Wilson on the King Crimson 40th Anniversary Reissue Project" 4740: 4033: 3804: 3703: 2838: 2719: 2714: 1118: 1089: 956: 844: 401: 323: 3464: 2700: 4797: 3931: 3814: 3749: 1368: 1352: 1192: 440: 286:
Widely regarded as one of the greatest progressive rock albums of all time,
3416: 2484: 2088: 1306:" (including "The Return of the Fire Witch" and "The Dance of the Puppets") 2531:"King Crimson: In The Court of the Crimson King (40th Anniversary Series)" 4772: 4648: 2577: 1000: 656: 108: 555:
Three years later, in 2002, the original masters were discovered in the
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until 2002. Fripp speculated that the problem was caused by incompetent
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s list of the "50 Greatest Prog Rock Albums of All Time", behind 1973's
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The History of British Rock and Roll: The Psychedelic Years 1967 – 1969
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was reissued several times in the 1980s and 1990s through Polydor and
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1001 Albums You Must Hear Before You Die: Revised and Updated Edition
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Rocking the Classics: English Progressive Rock and the Counterculture
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Initial sessions for the album were held in early 1969 with producer
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and Sinfield for their earlier group The Creation, and started as a
2750:"King Crimson: In the Court of the Crimson King (50th Anniversary)" 2382:"Robert Fripp's Diary: A day gentling with The Horse in Canterbury" 1334:, there is a hidden track run from 9:41 to 10:00 on some pressings. 1010:
reviews of King Crimson's 2009 reissues, Alexander Milas described
3906: 2336:(Booklet). King Crimson. Discipline Global Mobile (DGM0501). 2004. 2023:"Flashback: King Crimson Open for the Rolling Stones in Hyde Park" 1139:. In a 2022 lawsuit by Declan Colgan Music Ltd, the owners of the 56: 2407: 2334:
In The Court of the Crimson King – An Observation By King Crimson
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In The Court of the Crimson King (An Observation By King Crimson)
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magazine's "50 Albums That Built Prog Rock". In 2014, readers of
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was quoted as calling the album "an uncanny masterpiece". In the
3183:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. 2262:(Vinyl). King Crimson. United States: Mobile Fidelity Sound Lab. 272: 3650: 3646: 3475: 1235:" (including "March for No Reason" and "Tomorrow and Tomorrow") 1088:
the second greatest progressive rock album of all time, behind
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In October 2009, Fripp collaborated with musician and producer
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DeCurtis, Anthony; Henke, James; George-Warren, Holly (1992).
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Milas, Alexander (November 2009). "King Crimson – Reissues".
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The 21st Century Guide to King Crimson Volume Two: 1981–2003
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The 21st Century Guide to King Crimson Volume One: 1969–1974
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The Deception of the Thrush: A Beginners' Guide to ProjeKcts
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Sleeve notes on original Island Records (ILPS-9111) release.
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to remix the original master recordings in a new stereo and
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The Condensed 21st Century Guide to King Crimson: 1969–2003
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Vulliamy, Ed; Beaumont, Peter; Reidy, Tess (7 April 2013).
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The Music's All that Matters: A History of Progressive Rock
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The Music's All that Matters: A History of Progressive Rock
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The Music's All that Matters: A History of Progressive Rock
2276:(Booklet). King Crimson. E.G. Records Ltd. (EGCD 1). 1989. 2961:. Discipline Global Mobile (dgmlive.com). Archived from 4398:
A Beginners' Guide to the King Crimson Collectors' Club
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Vibeindex (video) "The History of King Crimson (1969)"
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song before its final progressive rock configuration.
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Cirkus: The Young Persons' Guide to King Crimson Live
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In the Court of the Crimson King: King Crimson at 50
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Oricon Album Chart Book: Complete Edition 1970–2005
2422:"In The Court Of The Crimson King 40th Anniversary" 2180: 2178: 2155: 2153: 1896:(CD). King Crimson. Discipline Global Mobile. 1997. 1275: 1264: 1168: 1157: 210: 168: 158: 132: 116: 95: 84: 76: 68: 55: 41: 4155:Music Is Our Friend: Live in Washington and Albany 2984:Q Classic: Pink Floyd & The Story of Prog Rock 2483: 1021:, critic and musicologist Edward Macan notes that 309:(RIAA). In 2015, the album was ranked number 2 on 3449:. London: Flame Tree Publishing. pp. 78–79. 343:" was written for King Crimson predecessor group 4127:Radical Action to Unseat the Hold of Monkey Mind 3030:Robert Dimery; Michael Lydon (7 February 2006). 2363:"David Singleton's Diary: Today at the Vicarage" 949:received acclaim in the British music press. In 3298:"Official Rock & Metal Albums Chart Top 40" 2460:: CS1 maint: others in cite AV media (notes) ( 2346:: CS1 maint: others in cite AV media (notes) ( 2318:: CS1 maint: others in cite AV media (notes) ( 2286:: CS1 maint: others in cite AV media (notes) ( 1906:: CS1 maint: others in cite AV media (notes) ( 1699:Shipments figures based on certification alone. 1381:– drums, percussion, backing vocals, production 458: 2801: 2799: 2114:"Interview with Robert Fripp in Rock and Folk" 900: 362:" was written by keyboardist/woodwinds player 3662: 3487: 3152:"The Song Soup on Sea Gallery ~ Barry !" 1367:– saxophone, flute, clarinet, bass clarinet, 699: 8: 3256:. Hung Medien. Retrieved 23 September 2023. 3135:King Crimson - The Court Of The Crimson King 2685:Mike Barnes (November 2009). "Royal Flush". 2136: 2134: 1288:" (including "The Dream" and "The Illusion") 850: 812: 762: 661: 625: 391:, hours before his flight out to the US for 3009:"Peart named most influential prog drummer" 2841:(18 October 1969). "King Crimson at Last". 2562: 2560: 1695:Sales figures based on certification alone. 1361:– electric and acoustic guitars, production 4891:Albums produced by Ian McDonald (musician) 4694: 4370:Frame by Frame: The Essential King Crimson 3994: 3669: 3655: 3647: 3515: 3494: 3480: 3472: 3314:"Official Independent Albums Chart Top 50" 2720:MusicHound Rock: The Essential Album Guide 2597: 2595: 1815:"50 Greatest Prog Rock Albums of All Time" 1726:"50 Greatest Prog Rock Albums of All Time" 1598: 1522: 1496: 1415: 598: 47: 38: 3981:Happy with What You Have to Be Happy With 2190:Recording Industry Association of America 1870:. Quartet Books Limited. pp. 46–47. 1845:. Quartet Books Limited. pp. 52–54. 1836: 1834: 1832: 1830: 1098:. The album is also featured in the book 487:Recording Industry Association of America 456:. Fripp had said about Godber's artwork: 307:Recording Industry Association of America 3282:"Official Scottish Albums Chart Top 100" 1258: 1151: 1101:1001 Albums You Must Hear Before You Die 4363:Heartbeat: The Abbreviated King Crimson 3396:Federazione Industria Musicale Italiana 1713: 1691: 1315: 1244: 1068:Pink Floyd & The Story of Prog Rock 259:) is the debut studio album by English 4349:A Young Person's Guide to King Crimson 2806:Christgau, Robert (11 December 1969). 2453: 2339: 2311: 2279: 2075:Musoscribe: Bill Kopp's Music Magazine 1899: 1355:– lead vocals, bass guitar, production 1291:Fripp, McDonald, Lake, Giles, Sinfield 1238:Fripp, McDonald, Lake, Giles, Sinfield 2000:. Quartet Books Limited. p. 35. 1719: 1717: 1316: 1245: 604: 36:1969 studio album by King Crimson 7: 2900:Morthland, John (27 December 1969). 4377:Sleepless: The Concise King Crimson 2808:"Consumer Guide (5): King Crimson: 2089:"Barry Godber (English, 1946–1970)" 1401:Robin Thompson – recording engineer 902: 507:While supervising a mastering cut, 2380:Fripp, Robert (15 December 2003). 2361:Singleton, David (27 March 2002). 1407:Barry Godber – cover illustrations 701: 267:, released on 10 October 1969, by 25: 4906:Albums produced by Peter Sinfield 3626:In the Court of the Crimson Queen 2529:Kelman, John (14 November 2009). 2236:Fripp, Robert (20 January 2006). 2021:Hank Shteamer (14 January 2019). 1136:My Beautiful Dark Twisted Fantasy 852: 814: 764: 663: 627: 216:In the Court of the Crimson King 4901:Albums produced by Michael Giles 4820: 4819: 4451:In the Court of the Crimson King 3837:In the Court of the Crimson King 3588:In the Court of the Crimson King 3504:In the Court of the Crimson King 3229:(in Japanese). Roppongi, Tokyo: 2904:In the Court of the Crimson King 2881:In the Court of the Crimson King 2860:In the Court of the Crimson King 2827:– via robertchristgau.com. 2810:In the Court of the Crimson King 2571:In the Court of the Crimson King 2448:In The Court of the Crimson King 2274:In The Court of the Crimson King 2210:Fripp, Robert (1 October 2008). 1086:In the Court of the Crimson King 1036:In the Court of the Crimson King 1027:In the Court of the Crimson King 1023:In the Court of the Crimson King 1012:In the Court of the Crimson King 997:In the Court of the Crimson King 992:called the album "ersatz shit". 947:In the Court of the Crimson King 921: 916: 911: 906: 901: 871: 866: 861: 856: 851: 833: 828: 823: 818: 813: 783: 778: 773: 768: 763: 745: 740: 735: 730: 725: 720: 715: 710: 705: 700: 682: 677: 672: 667: 662: 646: 641: 636: 631: 626: 498:In the Court of the Crimson King 427:, most famous for his work with 288:In the Court of the Crimson King 250:In the Court of the Crimson King 185:In the Court of the Crimson King 42:In the Court of the Crimson King 18:In The Court Of The Crimson King 4886:Albums produced by Robert Fripp 4763:Bruford Levin Upper Extremities 4055:Absent Lovers: Live in Montreal 3447:A Brief History of Album Covers 3320:. Retrieved 23 September 2023. 3304:. Retrieved 23 September 2023. 3288:. Retrieved 23 September 2023. 3272:. Retrieved 23 September 2023. 3216:. Retrieved 23 September 2023. 3181:Australian Chart Book 1970–1992 3089:Yossman, K.J. (26 April 2022). 2748:Reed, Ryan (11 November 2019). 2172:. Retrieved 23 September 2023. 2147:. Retrieved 23 September 2023. 2141:"Official Albums Chart Top 100" 531:version of the album on vinyl, 470:The album reached No. 5 on the 3614:King Crimson Live in Hyde Park 3108:Yossman, K. J. (14 May 2024). 2889:. 25 October 1969. p. 19. 2868:. 25 October 1969. p. 29. 2238:"Robert Fripp's Diary: DGM HQ" 2212:"Robert Fripp's Diary: DGM HQ" 1972:Give The Anarchist A Cigarette 1404:Tony Page – assistant engineer 1265: 1158: 385:The Pink Fairies Drinking Club 256:An Observation by King Crimson 1: 4525:The Court of the Crimson King 4405:The Power to Believe Tour Box 4306:The Champaign–Urbana Sessions 4236:Live At Moles Club, Bath 1981 4148:Meltdown: Live in Mexico City 3566:The Court of the Crimson King 3421:British Phonographic Industry 2914:. No. 49. Archived from 2779:The Rolling Stone Album Guide 2625:Encyclopedia of Popular Music 2160:"King Crimson Chart History ( 1724:Epstein, Dan (17 June 2015). 1332:The Court of the Crimson King 1304:The Court of the Crimson King 1104:. It was voted number 193 in 895:The Rolling Stone Album Guide 757:Encyclopedia of Popular Music 360:The Court of the Crimson King 351:, the song was influenced by 229:The Court of the Crimson King 29:The Court of the Crimson King 4896:Albums produced by Greg Lake 4507:The Complete 1969 Recordings 4433:The Elements of King Crimson 3596:The Complete 1969 Recordings 3204:"Top RPM Albums: Issue 3764" 2400:"Steven Wilson Headquarters" 1587: 1572: 1557: 1542: 1516: 1490: 1476: 1449: 3214:Library and Archives Canada 2940:, Oxford University Press, 2608:. No. 138. p. 95. 1927:. Robin Bell. p. 458. 1921:Robin Bell (20 June 2017). 1032:History of Progressive Rock 290:reached number five on the 234:Released: October 1969 (UK) 4922: 4788:21st Century Schizoid Band 4753:Emerson, Lake & Palmer 4257:Live at Plymouth Guildhall 3914:The Construkction of Light 3011:. TeamRock. 3 October 2014 2658:The Great Rock Discography 1564:UK Rock & Metal Albums 938: 795:The Great Rock Discography 26: 4815: 4596:Sex Sleep Eat Drink Dream 4543:21st Century Schizoid Man 4229:Live in Central Park, NYC 4027:B'Boom: Live in Argentina 3684: 3527:21st Century Schizoid Man 2308:(7243 8 44065 2 3). 1999. 2304:(Booklet). King Crimson. 1692: 1677: 1662: 1647: 1632: 1617: 1609: 1606: 1603: 1577: 1562: 1547: 1535: 1528: 1525: 1509: 1502: 1499: 1481: 1466: 1454: 1440: 1428: 1421: 1418: 1298: 1280: 1272: 1269: 1227: 1209: 1179:21st Century Schizoid Man 1173: 1165: 1162: 1127:21st Century Schizoid Man 1095:The Dark Side of the Moon 999:have been positive, with 612: 609: 525:Mobile Fidelity Sound Lab 481:, where it was certified 452:painting is now owned by 319:The Dark Side of the Moon 301:, where it was certified 242: 221: 206: 176: 46: 4715:Discipline Global Mobile 4356:The Compact King Crimson 3872:Starless and Bible Black 3633:21st Century Supersister 3620:King Crimson discography 3270:GfK Entertainment Charts 3061:All Time Top 1000 Albums 2959:"King Crimson biography" 2723:(1st ed.). London: 1760:All-Time Top 1000 Albums 1111:All Time Top 1000 Albums 1066:Classic Special Edition 294:and number 28 on the US 4856:Atlantic Records albums 4635:Larks' Tongues in Aspic 4575:Three of a Perfect Pair 4458:Larks' Tongues in Aspic 4278:Live in Northampton, MA 4106:EleKtrik: Live in Japan 3900:Three of a Perfect Pair 3865:Larks' Tongues in Aspic 3844:In the Wake of Poseidon 3318:Official Charts Company 3302:Official Charts Company 3286:Official Charts Company 2998:, July 2010, Issue 146. 2145:Official Charts Company 1441:Canada Top Albums/CDs ( 1181:" (including "Mirrors") 1133:", from his 2010 album 194:In the Wake of Poseidon 80:7 July – 13 August 1969 4871:Vertigo Records albums 4861:Polydor Records albums 4736:Giles, Giles and Fripp 4327:Rehearsals & Blows 4222:Live at Summit Studios 3956:A Scarcity of Miracles 3445:Draper, Jason (2008). 2936:Macan, Edward (1997). 1757:Larkin, Colin (1999). 1371:, harpsichord, piano, 463: 345:Giles, Giles and Fripp 4876:Virgin Records albums 4851:Island Records albums 4486:On (and off) The Road 4299:Live at the Zoom Club 4208:Live in San Francisco 4187:The Beat Club, Bremen 4076:Live at the Jazz Café 3358:(in French). InfoDisc 2996:Classic Rock magazine 1969:Farren, Mick (2001). 1579:UK Independent Albums 474:and No. 28 on the US 4674:Neal and Jack and Me 4271:Live in Berkeley, CA 4250:Nashville Rehearsals 4180:Live at Jacksonville 3921:The Power to Believe 3231:Oricon Entertainment 2965:on 27 September 2007 1996:Stump, Paul (1997). 1866:Stump, Paul (1997). 1841:Stump, Paul (1997). 1019:Rocking the Classics 600:Professional ratings 437:Wessex Sound Studios 4881:King Crimson albums 4866:E.G. Records albums 4285:Live in Detroit, MI 4215:The Vrooom Sessions 4173:Live at the Marquee 4113:Live at the Orpheum 4085:Heavy ConstruKction 4062:Live in Mexico City 2886:Disc and Music Echo 2488:on 23 December 2021 2456:cite AV media notes 2342:cite AV media notes 2314:cite AV media notes 2282:cite AV media notes 1902:cite AV media notes 1738:on 22 December 2017 1600: 1429:Australian Albums ( 1261: 1154: 969:Disc and Music Echo 601: 548:, Robert Fripp and 529:half speed mastered 517:mastering engineers 389:Steve Peregrin Took 368:country and western 4747:McDonald and Giles 4614:I Talk to the Wind 4500:Heaven & Earth 4320:Live in Austin, TX 4194:Live at Cap D'Agde 4099:Ladies of the Road 4020:The Great Deceiver 3534:I Talk to the Wind 2918:on 22 October 2007 2906:> Album Review" 2510:. 5 September 2019 2077:. 24 January 2011. 1781:on 8 October 2021. 1599: 1538:Offizielle Top 100 1419:Chart (1969–1970) 1309:McDonald, Sinfield 1259: 1220:McDonald, Sinfield 1215:I Talk to the Wind 1152: 1141:mechanical licence 599: 576:5.1 surround sound 561:I Talk to the Wind 414:the Rolling Stones 380:The Speakeasy Club 341:I Talk to the Wind 27:For the song, see 4846:1969 debut albums 4833: 4832: 4811: 4810: 4793:Crimson Jazz Trio 4561:Thela Hun Ginjeet 4336: 4335: 4292:Live in Nashville 4243:Live in Hyde Park 3644: 3643: 3575: 3574: 3156:Songsouponsea.com 2817:The Village Voice 2734:978-0-7876-1037-1 2725:Visible Ink Press 2693:Bauer Media Group 2671:978-0-86241-827-4 2428:. 2 November 2016 2118:Elephant-talk.com 1705: 1704: 1700: 1696: 1592: 1591: 1521: 1520: 1495: 1494: 1455:Japanese Albums ( 1431:Kent Music Report 1330:After the end of 1326: 1325: 1255: 1254: 1017:In his 1997 book 995:Later reviews of 944: 943: 933:The Village Voice 393:Tyrannosaurus Rex 246: 245: 202: 201: 16:(Redirected from 4913: 4823: 4822: 4798:Crimson ProjeKct 4695: 4165:Collector's Club 3998:Standard release 3995: 3949:Heaven and Earth 3671: 3664: 3657: 3648: 3516: 3496: 3489: 3482: 3473: 3468: 3432: 3431: 3429: 3427: 3413: 3407: 3406: 3404: 3402: 3388: 3382: 3380: 3367: 3365: 3363: 3352: 3346: 3345: 3343: 3341: 3327: 3321: 3311: 3305: 3295: 3289: 3279: 3273: 3263: 3257: 3251: 3245: 3244: 3223: 3217: 3201: 3195: 3194: 3173: 3167: 3166: 3164: 3162: 3148: 3142: 3136: 3131: 3125: 3124: 3122: 3120: 3105: 3099: 3098: 3086: 3080: 3079: 3064:(3rd ed.). 3052: 3046: 3045: 3027: 3021: 3020: 3018: 3016: 3005: 2999: 2993: 2987: 2981: 2975: 2974: 2972: 2970: 2955: 2949: 2934: 2928: 2927: 2925: 2923: 2897: 2891: 2890: 2876: 2870: 2869: 2855: 2849: 2848: 2835: 2829: 2828: 2826: 2824: 2803: 2794: 2793: 2782:. Random House. 2773: 2767: 2766: 2764: 2762: 2745: 2739: 2738: 2711: 2705: 2704: 2682: 2676: 2675: 2660:(1st ed.). 2654:Martin C. Strong 2650: 2644: 2643: 2628:(5th ed.). 2616: 2610: 2609: 2599: 2590: 2589: 2587: 2585: 2564: 2555: 2554: 2552: 2550: 2541:. Archived from 2535:Allaboutjazz.com 2526: 2520: 2519: 2517: 2515: 2504: 2498: 2497: 2495: 2493: 2487: 2482:. Archived from 2472: 2466: 2465: 2459: 2451: 2444: 2438: 2437: 2435: 2433: 2418: 2412: 2411: 2406:. Archived from 2396: 2390: 2389: 2377: 2371: 2370: 2358: 2352: 2351: 2345: 2337: 2330: 2324: 2323: 2317: 2309: 2298: 2292: 2291: 2285: 2277: 2270: 2264: 2263: 2252: 2246: 2245: 2233: 2227: 2226: 2224: 2222: 2207: 2201: 2200: 2198: 2196: 2182: 2173: 2157: 2148: 2138: 2129: 2128: 2126: 2124: 2110: 2104: 2103: 2101: 2099: 2085: 2079: 2078: 2067: 2061: 2058: 2052: 2051: 2039: 2033: 2032: 2018: 2012: 2011: 1993: 1987: 1986: 1966: 1960: 1957: 1951: 1950: 1948: 1946: 1941:on 11 April 2023 1937:. Archived from 1918: 1912: 1911: 1905: 1897: 1888: 1882: 1881: 1863: 1857: 1856: 1838: 1825: 1824: 1811: 1805: 1804: 1803: 1801: 1789: 1783: 1782: 1777:. Archived from 1754: 1748: 1747: 1745: 1743: 1734:. Archived from 1721: 1698: 1694: 1663:United Kingdom ( 1601: 1523: 1510:Italian Albums ( 1497: 1416: 1319: 1267: 1262: 1248: 1160: 1155: 990:Robert Christgau 940: 926: 925: 924: 920: 919: 915: 914: 910: 909: 905: 904: 876: 875: 874: 870: 869: 865: 864: 860: 859: 855: 854: 838: 837: 836: 832: 831: 827: 826: 822: 821: 817: 816: 788: 787: 786: 782: 781: 777: 776: 772: 771: 767: 766: 750: 749: 748: 744: 743: 739: 738: 734: 733: 729: 728: 724: 723: 719: 718: 714: 713: 709: 708: 704: 703: 687: 686: 685: 681: 680: 676: 675: 671: 670: 666: 665: 651: 650: 649: 645: 644: 640: 639: 635: 634: 630: 629: 602: 261:progressive rock 235: 232: 178: 177: 128: 127: 123: 104:Progressive rock 51: 39: 21: 4921: 4920: 4916: 4915: 4914: 4912: 4911: 4910: 4836: 4835: 4834: 4829: 4807: 4724: 4686: 4654: 4601: 4512: 4465:The Road to Red 4438: 4332: 4313:Jazz Café Suite 4160: 4134:Live in Chicago 4120:Live in Toronto 4048:The Night Watch 3986: 3961: 3926: 3824: 3680: 3675: 3645: 3640: 3601: 3571: 3546: 3507: 3500: 3457: 3444: 3441: 3439:Further reading 3436: 3435: 3425: 3423: 3415: 3414: 3410: 3400: 3398: 3390: 3389: 3385: 3378: 3361: 3359: 3354: 3353: 3349: 3339: 3337: 3329: 3328: 3324: 3312: 3308: 3296: 3292: 3280: 3276: 3264: 3260: 3252: 3248: 3241: 3225: 3224: 3220: 3202: 3198: 3191: 3175: 3174: 3170: 3160: 3158: 3150: 3149: 3145: 3134: 3132: 3128: 3118: 3116: 3107: 3106: 3102: 3088: 3087: 3083: 3076: 3054: 3053: 3049: 3042: 3029: 3028: 3024: 3014: 3012: 3007: 3006: 3002: 2994: 2990: 2982: 2978: 2968: 2966: 2957: 2956: 2952: 2935: 2931: 2921: 2919: 2899: 2898: 2894: 2879:"King Crimson: 2878: 2877: 2873: 2858:"King Crimson: 2857: 2856: 2852: 2837: 2836: 2832: 2822: 2820: 2805: 2804: 2797: 2790: 2775: 2774: 2770: 2760: 2758: 2747: 2746: 2742: 2735: 2713: 2712: 2708: 2691:(192). London: 2684: 2683: 2679: 2672: 2662:Canongate Books 2652: 2651: 2647: 2640: 2618: 2617: 2613: 2601: 2600: 2593: 2583: 2581: 2566: 2565: 2558: 2548: 2546: 2545:on 29 July 2014 2528: 2527: 2523: 2513: 2511: 2506: 2505: 2501: 2491: 2489: 2474: 2473: 2469: 2452: 2446: 2445: 2441: 2431: 2429: 2420: 2419: 2415: 2410:on 13 May 2011. 2398: 2397: 2393: 2379: 2378: 2374: 2360: 2359: 2355: 2338: 2332: 2331: 2327: 2310: 2300: 2299: 2295: 2278: 2272: 2271: 2267: 2254: 2253: 2249: 2235: 2234: 2230: 2220: 2218: 2209: 2208: 2204: 2194: 2192: 2184: 2183: 2176: 2158: 2151: 2139: 2132: 2122: 2120: 2112: 2111: 2107: 2097: 2095: 2087: 2086: 2082: 2069: 2068: 2064: 2059: 2055: 2041: 2040: 2036: 2020: 2019: 2015: 2008: 1995: 1994: 1990: 1983: 1968: 1967: 1963: 1958: 1954: 1944: 1942: 1935: 1920: 1919: 1915: 1898: 1890: 1889: 1885: 1878: 1865: 1864: 1860: 1853: 1840: 1839: 1828: 1823:. 17 June 2015. 1813: 1812: 1808: 1799: 1797: 1791: 1790: 1786: 1775: 1756: 1755: 1751: 1741: 1739: 1723: 1722: 1715: 1710: 1697: 1678:United States ( 1611:Certified units 1597: 1549:Scottish Albums 1536:German Albums ( 1530: 1504: 1423: 1414: 1344: 1327: 1317: 1256: 1246: 1149: 1129:" in his song " 1117:Hip hop artist 1045: 922: 917: 912: 907: 872: 867: 862: 857: 834: 829: 824: 819: 784: 779: 774: 769: 746: 741: 736: 731: 726: 721: 716: 711: 706: 683: 678: 673: 668: 647: 642: 637: 632: 597: 550:David Singleton 542:HDCD technology 495: 472:UK Albums Chart 468: 449: 429:The Moody Blues 376: 337: 332: 292:UK Albums Chart 281:symphonic music 238: 233: 226: 225: 197: 188: 125: 121: 120: 72:10 October 1969 64: 37: 32: 23: 22: 15: 12: 11: 5: 4919: 4917: 4909: 4908: 4903: 4898: 4893: 4888: 4883: 4878: 4873: 4868: 4863: 4858: 4853: 4848: 4838: 4837: 4831: 4830: 4828: 4827: 4816: 4813: 4812: 4809: 4808: 4806: 4805: 4800: 4795: 4790: 4785: 4780: 4775: 4770: 4765: 4760: 4755: 4750: 4743: 4738: 4732: 4730: 4726: 4725: 4723: 4722: 4717: 4712: 4707: 4701: 4699: 4692: 4688: 4687: 4685: 4684: 4681:Eyes Wide Open 4677: 4670: 4662: 4660: 4656: 4655: 4653: 4652: 4645: 4638: 4631: 4624: 4617: 4609: 4607: 4603: 4602: 4600: 4599: 4592: 4585: 4578: 4571: 4564: 4557: 4546: 4535: 4528: 4520: 4518: 4514: 4513: 4511: 4510: 4503: 4496: 4493:Sailors' Tales 4489: 4482: 4475: 4468: 4461: 4454: 4446: 4444: 4443:Major Box Sets 4440: 4439: 4437: 4436: 4429: 4422: 4415: 4408: 4401: 4394: 4387: 4380: 4373: 4366: 4359: 4352: 4344: 4342: 4338: 4337: 4334: 4333: 4331: 4330: 4323: 4316: 4309: 4302: 4295: 4288: 4281: 4274: 4267: 4260: 4253: 4246: 4239: 4232: 4225: 4218: 4211: 4204: 4197: 4190: 4183: 4176: 4168: 4166: 4162: 4161: 4159: 4158: 4151: 4144: 4141:Live in Vienna 4137: 4130: 4123: 4116: 4109: 4102: 4095: 4088: 4081: 4080: 4079: 4065: 4058: 4051: 4044: 4037: 4030: 4023: 4016: 4009: 4001: 3999: 3992: 3988: 3987: 3985: 3984: 3977: 3969: 3967: 3966:Extended plays 3963: 3962: 3960: 3959: 3952: 3945: 3937: 3935: 3928: 3927: 3925: 3924: 3917: 3910: 3903: 3896: 3889: 3882: 3875: 3868: 3861: 3854: 3847: 3840: 3832: 3830: 3826: 3825: 3823: 3822: 3817: 3812: 3807: 3802: 3797: 3792: 3787: 3782: 3777: 3775:Andy McCulloch 3772: 3767: 3762: 3760:Gordon Haskell 3757: 3752: 3747: 3742: 3740:Peter Sinfield 3736: 3735: 3728: 3721: 3718:Gavin Harrison 3714: 3711:Pat Mastelotto 3707: 3700: 3693: 3685: 3682: 3681: 3676: 3674: 3673: 3666: 3659: 3651: 3642: 3641: 3639: 3638: 3637: 3636: 3622: 3617: 3609: 3607: 3603: 3602: 3600: 3599: 3592: 3583: 3581: 3577: 3576: 3573: 3572: 3570: 3569: 3562: 3554: 3552: 3548: 3547: 3545: 3544: 3537: 3530: 3522: 3520: 3513: 3509: 3508: 3501: 3499: 3498: 3491: 3484: 3476: 3470: 3469: 3455: 3440: 3437: 3434: 3433: 3408: 3394:(in Italian). 3383: 3347: 3322: 3306: 3290: 3274: 3258: 3246: 3239: 3218: 3196: 3189: 3168: 3143: 3126: 3100: 3081: 3074: 3068:. p. 99. 3058:, ed. (2000). 3047: 3040: 3022: 3000: 2988: 2976: 2950: 2929: 2902:"King Crimson 2892: 2871: 2850: 2830: 2795: 2788: 2768: 2740: 2733: 2717:, ed. (1996). 2706: 2677: 2670: 2645: 2639:978-0857125958 2638: 2611: 2591: 2556: 2539:All About Jazz 2521: 2499: 2467: 2439: 2413: 2391: 2372: 2353: 2325: 2306:Virgin Records 2293: 2265: 2247: 2228: 2202: 2174: 2149: 2130: 2105: 2080: 2062: 2053: 2034: 2013: 2006: 1988: 1981: 1961: 1952: 1933: 1913: 1883: 1876: 1858: 1851: 1826: 1806: 1784: 1773: 1767:. p. 55. 1749: 1712: 1711: 1709: 1706: 1703: 1702: 1690: 1689: 1686: 1683: 1675: 1674: 1671: 1668: 1660: 1659: 1656: 1653: 1645: 1644: 1641: 1638: 1630: 1629: 1626: 1623: 1615: 1614: 1608: 1605: 1596: 1595:Certifications 1593: 1590: 1589: 1586: 1575: 1574: 1571: 1560: 1559: 1556: 1545: 1544: 1541: 1533: 1532: 1527: 1519: 1518: 1515: 1507: 1506: 1501: 1493: 1492: 1489: 1479: 1478: 1475: 1464: 1463: 1460: 1452: 1451: 1448: 1438: 1437: 1434: 1426: 1425: 1420: 1413: 1410: 1409: 1408: 1405: 1402: 1393: 1392: 1385:Peter Sinfield 1382: 1376: 1362: 1356: 1343: 1340: 1339: 1338: 1335: 1324: 1323: 1320: 1314: 1313: 1310: 1307: 1300: 1296: 1295: 1292: 1289: 1282: 1278: 1277: 1274: 1271: 1268: 1257: 1253: 1252: 1249: 1243: 1242: 1239: 1236: 1229: 1225: 1224: 1221: 1218: 1211: 1207: 1206: 1203: 1201:Peter Sinfield 1182: 1175: 1171: 1170: 1167: 1164: 1161: 1150: 1148: 1145: 1052:Pete Townshend 1044: 1041: 974:Peter Sinfield 942: 941: 936: 928: 927: 898: 890: 889: 886: 878: 877: 848: 840: 839: 810: 802: 801: 798: 790: 789: 760: 752: 751: 697: 689: 688: 659: 653: 652: 623: 620:All About Jazz 615: 614: 611: 607: 606: 596: 593: 546:Simon Heyworth 494: 491: 467: 464: 448: 445: 399:'s solo album 375: 372: 349:Peter Sinfield 336: 333: 331: 328: 269:Island Records 244: 243: 240: 239: 237: 236: 222: 219: 218: 208: 207: 204: 203: 200: 199: 190: 181: 174: 173: 166: 165: 162: 156: 155: 154: 153: 148: 143: 136: 130: 129: 118: 114: 113: 112: 111: 106: 99: 93: 92: 86: 82: 81: 78: 74: 73: 70: 66: 65: 60: 53: 52: 44: 43: 35: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4918: 4907: 4904: 4902: 4899: 4897: 4894: 4892: 4889: 4887: 4884: 4882: 4879: 4877: 4874: 4872: 4869: 4867: 4864: 4862: 4859: 4857: 4854: 4852: 4849: 4847: 4844: 4843: 4841: 4826: 4818: 4817: 4814: 4804: 4801: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4769: 4766: 4764: 4761: 4759: 4756: 4754: 4751: 4749: 4748: 4744: 4742: 4739: 4737: 4734: 4733: 4731: 4727: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4702: 4700: 4696: 4693: 4689: 4683: 4682: 4678: 4676: 4675: 4671: 4669: 4668: 4664: 4663: 4661: 4657: 4650: 4646: 4643: 4639: 4636: 4632: 4629: 4625: 4622: 4618: 4615: 4611: 4610: 4608: 4604: 4597: 4593: 4590: 4586: 4583: 4579: 4576: 4572: 4569: 4565: 4562: 4558: 4555: 4554:Elephant Talk 4551: 4550:Matte Kudasai 4547: 4544: 4540: 4536: 4533: 4529: 4526: 4522: 4521: 4519: 4515: 4509: 4508: 4504: 4502: 4501: 4497: 4495: 4494: 4490: 4488: 4487: 4483: 4481: 4480: 4476: 4474: 4473: 4469: 4467: 4466: 4462: 4460: 4459: 4455: 4453: 4452: 4448: 4447: 4445: 4441: 4435: 4434: 4430: 4428: 4427: 4423: 4421: 4420: 4416: 4414: 4413: 4409: 4407: 4406: 4402: 4400: 4399: 4395: 4393: 4392: 4388: 4386: 4385: 4381: 4379: 4378: 4374: 4372: 4371: 4367: 4365: 4364: 4360: 4358: 4357: 4353: 4351: 4350: 4346: 4345: 4343: 4339: 4329: 4328: 4324: 4322: 4321: 4317: 4315: 4314: 4310: 4308: 4307: 4303: 4301: 4300: 4296: 4294: 4293: 4289: 4287: 4286: 4282: 4280: 4279: 4275: 4273: 4272: 4268: 4266: 4265: 4264:Live in Mainz 4261: 4259: 4258: 4254: 4252: 4251: 4247: 4245: 4244: 4240: 4238: 4237: 4233: 4231: 4230: 4226: 4224: 4223: 4219: 4217: 4216: 4212: 4210: 4209: 4205: 4203: 4202: 4198: 4196: 4195: 4191: 4189: 4188: 4184: 4182: 4181: 4177: 4175: 4174: 4170: 4169: 4167: 4163: 4157: 4156: 4152: 4150: 4149: 4145: 4143: 4142: 4138: 4136: 4135: 4131: 4129: 4128: 4124: 4122: 4121: 4117: 4115: 4114: 4110: 4108: 4107: 4103: 4101: 4100: 4096: 4094: 4093: 4092:Vrooom Vrooom 4089: 4087: 4086: 4082: 4078: 4077: 4073: 4072: 4071: 4070: 4069:The ProjeKcts 4066: 4064: 4063: 4059: 4057: 4056: 4052: 4050: 4049: 4045: 4043: 4042: 4038: 4036: 4035: 4031: 4029: 4028: 4024: 4022: 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Pimlico. 1322:21:38 43:54 527:released a 425:Tony Clarke 387:(including 335:Composition 253:(subtitled 4840:Categories 4034:Thrakattak 4006:Earthbound 3886:Discipline 3805:Jamie Muir 3704:Tony Levin 3373:and click 3362:24 October 2823:5 December 2715:Gary Graff 2584:10 January 2514:3 November 2492:3 November 2404:Swhq.co.uk 1800:29 October 1742:9 December 1708:References 1396:Production 1387:– lyrics, 1119:Kanye West 1090:Pink Floyd 957:Nick Logan 845:MusicHound 402:Think Pink 339:The song " 330:Production 324:Pink Floyd 172:chronology 4803:The Vicar 4778:Stick Men 4621:Moonchild 4582:Sleepless 4568:Heartbeat 3932:ProjeKcts 3815:Trey Gunn 3750:Greg Lake 3559:Moonchild 3465:227198538 3426:5 January 3340:5 January 3161:24 August 3015:21 August 2969:29 August 2755:Pitchfork 2701:1351-0193 2480:Instagram 2195:5 January 2169:Billboard 2162:Billboard 1625:Platinum 1531:position 1505:position 1485:Billboard 1468:UK Albums 1424:position 1369:Mellotron 1353:Greg Lake 1342:Personnel 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Index

In The Court Of The Crimson King
The Court of the Crimson King

Studio album
King Crimson
Wessex
Genre
Progressive rock
art rock
Label
Island
Atlantic
E.G.
Producer
King Crimson
In the Wake of Poseidon
Singles
The Court of the Crimson King
progressive rock
King Crimson
Island Records
jazz
classical
symphonic music
UK Albums Chart
Billboard 200
Gold
Recording Industry Association of America
Rolling Stone
The Dark Side of the Moon

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