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cured, allowing them to stop the treatments permanently. Later in the day, Mr. and Mrs. Daldry arrive for
Sabrina's treatment. Catherine and Sabrina distract Dick by sending him into the Givings' winter garden, while they discuss with Elizabeth the odd, dichotomous sensations of the vibrator. Elizabeth, confused, believes it to be the result of sexual relations with their husbands, but Mrs. Daldry claims that such feelings during sex would be incredibly embarrassing - her husband is always careful to silently make love to her in complete darkness. Mr. Irving leaves the Givings' home apparently cured, and walks an uncomfortable Elizabeth back to her apartment.
287:, and after generous offers for payment, she tepidly agrees, but only if Catherine sits in the room during the painting to make it feel not so improper. Mr. Daldry arrives to escort Elizabeth and his wife back to their home, and with everyone gone, Catherine discloses to her husband concerns with retaining Elizabeth's employment, for fear of her getting too attached to Letitia. Their conversation quickly turns to an argument as Catherine claims she is mentally unwell and begs to be treated in the next room, and Dr. Givings postulates it is because of the excess of milk. Reluctantly, he agrees to medicate her with the vibrator.
277:, which he refers to as the "Chattanooga Vibrator". Meanwhile, in the living room, Catherine struggles to connect with her baby, who was previously smiling and attentive for Elizabeth. After a quick and successful session, Leo meets Catherine on his way out, charming her with his old-fashioned tendencies and shared preference for candlelight over electric lamps. She then converses with Sabrina about continuing to explore the vibrator on their own accord behind her husband's back, but their plans are interrupted by the doctor, who brings her into the operating theater for therapy.
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then confronts him regarding his intentions for their relationship; to love her and indulge her longing for pleasure, or to merely be a doctor and make her feel better. The doctor admits that he would like to love her but does not know how, and, in medical jargon, lists and kisses her most beautiful facial features. Touched by his vulnerability, Catherine leads him to the garden, and the two undress and make snow angels with their bare bodies. The curtain falls as
Catherine climbs atop her husband and mounts him, discovering the
316:. Catherine begs him to take her with him, explaining how he has seduced her in his talk of beauty and sex, but Mr. Irving confesses he is in love with Elizabeth, who rejected his feelings earlier in the evening when he walked her home. Catherine makes a final appeal by disclosing her loneliness, but he dismisses her affections, reminding her that she cannot feel so isolated when she belongs to a family that loves her.
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treatment has taken longer than usual, and Dr. Givings uses it as an excuse to confront his wife about the slap he heard from the living room. Before leaving for the club, he subtly implies his speculation that she has been unfaithful with the men in her life. In the next room, Mrs. Daldry and Annie begin a Greek lesson following their success with the vibrator. Sabrina asks why she is unmarried, and, as
368:, which received an Edgerton Foundation New American Play Award towards the production of the play. Les Waters, associate artistic director said, in part: "This award provides us with the rare luxury of an extended rehearsal period for a new play. Sarah has become one of the country's most important writers, and I'm honored that Berkeley Rep has played a vital role in her career."
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from the operating theater. Mr. Irving, embarrassed, makes his exit quickly, and Mrs. Givings presses the doctor about whether he is jealous over her hand being on his cheek; he claims that, because of the many shades and degrees of love, the moment was irrelevant and unimportant. Catherine, hurt, reveals she was hoping he would be envious, further straining their relationship.
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great resentment to
Letitia for taking the milk that was meant for her dead son, but when she saw how grateful she was for it, it was hard to believe the feeling to be anything but love. Before leaving, she urges Catherine to hold Letitia close and remember the blood of her son that kept her alive. The doorbell rings again, and Leo arrives to say goodbye, as he is moving to
253:" in addition to the instrument. Catherine, who has been eavesdropping at the door, demands that her husband conduct electrical therapy on herself, but he denounces the idea as unseemly and unprofessional. Mrs. Daldry leaves again, and Dr. Givings, growing suspicious of his wife, locks the operating theater before leaving to attend a club of scientific academics.
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recounting as she does so how when she first met the doctor as a young girl, she wrote her name in the snow outside his window in the hopes he would notice her. She flees the house in a fury while Dr. Givings, in a creative stir, summons Annie to help him draft plans for a vibrator made of water, designed to treat more excitable patients such as his wife.
241:, while Dr. Givings works to restore power in the house. Elizabeth prepares to return home to her own family and is asked by Catherine if she plans to have more children, before divulging her own personal fears of childbirth and the great pain she felt when Letitia first tried to nurse off of her. Meanwhile, Annie displays her knowledge of
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to stimulate Mrs. Givings with the device, but she has an intensely negative reaction to it. She offers to conduct the therapy to
Sabrina, and despite her insistence that Dr. Givings should be the only one to take such responsibility, she takes the offer, the curtain falling as Mrs. Daldry has her third paroxysm of the day.
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Leo leaves, and
Catherine, more alone than ever, tries to use the vibrator on herself but still feels nothing pleasurable. Dr. Givings returns to the house and is alarmed to see her using the instrument, but he soon admits his jealousy when she concedes that she has fallen in love with Leo. Catherine
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The next day, Dr. Givings gives
Elizabeth a medical exam, determining she will be a healthy wet nurse. Catherine observes her feeding the baby and reacts emotionally; she tries to explain to her husband about her insecurities of motherhood, but Dr. Givings is more interested in medicating Mrs. Daldry
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In
October 2017, the play was produced at The Timeline Theatre Company in Chicago, directed by Mechelle Moe. The cast included Anish Jethmalani as Dr. Givings, Rochelle Therrien as Catherine Givings, Melissa Canciller as Mrs. Daldry, Joel Ewing as Mr. Daldry, Krystel McNeil as Elizabeth, Dana Tretta
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Sabrina returns to the
Givings' home a third time, this time to retrieve her gloves, and describes to an intrigued Catherine the sensations of the vibrator. Curiosity gets the better of her, and she picks the lock to her husband's laboratory, finally laying eyes on the instrument. Mrs. Daldry offers
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In late
November, the doctor brings in a new patient, Sabrina Daldry, and her husband, Dick, who has grown frustrated with the inhibitions arising from his wife's hysteria. While Givings treats Sabrina with the vibrator, Mr. Daldry and Catherine romp in the rain, and when he returns, he is delighted
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Catherine answers the doorbell to find
Elizabeth has returned, who resigns from her role as a wet nurse, as her husband needs her at home to help with their other children. When Catherine muses how she would die of sorrow should her baby die, an impassioned Elizabeth explains that at first she felt
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Sabrina is taken into the operating theater for therapy as her husband returns from the garden. While she is unsuccessfully massaged with the device, Mr. Daldry advances on Catherine to kiss her, and she audibly slaps him and has him take a carriage home. Annie offers to wield the instrument as the
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A week passes, and Leo has been regularly painting a nursing Elizabeth while also rebuffing Catherine's romantic advances. One day, Dr. Givings returns home to bear witness to the painting and hides his repulsion with the scene. He quickly administers electrical therapy with Leo and proclaims he is
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Catherine reappears with Leo after running into him during the first snowfall of the season, and openly flirts with him, much to his discomfort. She requests that he show her where her husband placed the vibrator in their session earlier, and as she places her hand on his cheek, Dr. Givings enters
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In the operating theater, Dr. Givings attempts to conduct therapy with his wife as he would with any other patient, but the experiment quickly turns sexual as Catherine insists they kiss while he holds the instrument to her person. Frustrated when he refuses to do so, she dresses herself to leave,
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When everyone has left, the Givings' endeavor to be sexually intimate in the living room, but are interrupted by Mrs. Daldry, who has come back to retrieve her hat and is seemingly faint. The doctor resolves to treat her with the vibrator, much to his wife's chagrin, but when Annie's absence gives
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said to his mother, she woke up one day and found it to be too late. Before her exit, Mrs. Daldry plays the piano alone in the living room; Annie arrives and, after she finishes the song, kisses her passionately. Overwhelmed, Sabrina leaves and states it would be best if they stopped seeing each
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with another round of electrical therapy in the next room. With his assistant absent, however, Sabrina has a much more difficult time reaching a paroxysm, and after he attempts to stimulate her with higher voltage, a power outage occurs. Annie arrives and administers
213:, Annie. While he believes his wife to be physically strained from an excess of milk that is insufficient to feed their child, Catherine is sexually dissatisfied with her husband, who is fascinated by electricity and struggles with intimacy.
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The set is divided between two rooms, a parlor and a doctor's office. At the play's climax, the actors step through the imaginary wall dividing the rooms to create the third and final scene, outdoors in the falling snow.
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In September–October 2011, the play was produced by the Theatre Workshop of Nantucket (TWN), directed by Anne Breeding, and by the Playmaker's Repertory Company in Chapel Hill, North Carolina, directed by
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to see that there is a considerable difference in Sabrina's health. Catherine inadvertently reveals her struggle with nursing Letitia, and Mr. Daldry suggests hiring their housekeeper, Elizabeth, an
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Mr. Irving returns to the Givings', having forgotten his scarf, and becomes enamored with Elizabeth upon meeting her. He insists he must paint her nursing Letitia, creating a post-
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during the late 19th century. With the recent innovation of electricity entering American homes, Givings harnesses it to create a machine designed to cure female
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269:. Leo, a painter, recounts the source of his hysterical symptoms, which he believes to be a heartbreak he suffered from a woman he fell in love with in
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It has been two weeks since Catherine and Sabrina's adventure with the vibrator and Dr. Givings is seeing a new patient - Leo Irving, a rare case of
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127:." Other themes include Victorian ignorance of female sexual desire, motherhood, breastfeeding, and jealousy. The play was nominated for three
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The play premiered at the Berkeley Repertory Theatre on 5 February 2009, running to 15 March 2009, under the direction of Les Waters. The
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on 22 October 2009, officially opened on 19 November and closed on 10 January 2010 after 60 total performances. The cast included
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In October 2014, the play was produced by the Hobart Repertory Theatre Society, directed by Steven Jones, in Tasmania, Australia.
273:. Dr. Givings unveils his latest invention, specifically designed to medicate hysteria in a man; a device that inserts into the
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In July–August 2011, the play was produced by A Contemporary Theater (ACT) in Seattle, Washington, directed by Kurt Beattie.
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209:. He treats his patients in an operating theater within his house, the eponymous "next room," alongside his assistant and
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In March–April 2012, the play was produced by Auckland Theatre Company Auckland, New Zealand, directed by Colin McColl.
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1059:"Dr. Givings' Good Vibrations: Ancient orgasm-inducing technology is the centerpiece of Sarah Ruhl's new play"
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In June–July 2012, the play was produced by Fortune Theatre, Dunedin, New Zealand, directed by Lara Macgregor.
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In April–May 2013, the play was produced by the Santa Paula Theater Center, directed by James Castle Stevens.
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Dr. Givings, an electrical scientist, lives with his wife, Catherine, and their newborn, Letitia, in upstate
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In May 2013, the play was produced by the Colonial Players of Annapolis, Maryland, directed by Carol Youmans
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A prosperous spa town outside of New York City. The dawn of the age of electricity, and after the Civil War.
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In late 2011, the play was produced by Plan 9 in Larco Theatre in Lima, Peru, directed by David Carrillo.
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as Annie, and Edgar Miguel Sanchez as Leo Irving. Playwright Sarah Ruhl attended the show.
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361:(Janet Golden) as books she was reading or which influenced her when she wrote the play.
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In October and November 2010, the play was produced by The Actors Theatre, directed by
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her trouble reaching a paroxysm once again, he successfully uses what he refers to as "
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598:"Highlights from Les Waters Director Presentation for In the Next Room (January 2009)"
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726:"Actors Theatre Opens Season With In the Next Room (Or The Vibrator Play) 10/29-11/4"
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455:, including Best Director (Rabe), Best Female Actor (McKenzie), and Best Production.
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The Technology of Orgasm: Hysteria, the Vibrator, and Women’s Sexual Satisfaction
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to Mrs. Daldry, who asks her to begin teaching it to her in private lessons.
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932:"In the Next Room or, The Vibrator Play - Black Swan State Theatre Company"
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884:"In the Next Room or The Vibrator Play, St James Theatre - theatre review"
649:"Berkeley Rep's Premiere of Ruhl's' In the Next Room' Wins Edgerton Award"
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Gold Star: "In the Next Room: World Premiere of Victorian-Era Sex Comedy"
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802:"In the Next Room - Hysterical "Hysteria" at PlayMakers' 2011-12 Opener"
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in the Drama Theatre, Sydney Opera House. The production, starring
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1002:"64th Annual Tony Awards to Be Presented June 13 at Radio City"
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From November 2013 to January 2014, a production directed by
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as Dr. Givings and Angelica Howland as Mrs. Givings.
508:In October–November 2018, the play was produced by
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355:AC/DC: The Savage Tale of the First Standards War
1079:: World Premiere of Victorian-Era Sex Comedy"
412:Subsequent professional productions include:
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991:Playbill (vault), accessed 28 September 2016
710:"Benanti and Cerveris to Star in Broadway's
324:, allowing her at last sexual satisfaction.
359:A Social History of Wet Nursing in America
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861:"In The Next Room (or the Vibrator Play)"
779:"In the Next Room, or the vibrator play"
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24:In the Next Room (or The Vibrator Play)
431:In March–April 2011, the play had its
882:Mountford, Fiona (22 November 2013).
697:Will Play Broadway's Lyceum Theatre,"
420:at Herberger Theatre's Stage West in
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1100:: Why Yes, It Is About Exactly That"
575:"Theater review: 'In the Next Room'"
553:The play was nominated for the 2010
573:Hurwitt, Robert (6 February 2009).
205:" - innocently giving birth to the
912:. Hobart Repertory Theatre Society
225:, as she recently lost her son to
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1094:Lunden, Jeff (21 November 2009).
512:, directed by Jeffrey Jay Fowler.
364:The play was commissioned by the
1057:Swan, Rachel (28 January 2009).
936:Black Swan State Theatre Company
728:. BroadwayWorld, 29 October 2010
557:for Outstanding Costume Design.
510:Black Swan State Theatre Company
451:, and was nominated for several
345:states the play was inspired by
535:Best Featured Actress in a Play
1018:In the Next Room
673:. Lincoln Center Theatre. 2008
600:. Berkeley Rep. Archived from
447:, subsequently transferred to
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1144:Plays set in New York (state)
759:Recipients of the 2011 Awards
544:Best Costume Design of a Play
521:The play garnered three 2010
380:production, presented by the
341:In the Director Presentation
121:early history of the vibrator
863:. Santa Paula Theater Center
353:. Ruhl cites Maines's book,
237:to Sabrina, causing her to
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1023:Internet Broadway Database
804:. CNVC Online Arts Journal
638:, 2008-09, Number 4, p. 23
366:Berkeley Repertory Theatre
58:Berkeley Repertory Theatre
699:playbill.com, 9 July 2009
636:The Berkeley Rep Magazine
577:. San Francisco Chronicle
496:St. James Theatre, London
449:Melbourne Theatre Company
322:woman on top sex position
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42:5 February 2009
1104:Weekend Edition Saturday
823:Auckland Theatre Company
781:. A Contemporary Theater
671:"Lincoln Center Theatre"
408:Professional productions
384:, began previews at the
1106:. National Public Radio
631:2 February 2017 at the
16:2009 play by Sarah Ruhl
1139:Plays set in the 1880s
1004:Playbill, 13 June 2010
716:Playbill, 21 July 2009
651:Playbill, 28 July 2008
517:Awards and nominations
437:Sydney Theatre Company
398:Quincy Tyler Bernstine
382:Lincoln Center Theater
764:21 March 2012 at the
989:Overview and Awards"
888:The Evening Standard
747:The Arizona Republic
424:. The cast starred
62:Berkeley, California
1129:Plays by Sarah Ruhl
1044:on 26 February 2009
768:, Green Room Awards
604:on 18 February 2009
445:Jacqueline McKenzie
357:(Tom McNichol) and
1061:. East Bay Express
957:"Who's Nominated?"
135:List of characters
119:. It concerns the
111:is a 2009 play by
1098:The Vibrator Play
835:"Fortune Theatre"
800:Jeffrey Rossman.
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453:Green Room Awards
141:Catherine Givings
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1081:. Gold Star
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1048:16 February
961:Tony Awards
867:22 November
785:10 November
608:16 February
581:16 February
494:ran in the
441:Pamela Rabe
426:Francis Jue
372:Productions
177:Dick Daldry
147:Dr. Givings
1134:2009 plays
1123:Categories
963:. IBM Corp
941:26 October
916:1 December
808:9 November
677:9 November
561:References
548:David Zinn
523:Tony Award
433:Australian
343:Les Waters
337:Background
159:Leo Irving
113:Sarah Ruhl
46:2009-02-05
33:Sarah Ruhl
29:Written by
1028:Various.
530:Best Play
282:Civil War
239:ejaculate
223:wet nurse
203:paroxysms
171:Elizabeth
762:Archived
693:"Ruhl's
629:Archived
378:Broadway
271:Florence
207:vibrator
199:hysteria
195:New York
125:hysteria
1021:at the
967:13 June
893:28 June
328:Staging
308:other.
285:Madonna
261:Act Two
227:cholera
211:midwife
189:Act One
90:Setting
71:English
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305:Thales
79:Comedy
845:7 May
314:Paris
165:Annie
81:Drama
76:Genre
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