19:
325:, commented that the words and music were not a good match, with the rhythms of the verse "pushed and pulled" to fit the music: "you finally declare that by similar treatment anything – an Act of Parliament or a patent medicine advertisement – could be made to 'go with' the melody equally well". Elgar made an arrangement of the "canto popolare" for violin and piano, in collaboration with the violinist Isabella Jaeger, wife of his close friend
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called the piece "as brilliant and inspiring a piece of writing as anything that Dr Elgar has produced". More recent analyses have expressed reservations about the length and structure of the piece. In
Kennedy's view, the term "overture" would lead performers and audiences to expect a work shorter
396:
failed to catch on even with today's enthusiasm for his music? The subtitle 'Alassio' and the modest description 'concert overture' for what is virtually a tone-poem may have proved discouraging or confusing – unfortunately, in the early stages of appreciation, titles do matter." The work is well
267:
minor, illustrative of the days of the Roman empire, with what Elgar called "the relentless and domineering onward force of the ancient day" and the "drums and tramplings of a later time". This passage was inspired by the ruins of a huge Roman viaduct. From this theme a brilliant "striding" theme
88:… in a flash, it all came to me – the conflict of the armies on that very spot long ago, where I now stood – the contrast of the ruin and the shepherd – and then, all of a sudden, I came back to reality. In that time I had composed the overture – the rest was merely writing it down.
959:, shows that Elgar originally used the term "fantasia" for the piece. Before the premiere his publishers, Novello, were advertising the forthcoming work as a "Fantasy-Overture", and Elgar did not decide until late February 1904 that he wanted, as he put it, to "drop the fantasia".
316:
The "canto popolare" so convincingly struck an authentically
Italian note that it was widely assumed to be an adaptation of a popular local song, although it was entirely of Elgar's own invention. Elgar later published a version of it with words taken from a poem by
347:
found the themes "subjected to elaborate and remarkably individual treatment", the scoring "superb", and the whole piece "perhaps the most beautiful orchestral work which the composer has given to the world".
73:. It was an open secret that Elgar was planning to compose a symphony for the festival. He intended to work on it while holidaying in Italy over Christmas 1903. He and his wife and daughter stayed first at
103:, who was in charge for the rest of the concert, but as Elgar did not have the score ready in time for Richter to study it before the performance, Elgar conducted the orchestra himself.
289:
The theme recurs as a horn solo, before returning, over a drum-roll, to the viola, after which Elgar returns to the beginning of the overture for a formal recapitulation. After that, a
1418:
329:. At the same time, he made an arrangement for solo piano, and his publisher, Novello, also issued an arrangement of the whole concert overture for piano duet, made by Adolf Schmid.
375:"its crisp authority", and in his view the composer's scenic approach undermines the unity of the overture: "its parts are greater than the whole, for it is not ideally connected".
878:
42:
during a family holiday in Italy in the winter of 1903 to 1904. He was working on a symphony, but the local atmosphere inspired him instead to write what some have seen as a
229:
was the longest continuous orchestral piece Elgar had written to that date. It opens with a vigorous theme that he had written in 1899 in the visitors' book of his friend
1608:
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emerges and leads, through muted strings, to the second episode, quickly dubbed the "canto popolare". Kennedy suggests that giving this theme to the
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After years of struggle, by 1903 Elgar had become well known. A three-day festival of his music was planned for March the following year at the
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81:. Inspiration for the symphony eluded him, but the local atmosphere – "the thoughts and sensations of one beautiful afternoon in the Vale of
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The work was premiered in London in 1904. It is less often heard in concert than some other Elgar pieces, but has received many recordings.
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The ebullient opening is followed by a calmer, pastoral section. The music then becomes agitated and moves into a grandioso section in A
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46:, with an Italian flavour. At about 20 minutes' duration it was the composer's longest sustained orchestral piece to that time.
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finds the profusion of themes and their development lacking the concision that gives Elgar's earlier concert overture
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is less often heard in the concert hall than many of Elgar's other major orchestral works. Remarking on the fact,
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introduced the work to German audiences in Berlin on 2 December 1904, and it was given in Vienna in March 1905,
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1559:(2005). "In Search of the Symphony: Orchestral Music to 1908". In Daniel Grimley; Julian Rushton (eds.).
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judges the piece to have symphonic aspirations – "the wish for the
Symphony still unachieved" and
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writes that "nothing in the whole of Elgar is more thrilling than the leaping opening".
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British Music and
Literary Context: Artistic Connections in the Long Nineteenth Century
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95:", the driving force behind the 1904 Elgar Festival. The premiere was given by the
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on 16 March 1904, the third day of the festival. It was to have been conducted by
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to illustrate the latter's bulldog "triumphant after a fight". The music critic
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1143:. Chicago Symphony Orchestra's Rosenthal Archives. Retrieved 21 August 2021
251:– "a group of heroic themes swinging along at full speed from the outset".
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represented on record, with recordings from every decade since the 1920s:
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85:" – gave him the ideas for a concert overture. He later recalled:
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melody, which is developed to a final climax for full orchestra.
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The work is written for a full symphony orchestra comprising 3
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Live concert performance; recording first released in 2006
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Live concert performance; recording first released in 1995
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Live concert performance; recording first released in 2000
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Live concert performance; recording first released in 2020
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similarly comments on an overextended structural design.
130:, the following month, and Prague the following year.
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Orchestra dell'Accademia
Nazionale di Santa Cecilia
293:theme from the opening is transmuted into a gentle
118:conducted the New York premiere the following day.
1086:, Royal Academy of Music. Retrieved 20 August 2021
983:The song was included on a 2008 CD, performed by
1359:, Naxos Music Library. Retrieved 21 August 2021
106:The first American performance was given by the
974:, splashing about in the river in variation XI.
968:Elgar also portrayed Sinclair's dog Dan in the
341:was generally enthusiastic. After the premiere
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1104:Moore, p. 427; and Kennedy (2004), pp. 94–95
1478:(third ed.). Oxford University Press.
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1609:International Music Score Library Project
1563:. Cambridge: Cambridge University Press.
1497:. Cambridge: Cambridge University Press.
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392:speculated in 1973, "Why has Elgar's
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2363:There are seven that pull the thread
1347:, WorldCat. Retrieved 21 August 2021
225:At about 20 minutes in performance,
91:The work is dedicated "To my friend
77:and then at the Villa San Giovanni,
1585:. London: Oxford University Press.
1543:(third ed.). London: J. Lane.
687:Academy of St. Martin in the Fields
2328:Dry those fair, those crystal eyes
1997:Duett for trombone and double bass
1583:Essays In Musical Analysis, Vol VI
14:
741:Orchestra Filarmonica della Scala
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1978:
1961:
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53:Background and first performance
1616:Subiaco, Perth, Australia, 2009
1345:"Elgar, In the South (Alassio)"
838:BBC National Orchestra of Wales
1141:Elgar’s In the South (Alassio)
991:. It follows a performance of
1:
1848:Pomp and Circumstance Marches
1517:Edward Elgar: A Creative Life
1380:. Woodbridge: Boydell Press.
938:Notes, references and sources
923:Royal Liverpool Philharmonic
353:than the 20 minutes taken by
2582:Compositions in E-flat major
1561:Cambridge Companion to Elgar
1240:Notes to Hallé CD CDHLL7500
987:with piano accompaniment by
955:The manuscript, held by the
808:Royal Liverpool Philharmonic
2098:From the Bavarian Highlands
1519:. Oxford University Press.
1402:. Oxford: Clarendon Press.
588:Scottish National Orchestra
379:Performances and recordings
2598:
1156:, 10 December 1904, p. 377
1116:Elgar, title page and p. 1
350:The Monthly Musical Record
241:has compared it with the "
108:Chicago Symphony Orchestra
2567:Overtures by Edward Elgar
2536:
1667:
1493:Kennedy, Michael (2008).
1474:Kennedy, Michael (1987).
1178:"Miscellaneous Matters",
1152:"Miscellaneous Matters",
1128:Kennedy (2004), pp. 95–95
1074:Kennedy (1970), pp. 30–32
408:
405:
402:
337:The initial reception of
272:is a conscious homage to
2419:The Chariots of the Lord
2405:Was it some Golden Star?
2249:Is she not passing fair?
1864:Introduction and Allegro
894:Stuttgart Radio Symphony
2484:Elgar Birthplace Museum
2198:Like to the Damask Rose
2170:The Language of Flowers
1920:Une voix dans le désert
1751:(1932–34; completed by
1513:Moore, Jerrold Northrop
1376:Allis, Michael (2012).
1361:(subscription required)
1334:(subscription required)
1283:(subscription required)
1195:, December 1906, p. 840
995:by Elder and the Hallé.
2305:Sabbath Morning at Sea
2106:The Dream of Gerontius
1872:In the South (Alassio)
1605:In the South (Alassio)
1420:In the South (Alassio)
1417:Elgar, Edward (1904).
1281:, January 1905, p. 32
1265:Kennedy (1987), p. 347
1182:, 24 June 1905, p. 393
957:Royal Academy of Music
465:Leipzig Radio Symphony
359:Jerrold Northrop Moore
258:
31:In the South (Alassio)
26:
22:Elgar's manuscript of
2398:Oh, soft was the song
2335:Always and Everywhere
2256:As I laye a-thynkynge
2226:Through the Long Days
2151:The Spirit of England
1819:Three Bavarian Dances
1701:The Starlight Express
1614:Faith Court Orchestra
1357:"Elgar, In the South"
1332:, March 1973, p. 286
1213:Kennedy (1970), p. 24
1056:Kennedy (2004), p. 95
909:BBC Scottish Symphony
755:Bournemouth Symphony
257:
65:, in the presence of
21:
2447:The Immortal Legions
1811:Serenade for Strings
1670:List of compositions
1316:Rushton, pp. 142–144
1180:The Musical Standard
1169:, April 1905, p. 262
1154:The Musical Standard
899:Sir Roger Norrington
701:London Philharmonic
658:London Philharmonic
593:Sir Alexander Gibson
574:London Philharmonic
561:London Philharmonic
535:London Philharmonic
511:Constantin Silvestri
506:Bournemouth Symphony
494:London Philharmonic
114:on 4 November 1904.
2342:Come, Gentle Night!
2240:The Shepherd's Song
1779:Powick Asylum Music
1685:Diarmuid and Grania
1619:Reisig, Wayne.
1426:. London: Novello.
1298:Allis, pp. 246–247
1256:Newman, pp. 123–124
1165:"Music in Vienna",
884:Sir Antonio Pappano
774:John Eliot Gardiner
769:Vienna Philharmonic
630:Royal Philharmonic
617:Royal Philharmonic
526:Sir John Barbirolli
480:London Philharmonic
2440:The Blue Mountains
2377:Follow the Colours
1840:Cockaigne Overture
1693:The Crown of India
1095:Allis, pp. 248–249
869:Vladimir Ashkenazy
603:Royal Philharmonic
438:National Symphony
414:Royal Albert Hall
333:Critical reception
259:
27:
2577:1904 compositions
2572:Concert overtures
2554:
2553:
2489:The Elgar Sisters
2454:Pageant of Empire
2205:Queen Mary's Song
2177:The Self Banished
1827:Enigma Variations
1771:The Wand of Youth
1570:978-1-139-00225-7
1526:978-0-19-315447-6
1504:978-0-521-81076-0
1495:The Life of Elgar
1485:978-0-19-284017-2
1476:Portrait of Elgar
1441:on 20 August 2021
1387:978-1-84383-730-5
1330:The Musical Times
1326:"Music in London"
1279:The Musical Times
1193:The Musical Times
1191:"Foreign Notes",
1167:The Musical Times
971:Enigma Variations
935:
934:
855:Sir Andrew Davis
649:Giuseppe Sinopoli
538:Sir Adrian Boult
497:Sir Adrian Boult
430:Sir Edward Elgar
417:Sir Edward Elgar
389:The Musical Times
344:The Musical Times
59:Royal Opera House
2589:
2544:
2543:
2479:Dorabella Cipher
2312:Where Corals Lie
2291:Sea Slumber Song
2277:A Song of Flight
2263:The Wind at Dawn
2212:A Song of Autumn
2143:The Music Makers
2114:
2090:The Black Knight
2028:Chanson de Matin
1982:
1965:
1941:The Severn Suite
1928:Le drapeau belge
1835:
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1709:The Sanguine Fan
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1607:: Scores at the
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1455:Kennedy, Michael
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1434:. Archived from
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1400:Conducting Elgar
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727:London Symphony
692:Neville Marriner
672:BBC Philharmonic
565:Daniel Barenboim
485:Sir Adrian Boult
451:London Symphony
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239:Sir Donald Tovey
36:concert overture
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2426:Fight for Right
2219:The Poet's Life
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2071:Concert Allegro
2052:
2020:Chanson de Nuit
1985:
1958:Violin Concerto
1946:
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1557:Rushton, Julian
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1461:. London: BBC.
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1396:Del Mar, Norman
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914:Martyn Brabbins
864:Sydney Symphony
823:Moscow Symphony
813:Douglas Bostock
705:Leonard Slatkin
578:Sir Georg Solti
470:Gerhard Pflüger
426:London Symphony
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278:Harold in Italy
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235:Michael Kennedy
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128:Fritz Steinbach
116:Walter Damrosch
112:Theodore Thomas
110:, conducted by
97:Hallé Orchestra
93:Leo F. Schuster
89:
71:Queen Alexandra
55:
34:, Op. 50, is a
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2433:Inside the Bar
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2391:A Child Asleep
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2041:String Quartet
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1975:Cello Concerto
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1856:Dream Children
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1749:Symphony No. 3
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1738:Symphony No. 2
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1727:Symphony No. 1
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1599:External links
1597:
1596:
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1535:Newman, Ernest
1531:
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1231:Newman, p. 168
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989:Sir Mark Elder
985:Christine Rice
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843:Richard Hickox
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584:
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552:John Pritchard
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380:
377:
367:Julian Rushton
334:
331:
313:
310:
299:
284:
283:
231:G. R. Sinclair
220:string section
142:(3rd doubling
135:
132:
120:Arthur Nikisch
87:
54:
51:
13:
10:
9:
6:
4:
3:
2:
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2526:
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2523:August Jaeger
2521:
2520:
2518:
2514:
2508:
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2500:
2499:Elgar Uplands
2497:
2495:
2494:Elgar Society
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2055:
2048:
2047:Piano Quintet
2045:
2042:
2039:
2036:
2035:Violin Sonata
2033:
2030:
2029:
2025:
2022:
2021:
2017:
2014:
2013:
2012:Salut d'Amour
2009:
2006:
2005:
2001:
1998:
1995:
1994:
1992:
1988:
1981:
1976:
1973:
1970:
1967:
1964:
1959:
1956:
1955:
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1949:
1942:
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1936:
1935:Nursery Suite
1933:
1930:
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1579:Tovey, Donald
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1307:Moore, p. 351
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852:Philharmonia
851:
850:
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844:
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839:
836:
835:
831:
829:
828:Vladimir Ziva
826:
824:
821:
820:
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811:
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806:
805:
801:
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796:BBC Symphony
795:
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766:
762:
760:
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746:Riccardo Muti
744:
742:
739:
738:
734:
732:
729:
726:
725:
721:
719:
716:
714:BBC Symphony
713:
712:
708:
706:
703:
700:
699:
695:
693:
690:
688:
685:
684:
680:
678:
677:Edward Downes
675:
673:
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669:
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656:
652:
650:
647:
645:
642:
641:
637:
635:
632:
629:
628:
624:
622:
621:Andrew Litton
619:
616:
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611:
609:
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466:
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462:
458:
456:
455:George Weldon
453:
450:
449:
445:
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436:
432:
429:
427:
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423:
419:
416:
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391:
390:
385:
378:
376:
374:
373:
368:
364:
360:
356:
351:
346:
345:
340:
332:
330:
328:
327:August Jaeger
324:
323:Ernest Newman
320:
311:
309:
302:
292:
282:
280:
279:
275:
271:
256:
252:
250:
249:
244:
240:
236:
232:
228:
223:
221:
217:
213:
209:
205:
201:
197:
193:
189:
185:
181:
177:
173:
169:
168:contrabassoon
165:
161:
160:bass clarinet
157:
153:
149:
145:
141:
133:
131:
129:
125:
121:
117:
113:
109:
104:
102:
98:
94:
86:
84:
80:
76:
72:
68:
64:
63:Covent Garden
60:
52:
50:
47:
45:
41:
37:
33:
32:
25:
20:
16:
2504:
2472:Other topics
2452:
2370:In Moonlight
2284:Sea Pictures
2282:
2191:Seven Lieder
2189:
2149:
2141:
2135:The Apostles
2133:
2125:
2117:
2109:(1899–1900)
2104:
2096:
2088:
2069:
2064:Organ Sonata
2026:
2018:
2010:
2002:
1926:
1918:
1910:
1902:
1894:
1886:
1878:
1871:
1870:
1862:
1854:
1846:
1838:
1825:
1817:
1809:
1803:Sursum corda
1801:
1793:
1785:
1777:
1769:
1707:
1699:
1691:
1683:
1661:Edward Elgar
1621:In the South
1582:
1560:
1539:
1516:
1494:
1475:
1458:
1443:. Retrieved
1436:the original
1419:
1399:
1377:
1352:
1340:
1329:
1321:
1312:
1303:
1278:
1270:
1261:
1252:
1236:
1227:
1218:
1209:
1200:
1192:
1187:
1179:
1174:
1166:
1161:
1153:
1148:
1100:
1091:
1079:
1027:
1018:
1009:
1000:
993:In the South
992:
979:
969:
964:
951:
759:George Hurst
731:Jeffrey Tate
718:Andrew Davis
644:Philharmonia
634:Yondani Butt
547:BBC Symphony
394:In the South
393:
387:
384:In the South
383:
382:
370:
355:In the South
354:
349:
342:
339:In the South
338:
336:
315:
312:Arrangements
300:
288:
276:
260:
246:
245:panache" of
227:In the South
226:
224:
212:glockenspiel
137:
105:
101:Hans Richter
90:
56:
48:
40:Edward Elgar
38:composed by
30:
29:
28:
24:In the South
23:
15:
2528:Alice Elgar
2349:In the Dawn
2321:" (1897–99)
2319:The Swimmer
2119:The Kingdom
1951:Concertante
1782:(1879–1884)
1774:(1869–1907)
662:Gürer Aykal
363:Percy Young
152:cor anglais
2561:Categories
2184:A War Song
1977:(1918–19)
1960:(1901–10)
1763:Orchestral
1740:(1909–11)
1729:(1907–08)
1720:Symphonies
1677:Incidental
1467:1244717492
1432:1115071384
1409:0198165579
1084:Manuscript
1039:References
787:Mark Elder
420:1921–1923
406:Conductor
403:Orchestra
291:nobilmente
243:Straussian
192:percussion
75:Bordighera
67:Edward VII
2372:" ((1904)
2154:(1915–17)
2138:(1902–03)
2122:(1901–06)
2101:(1895–96)
2093:(1889–93)
2049:(1918–19)
1875:(1904–05)
1867:(1904–05)
1851:(1901–30)
1843:(1900–01)
1795:Froissart
1787:Sevillana
1704:(1915–16)
1696:(1911–12)
1591:957498479
1445:20 August
1246:990314141
442:Boyd Neel
372:Cockaigne
274:Berlioz's
204:side drum
196:bass drum
180:trombones
156:clarinets
44:tone poem
2546:Category
2464:" (1930)
2449:" (1924)
2442:" (1924)
2435:" (1917)
2428:" (1916)
2421:" (1914)
2414:" (1910)
2412:Twilight
2407:" (1910)
2400:" (1910)
2393:" (1909)
2386:" (1908)
2384:Pleading
2379:" (1907)
2365:" (1901)
2358:" (1901)
2351:" (1901)
2344:" (1901)
2337:" (1901)
2330:" (1899)
2298:In Haven
2279:" (1900)
2272:" (1900)
2265:" (1888)
2258:" (1888)
2251:" (1886)
2242:" (1892)
2235:" (1894)
2228:" (1885)
2221:" (1892)
2214:" (1892)
2207:" (1889)
2200:" (1892)
2186:" (1884)
2179:" (1875)
2172:" (1872)
2057:Keyboard
1904:Carillon
1888:Falstaff
1755:in 1997)
1625:AllMusic
1581:(1939).
1537:(1906).
1515:(1984).
1457:(1970).
1398:(1998).
264:♭
248:Don Juan
218:and the
208:triangle
176:trumpets
164:bassoons
134:Analysis
126:, under
1990:Chamber
1969:Romance
1912:Polonia
1896:Sospiri
1830:(1899)
1549:2560311
1370:Sources
319:Shelley
200:cymbals
188:timpani
144:piccolo
124:Cologne
79:Alassio
2516:Family
2507:(film)
2457:(1924)
2233:Rondel
2146:(1912)
2130:(1902)
2082:Choral
2074:(1901)
2066:(1898)
2043:(1918)
2037:(1918)
2031:(1899)
2023:(1897)
2015:(1888)
2007:(1883)
2004:Idylle
1999:(1887)
1971:(1910)
1943:(1930)
1937:(1930)
1931:(1917)
1923:(1915)
1915:(1915)
1907:(1914)
1899:(1914)
1891:(1913)
1883:(1909)
1859:(1902)
1822:(1898)
1814:(1894)
1806:(1894)
1798:(1890)
1790:(1884)
1712:(1917)
1688:(1901)
1589:
1567:
1547:
1523:
1501:
1482:
1465:
1430:
1406:
1384:
1275:Review
1244:
783:Hallé
140:flutes
83:Andora
2505:Elgar
2270:After
2162:Vocal
1880:Elegy
1753:Payne
1540:Elgar
1459:Elgar
1439:(PDF)
1424:(PDF)
943:Notes
931:2019
918:2016
903:2014
888:2013
873:2011
858:2009
847:2005
832:2003
817:2003
802:2002
791:2002
778:1998
763:1995
750:1994
735:1992
722:1992
709:1991
696:1990
681:1990
666:1989
653:1989
638:1988
625:1988
612:1987
597:1983
582:1979
569:1977
556:1974
541:1972
530:1970
521:Hallé
515:1967
500:1956
489:1955
474:1954
459:1954
446:1945
433:1930
409:Year
270:viola
172:horns
148:oboes
146:), 2
1587:OCLC
1565:ISBN
1545:OCLC
1521:ISBN
1499:ISBN
1480:ISBN
1463:OCLC
1447:2021
1428:OCLC
1404:ISBN
1382:ISBN
1242:OCLC
216:harp
210:and
186:, 3
184:tuba
178:, 3
174:, 3
170:, 4
162:, 2
154:, 2
69:and
2462:XTC
1623:at
357:.
214:),
2563::
1328:,
1289:^
1277:,
1133:^
1121:^
1109:^
1061:^
1047:^
281:.
222:.
206:,
202:,
198:,
190:,
182:,
166:,
158:,
150:,
61:,
2460:"
2445:"
2438:"
2431:"
2424:"
2417:"
2410:"
2403:"
2396:"
2389:"
2382:"
2375:"
2368:"
2361:"
2354:"
2347:"
2340:"
2333:"
2326:"
2317:"
2314:"
2310:"
2307:"
2303:"
2300:"
2296:"
2293:"
2289:"
2275:"
2268:"
2261:"
2254:"
2247:"
2238:"
2231:"
2224:"
2217:"
2210:"
2203:"
2196:"
2182:"
2175:"
2168:"
1653:e
1646:t
1639:v
1593:.
1573:.
1551:.
1529:.
1507:.
1488:.
1469:.
1449:.
1412:.
1390:.
301:4
194:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
