372:- Peter Standish and Steven M. Bell describe the film as a "political extreme", in that the "film's nostalgia for the stable hierarchies of pre-Revolutionary days arguably provided some comfort to the sectors of society that felt threatened by the Cardenas government's land redistribution and nationalization programmes". Colin Gunckel, Jan-Christopher Horak and Lisa Jarvinen described the film as a "political revista that utilized zarzuela melodies popular during the Porfiriato". Jacqueline Avila compared it to
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The film was the highest-grossing
Mexican film in its year of release at the box office. The author Carl J. Mora wrote that "the nostalgia it evoked of a simpler and more peaceful epoch could also be interpreted as a rejection by the middle class of the more socialistic aspects of the Revolution. The
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AVILA, JACQUELINE. "México de Mis
Inventos: Salon Music, Lyric Theater, and Nostalgia in 'Cine de Añoranza Porfiriana.'" Latin American Music Review / Revista de Música Latinoamericana, vol. 38, no. 1, University of Texas Press, 2017, pp. 1–27,
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appearance in the film of such popular actors as
Fernando Soler, the Spanish immigrant Emilio Tuero, and the fine comic actor Joaquín Pardavé were also potent factors in the movie's success. In their book
378:(1944), describing them as "two noteworthy films that intertwine musical performances in the narratives and expose the social contradictions of Porfirian culture, particularly concerning women's roles".
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234:, who played him in several films. The film was the highest-grossing Mexican film of the year.
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Cinema between Latin
America and Los Angeles: Origins to 1960
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Mexican Cinema: Reflections of a
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358:Aurora Ruiz as Sirvienta
323:Manuel Pozos as don Luis
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375:Mexico de mis recuerdos
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149:4 April 1940
53:Humberto Gómez Landero
363:Release and reception
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314:Gerardo del Castillo
202:) is a 1939 Mexican
437:. Greenwood Press.
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232:Antonio R. Frausto
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83:Emilio Tuero
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169:160 minutes
93:Jack Draper
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382:References
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153:1940-04-04
120:Production
49:Written by
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127:Oro Films
113:Max Urban
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