Knowledge (XXG)

Indelible Murtceps

Source 📝

244:
Rudd created a performance set of simpler, dance-pop tunes, with a reduced stage set-up, for use by Indelible Murtceps, allowing Spectrum to continue its progressive course while supplementing members' incomes with the more frequent Murtceps gigs. The name 'murtceps' is 'spectrum' written backwards.
328:
and left, he was replaced by John Mills on keyboards. Neale left the music industry. The Indelible Murtceps released a second single, "Indelible Shuffle", from the album in June. Ahead of the single, in March 1973, drummer Ray Arnott announced he was leaving both groups and Rudd decided they would
704:
Summary: Offers a sample of three trends in recent Australian pop music: the theatrical act of Wendy Saddington & Teardrop; the jug music of The Captain Matchbox Whoopee Band; and the popular rock group Indelible Murtceps. Credits: Producer, Malcolm Otton; director, Peter Weir; photographer,
255:
recalled that Spectrum's "music was often regarded as 'progressive' and more for listening purposes, which didn't please dance audiences too much. So the band developed an alter ego which they called the Indelible Murtceps, who turned up when a dance band was required."
197:(1973), in the following year, which made the top 20. Sometimes both groups shared a stage; both disbanded after a joint final gig at the Dallas Brooks Hall on 15 April 1973. The performance was included on a shared live double album, 263:, with Spectrum providing a separate set. Three live tracks by the Indelible Murtceps, "We are Indelible", "Be My Honey" and "But that's Alright", were issued on a various artists live album of the concert, 611: 225:
Spectrum's lengthy and complex material was precluding bookings on the lucrative local dance and pub circuit. Spectrum were performing in a full concert setting, using a large
732: 217:, using the same roster for both bands. The line-up was Mike Rudd on lead guitar, lead vocals and harmonica, Lee Neale on keyboards, Bill Putt on bass guitar and 925: 762: 920: 302:, "Some Good Advice". The album was packaged in a brown cardboard cover, intended to evoke the "plain brown wrapper" traditionally associated with 557: 793: 552: 840: 674: 570: 643: 251: 692: 656: 333:(December 1973), which was credited to both Indelible Murtceps and Spectrum. Rudd, Mills and Putt co-founded a new group, 329:
play their final gig at the Dallas Brooks Hall on 15 April 1973. The performance appeared on the double live album,
233:, sometimes augmented by a dance, performance troupe, The Tribe. They commonly appeared at larger venues, like the 171:, they were "a stripped-back version... could play anywhere and often." They worked the more lucrative dance and 869:
Spectrum / Indelible Murtceps biography by Ed Nimmervoll, discography and album reviews, credits & releases
334: 306:
publications. By May 1972 they had released their debut single, "Esmeralda", which (like the song "Rene" by
901: 828: 230: 260: 222: 172: 57: 175:
circuit. Whereas Spectrum performed in a full concert setting, commonly at larger venues, like the
877: 53: 868: 234: 176: 249:, the Murtceps were "a stripped-back version... could play anywhere and often." Susan Moore of 803: 836: 566: 486: 374: 325: 283: 735:. Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Archived from 682: 562: 156: 49: 314:. The single version was different from the album version. It peaked at No. 36 on the 186:
The Indelible Murtceps' debut single, "Esmeralda", was issued in 1972, which peaked in the
576: 307: 299: 214: 164: 892: 615: 670: 914: 758: 607: 548: 246: 238: 180: 291: 287: 160: 835:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 148, 212. 736: 338: 303: 450:
Note: Live albums, recorded live in at the Dallas Brooks Hall on 15 April 1973.
678: 311: 272: 218: 110: 638: 290:
as producer; it was released on 20 January 1973. Most tracks have satirical,
275:, which provided "a sample of three trends in recent Australian pop music". 226: 210: 121: 688:
Australian Colour Diary, No. 43: 3 Directions in Australian Pop Music
881: 872: 394: 905: 896: 887: 686: 798: 614:. Howlspace. White Room Electronic Publishing Pty Ltd. Archived from 315: 187: 209:
The Indelible Murtceps were formed in Melbourne in October 1971 by
167:, in October 1971. Sometimes referred to as the shortened name, 860: 141: 92: 269:
Australian Colour Diary, No.43: 3 Directions in Australian
267:. They were one of three bands featured on a short film, 298:
website the centrepiece is Rudd's epic 13-minute ode to
465: 353: 902:
Spectrum / Indelible Murtceps albums to be listened
677:; Coffey, Jim; Edols, Michael; Indelible Murtceps; 136: 132: 102: 98: 88: 63: 45: 37: 27: 20: 294:and sexual themes. According to Duncan Kimball of 278:During 1972 Murtceps recorded their debut album, 355:List of albums, with Australian chart positions 467:List of singles, with selected chart positions 259:In January 1972 they appeared at the inaugural 324:In September 1972 keyboardist Lee Neale had a 201:(1973), which appeared in December that year. 8: 602: 600: 598: 596: 594: 543: 541: 539: 537: 535: 533: 531: 529: 527: 193:. It appeared ahead of their studio album, 17: 726: 724: 722: 720: 718: 716: 714: 893:Indelible Murtceps albums to be listened 647:. Vol. 49, no. 39. p. 142 447:Label: His Master's Voice (SOELP10081/2) 558:Encyclopedia of Australian Rock and Pop 523: 159:and dance-pop band, which formed, as a 213:as a side project for his main group, 823: 821: 509:"Indelible Shuffle" / "Ray's Boogie" 477: 474: 471: 399:Label: His Master's Voice (OCSD 7697) 365: 362: 359: 7: 553:"Encyclopedia entry for 'Spectrum'" 926:Australian progressive rock groups 14: 705:Michael Edols; editor, Jim Coffey 675:The Captain Matchbox Whoopee Band 671:Australian Commonwealth Film Unit 498:"Esmeralda" / "We Are Indelible" 802:. Waverley Press. Archived from 921:Victoria (state) musical groups 833:Australian Chart Book 1970–1992 733:"Spectrum / Indelible Murtceps" 683:Wendy Saddington & Teardrop 310:) was a light hearted ode to a 245:According to music journalist, 792:Nimmervoll, Ed (3 June 1972). 637:Moore, Susan (17 March 1982). 41:Melbourne, Victoria, Australia 1: 773:. Paul Cashmere, Ros O'Gorman 693:National Library of Australia 657:National Library of Australia 644:The Australian Women's Weekly 252:The Australian Women's Weekly 221:on drums. With the advent of 454: 428: 403: 767:Gets First Time CD Release" 942: 508: 497: 484: 433: 408: 382: 372: 763:"The Indelible Murtceps 731:Kimball, Duncan (2007). 441:Released: December 1973 337:; while Arnott joined 153:The Indelible Murtceps 22:The Indelible Murtceps 424:Label: EMI (EMC-2503) 865:MikeRuddBillPutt.com 579:on 30 September 2004 271:(1972), directed by 261:Sunbury Pop Festival 761:(9 December 2015). 468: 418:Released: July 1973 356: 284:Armstrong's Studios 155:were an Australian 878:Indelible Murtceps 765:Warts up Your Nose 466: 384:Warts Up Your Nose 354: 280:Warts Up Your Nose 235:T.F. Much Ballroom 195:Warts Up Your Nose 177:T.F. Much Ballroom 794:"National Top 40" 563:Allen & Unwin 516: 515: 489: 459: 458: 377: 326:nervous breakdown 150: 149: 933: 864: 863: 861:Official website 847: 846: 825: 816: 815: 813: 811: 806:on 12 March 2016 789: 783: 782: 780: 778: 755: 749: 748: 746: 744: 728: 709: 707: 701: 699: 667: 661: 660: 654: 652: 634: 628: 627: 625: 623: 604: 589: 588: 586: 584: 575:. Archived from 545: 485: 469: 413:(with Spectrum) 373: 357: 157:progressive rock 146: 143: 142:mikeruddbillputt 105: 84: 82: 76: 74: 66: 50:progressive rock 30: 18: 941: 940: 936: 935: 934: 932: 931: 930: 911: 910: 859: 858: 855: 850: 843: 827: 826: 819: 809: 807: 791: 790: 786: 776: 774: 757: 756: 752: 742: 740: 739:on 6 March 2008 730: 729: 712: 697: 695: 669: 668: 664: 650: 648: 636: 635: 631: 621: 619: 618:on 26 July 2009 606: 605: 592: 582: 580: 573: 547: 546: 525: 521: 490: 479: 464: 412: 378: 367: 352: 347: 319:National Top 40 308:The Small Faces 207: 191:National Top 40 140: 103: 80: 78: 72: 70: 64: 28: 23: 12: 11: 5: 939: 937: 929: 928: 923: 913: 912: 909: 908: 899: 890: 884: 875: 866: 854: 853:External links 851: 849: 848: 841: 817: 784: 759:Cashmere, Paul 750: 710: 662: 639:"Moore on pop" 629: 608:Nimmervoll, Ed 590: 571: 549:McFarlane, Ian 522: 520: 517: 514: 513: 510: 507: 503: 502: 499: 496: 492: 491: 482: 481: 476: 473: 463: 460: 457: 456: 453: 452: 451: 448: 445: 442: 437: 431: 430: 427: 426: 425: 422: 419: 414: 406: 405: 402: 401: 400: 397: 391: 390:Released: 1973 386: 380: 379: 370: 369: 364: 363:Album details 361: 351: 348: 346: 343: 239:rock festivals 206: 203: 181:rock festivals 148: 147: 138: 134: 133: 130: 129: 128: 127: 124: 119: 116: 113: 106: 100: 99: 96: 95: 90: 86: 85: 67: 61: 60: 47: 43: 42: 39: 35: 34: 31: 25: 24: 21: 13: 10: 9: 6: 4: 3: 2: 938: 927: 924: 922: 919: 918: 916: 907: 903: 900: 898: 894: 891: 889: 885: 883: 879: 876: 874: 870: 867: 862: 857: 856: 852: 844: 842:0-646-11917-6 838: 834: 830: 824: 822: 818: 805: 801: 800: 795: 788: 785: 772: 768: 766: 760: 754: 751: 738: 734: 727: 725: 723: 721: 719: 717: 715: 711: 706: 694: 690: 689: 684: 680: 676: 672: 666: 663: 658: 646: 645: 640: 633: 630: 617: 613: 609: 603: 601: 599: 597: 595: 591: 578: 574: 572:1-86448-768-2 568: 564: 560: 559: 554: 550: 544: 542: 540: 538: 536: 534: 532: 530: 528: 524: 518: 511: 505: 504: 500: 494: 493: 488: 483: 470: 461: 449: 446: 443: 440: 439: 438: 436: 435:Terminal Buzz 432: 423: 420: 417: 416: 415: 411: 407: 398: 396: 392: 389: 388: 387: 385: 381: 376: 371: 358: 349: 344: 342: 340: 336: 332: 331:Terminal Buzz 327: 322: 320: 318: 313: 309: 305: 301: 297: 293: 289: 285: 281: 276: 274: 270: 266: 262: 257: 254: 253: 248: 247:Ed Nimmervoll 242: 240: 236: 232: 228: 224: 220: 216: 212: 204: 202: 200: 199:Terminal Buzz 196: 192: 190: 184: 182: 178: 174: 170: 166: 162: 158: 154: 145: 139: 135: 131: 125: 123: 120: 117: 114: 112: 109: 108: 107: 101: 97: 94: 91: 87: 68: 62: 59: 55: 54:rock 'n' roll 51: 48: 44: 40: 36: 32: 29:Also known as 26: 19: 16: 832: 808:. Retrieved 804:the original 797: 787: 775:. Retrieved 770: 764: 753: 741:. Retrieved 737:the original 703: 696:, retrieved 687: 665: 655:– via 649:. Retrieved 642: 632: 620:. Retrieved 616:the original 581:. Retrieved 577:the original 556: 434: 409: 383: 330: 323: 316: 304:pornographic 295: 292:scatological 288:Howard Gable 279: 277: 268: 264: 258: 250: 243: 208: 198: 194: 188: 185: 168: 161:side project 152: 151: 104:Past members 65:Years active 15: 829:Kent, David 679:Weir, Peter 410:Testimonial 345:Discography 339:Mighty Kong 915:Categories 612:"Spectrum" 519:References 480:positions 478:Peak chart 444:Format: LP 421:Format: LP 368:positions 366:Peak chart 312:prostitute 273:Peter Weir 231:light show 219:Ray Arnott 126:John Mills 111:Ray Arnott 300:marijuana 237:, and at 227:PA system 211:Mike Rudd 179:, and at 122:Mike Rudd 118:Bill Putt 115:Lee Neale 882:AllMusic 873:AllMusic 831:(1993). 810:13 March 777:13 March 743:13 March 698:12 March 685:(1972), 651:12 March 622:12 March 583:12 March 551:(1999). 393:Format: 296:Milesago 223:pub rock 215:Spectrum 173:pub rock 169:Murtceps 165:Spectrum 58:pub rock 33:Murtceps 906:YouTube 897:Spotify 888:Discogs 771:Noise11 462:Singles 265:Sunbury 205:History 137:Website 79: ( 71: ( 839:  799:Go-Set 569:  475:Title 360:Title 350:Albums 317:Go-Set 189:Go-Set 89:Labels 46:Genres 38:Origin 506:1973 495:1972 472:Year 335:Ariel 286:with 282:, at 77:–1973 837:ISBN 812:2016 779:2016 745:2016 700:2016 653:2016 624:2016 585:2016 567:ISBN 229:and 144:.com 81:1973 73:1971 69:1971 904:on 895:on 886:at 880:at 871:at 512:58 501:37 487:AUS 429:17 404:24 375:AUS 163:of 93:EMI 917:: 820:^ 796:. 769:. 713:^ 702:, 691:, 681:; 673:; 641:. 610:. 593:^ 565:. 561:. 555:. 526:^ 455:- 395:LP 341:. 321:. 241:. 183:. 56:, 52:, 845:. 814:. 781:. 747:. 708:. 659:. 626:. 587:. 83:) 75:)

Index

progressive rock
rock 'n' roll
pub rock
EMI
Ray Arnott
Mike Rudd
mikeruddbillputt.com
progressive rock
side project
Spectrum
pub rock
T.F. Much Ballroom
rock festivals
Go-Set National Top 40
Mike Rudd
Spectrum
Ray Arnott
pub rock
PA system
light show
T.F. Much Ballroom
rock festivals
Ed Nimmervoll
The Australian Women's Weekly
Sunbury Pop Festival
Peter Weir
Armstrong's Studios
Howard Gable
scatological
marijuana

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.