233:. Usually, women are the main performers in Indian classical dancing, though men are not absent from the tradition. The costume for women usually consists of a long, colorful, handmade gown (worn without shoes), with an intricately embroidered pattern(s) and beading on it. For accessories, there is the use of much ornate jewelry, such as necklaces, rings, earrings, nose-rings, bracelets and anklets, sometimes with bells attached which ring each time the dancer stomps their foot in rhythm. The costume also includes a head-piece or some form of scarf, depending on the style. The women usually wear considerable amounts of facial makeup, not only to be noticeable from the audience, but to fully embody their character.
33:
218:
spiritual. Dance performances usually take place at festivals, universities, various cultural events, and more. The dancers who perform these styles are usually professionals who have devoted years of study and practice in their respective style of Indian classical dance. In performances, the dancers move to the beat of the song or music that is playing; in some styles, such as Kathak, bells are worn around the ankles at times for added rhythmic effect when the feet are stomped. The dancer takes the role of the character that they are portraying in the performance, the composition being specific, and become emotionally connected with the story and the audience.
687:
3866:
579:
633:
354:, pan-Hindu Epics and the Vedic literature, or a folksy entertainment that includes story-telling from Sanskrit or regional language plays. As a religious art, they are either performed inside the sanctum of a Hindu temple, or near it. Folksy entertainment may also be performed in temple grounds or any fairground, typically in a rural setting by traveling troupes of artists; alternatively, they have been performed inside the halls of royal courts or public squares during festivals.
561:
651:
1293:"It would be appropriate here to comment on Hindu classical dance. This developed in a religious context and was given high profile as part of temple worship. There are several regional and other styles as well as source texts, but the point we wish to stress is the participative nature of such dance. In form and content, the heart of dance as worship in Hinduism has always been 'expression' (abhinaya), i.e. the enacting of various themes".
615:
1818:"A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)".
669:
5172:
5182:
5161:
597:
3612:
5192:
2787:
3604:
251:. Its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of
217:
Indian classical dancing started around 200 BCE in India, as a joyful and celebratory activity, often in devotion to Hindu deities. Many of the performances are choreographed to retell stories of the gods and other historical accounts. All styles of Indian classical dance are vibrant, expressive, and
988:(literally, "carrying to the spectators"), that is applying body-speech-mind and scene, wherein the actors communicate to the audience, through song and music. Drama in this ancient Sanskrit text, this is an art to engage every aspect of life, to glorify and gift a state of joyful consciousness.
1367:
All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and
Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to
259:), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues, and the essence of scriptures.
934:
performance is an abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of the story. It is a technical
946:, the dance-acting expands to include silent expression of words through gestures and body motion set to musical notes. The actor articulates a legend or a spiritual message. This part of the repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.
979:
text which defines drama in verse 6.10 as that which aesthetically arouses joy in the spectator, through the medium of actor's art of communication, that helps connect and transport the individual into a super sensual inner state of being. A performance art, asserts
301:
is the revered ancient text in the Hindu tradition, there are numerous other ancient and medieval
Sanskrit dance-drama related texts that further discuss and expand on the classical repertoire of performance arts, such as the
953:
is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A
2809:
87:
The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the
2027:
999:(mood) of the underlying story. In Hindu classical dances, the artist successfully expresses the spiritual ideas by paying attention to four aspects of a performance:
412:
has given recognition to eight Indian dances. The Indian government's
Ministry of Culture includes nine dance forms. Scholars such as Drid Williams and others include
991:
The communication through symbols is in the form of expressive gestures (mudras or hastas) and pantomime set to music. The gestures and facial expressions convey the
2068:
731:
942:
is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a
1172:
5216:
2845:
2475:
1328:
Hindu classical dance-forms, like Hindu music, are associated with worship. References to dance and music are found in the Vedic literature, (...)".
2791:
32:
3519:
3593:
2737:
2687:
2601:
2556:
2535:
2464:
2430:
2389:
2330:
2278:
2248:
2052:
1933:
1870:
1808:
1635:
1521:
1398:
1356:
1317:
1282:
4257:
1549:
1547:
209:, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
1024:(artist's mental disposition and emotional connection with the story and audience, wherein the artist's inner and outer state resonates).
161:
to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from
2123:
2658:
5089:
2751:
2580:
2104:
1445:
5195:
1409:"the Natyashastra remains the ultimate authority for any dance form that claims to be 'classical' dance, rather than 'folk' dance".
686:
5077:
4608:
342:
Indian classical dances are traditionally performed as an expressive drama-dance form of religious performance art, related to
1973:
578:
4906:
821:
357:
However, this is not the case for Kathak, Manipuri and Chhau as it has their own uniqueness. Kathak can be also performed on
1988:
5035:
3509:
2757:
1165:
5084:
2838:
2072:
5099:
632:
4195:
560:
5126:
4618:
3651:
3624:
3524:
3043:
3039:
2119:
1242:
1230:
405:
5146:
4072:
3586:
3534:
4940:
4671:
4598:
4522:
4228:
4010:
3985:
3372:
1158:
1049:
650:
247:
is the foundational treatise for classical dances of India, and this text is attributed to the ancient scholar
3847:
3790:
1475:
Sarwal, Amit; Walker, David (2015). "Staging a
Cultural Collaboration: Louise Lightfoot and Ananda Shivaram".
4776:
4636:
4307:
2831:
2006:
5119:
5072:
4282:
4005:
3493:
1116:
844:
786:
2506:
614:
5221:
5141:
5094:
5067:
5030:
4287:
3529:
1076:
753:
409:
88:
4603:
2240:
The
Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia
3814:
5114:
5109:
5104:
5025:
4502:
3995:
3980:
3632:
3579:
3514:
3242:
910:
All major classical Indian dance forms include in repertoire, three categories of performance in the
861:
836:
668:
50:), one of the officially recognised classical dance forms of India, depicted on a postage stamp from
2138:
335:, or a "spiritual traditional path" that liberates the soul, while the folk entertainment is called
5164:
5131:
5010:
4901:
4836:
4686:
4545:
4425:
4297:
4125:
4062:
4015:
3760:
3674:
2868:
869:
808:
804:
423:
The classical dance forms recognised by the
Sangeet Natak Akademi and the Ministry of Culture are:
38:
5181:
4190:
2814:
5226:
4966:
4925:
4217:
4030:
3975:
3725:
2714:
2566:
2498:
2216:
1668:
1492:
1196:
1136:
865:
761:
715:
178:
4180:
1390:
4646:
3696:
1782:
5175:
5055:
5045:
4911:
4846:
4239:
4035:
4025:
3571:
3539:
3458:
2747:
2733:
2683:
2664:
2654:
2637:
2616:
2597:
2576:
2552:
2531:
2460:
2426:
2385:
2326:
2320:
2274:
2244:
2238:
2100:
2048:
1929:
1866:
1804:
1686:
Coorlawala, Uttara Asha (1993). "The
Toronto conference on "new directions in Indian dance"".
1631:
1517:
1511:
1461:
1441:
1394:
1352:
1313:
1278:
1272:
886:
727:
206:
186:
4100:
1923:
1307:
596:
173:. The music associated with these different dance performances consists many compositions in
71:
for different regionally-specific Indian classical dance traditions, rooted in predominantly
4916:
4826:
4717:
4317:
4312:
4277:
4252:
4138:
4095:
3782:
3642:
3422:
2706:
2490:
2441:
2208:
1695:
1660:
1625:
1484:
1268:
1186:
1096:
853:
800:
796:
782:
304:
2295:
Dancing
Architecture: the parallel evolution of Bharatanātyam and South Indian Architecture
5185:
5050:
5003:
4985:
4935:
4869:
4851:
4794:
4744:
4563:
4467:
4340:
4302:
4272:
4110:
4000:
3839:
3832:
3679:
3487:
3312:
3082:
2804:
1131:
1126:
1057:
890:
427:
Eight classical dances recognised by the
Sangeet Natak Akademi and the Ministry of Culture
202:
182:
75:
43:
4956:
3689:
5020:
4799:
4143:
4020:
3990:
3825:
3367:
3097:
2984:
2938:
2854:
2626:
2419:
1593:
1585:
1383:
857:
749:
745:
723:
719:
640:
477:
471:
417:
221:
When dancers perform classical Indian dancing, they wear traditional clothes including
194:
157:
129:
17:
5210:
5136:
5040:
4819:
4593:
4331:
4222:
4133:
4067:
3480:
3307:
3202:
3187:
3152:
3072:
2969:
2918:
2799:
2445:
1557:
1496:
1146:
975:
898:
894:
882:
873:
812:
773:
741:
568:
533:
449:
433:
367:
328:
243:
198:
93:
80:
68:
2502:
1960:
4691:
4656:
4553:
4170:
3453:
3402:
3352:
3337:
3137:
3112:
3077:
2994:
2943:
1830:
829:
770:
711:
658:
488:
248:
135:
2322:
The
Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
1488:
2727:
2677:
2591:
2570:
2546:
2525:
2454:
2379:
2294:
2268:
2094:
2042:
1860:
1798:
1435:
1346:
371:
genre which focuses on combat. Like Manipuri, Chhau also had elements on combat.
78:
performance, the theory and practice of which can be traced to the Sanskrit text
4831:
4759:
4749:
4661:
4651:
4626:
4267:
4262:
4153:
3947:
3931:
3874:
3809:
3745:
3417:
3407:
3317:
3257:
3212:
3102:
3092:
3067:
3057:
2974:
2893:
2883:
1581:
1191:
1101:
757:
545:
528:
343:
141:
2761:
145:
in its list, recognising nine total styles. Scholars such as Drid Williams add
4896:
4864:
4809:
4666:
4375:
4212:
4185:
4165:
3967:
3765:
3740:
3437:
3392:
3382:
3362:
3322:
3252:
3127:
3117:
3087:
2873:
2494:
1699:
1091:
1066:
965:
All classical dances of India used similar symbolism and rules of gestures in
840:
438:
413:
162:
151:
2668:
2620:
5015:
4804:
4754:
4727:
4676:
4641:
4631:
4583:
4482:
4450:
4395:
4292:
4247:
3921:
3432:
3377:
3347:
3267:
3262:
3222:
3167:
3062:
3024:
2933:
2928:
1589:
1573:
1569:
622:
604:
541:
466:
455:
383:(traditions, genres) of ancient dance-drama in vogue when it was composed –
117:
105:
3611:
2641:
2786:
2697:
Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory".
5060:
4879:
4874:
4764:
4701:
4681:
4512:
4348:
4175:
4148:
4115:
4057:
3957:
3952:
3926:
3889:
3851:
3735:
3607:
3555:
3357:
3332:
3277:
3247:
3227:
3217:
3207:
3147:
3122:
3107:
3014:
2953:
1577:
1513:
Engendering Performance: Indian Women Performers in Search of an Identity
1121:
825:
694:
510:
393:
351:
347:
324:: "Shastriya") denotes the ancient Indian Shastra-based performing arts.
321:
190:
123:
2153:
1537:
4961:
4814:
4732:
4722:
4497:
4487:
4460:
4455:
4445:
4400:
4385:
4380:
4160:
4105:
4090:
4082:
4049:
3916:
3819:
3794:
3770:
3755:
3669:
3659:
3560:
3427:
3412:
3327:
3292:
3237:
3197:
3157:
3132:
3019:
2989:
2888:
2718:
2476:"In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"
2220:
1201:
1141:
482:
420:
to the nine classical Indian dances in the Sangeet Natak Akademi list.
252:
226:
170:
51:
1672:
935:
performance, and aims to engage the senses (Prakriti) of the audience.
4998:
4993:
4971:
4784:
4737:
4696:
4578:
4568:
4507:
4415:
4358:
4353:
4207:
3894:
3730:
3716:
3701:
3463:
3387:
3342:
3287:
3272:
3232:
3192:
3182:
3172:
2979:
2948:
2923:
2878:
2818:
2746:
Revealing the Art of Natyasastra by Narayanan Chittoor Namboodiripad
1565:
1561:
1071:
730:, Pt. Smt. Swati Daithankar (who was awarded the 'Nritya Alankar' by
676:
586:
537:
504:
499:
493:
460:
444:
362:
230:
166:
111:
99:
2710:
2212:
2174:
1862:
Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition
1664:
1233:
excludes Mohiniyattam from the list of the Indian classical dances.
4889:
4884:
4588:
4558:
4492:
4472:
4410:
4390:
4363:
4202:
3904:
3804:
3750:
3706:
3684:
3397:
3302:
3297:
3282:
3177:
3162:
3142:
3052:
3029:
1961:
Farley P. Richmond, Darius L. Swann & Phillip B. Zarrilli 1993
1211:
1206:
1111:
1106:
1086:
1081:
1032:
515:
271:
256:
222:
174:
72:
2823:
2726:
Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993).
4930:
4859:
4841:
4789:
4573:
4517:
4477:
4437:
4420:
4405:
4370:
3799:
3711:
2775:
Aryan Sing (2021) Guide to Indias History New Forest High School
2440:
Natalia Lidova (2014). "Natyashastra". Oxford University Press.
832:
522:
Other dances also recognised by the Ministry of Culture of India
358:
3575:
2827:
2297:, MA Thesis, Awarded by University of Waterloo, Canada, page 25
1556:, pp. 83–84, the other major classical Indian dances are:
1245:
excludes Sattriya from the list of the Indian classical dances.
3603:
2319:
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998).
404:
Sources differ in their list of Indian classical dance forms.
165:
in the south of India, Odissi is from the east coast state of
2028:"Manipuri dance elbowed out by Bharat Natyam, Odissi, Kathak"
1713:
1711:
1709:
3664:
2344:
2342:
2096:
Indian classical dances: "ekam sat vipraah bahudaa vadanti"
2199:
Meduri, Avanthi (1988). "Bharatha Natyam-What Are You?".
1974:"Kathak Dance Puts Hinduism and Islam in the Same Circle"
2548:
India's Dances: Their History, Technique, and Repertoire
1803:. University of South Carolina Press. pp. 138–139.
139:. Additionally, the Indian Ministry of Culture includes
2175:"Dance | Ministry of Culture, Government of India"
1538:"Dance | Ministry of Culture, Government of India"
2124:
dance (performing arts) : Indian classical dance
278:
tending to virtue, wealth, joy and spiritual freedom,
2373:
2371:
2369:
1651:
Schramm, Harold (1968). "Musical Theatre in India".
280:
it must contain the significance of every scripture,
4984:
4949:
4775:
4710:
4617:
4544:
4537:
4436:
4339:
4330:
4238:
4124:
4081:
4048:
3966:
3940:
3903:
3882:
3873:
3865:
3781:
3650:
3641:
3548:
3502:
3472:
3446:
3038:
3007:
2962:
2911:
2902:
2861:
2262:
2260:
2418:
1800:Sonic Liturgy: Ritual and Music in Hindu Tradition
1753:
1382:
2613:Classical Indian dance in literature and the arts
703:Some famous Indian classical dancers are :
169:, and Manipuri is from the northeastern state of
2651:Aesthetic theories and forms in Indian tradition
1765:
1510:Bishnupriya Dutt; Urmimala Sarkar Munsi (2010).
984:, connects the artists and the audience through
27:Performance arts rooted in Hindu musical theatre
2306:
1963:, pp. 3, 34–36, 47, 171–173, 215, 327–329.
1897:
1462:"6 Classical Dances of India | Britannica"
1376:
1374:
1340:
1338:
1336:
1334:
262:
1717:
1301:
1299:
732:Akhil Bharatiya Gandharva Mahavidyalaya Mandal
3587:
2839:
2232:
2230:
1385:The Illustrated Encyclopedia of Hinduism: N-Z
1351:. Oxford University Press. pp. 195–196.
1274:Hindus: Their Religious Beliefs and Practices
1166:
8:
2381:Performing Arts and Therapeutic Implications
1741:
1627:Performing Arts and Therapeutic Implications
1348:The Oxford Handbook of Religion and the Arts
2760:. Andhra Pradesh Government. Archived from
2378:Tanvi Bajaj; Swasti Shrimali Vohra (2015).
2360:
2348:
1948:
1925:Mahavamsa: The Great Chronicle of Sri Lanka
1909:
1885:
1846:
1729:
1624:Tanvi Bajaj; Swasti Shrimali Vohra (2015).
1418:
1263:
1261:
1018:(stage setting, costume, make up, jewelry),
4541:
4336:
3909:
3879:
3647:
3594:
3580:
3572:
2908:
2846:
2832:
2824:
2194:
2192:
2190:
2188:
1429:
1427:
1173:
1159:
1044:
2729:Indian Theatre: Traditions of Performance
2527:Sanskrit Play Production in Ancient India
270:Let Nātya (drama and dance) be the fifth
2808:) is being considered for deletion. See
2041:Sunil Kothari; Avinash Pasricha (1990).
1776:
1774:
1553:
31:
2071:. One India. 2009-04-19. Archived from
1659:(1). University of Texas Press: 31–40.
1389:. The Rosen Publishing Group. pp.
1257:
1223:
1056:
556:
320:and many others. The term "classical" (
2207:(1). University of Hawaii Press: 3–4.
2148:
2146:
1785:. Harvard University Press. p. 4.
331:describes religious arts as a form as
2134:
2132:
1865:. Springer. pp. 13–32, 108–112.
1614:Aryan Singh A guide to Indias History
1605:Aryan Singh A guide To Indias History
1368:Europe, North America and the world."
1012:(song, recitation, music and rhythm),
7:
1781:Coormaraswamy and Duggirala (1917).
1437:Traditions of Indian classical dance
339:, or a "regional popular practice".
5191:
2572:Indian Music: History and Structure
2047:. Marg Publications. pp. 5–6.
1928:. Jain Publishing. pp. 40–41.
1312:. Bloomsbury Academic. p. 85.
2456:Drama and Ritual of Early Hinduism
2410:Classical Dances and Love of India
2099:. Shubhi Publications. p. 5.
2044:Odissi, Indian classical dance art
1987:Chowdhurie, Tapati (13 May 2016).
1516:. SAGE Publications. p. 216.
25:
2812:to help reach a consensus. ›
2309:, pp. 33–38, 83–84, 207–214.
1440:. Clarion Books. pp. 57–58.
995:(sentiment, emotional taste) and
5190:
5180:
5171:
5170:
5159:
3864:
3610:
3602:
2785:
1922:Thera Mahanama-sthavira (1999).
685:
667:
649:
631:
613:
595:
577:
559:
379:The Natya Shastra mentions four
365:elements while Manipuri had the
5217:Classical dance genres of India
5160:
2792:Classical dance genres of India
2325:. Routledge. pp. 516–521.
1306:Jean Holm; John Bowker (1994).
957:incorporates the elements of a
5085:Relations with other religions
2758:"Andhra Pradesh Portal: Dance"
2446:10.1093/obo/9780195399318-0071
1912:, pp. 67, context: 60-68.
822:Kalamandalam Kalyanikutty Amma
1:
2384:. Routledge. pp. 82–84.
2293:Kavitha Jayakrishnan (2011),
1951:, pp. 25–30, 67–68, 166.
1489:10.1080/01472526.2015.1088286
1036:(mood, psychological states).
1006:(gestures and body language),
2273:. Infobase. pp. 45–46.
1381:James G. Lochtefeld (2002).
276:Combined with an epic story,
265:Performance arts and culture
3454:Hindi cinema song and dance
2699:Educational Theatre Journal
2139:SNA || Awards & Honours
2007:"Manipuri Dance: A Journey"
1630:. Routledge. pp. 6–7.
5243:
2243:. Routledge. p. 955.
1345:Frank Burch Brown (2013).
1277:. Routledge. p. 206.
47:
5157:
3912:
3862:
3620:
2649:Kapila Vatsyayan (2008).
2636:. Sangeet Natak Akademi.
2632:Kapila Vatsyayan (1974).
2615:. Sangeet Natak Akademi.
2611:Kapila Vatsyayan (1977).
2590:Kapila Vatsyayan (2001).
2495:10.1080/08949460490274013
2093:Narayan, Shovana (2005).
1859:Mandakranta Bose (2012).
1849:, pp. xxix, 131–137.
1700:10.1080/01472529308569140
1694:(3). Routledge: 391–396.
408:mentions six dances. The
237:Types of classical dances
4229:Yoga Sutras of Patanjali
2810:templates for discussion
2682:. Abhinav Publications.
2679:Dance In Indian Painting
2653:. Munshiram Manoharlal.
2593:Bharata, the Nāṭyaśāstra
2551:. Abhinav Publications.
2545:Reginald Massey (2004).
2267:Janet Descutner (2010).
2069:"Indian Classical Dance"
4308:Thiruvilaiyadal Puranam
2732:. Motilal Banarsidass.
2530:. Motilal Banarsidass.
2489:(1). Routledge: 69–98.
2474:Williams, Drid (2004).
2459:. Motilal Banarsidass.
2453:Natalia Lidova (1994).
2425:. Motilal Banarsidass.
2421:Dance Dialects of India
2126:. Retrieved 03-11-2010.
2120:Encyclopædia Britannica
1783:"The Mirror of Gesture"
1754:Emmie Te Nijenhuis 1974
1732:, pp. xxiv, 19–20.
1243:Encyclopædia Britannica
1231:Encyclopædia Britannica
969:(acting). The roots of
406:Encyclopædia Britannica
282:and forward every art.
36:An illustration of the
4283:Eighteen Greater Texts
2815:Classical Indian dance
2634:Indian classical dance
2237:Ellen Koskoff (2008).
1117:Professional wrestling
845:Kalamandalam Hymavathy
787:V. Satyanarayana Sarma
285:
59:Indian classical dance
55:
48:Jagoi Raas, Raas Jagoi
18:Indian Classical Dance
5036:Hindu gurus and sants
4288:Eighteen Lesser Texts
3373:Poikkal Kuthiraiattam
2412:. Palgrave Macmillan.
2408:Ambrose, Kay (1984).
2201:Asian Theatre Journal
2156:. Indiaculture.nic.in
1836:. Sanskrit Documents.
1787:; Also see chapter 36
1766:Kapila Vatsyayan 2001
1434:Mohan Khokar (1984).
410:Sangeet Natak Akademi
89:Sangeet Natak Academy
35:
5026:Anti-Hindu sentiment
2794:at Wikimedia Commons
2524:Tarla Mehta (1995).
2417:Ragini Devi (1990).
2307:Reginald Massey 2004
1898:Reginald Massey 2004
1797:Guy L. Beck (2012).
862:Kelucharan Mohapatra
837:Kalamandalam Radhika
5132:Hinduism by country
4298:Iraiyanar Akapporul
4258:Tirumurukāṟṟuppaṭai
2869:Perini Sivatandavam
2596:. Sahitya Akademi.
2483:Visual Anthropology
2179:indiaculture.nic.in
2030:. 22 February 2014.
1718:Natalia Lidova 2014
870:Shobana Sahajananan
789:, Deepa Shashindran
387:(Ujjain, central),
361:of mosques and had
39:Manipuri Raas Leela
2676:Kapila Vatsyayan.
2575:. BRILL Academic.
2567:Emmie Te Nijenhuis
1989:"Gem of a journey"
1197:Languages of India
1137:Street performance
866:Surendra Nath Jena
762:Manjari Chaturvedi
716:Padma Subrahmanyam
397:(north, west) and
91:recognizes eight:
56:
5204:
5203:
4980:
4979:
4533:
4532:
4326:
4325:
4240:Sangam literature
4196:Yājñavalkya Smṛti
4044:
4043:
3860:
3859:
3569:
3568:
3459:Hindi dance songs
3003:
3002:
2790:Media related to
2739:978-81-208-0981-9
2689:978-81-7017-153-9
2627:Table of Contents
2603:978-81-260-1220-6
2558:978-81-7017-434-9
2537:978-81-208-1057-0
2466:978-81-208-1234-5
2432:978-81-208-0674-0
2391:978-1-317-32572-7
2332:978-0-8240-4946-1
2280:978-1-4381-3078-1
2250:978-0-415-99404-0
2054:978-81-85026-13-8
1935:978-0-89581-906-2
1888:, pp. 18–37.
1872:978-94-011-3594-8
1810:978-1-61117-108-2
1742:Wallace Dace 1963
1637:978-1-317-32572-7
1523:978-81-321-0612-8
1421:, pp. 60–68.
1400:978-0-8239-3180-4
1358:978-0-19-972103-0
1319:978-1-85567-111-9
1284:978-1-135-24061-5
1183:
1182:
973:are found in the
887:Indira P. P. Bora
16:(Redirected from
5234:
5194:
5193:
5184:
5174:
5173:
5163:
5162:
5073:Pilgrimage sites
4827:Ganesh Chaturthi
4542:
4337:
4318:Vedarthasamgraha
4313:Vinayagar Agaval
4278:Five Great Epics
4253:Divya Prabandham
4166:Minor Upanishads
3910:
3880:
3868:
3867:
3648:
3614:
3606:
3596:
3589:
3582:
3573:
3520:Himachal Pradesh
3423:Thitambu Nritham
2909:
2848:
2841:
2834:
2825:
2789:
2772:
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2743:
2722:
2693:
2672:
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2511:
2505:. Archived from
2480:
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2436:
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2361:Tarla Mehta 1995
2358:
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2349:Tarla Mehta 1995
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1949:Ragini Devi 1990
1946:
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1910:Ragini Devi 1990
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1886:Ragini Devi 1990
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1847:Tarla Mehta 1995
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1756:, pp. 1–25.
1751:
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1419:Ragini Devi 1990
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1187:Culture of India
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854:Sujata Mohapatra
801:Darshana Jhaveri
797:Guru Bipin Singh
783:Mallika Sarabhai
689:
671:
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310:Abhinava Bharati
305:Abhinaya Darpana
293:
64:Shastriya Nritya
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4936:Vasant Panchami
4870:Pahela Baishakh
4852:Makar Sankranti
4771:
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4303:Abhirami Antati
4273:Kamba Ramayanam
4234:
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3840:Vishishtadvaita
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1688:Dance Chronicle
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809:Devjani Chaliha
805:Jhaveri Sisters
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3883:Classification
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2780:External links
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2705:(3): 249–254.
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2014:esamskriti.com
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1831:"Natyashastra"
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1744:, p. 249.
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1636:
1616:
1607:
1598:
1594:Bhagavata Mela
1543:
1529:
1522:
1502:
1483:(3): 305–335.
1467:
1453:
1446:
1423:
1411:
1399:
1370:
1357:
1330:
1318:
1295:
1283:
1256:
1254:
1251:
1248:
1247:
1235:
1222:
1221:
1219:
1216:
1215:
1214:
1209:
1204:
1199:
1194:
1189:
1181:
1180:
1178:
1177:
1170:
1163:
1155:
1152:
1151:
1150:
1149:
1144:
1139:
1134:
1129:
1124:
1119:
1114:
1109:
1104:
1099:
1094:
1089:
1084:
1079:
1074:
1069:
1061:
1060:
1054:
1053:
1042:
1039:
1038:
1037:
1030:draws out the
1025:
1019:
1013:
1007:
963:
962:
947:
936:
907:
906:Shared aspects
904:
903:
902:
876:
858:Madhavi Mudgal
847:
815:
790:
776:
764:
750:Lacchu Maharaj
746:Nahid Siddiqui
735:
724:Sheema Kermani
720:Vyjayanthimala
701:
700:
692:
691:
684:
682:
674:
673:
666:
664:
656:
655:
648:
646:
638:
637:
630:
628:
620:
619:
612:
610:
602:
601:
594:
592:
584:
583:
576:
574:
566:
565:
558:
554:
551:
550:
549:
523:
520:
519:
518:
507:
496:
485:
474:
472:Andhra Pradesh
463:
452:
441:
428:
425:
418:Bhagavata Mela
376:
373:
268:
261:
238:
235:
214:
211:
158:Bhagavata Mela
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5239:
5228:
5225:
5223:
5220:
5218:
5215:
5214:
5212:
5197:
5189:
5187:
5183:
5179:
5177:
5169:
5168:
5166:
5156:
5148:
5145:
5143:
5140:
5139:
5138:
5137:Hindu temples
5135:
5133:
5130:
5128:
5125:
5121:
5118:
5116:
5113:
5111:
5108:
5106:
5103:
5101:
5098:
5096:
5093:
5091:
5088:
5087:
5086:
5083:
5079:
5076:
5075:
5074:
5071:
5069:
5066:
5062:
5059:
5058:
5057:
5054:
5052:
5049:
5047:
5044:
5042:
5041:Hindu studies
5039:
5037:
5034:
5032:
5029:
5027:
5024:
5022:
5019:
5017:
5014:
5012:
5011:Denominations
5009:
5005:
5002:
5000:
4997:
4996:
4995:
4992:
4991:
4989:
4987:
4983:
4973:
4970:
4968:
4965:
4963:
4960:
4958:
4955:
4954:
4952:
4948:
4942:
4939:
4937:
4934:
4932:
4929:
4927:
4924:
4923:
4918:
4915:
4913:
4910:
4908:
4905:
4903:
4900:
4899:
4898:
4895:
4891:
4888:
4886:
4883:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4857:
4855:
4853:
4850:
4848:
4845:
4843:
4840:
4838:
4835:
4833:
4830:
4828:
4825:
4821:
4820:Vijayadashami
4818:
4816:
4813:
4811:
4808:
4807:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4783:
4782:
4780:
4778:
4774:
4766:
4763:
4761:
4758:
4756:
4753:
4751:
4748:
4747:
4746:
4743:
4739:
4736:
4734:
4731:
4729:
4726:
4724:
4721:
4720:
4719:
4716:
4715:
4713:
4709:
4703:
4700:
4698:
4695:
4693:
4690:
4688:
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4668:
4665:
4663:
4660:
4658:
4655:
4653:
4650:
4648:
4645:
4643:
4640:
4638:
4637:Simantonayana
4635:
4633:
4630:
4628:
4625:
4624:
4622:
4620:
4616:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4590:
4587:
4585:
4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4560:
4557:
4555:
4552:
4551:
4549:
4547:
4543:
4540:
4536:
4526:
4525:
4521:
4519:
4516:
4514:
4511:
4509:
4506:
4504:
4501:
4499:
4496:
4494:
4491:
4489:
4486:
4484:
4481:
4479:
4476:
4474:
4471:
4469:
4466:
4462:
4459:
4457:
4454:
4452:
4449:
4448:
4447:
4444:
4443:
4441:
4439:
4435:
4429:
4428:
4424:
4422:
4419:
4417:
4414:
4412:
4409:
4407:
4404:
4402:
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4365:
4362:
4360:
4357:
4355:
4352:
4351:
4350:
4347:
4346:
4344:
4342:
4338:
4335:
4333:
4329:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4286:
4284:
4281:
4279:
4276:
4274:
4271:
4269:
4266:
4264:
4261:
4259:
4256:
4254:
4251:
4249:
4246:
4245:
4243:
4241:
4237:
4231:
4230:
4226:
4224:
4223:Yoga Vasistha
4221:
4219:
4216:
4214:
4211:
4209:
4206:
4204:
4201:
4197:
4194:
4192:
4189:
4187:
4184:
4183:
4182:
4179:
4177:
4174:
4172:
4169:
4167:
4164:
4162:
4159:
4155:
4152:
4150:
4147:
4146:
4145:
4142:
4140:
4137:
4135:
4134:Bhagavad Gita
4132:
4131:
4129:
4127:
4123:
4117:
4114:
4112:
4109:
4107:
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4088:
4086:
4084:
4080:
4074:
4073:Sthapatyaveda
4071:
4069:
4066:
4064:
4061:
4059:
4056:
4055:
4053:
4051:
4047:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4017:
4014:
4012:
4009:
4007:
4004:
4002:
3999:
3997:
3994:
3992:
3989:
3987:
3984:
3982:
3979:
3977:
3974:
3973:
3971:
3969:
3965:
3959:
3956:
3954:
3951:
3949:
3946:
3945:
3943:
3939:
3933:
3930:
3928:
3925:
3923:
3920:
3918:
3915:
3914:
3911:
3908:
3906:
3902:
3896:
3893:
3891:
3888:
3887:
3885:
3881:
3878:
3876:
3872:
3853:
3849:
3846:
3842:
3841:
3837:
3835:
3834:
3830:
3828:
3827:
3823:
3822:
3821:
3818:
3816:
3813:
3811:
3808:
3806:
3803:
3801:
3798:
3796:
3792:
3789:
3788:
3786:
3784:
3780:
3772:
3769:
3767:
3764:
3762:
3759:
3757:
3754:
3752:
3749:
3747:
3744:
3742:
3739:
3737:
3734:
3732:
3729:
3728:
3727:
3724:
3723:
3718:
3715:
3713:
3710:
3708:
3705:
3703:
3700:
3699:
3698:
3695:
3694:
3691:
3688:
3686:
3683:
3681:
3678:
3676:
3673:
3671:
3668:
3666:
3663:
3661:
3658:
3657:
3655:
3653:
3649:
3646:
3644:
3640:
3634:
3631:
3628:
3626:
3623:
3622:
3619:
3613:
3609:
3605:
3597:
3592:
3590:
3585:
3583:
3578:
3577:
3574:
3562:
3559:
3557:
3554:
3553:
3551:
3547:
3541:
3538:
3536:
3533:
3531:
3528:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3507:
3505:
3501:
3495:
3492:
3490:
3489:
3485:
3483:
3482:
3481:Natya Shastra
3478:
3477:
3475:
3471:
3465:
3462:
3460:
3457:
3455:
3452:
3451:
3449:
3445:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3419:
3416:
3414:
3411:
3409:
3406:
3404:
3401:
3399:
3396:
3394:
3391:
3389:
3386:
3384:
3381:
3379:
3376:
3374:
3371:
3369:
3366:
3364:
3361:
3359:
3356:
3354:
3351:
3349:
3346:
3344:
3341:
3339:
3336:
3334:
3331:
3329:
3326:
3324:
3321:
3319:
3316:
3314:
3311:
3309:
3308:Malwai Giddha
3306:
3304:
3301:
3299:
3296:
3294:
3291:
3289:
3286:
3284:
3281:
3279:
3276:
3274:
3271:
3269:
3266:
3264:
3261:
3259:
3256:
3254:
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3153:Dollu Kunitha
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3116:
3114:
3111:
3109:
3106:
3104:
3101:
3099:
3096:
3094:
3091:
3089:
3086:
3084:
3081:
3079:
3076:
3074:
3073:Bardwi Sikhla
3071:
3069:
3066:
3064:
3061:
3059:
3056:
3054:
3051:
3050:
3048:
3045:
3041:
3037:
3031:
3028:
3026:
3023:
3021:
3018:
3016:
3013:
3012:
3010:
3006:
2996:
2993:
2991:
2988:
2986:
2983:
2981:
2978:
2976:
2973:
2971:
2970:Andhra Natyam
2968:
2967:
2965:
2961:
2955:
2952:
2950:
2947:
2945:
2942:
2940:
2937:
2935:
2932:
2930:
2927:
2925:
2922:
2920:
2919:Bharatanatyam
2917:
2916:
2914:
2910:
2907:
2905:
2901:
2895:
2892:
2890:
2887:
2885:
2882:
2880:
2877:
2875:
2872:
2870:
2867:
2866:
2864:
2860:
2856:
2849:
2844:
2842:
2837:
2835:
2830:
2829:
2826:
2820:
2816:
2811:
2807:
2806:
2801:
2796:
2793:
2788:
2784:
2783:
2779:
2774:
2764:on 2010-12-04
2763:
2759:
2755:
2753:
2752:9788121512183
2749:
2745:
2741:
2735:
2731:
2730:
2724:
2720:
2716:
2712:
2708:
2704:
2700:
2695:
2691:
2685:
2681:
2680:
2674:
2670:
2666:
2662:
2656:
2652:
2647:
2643:
2639:
2635:
2630:
2628:
2622:
2618:
2614:
2609:
2605:
2599:
2595:
2594:
2588:
2584:
2582:90-04-03978-3
2578:
2574:
2573:
2568:
2564:
2560:
2554:
2550:
2549:
2543:
2539:
2533:
2529:
2528:
2522:
2512:on 2016-03-04
2508:
2504:
2500:
2496:
2492:
2488:
2484:
2477:
2472:
2468:
2462:
2458:
2457:
2451:
2447:
2443:
2438:
2434:
2428:
2423:
2422:
2415:
2411:
2406:
2405:
2401:
2393:
2387:
2383:
2382:
2374:
2372:
2370:
2366:
2362:
2357:
2354:
2350:
2345:
2343:
2339:
2334:
2328:
2324:
2323:
2315:
2312:
2308:
2303:
2300:
2296:
2290:
2287:
2282:
2276:
2272:
2271:
2263:
2261:
2257:
2252:
2246:
2242:
2241:
2233:
2231:
2227:
2222:
2218:
2214:
2210:
2206:
2202:
2195:
2193:
2191:
2189:
2185:
2180:
2176:
2170:
2167:
2155:
2149:
2147:
2143:
2140:
2135:
2133:
2129:
2125:
2121:
2116:
2113:
2108:
2106:9781845571696
2102:
2098:
2097:
2089:
2086:
2075:on 2009-04-17
2074:
2070:
2064:
2061:
2056:
2050:
2046:
2045:
2037:
2034:
2029:
2023:
2020:
2015:
2008:
2002:
1999:
1994:
1990:
1983:
1980:
1975:
1969:
1966:
1962:
1957:
1954:
1950:
1945:
1942:
1937:
1931:
1927:
1926:
1918:
1915:
1911:
1906:
1903:
1900:, p. 32.
1899:
1894:
1891:
1887:
1882:
1879:
1874:
1868:
1864:
1863:
1855:
1852:
1848:
1843:
1840:
1832:
1826:
1823:
1819:
1817:
1812:
1806:
1802:
1801:
1793:
1790:
1784:
1777:
1775:
1771:
1767:
1762:
1759:
1755:
1750:
1747:
1743:
1738:
1735:
1731:
1726:
1723:
1719:
1714:
1712:
1710:
1706:
1701:
1697:
1693:
1689:
1682:
1679:
1674:
1670:
1666:
1662:
1658:
1654:
1647:
1644:
1639:
1633:
1629:
1628:
1620:
1617:
1611:
1608:
1602:
1599:
1595:
1591:
1587:
1583:
1579:
1575:
1571:
1567:
1563:
1559:
1558:Bharatanatyam
1555:
1554:Williams 2004
1550:
1548:
1544:
1539:
1533:
1530:
1525:
1519:
1515:
1514:
1506:
1503:
1498:
1494:
1490:
1486:
1482:
1478:
1471:
1468:
1463:
1457:
1454:
1449:
1447:9780391032750
1443:
1439:
1438:
1430:
1428:
1424:
1420:
1415:
1412:
1408:
1402:
1396:
1392:
1387:
1386:
1377:
1375:
1371:
1366:
1360:
1354:
1350:
1349:
1341:
1339:
1337:
1335:
1331:
1327:
1321:
1315:
1311:
1310:
1302:
1300:
1296:
1292:
1286:
1280:
1276:
1275:
1270:
1269:Julius Lipner
1264:
1262:
1258:
1252:
1244:
1239:
1236:
1232:
1227:
1224:
1217:
1213:
1210:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1184:
1176:
1171:
1169:
1164:
1162:
1157:
1156:
1154:
1153:
1148:
1147:Ventriloquism
1145:
1143:
1140:
1138:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1118:
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1080:
1078:
1077:Circus skills
1075:
1073:
1070:
1068:
1065:
1064:
1063:
1062:
1059:
1055:
1051:
1047:
1046:
1040:
1035:
1034:
1029:
1026:
1023:
1020:
1017:
1014:
1011:
1008:
1005:
1002:
1001:
1000:
998:
994:
989:
987:
983:
978:
977:
972:
968:
960:
956:
952:
948:
945:
941:
937:
933:
929:
928:
927:
925:
921:
917:
913:
912:Natya Shastra
905:
900:
899:Pushpa Bhuyan
896:
895:Sarodi Saikia
892:
888:
884:
883:Jatin Goswami
880:
877:
875:
874:Minati Mishra
871:
867:
863:
859:
855:
851:
848:
846:
842:
838:
834:
831:
827:
823:
819:
816:
814:
813:Amala Shankar
810:
806:
802:
798:
794:
791:
788:
784:
780:
777:
775:
774:Krishnan Nair
772:
768:
765:
763:
759:
755:
751:
747:
743:
742:Birju Maharaj
739:
736:
733:
729:
725:
721:
717:
713:
709:
708:Bharatanatyam
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90:
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77:
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69:umbrella term
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34:
30:
19:
5222:Sacred dance
5147:Architecture
4750:Brahmacharya
4692:Samavartanam
4657:Annaprashana
4523:
4426:
4227:
4181:Dharmaśāstra
4171:Arthashastra
4006:Maitrayaniya
3838:
3831:
3824:
3746:Brahmacharya
3486:
3479:
3447:Contemporary
3403:Singhi Chham
3243:Kachhi Ghodi
3138:Dandiya Raas
3078:Bedara Vesha
3008:Divine forms
2944:Mohiniyattam
2903:
2803:
2766:. Retrieved
2762:the original
2728:
2702:
2698:
2678:
2650:
2633:
2612:
2592:
2571:
2547:
2526:
2514:. Retrieved
2507:the original
2486:
2482:
2455:
2420:
2409:
2402:Bibliography
2380:
2363:, p. 5.
2356:
2351:, p. 3.
2321:
2314:
2302:
2289:
2269:
2239:
2204:
2200:
2178:
2169:
2158:. Retrieved
2115:
2095:
2088:
2077:. Retrieved
2073:the original
2063:
2043:
2036:
2022:
2013:
2001:
1992:
1982:
1968:
1956:
1944:
1924:
1917:
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1238:
1226:
1031:
1027:
1021:
1015:
1009:
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992:
990:
985:
982:Natyashastra
981:
976:Natyashastra
974:
970:
966:
964:
958:
954:
950:
943:
939:
931:
923:
919:
915:
914:. These are
911:
909:
878:
849:
818:Mohiniyattam
817:
792:
778:
771:Kalamandalam
766:
754:Gopi Krishna
737:
712:Rukmini Devi
707:
702:
693:
675:
659:Mohiniyattam
657:
639:
621:
603:
585:
567:
527:
509:
498:
489:Mohiniyattam
487:
476:
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443:
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399:Odra-Magadhi
398:
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136:Mohiniyattam
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63:
62:
58:
57:
37:
29:
5196:WikiProject
5068:Persecution
5056:Nationalism
5046:Iconography
4926:Ratha Yatra
4837:Janmashtami
4832:Rama Navami
4760:Vanaprastha
4711:Varnashrama
4687:Ritushuddhi
4672:Vidyarambha
4662:Chudakarana
4652:Nishkramana
4627:Garbhadhana
4268:Thirukkural
4263:Thiruppugal
4191:Nāradasmṛti
4154:Mahabharata
3932:Atharvaveda
3810:Vaisheshika
3697:Puruṣārthas
3549:Accessories
3418:Thirayattam
3408:Sword dance
3093:Bommalattam
3068:Bardo Chham
3058:Baagh Naach
2894:Veeranatyam
2884:Parai Attam
2798:‹ The
2270:Asian Dance
1653:Asian Music
1192:Hindu texts
758:Saswati Sen
546:West Bengal
389:Dakshinatya
375:Dance forms
344:Vaishnavism
290:Nātyaśāstra
5211:Categories
4897:Kumbh Mela
4865:Gudi Padwa
4810:Durga Puja
4795:Shivaratri
4667:Karnavedha
4647:Namakarana
4609:Tirthatana
4376:Dattatreya
4213:Subhashita
4186:Manusmriti
4063:Dhanurveda
3996:Taittiriya
3981:Kaushitaki
3968:Upanishads
3741:Aparigraha
3643:Philosophy
3535:Tamil Nadu
3473:Literature
3438:Yakshagana
3393:Raut Nacha
3383:Puliyattam
3363:Pavri Nach
3353:Paampattam
3323:Mayilattam
3253:Karakattam
3128:Corridinho
3118:Chheih Lam
2912:Recognised
2874:Margamkali
2768:2010-11-03
2516:2016-08-05
2160:2022-05-27
2079:2010-06-11
1253:References
1092:Gymnastics
1067:Acrobatics
841:Thankamani
439:Tamil Nadu
414:Yakshagana
381:Pravrittis
359:courtyards
297:While the
163:Tamil Nadu
152:Yakshagana
5227:Hindu art
5120:Theosophy
5051:Mythology
5031:Criticism
4999:Etymology
4957:Svādhyāya
4856:New Year
4805:Navaratri
4777:Festivals
4755:Grihastha
4728:Kshatriya
4702:Antyeshti
4677:Upanayana
4642:Jatakarma
4632:Pumsavana
4619:Sanskaras
4584:Naivedhya
4538:Practices
4483:Mahavidya
4451:Saraswati
4438:Goddesses
4396:Kartikeya
4293:Athichudi
4248:Tirumurai
4101:Vyākaraṇa
4068:Natyaveda
4016:Chandogya
3941:Divisions
3922:Yajurveda
3433:Veeragase
3378:Puli Kali
3348:Oyilattam
3268:Khual Lam
3263:Keisabadi
3223:Hulivesha
3168:Duffmuttu
3063:Bagurumba
3025:Rasa lila
2934:Kuchipudi
2929:Kathakali
2904:Classical
2669:286469807
2621:233639306
1993:The Hindu
1590:Yaksagana
1574:Kuchipudi
1570:Kathakali
1497:166744945
1218:Footnotes
779:Kuchipudi
767:Kathakali
623:Kuchipudi
605:Kathakali
542:Jharkhand
467:Kuchipudi
456:Kathakali
391:(south),
327:The text
179:Malayalam
118:Kathakali
106:Kuchipudi
5176:Category
5127:Glossary
5095:Buddhism
5061:Hindutva
5021:Calendar
4902:Haridwar
4880:Vaisakhi
4875:Puthandu
4765:Sannyasa
4682:Keshanta
4513:Shashthi
4349:Trimurti
4176:Nitisara
4149:Ramayana
4144:Itihasas
4116:Jyotisha
4058:Ayurveda
4050:Upavedas
4031:Mandukya
3976:Aitareya
3958:Aranyaka
3953:Brahmana
3927:Samaveda
3852:Charvaka
3652:Concepts
3633:Timeline
3625:Glossary
3608:Hinduism
3556:Ghungroo
3503:By state
3368:Phulpati
3358:Padayani
3278:Kolattam
3248:Kalbelia
3228:Jhijhiya
3218:Hojagiri
3208:Gombhira
3148:Dhunachi
3123:Chholiya
3108:Chang Lo
3015:Nataraja
2954:Sattriya
2939:Manipuri
2800:template
2569:(1974).
2503:29065670
1586:Manipuri
1578:Sattriya
1271:(2012).
1122:Puppetry
1050:a series
1048:Part of
1041:See also
1028:Abhinaya
1022:Sattvika
986:abhinaya
971:abhinaya
967:abhinaya
879:Sattriya
826:Shobhana
793:Manipuri
695:Sattriya
641:Manipuri
511:Sattriya
478:Manipuri
401:(east).
394:Panchali
352:Shaktism
348:Shaivism
322:Sanskrit
227:lehengas
207:Assamese
191:Sanskrit
187:Manipuri
130:Manipuri
124:Sattriya
67:, is an
5165:Outline
5115:Sikhism
5110:Judaism
5105:Jainism
4986:Related
4962:Namaste
4815:Ramlila
4745:Ashrama
4733:Vaishya
4723:Brahmin
4546:Worship
4498:Rukmini
4488:Matrika
4461:Parvati
4456:Lakshmi
4446:Tridevi
4401:Krishna
4386:Hanuman
4381:Ganesha
4332:Deities
4218:Tantras
4208:Stotras
4161:Puranas
4106:Nirukta
4096:Chandas
4091:Shiksha
4083:Vedanga
4036:Prashna
4026:Mundaka
3948:Samhita
3917:Rigveda
3848:Nāstika
3833:Advaita
3820:Vedanta
3815:Mīmāṃsā
3795:Samkhya
3783:Schools
3771:Akrodha
3690:Saṃsāra
3670:Ishvara
3660:Brahman
3561:Silambu
3540:Tripura
3428:Tippani
3413:Tertali
3328:Mussoll
3293:Lahasua
3238:Jhumair
3203:Ghumura
3198:Ghoomar
3158:Domkach
3133:Dalkhai
3083:Bhangra
3020:Tandava
2990:Gotipua
2985:Gaudiya
2889:Theyyam
2862:Ancient
2802:below (
2719:3204783
2642:2238067
2221:1124019
2154:"Dance"
1309:Worship
1202:Puranas
1142:Theatre
1010:Vachika
830:Sunanda
728:Padmini
532:, from
514:, from
503:, from
492:, from
483:Manipur
481:, from
470:, from
459:, from
448:, from
437:, from
292:1.14–15
255:dance (
253:Tāṇḍava
213:Summary
171:Manipur
52:Armenia
42:Dance (
5186:Portal
5090:Baháʼí
4994:Hindus
4972:Tilaka
4941:Others
4917:Ujjain
4912:Prayag
4907:Nashik
4847:Pongal
4785:Diwali
4738:Shudra
4697:Vivaha
4604:Dhyāna
4579:Bhajan
4569:Bhakti
4554:Temple
4508:Shakti
4416:Varuna
4359:Vishnu
4354:Brahma
4203:Sutras
4139:Agamas
3895:Smriti
3826:Dvaita
3791:Āstika
3736:Asteya
3731:Ahimsa
3717:Moksha
3702:Dharma
3615:topics
3530:Punjab
3525:Odisha
3494:Mudras
3464:Nautch
3388:Rasiya
3343:Oppana
3288:Lavani
3273:Kikkli
3233:Jhumar
3193:Giddha
3183:Garadi
3173:Dumhal
3113:Cheraw
2995:Mahari
2980:Deknni
2963:Others
2949:Odissi
2924:Kathak
2879:Koothu
2819:Curlie
2805:Curlie
2750:
2736:
2717:
2686:
2667:
2657:
2640:
2619:
2600:
2579:
2555:
2534:
2501:
2463:
2429:
2388:
2329:
2277:
2247:
2219:
2103:
2051:
1932:
1869:
1816:Quote:
1807:
1673:834008
1671:
1634:
1566:Odissi
1562:Kathak
1520:
1495:
1444:
1407:Quote:
1397:
1365:Quote:
1355:
1326:Quote:
1316:
1291:Quote:
1281:
1127:Speech
1072:Ballet
1016:Aharya
1004:Angika
959:Nritya
951:Natyam
944:Nritya
940:Nritya
932:Nritta
920:Nritya
916:Nritta
850:Odissi
738:Kathak
677:Odissi
587:Kathak
553:Images
544:, and
538:Odisha
505:Odisha
500:Odissi
494:Kerala
461:Kerala
445:Kathak
385:Avanti
363:Muslim
231:kurtas
229:, and
223:sarees
203:Telugu
183:Meitei
167:Odisha
112:Odissi
100:Kathak
44:Meitei
5100:Islam
5078:India
4967:Bindi
4950:Other
4890:Ugadi
4885:Vishu
4718:Varna
4599:Tapas
4589:Yajna
4559:Murti
4493:Radha
4473:Durga
4468:Bhumi
4411:Surya
4391:Indra
4364:Shiva
4126:Other
4111:Kalpa
4001:Katha
3905:Vedas
3890:Śruti
3875:Texts
3805:Nyaya
3761:Damah
3751:Satya
3707:Artha
3685:Karma
3675:Atman
3629:Index
3515:Assam
3398:Saang
3333:Nacnī
3318:Matki
3303:Maach
3298:Lezim
3283:Kummi
3258:Karma
3213:Grida
3188:Garba
3178:Fugdi
3163:Domni
3143:Dhalo
3103:Chang
3053:Alkap
3030:Lasya
2975:Chhau
2715:JSTOR
2510:(PDF)
2499:S2CID
2479:(PDF)
2217:JSTOR
2010:(PDF)
1834:(PDF)
1669:JSTOR
1582:Chhau
1493:S2CID
1212:Yajna
1207:Vedas
1112:Opera
1107:Music
1097:Magic
1087:Dance
1082:Clown
1033:bhava
997:bhava
955:Natya
924:Natya
529:Chhau
516:Assam
333:margi
257:Shiva
195:Tamil
175:Hindi
147:Chhau
142:Chhau
73:Hindu
61:, or
5142:List
5004:List
4931:Teej
4860:Bihu
4842:Onam
4790:Holi
4594:Homa
4574:Japa
4564:Puja
4524:more
4518:Sita
4503:Sati
4478:Kali
4427:more
4421:Vayu
4406:Rama
4371:Agni
4341:Gods
4021:Kena
3991:Isha
3800:Yoga
3766:Dayā
3756:Dāna
3726:Niti
3712:Kama
3680:Maya
3338:Nati
3088:Bihu
3044:list
3040:Folk
2748:ISBN
2734:ISBN
2684:ISBN
2665:OCLC
2655:ISBN
2638:OCLC
2617:OCLC
2598:ISBN
2577:ISBN
2553:ISBN
2532:ISBN
2461:ISBN
2427:ISBN
2386:ISBN
2327:ISBN
2275:ISBN
2245:ISBN
2101:ISBN
2049:ISBN
1930:ISBN
1867:ISBN
1805:ISBN
1632:ISBN
1592:and
1518:ISBN
1442:ISBN
1395:ISBN
1353:ISBN
1314:ISBN
1279:ISBN
1102:Mime
949:The
938:The
930:The
922:and
833:Nair
416:and
337:desi
241:The
199:Odia
155:and
133:and
5016:Law
2817:at
2707:doi
2491:doi
2442:doi
2209:doi
1696:doi
1661:doi
1485:doi
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