Knowledge (XXG)

Indian Ink

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401:. Gandhi argued that Das had mastery of English geography and literature but expositions of the rasa and Hindu scripture that seemed "to come not from Stoppard but some teach yourself guide", and wrote in response to this, "Indians have for decades, if not a century or two, been able to relate to things British without, in the least, compromising their brand of Indianess. They need no atavistic reversals into 'themselves'. What is Stoppard trying to do in 334:, reveals little to the scholar, sending him off on a wild goose chase tracing Flora's path through India. But she is more welcoming to Nirad's son Anish, who also comes looking for answers. Eleanor shows Anish a painting by Nirad done partly in a classical Indian style, and partly in the style of Western realism. The painting's erotic symbolism convinces him that his father and Flora were lovers before she died. 277:, but he was ineligible because the play was produced Off-Broadway. The ACT presented the play again in January and February 2015, with Perloff directing and the cast featured Roberta Maxwell (Eleanor), Brenda Meaney (Flora), Firdous Bamji (Nirad) and Pej Vahdat (Anish). 421:
that although the various elements and time periods don't satisfactorily emulsify, "there's no denying the astonishing craft of the individual scenes". Green referred to the play as "second-tier Tom Stoppard but excellent by almost any other standard". Elysa Gardner of
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In the 1980s, American academic Eldon Pike seeks out Flora's younger sister Eleanor to discover the truth about the end of the poet's life — she died in India soon after meeting Nirad. Eleanor, who married an Englishman she met at Flora's grave and became a staunch
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The play received its East Coast premiere in 2000 at the Studio Theatre in Washington, DC., in a production starring Isabel Keating as Flora Crewe, a performance for which she received the Helen Hayes Award for Outstanding Lead Actress in a Resident Play.
57: 379:. And like those two plays, it cuts back and forth between characters in two time periods sharing the same set. Stoppard has given director Peter Wood partial credit for developing the structure of the play with its two intertwined storylines. 391:, deeming it "enticing if overpacked". He praised Stoppard's language and found the dialogue witty, but argued that the work contains an overabundance of characters and that "all the mini-history lessons and intellectual name-dropping in 411:
criticized the play as "clunky" and "overwritten", and also stated that Flora Crewe is "crucially lacking in either a creative or erotic dimension, notwithstanding the fact that Flora’s principal topic seems to have been sex."
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Art Malik has been closely associated with the play, taking the role of Nirad in the original London production and in the 1999 American premiere which took place at the American Conservatory Theater in San Francisco.
364:, who is always painted with dusky blue skin. Flora is at first puzzled by this artistic tradition, but on falling in love with Nirad she realizes, "It is the colour he looked by moonlight." 405:?" However, Gandhi also felt that "there was 's bitter-sweet topping to enjoy, for the sadness it evoked, for the regrets it reminded me of", and recommended the play overall. Matt Wolf of 849: 428:
also gave the play 3.5 out of 4 stars, writing that Crewe's sharp-witted and romantic nature "provides an ideal vehicle for Stoppard's piercingly beautiful, expressive language."
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in June 2002, directed by Mark Lococo and starred Susie McMonagle (Flora), Peggy Roeder (Eleanor), Anish Jethmalani (Nirad), Paul Slade Smith (Eldon Pike), and
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The play shares with other Stoppard plays of the 90s the theme of nostalgia and romantic loss, with Flora as the lost beloved corresponding to Thomasina in
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Among the play's themes is the contrast of Indian and European styles of poetry and visual art. Nirad explains to Flora the classical Indian theory of nine
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keep us from latching on emotionally to the play’s central relationships." The Indian theater director Gopal Gandhi wrote a moderately positive review in
831: 924: 864: 938: 322:. In India her portrait is painted by the Indian artist Nirad while she fends off the attentions of a dashing but dimwitted scion of the 690: 608: 540: 515: 630: 1100: 1217: 905: 456: 723: 1054: 186: 498: 655: 231:
The play was produced Off-Off-Broadway at Walkerspace in August 2003, directed by Ashok Sinha with Lethia Nall (Flora),
1227: 1188: 1022: 824: 239: 310:, British poet Flora Crewe travels to India for her health. Flora is a thoroughly modern girl who has modeled for 1181: 1093: 249:
in September 2014 to November 30, 2014, at the Laura Pels Theatre. Directed by Carey Perloff, the cast featured
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originated the role of Flora, originally in the radio play and then on stage, which Irish actress
1174: 1124: 416: 406: 232: 194: 31: 750: 261:, Outstanding Costume Design (Candice Donnelly), Outstanding Revival, and Firdous Bamji won an 917: 698: 452: 311: 1029: 945: 871: 397: 307: 287: 250: 171: 62: 470:"Jean Stapleton Dips Into Stoppard's 'Indian Ink' For SF U.S. Premiere, Feb. 24-March 21" 1112: 994: 987: 973: 892: 885: 369: 303: 266: 225: 198: 1211: 449:
Tom Stoppard: Plays 5: Aracadia, The Real Thing, Night & Day, Indian Ink, Hapgood
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is associated with a colour, a mood, and a musical scale. The play's title refers to
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of erotic love, which is associated with an inky blue-black colour and the god
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The play was also produced in a critically acclaimed production in Chicago at
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An interview with Stoppard before the American premiere
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This article is about the play. For the racehorse, see
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played in London's Aldwych Theatre in the West End.
1085: 1046: 856: 126: 118: 110: 102: 88: 80: 70: 49: 318:, and been accused of obscenity for the racy book 185:The play had its American premiere in 1999 at the 130:India in the 1930s; India and England in the 1980s 273:, wrote that he should have been nominated for a 189:(ACT) in San Francisco, California, directed by 516:"Stoppard's 'Indian Ink' leaves indelible mark" 691:"Sitting for a Portrait as Complex as the Raj" 257:as Nirad. The play was nominated for the 2015 825: 8: 253:as Eleanor Swan, Romola Garai as Flora and 832: 818: 810: 387:Ben Brantley expressed a lukewarm view of 55: 46: 509: 507: 235:(Nirad) and Helen-Jean Arthur (Eleanor). 1139:Rosencrantz & Guildenstern Are Dead 437: 213:(Anish) and Ken Grantham (Eldon Pike). 574:lortel.org, accessed February 28, 2016 865:Rosencrantz and Guildenstern Are Dead 468:Jones, Kenneth and Ehren, Christine. 7: 514:Gardner, Elysa (30 September 2014). 586:"2015 Obie Award Winners Announced" 775:Green, Jesse (30 September 2014). 689:Brantley, Ben (30 November 2014). 501:theatermania.com, August 21, 2003 25: 166:had its first performance at the 27:1995 theatre play of Tom Stoppard 724:"An Indian view of 'Indian Ink'" 939:Dogg's Hamlet, Cahoot's Macbeth 170:, Guildford, and opened at the 925:Every Good Boy Deserves Favour 850:List of awards and nominations 197:). The ACT production starred 1: 1055:Artist Descending a Staircase 187:American Conservatory Theater 749:Wolf, Matt (13 March 1995). 658:sfgate.com, January 22, 2015 607:Brantley, Ben (6 May 2015). 472:Playbill, February 24, 1999 1244: 240:Roundabout Theatre Company 29: 1094:The Romantic Englishwoman 847: 558:Playbill, October 1, 1014 54: 1062:The Dog It Was That Died 879:The Real Inspector Hound 678:– via NYTimes.com. 618:– via NYTimes.com. 499:"Review. 'Indian Ink'" 415:Jesse Green stated in 222:The Apple Tree Theatre 1218:Plays by Tom Stoppard 1009:The Invention of Love 376:The Invention of Love 302:In 1930, the year of 265:for his performance. 259:Lucille Lortel Awards 168:Yvonne Arnaud Theatre 162:The stage version of 93:Yvonne Arnaud Theatre 40:Chenopodium capitatum 38:. For the plant, see 953:Undiscovered Country 546:, September 30, 2014 320:A Nymph and Her Muse 1168:Shakespeare in Love 1119:Squaring the Circle 1101:Three Men in a Boat 1069:In the Native State 1016:The Coast of Utopia 584:Site by Athletics. 481:Phillips, Michael. 451:, Macmillan, 1999, 151:In the Native State 34:. For the ink, see 1228:Plays set in India 695:The New York Times 544:The New York Times 233:Sendhil Ramamurthy 195:1999 in literature 145:based on his 1991 141:is a 1995 play by 114:India, art, poetry 32:Indian Ink (horse) 1205: 1204: 1132:Empire of the Sun 918:Professional Foul 654:Hurwitt, Robert. 486:Los Angeles Times 314:, hobnobbed with 134: 133: 103:Original language 18:Indian Ink (play) 16:(Redirected from 1235: 1147:The Russia House 1030:The Hard Problem 946:15-Minute Hamlet 872:Enter a Free Man 834: 827: 820: 811: 792: 791: 789: 787: 772: 766: 765: 763: 761: 746: 740: 739: 737: 735: 720: 714: 713: 711: 709: 686: 680: 679: 677: 675: 665: 659: 652: 646: 645: 643: 641: 626: 620: 619: 617: 615: 604: 598: 597: 595: 593: 581: 575: 565: 559: 553: 547: 537: 531: 530: 528: 526: 511: 502: 497:Pierce, Brooke. 495: 489: 479: 473: 466: 460: 442: 178:and designed by 59: 47: 21: 1243: 1242: 1238: 1237: 1236: 1234: 1233: 1232: 1208: 1207: 1206: 1201: 1142:(also directed) 1081: 1042: 852: 843: 838: 801: 796: 795: 785: 783: 781:www.vulture.com 774: 773: 769: 759: 757: 748: 747: 743: 733: 731: 730:. 23 April 1995 728:The Independent 722: 721: 717: 707: 705: 688: 687: 683: 673: 671: 667: 666: 662: 653: 649: 639: 637: 635:Mercurynews.com 629:Karen D'Souza. 628: 627: 623: 613: 611: 606: 605: 601: 591: 589: 583: 582: 578: 566: 562: 554: 550: 539:Brantley, Ben. 538: 534: 524: 522: 513: 512: 505: 496: 492: 488:, March 6, 1999 480: 476: 467: 463: 444:Stoppard, Tom. 443: 439: 434: 398:The Independent 385: 340: 300: 288:Felicity Kendal 283: 251:Rosemary Harris 172:Aldwych Theatre 160: 89:Place premiered 66: 43: 28: 23: 22: 15: 12: 11: 5: 1241: 1239: 1231: 1230: 1225: 1220: 1210: 1209: 1203: 1202: 1200: 1199: 1192: 1185: 1178: 1171: 1164: 1161:Poodle Springs 1157: 1154:Billy Bathgate 1150: 1143: 1135: 1128: 1121: 1116: 1109: 1104: 1097: 1089: 1087: 1083: 1082: 1080: 1079: 1072: 1065: 1058: 1050: 1048: 1044: 1043: 1041: 1040: 1033: 1026: 1019: 1012: 1005: 998: 991: 984: 977: 974:Rough Crossing 970: 967:The Real Thing 963: 956: 949: 942: 935: 928: 921: 914: 911:New-Found-Land 903: 896: 889: 886:After Magritte 882: 875: 868: 860: 858: 854: 853: 848: 845: 844: 839: 837: 836: 829: 822: 814: 808: 807: 800: 799:External links 797: 794: 793: 767: 741: 715: 681: 660: 647: 621: 599: 576: 560: 548: 532: 503: 490: 474: 461: 436: 435: 433: 430: 384: 381: 339: 336: 299: 296: 282: 279: 267:New York Times 226:Parvesh Cheena 199:Jean Stapleton 159: 156: 132: 131: 128: 124: 123: 120: 116: 115: 112: 108: 107: 104: 100: 99: 90: 86: 85: 82: 81:Date premiered 78: 77: 72: 68: 67: 60: 52: 51: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1240: 1229: 1226: 1224: 1221: 1219: 1216: 1215: 1213: 1198: 1197: 1193: 1191: 1190: 1186: 1184: 1183: 1182:Anna Karenina 1179: 1177: 1176: 1172: 1170: 1169: 1165: 1163: 1162: 1158: 1156: 1155: 1151: 1149: 1148: 1144: 1141: 1140: 1136: 1134: 1133: 1129: 1127: 1126: 1122: 1120: 1117: 1115: 1114: 1110: 1108: 1105: 1103: 1102: 1098: 1096: 1095: 1091: 1090: 1088: 1084: 1078: 1077: 1073: 1071: 1070: 1066: 1064: 1063: 1059: 1057: 1056: 1052: 1051: 1049: 1045: 1039: 1038: 1034: 1032: 1031: 1027: 1025: 1024: 1023:Rock 'n' Roll 1020: 1018: 1017: 1013: 1011: 1010: 1006: 1004: 1003: 999: 997: 996: 992: 990: 989: 985: 983: 982: 978: 976: 975: 971: 969: 968: 964: 962: 961: 960:On the Razzle 957: 955: 954: 950: 948: 947: 943: 941: 940: 936: 934: 933: 932:Night and Day 929: 927: 926: 922: 920: 919: 915: 913: 912: 908: 904: 902: 901: 897: 895: 894: 890: 888: 887: 883: 881: 880: 876: 874: 873: 869: 867: 866: 862: 861: 859: 855: 851: 846: 842: 835: 830: 828: 823: 821: 816: 815: 812: 806: 803: 802: 798: 782: 778: 771: 768: 756: 752: 745: 742: 729: 725: 719: 716: 704: 700: 696: 692: 685: 682: 670: 664: 661: 657: 651: 648: 636: 632: 625: 622: 610: 603: 600: 588:. Obie Awards 587: 580: 577: 573: 571: 564: 561: 557: 552: 549: 545: 542: 536: 533: 521: 517: 510: 508: 504: 500: 494: 491: 487: 484: 478: 475: 471: 465: 462: 458: 454: 450: 447: 441: 438: 431: 429: 427: 426: 420: 419: 413: 410: 409: 404: 400: 399: 394: 390: 382: 380: 378: 377: 373:and Moses in 372: 371: 365: 363: 359: 355: 351: 347: 346: 337: 335: 333: 327: 325: 321: 317: 313: 309: 305: 297: 295: 293: 289: 280: 278: 276: 272: 268: 264: 260: 256: 255:Firdous Bamji 252: 248: 245: 241: 236: 234: 229: 227: 223: 218: 214: 212: 211:Firdous Bamji 208: 204: 200: 196: 192: 191:Carey Perloff 188: 183: 181: 177: 173: 169: 165: 157: 155: 153: 152: 148: 144: 140: 139: 129: 125: 121: 117: 113: 109: 105: 101: 98: 94: 91: 87: 83: 79: 76: 73: 69: 64: 61:Cover of the 58: 53: 48: 45: 41: 37: 33: 19: 1194: 1189:Parade's End 1187: 1180: 1173: 1166: 1159: 1152: 1145: 1137: 1130: 1123: 1118: 1111: 1107:The Boundary 1106: 1099: 1092: 1074: 1067: 1060: 1053: 1037:Leopoldstadt 1035: 1028: 1021: 1014: 1007: 1001: 1000: 993: 986: 979: 972: 965: 958: 951: 944: 937: 930: 923: 916: 910: 906: 898: 891: 884: 877: 870: 863: 841:Tom Stoppard 784:. Retrieved 780: 770: 758:. Retrieved 754: 751:"Indian Ink" 744: 732:. Retrieved 727: 718: 706:. Retrieved 694: 684: 672:. Retrieved 663: 650: 638:. Retrieved 634: 624: 612:. Retrieved 602: 590:. Retrieved 579: 569: 563: 551: 543: 535: 523:. Retrieved 519: 493: 485: 477: 464: 459:, pp.365-366 448: 440: 423: 417: 414: 407: 402: 396: 392: 388: 386: 374: 368: 366: 357: 353: 349: 344: 341: 332:Conservative 328: 319: 301: 292:Niamh Cusack 284: 271:Ben Brantley 247:Off-Broadway 243: 237: 230: 219: 215: 207:Susan Gibney 201:(Eleanor), 184: 163: 161: 149: 143:Tom Stoppard 137: 136: 135: 75:Tom Stoppard 44: 1196:Tulip Fever 1086:Screenplays 1047:Radio plays 907:Dirty Linen 857:Stage plays 640:21 February 592:21 February 324:British Raj 158:Productions 1223:1995 plays 1212:Categories 1002:Indian Ink 900:Travesties 760:9 November 734:26 October 570:Indian Ink 525:26 October 457:0571197515 432:References 403:Indian Ink 393:Indian Ink 389:Indian Ink 316:communists 312:Modigliani 308:Salt March 275:Tony Award 263:Obie Award 244:Indian Ink 176:Peter Wood 164:Indian Ink 147:radio play 138:Indian Ink 71:Written by 50:Indian Ink 981:Dalliance 786:10 August 703:0362-4331 674:8 October 669:"Theater" 614:8 October 520:USA TODAY 425:USA Today 383:Reception 354:Shringara 242:produced 228:(Dilip). 209:(Flora), 205:(Nirad), 203:Art Malik 180:Carl Toms 97:Guildford 36:India Ink 1076:Darkside 708:5 August 298:Synopsis 269:critic, 1113:Despair 995:Arcadia 988:Hapgood 893:Jumpers 755:Variety 418:Vulture 408:Variety 370:Arcadia 362:Krishna 281:Casting 127:Setting 111:Subject 106:English 65:edition 1175:Enigma 1125:Brazil 701:  455:  446:Script 356:, the 338:Themes 304:Gandhi 572:2014" 345:rasas 193:(see 122:Drama 119:Genre 63:Faber 909:and 788:2019 762:2019 736:2019 710:2019 699:ISSN 676:2020 642:2017 616:2020 594:2017 527:2019 453:ISBN 358:rasa 350:rasa 238:The 84:1995 306:'s 182:. 1214:: 779:. 753:. 726:. 697:. 693:. 633:. 568:" 518:. 506:^ 154:. 95:, 833:e 826:t 819:v 790:. 764:. 738:. 712:. 644:. 596:. 529:. 42:. 20:)

Index

Indian Ink (play)
Indian Ink (horse)
India Ink
Chenopodium capitatum

Faber
Tom Stoppard
Yvonne Arnaud Theatre
Guildford
Tom Stoppard
radio play
In the Native State
Yvonne Arnaud Theatre
Aldwych Theatre
Peter Wood
Carl Toms
American Conservatory Theater
Carey Perloff
1999 in literature
Jean Stapleton
Art Malik
Susan Gibney
Firdous Bamji
The Apple Tree Theatre
Parvesh Cheena
Sendhil Ramamurthy
Roundabout Theatre Company
Off-Broadway
Rosemary Harris
Firdous Bamji

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