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Indie role-playing game

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605:, highlighted that the Forge went through several eras. During the Spring era (2001–2004), the Forge experienced massive growth; "by the end of 2004, there were eight general forums comprising 7,977 threads encompassing 94,733 individual posts—an expansion of almost 400% in thread volume since April 2001. The most active was the RPG Theory forum, with 28,322 posts in 1,639 threads, a thread density of 17.3 posts per thread. The next most active was the Indie Game Design thread, with 23,318 total posts and a thread density of 11.0". However, a decline in the quality of posts and other moderation actions led many people to leave the Forge for other online communities and this collective group became known as the "Forge diaspora". In 2005, Edwards closed the "two theoretical discussion forums on the premise that the 47: 625:. This was not always true however, since many games from that community instead focused on play dynamics that can be transplanted to a number of settings. For example, a game might focus on the moral question "What will you do to get what you want?" but was not tied to playing the question out in any particular fictional world. No matter the strategy, tightly focused designs were a hallmark of this community. 525: 438: 731:
progress, and promote their games. Some games were hosted on the Story Games site. The wiki section hosted information on over 80 story games as well as a variety of related resources. The story-games forum ceased operation on August 15, 2019. The site intended to remain up in a read-only form until August 2020. Two sites that emerged to support the story-game community include
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a read-only archive (2001 to mid-2010) and active forums (" beginning with January 2008"). The Winter era (2011–2012) featured a much "pared-down forum structure" and the five remaining forums had "relatively low thread densities for all but the Actual Play forum". In 2012, Edwards announced the forthcoming closure of the community.
590:, this community generally defined indie games as those where the creator maintains control of his or her work and eschews the traditional publishing and sales model, though there are exceptions. The Forge was strongly influenced by Ron Edwards' essay "System Does Matter". The Forge was started in 1999 by 378:
became a significant digital distributor of indie rpgs, primarily in PDF form. Indie game designers also use itch.io to host game jams as inspiration for the development of new games using specific themes or game mechanics, and to sell games together with other indie designers as "bundles," sometimes
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White commented that the Forge "served to champion creator-owned 'indie RPGs' and game design innovation. After an initial surge of conceptual discussion and design experimentation on the forum itself from 2000 to 2004, it inspired a panoply of blogs and forums where further discussion took place .
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was fundamentally complete". White states that the Autumn era (2007-2010) was impacted by disagreements between Edwards and others who ran the community, such as Nixon who at the time was the Forge's technical expert. In May 2010, there was a "major server crash" and the recovery split the site into
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was a discussion forum dedicated to role-playing games that focused on shared story creation. A majority of the games discussed and created on Story Games were indie and/or small press games. While the site did not offer any games for sale, several creators used it to discuss design issues, report
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by one or a few people who themselves control all aspects of design, promotion and distribution of the game. An independent role-playing game publisher usually lacks the financial backing of large company. This has made forms of publishing other than the traditional three-tier model more desirable
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distributes games that it labels as independent. RPGNow and DriveThruRPG were two companies that sold such small press offerings (as well as mainstream products) as downloadable PDFs. RPGNow created a separate storefront for low-selling or new entries to this market. Initial plans called for this
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movement, are not necessarily present in the role-playing game industry. Even prominent role-playing game companies often publish on a comparatively small scale. Thus, the RPG industry is unlike larger creative industries, whose indie communities formed to react to elaborate bureaucracies and
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Some publishers have no interest in financial success; others define it differently than most mainstream companies by emphasizing artistic fulfillment as a primary goal. The division between what is technically profitable and what would be considered financially viable for a business is another
374:, which maintained both sites initially. In August 2007, the two sites were rebranded, with RPGNow bearing the subtitle: "The leading source for indie rpgs". By February 2019, all elements of RPGNow (including purchase library) redirect to similar pages on DriveThruRPG. Starting in 2018, 577:
As indie roleplaying game publishers are often not professionally trained or experienced publishers, a number of communities have developed over time where designers and publishers can share experiences, collaborate, and support each other.
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is a key concept in indie game distribution; independent publishers typically lack established business relationships with distributors and retailers. Indie distribution is often achieved directly by the game's creator via
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storefront to use the "indie" moniker, but it was eventually decided to call the storefront RPGNow Edge instead. As of 2007, RPGNow Edge is not operating. RPGNow and DriveThruRPG were consolidated into a single company,
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outside traditional, "mainstream" means. Varying definitions require that commercial, design, or conceptual elements of the game stay under the control of the creator, or that the game should just be produced outside a
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were presented to indie games from 2002 to 2018, with the main category of Indie RPG of the Year and sub-categories Best RPG Supplement, Best Free Game, Best Production, Most Innovative Game, and Best Support.
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or in-person sales at gaming conventions. However, some fulfillment houses and small-scale distributors do handle indie products using the traditional three tier system of publisher, distributor and retailer.
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in support of political or charitable causes. All of the above sites include creator-owned content, as well as other products that are not readily identified with the role-playing game industry mainstream.
494:" RPG community. The definition of indie in the context of role-playing games is difficult, because the role-playing game industry operates with a different organization and smaller scale than the 621:, focusing on strong characters confronting difficult moral choices. These games were often strongly tied to a very specific setting; in this respect, they could be seen as the antithesis of 511:
corporate control of content. The question of whether indie role-playing games can be defined precisely, abstractly or not at all sparks ongoing discussion among RPG hobbyists and creators.
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oft-debated element of independent role-playing publishing. Some independent publishers offer free downloads of games in digital form, while others charge a fee for digital download.
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Many other groups self-identify as producing games outside the mainstream. Many of these primarily sell PDFs, with some supplementary print sales at specific venues. One example is
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environment. Indie role-playing game designers participate in several development communities and game distribution networks. Indie games also grant their own awards committees.
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Independent publishers may offer games only in digital format, only in print, or they may offer the same game in a variety of formats. Common digital formats include
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Thus a 'prominent member of the Forge' could be anyone who posted there frequently and so was regarded as an authoritative presence".
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Several organizations specialize in sales of indie games using a two-tier system of publisher and retail outlet.
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industries. The dynamics that inspired well-known independent movements in these industries, such as the
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There are several annual awards given to indie games for excellence in multiple categories of design.
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in the categories of Most Innovative, Best Rules, Best Setting, Best Art, and Game of the Year. The
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White, William J. (2015). "'Actual Play' and the Forge Tradition". In Bowman, Sarah Lynne (ed.).
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technologies have allowed indie designers to publish their games as bound books. The advent of
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also have a number of RPGs available from publishers unaffiliated with any formal community.
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games, because of the great overlap between creator ownership and small press publishing.
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as an information site, with Ron Edwards serving as the editorial lead. In 2001, Ron and
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Games of note from the Forge community include, in roughly chronological order:
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One self-identified indie RPG community was centered on The Forge. Overseen by
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Some contend that the term "indie" applies only to members of a self-defined "
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recast the site, centered on the community forum that existed until 2012.
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offers awards for indie role-playing games in addition to video games. The
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to the independent publisher. Indie games are often conflated with
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In the Forge community, indie RPGs often represented a more
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Japanese Journal of Analog Role-Playing Game Studies
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Mongoose Publishing. p. 406. 547:adding citations to reliable sources 460:adding citations to reliable sources 243: 1650:List of American independent films 959:"30 Best Games On Itch.Io, Ranked" 25: 908:"RPGNow & DriveThruRPG Merge" 623:generic role-playing game systems 601:William J. White, a professor at 1289:White, William J. (2020-09-21). 523: 436: 242: 1560:Experimental musical instrument 932:Gerber, Meredith (2018-11-21). 534:needs additional citations for 447:needs additional citations for 1078:"Indie Game Developer Network" 1007:Faulkner, Cheri (2022-06-06). 1: 2030:Role-playing game terminology 2004:Social peer-to-peer processes 1102:"Indie Groundbreakers Awards" 957:Birsner, Chris (2021-11-14). 784:Hernandez, Gab (2022-08-19). 755:has produced games using the 708:Shock: Social Science Fiction 1106:Indie Game Developer Network 982:Allen, Joseph (2022-11-25). 857:Hall, Charlie (2023-02-06). 402:Indie Game Developer Network 1222:Shannon Appelcline (2011). 749:Wicked Dead Brewing Company 2046: 887:"Help Zone/About Our Site" 885:Cha, Ed; Taylor, Brennan. 1748: 1640:American eccentric cinema 1465: 1448:Amateur press association 406:Indie Groundbreaker Award 2025:Indie role-playing games 1174:"200 Word RPG Challenge" 1150:"Golden Cobra Challenge" 1130:www.indie-rpg-awards.com 889:. 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Index

Indie roleplaying game
Role-playing games

Tabletop
Live action
Video game
Forum
Campaign setting
Character creation
History
System
Diceless
Generic system
Theory
GNS theory
Threefold model
Terminology
Actual play
Adventure
Gamemaster
Player character
Non-player character
Statistic
Campaign settings
LARP groups
Artists
Designers
Publishers
Games
Tabletop

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