Knowledge (XXG)

Industrial Zen

Source πŸ“

31: 340:"I think the critics will crucify me which is what I'm looking forward to. I'm going to destroy everything. I want to do something underground, unconventional. I'd like to get Eric Johnson involved in this project. They're guys that I’ve known for years, and great guitar players, but I'd like to put them in another environment, in a situation that they've never been in before. And I'd like to get some sax playersβ€”jazz players and other kinds. And I'll definitely use 575: 542: 537: 570: 565: 560: 532: 527: 522: 506: 501: 496: 491: 486: 400:
album, similar to McLaughlin's previously released material. A few of the songs included serve as tributes to different musicians; additionally, all of the tracks to appear on the album were written and produced by McLaughlin, with the exception of "Mother Nature", which features additional
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performed on the song, which features an electric bass and was described as "energetic" by one reviewer. Track two, "New Blues Old Bruise", features "sampled chorus effects" on its vocals created and a "moody" production that was compared to the works of English rock band
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called the album a "perfect confluence of divergent interests". He also thought that the album was proof that despite the criticism for McLaughlin's "occasionally unsuccessful aspirations", he is able to "show that his eyes and ears remain fully open".
332:, which was considered a much "more aggressive and sonically ambitious" album than the former. He wanted to make a record that would be considered "ground breaking" in terms of how many musical genres it involved. While speaking during the creation of 344:, the amazing vocalist who appears on Remember Shakti's Saturday Night in Bombay. I’ve been thinking about this underground thing for three years but I just haven't had time to do it. I'm dying to get it out. It's like giving birth." 622:; calling it "one of his most exciting and dangerous albums in a long while", Nicholson noted that McLaughlin's ability to "bring a variety of influences" into his music allowed him to create a comprehensive album. A writer from 636:'s Richard S. Ginell awarded the album three out of five stars. He praised "Mother Nature" as a standout on the album but found it to be "the only track that really sticks in the memory". David R. Adler, writing for 1605: 300:
features the use of several instruments, including drums, keyboards, the electric bass, and the tabla. Additionally, McLaughlin wrote and produced all eight songs that appear on the record.
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for being musically diverse. One critic also pointed out that it resembled some of McLaughlin's work that he released in the 1970s. Commercially, the album fared well on two jazz music
272:(2003), he began creating an album that was more ambitious and one that he could consider unique to him. He collaborated with various musicians for the project, such as vocalist 1163: 1619: 401:
songwriting from Mahadevan and Antonia Minnecola. He opens the album with "For Jaco", an upbeat track that combines the use of drums and saxophones; "newcomer" drummers
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in 2006. On the Jazz Albums chart, it peaked at number 14, becoming McLaughlin's highest-charting album as an artist (which would later tie with his 2015 album
418:; the track is an example of McLaughlin's influence from modern jazz on the album. On the fourth track, "Just So Only More So", McLaughlin and the saxophonist 356:, he recorded at The Cutting Room Studios, Under the Bed Studios, Tony Grey Studio, and Winsome Farm Studio. He also had sessions at Metropolis Studios in 2119: 1794: 1525: 1236: 433:, drums, bass, and keyboards, the track features an Indian-influenced melody surrounded by "hypnotic synthesizer". "Dear Dalai Lama" references the 1858: 1584: 1633: 1306: 1297: 551: 1703: 1640: 903: 1939: 2055: 1661: 1626: 609: 1851: 1971: 1563: 2076: 1925: 437:
and features guest vocals from Mahadevan amidst a "spiritual ambience". A passionate song with "shifting moods", tabla player
1787: 2124: 2034: 1865: 1808: 1752: 1518: 449:. The album closes with "Mother Nature", a song with Mahadevan's "keening vocals" and an "electronic revolving ostinato". 441:
appears alongside Ada Rovatti who plays the saxophone. "Senor C.S." is track seven and another tribute song, this time to
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play together. As the song begins to wrap up, they perform a "touching, conversational dialogue on their instruments".
2093: 2048: 1766: 1953: 1534: 1145: 1113: 255: 203: 43: 1844: 114: 107: 1830: 1801: 1511: 918: 890: 438: 419: 285: 277: 2041: 2013: 2006: 1992: 1932: 1886: 2062: 1591: 632:; the same critic also noted that the record has "clarity, focus and surprise". In a more mixed opinion, 1911: 1549: 93: 1081: 2114: 2069: 1821: 1745: 1556: 1388: 1383: 1353: 1047: 1029: 624: 2027: 1918: 1780: 1654: 1570: 1978: 1879: 1577: 668:
All tracks produced by McLaughlin and information derived from the album's official liner notes.
1668: 1598: 1358: 1323: 1302: 909: 801: 583: 341: 324: 273: 268: 216: 1418: 2020: 1460: 1391: 1319: 1191: 1042: 1024: 872: 650: 598: 308: 304: 314:, peaking at numbers 9 and 14 on the Top Jazz Albums and Jazz Albums charts, respectively. 1902: 1731: 1710: 1647: 851: 845: 426: 193: 1445: 1109: 1985: 1773: 1682: 1241: 930: 866: 603: 477: 446: 442: 234: 2108: 1898: 1837: 1759: 1696: 1149: 857: 415: 406: 373: 353: 259: 186: 121: 83: 915:
John McLaughlin – chant, composer, drum programming, guitar, synthesizer programming
1872: 1738: 884: 402: 377: 365: 263: 181: 1348: 1999: 1722: 1612: 393: 289: 150: 142: 660:). It also appeared on the Top Jazz Albums chart, where it peaked at number 9. 1689: 434: 411: 369: 1362: 1086: 922: 878: 638: 1274: 1200: 633: 614: 514: 100: 1490: 1495: 1357:. Vol. 118, no. 31. Nielsen Business Media, Inc. p. 51. 397: 293: 155: 361: 357: 128: 76: 1503: 894: 430: 281: 38: 1412: 1410: 628:
noted that McLaughlin was "vibrant reinventing" his career with
1507: 445:. An "energetic" track, it features contributions from bassist 348:
McLaughlin traveled to various destinations in order to record
414:. "Wayne's Way" follows and serves as a tribute to performer 1136: 1134: 1132: 1130: 950: 839: 425:"To Bop or Not to Be" is a track dedicated to jazz musician 1230: 1228: 1226: 1224: 1222: 1220: 1218: 254:
is a studio album recorded by English jazz musician
2086: 1963: 1896: 1818: 1720: 1541: 685: 674: 202: 192: 180: 164: 141: 58: 50: 37: 23: 1459: 1417: 1075: 1073: 1071: 1069: 1620:Time Remembered: John McLaughlin Plays Bill Evans 1263: 1261: 1259: 1185: 1183: 1181: 1179: 1177: 1175: 1173: 1162:: CS1 maint: others in cite AV media (notes) ( 649:Commercially, the album entered two jazz music 597:has received generally favorable reviews from 483: 1519: 368:, and Otmatic Sound and At Beatnik Studio in 336:with music critic Bill Milkowski, he stated: 8: 557: 519: 642:, found McLaughlin to be "in good form" on 258:in 2006. It was released on 22 May 2006 by 1947:Remember Shakti – Saturday Night in Bombay 1526: 1512: 1504: 1009: 456: 29: 20: 303:The album was generally well received by 671: 18:2006 studio album by John McLaughlin 1320:"Tom Hull: Grade List: John McLaughlin" 1065: 815: 70: 1155: 933:– synthesizer, synthesizer programming 816: 462: 89:Under the Bed Studios (New York City) 7: 1298:The Penguin Guide to Jazz Recordings 1295:Cook, Richard; Morton, Brian (2008) 1268:Nicholson, Stuart (10 August 2006). 552:The Penguin Guide to Jazz Recordings 372:. It was released on 22 May 2006 by 485: 1852:Between Nothingness & Eternity 1662:The Heart of Things: Live in Paris 1446:""John McLaughlin Industrial Zen"" 1419:"Top Jazz Albums: August 19, 2006" 1270:"John McLaughlin – Industrial Zen" 1108:McLaughlin, John (5 August 2006). 1080:Adler, David R. (1 October 2006). 328:in 2003, McLaughlin began work on 14: 2120:John McLaughlin (musician) albums 1384:"John McLaughlin – Chart history" 1237:"John McLaughlin: Industrial Zen" 1082:"John McLaughlin: Industrial Zen" 559: 521: 573: 568: 563: 558: 540: 535: 530: 525: 520: 504: 499: 494: 489: 484: 2077:Saturday Night in San Francisco 1606:Live at the Royal Festival Hall 1940:Remember Shakti – The Believer 1461:"Jazz Albums: August 19, 2006" 675: 1: 2035:Friday Night in San Francisco 1866:Visions of the Emerald Beyond 1809:The Cellar Door Sessions 1970 1235:Kelman, John (25 July 2006). 990:Christoph Stickel – mastering 863:Marcus Wippersberg – drum set 1301:(9th ed.). Penguin. p. 978. 984:Naoju Nakamura – photography 968:Jesus Martinez – photography 956:Michel Bocande – photography 2049:Round Midnight (soundtrack) 1912:Shakti with John McLaughlin 965:Matthew Garrison – engineer 266:. Following the release of 2141: 978:Karen Miller – photography 971:John McLaughlin – producer 82:The Cutting Room Studios ( 1845:The Lost Trident Sessions 1040: 1022: 1015: 1012: 981:Richard Mullen – engineer 959:David Channing – engineer 788: 774: 760: 746: 732: 718: 704: 690: 682: 679: 470: 467: 364:, Saucer Sound Studio in 318:Development and recording 210: 28: 1831:The Inner Mounting Flame 1347:review (5 August 2006). 618:was highly favorable of 2042:Passion, Grace and Fire 2007:Love Devotion Surrender 1993:Escalator over the Hill 1887:Adventures in Radioland 962:Max Crace – photography 927:Ada Rovatti – saxophone 360:, Mediastarz Studio in 2063:Universal Syncopations 993:Neil Tucker – engineer 987:Otmaro RuΓ­z – engineer 736:"Just So Only More So" 708:"New Blues Old Bruise" 346: 1349:"Reviews: Spotlights" 887:– drum set, keyboards 750:"To Bop or Not to Be" 338: 120:Saucer Sound Studio ( 92:Winsome Farm Studio ( 2125:Verve Records albums 2070:Five Peace Band Live 1964:Collaborative albums 1822:Mahavishnu Orchestra 1557:Where Fortune Smiles 1110:"CD: Industrial Zen" 458:Professional ratings 75:Metropolis Studios ( 1919:A Handful of Beauty 1795:You're Under Arrest 1781:Circle in the Round 1655:The Heart of Things 1394:for John McLaughlin 1192:"John McLaughlin – 1190:Ginell, Richard S. 1158:cite AV media notes 601:. John Kelman from 459: 127:Mediastarz Studio ( 113:At Beatnik Studio ( 1578:Electric Guitarist 1498:(list of releases) 912:– composer, vocals 457: 99:Tony Grey Studio ( 2102: 2101: 1669:Thieves and Poets 1599:Music Spoken Here 1307:978-0-141-03401-0 1058: 1057: 1002: 1001: 942: 941: 910:Shankar Mahadevan 826: 825: 806:Antonia Minnecola 802:Shankar Mahadevan 764:"Dear Dalai Lama" 592: 591: 376:exclusively as a 342:Shankar Mahadevan 325:Thieves and Poets 322:After completing 274:Shankar Mahadevan 269:Thieves and Poets 247: 246: 243: 242: 217:Thieves and Poets 2132: 2087:Related articles 2021:Moto Grosso Feio 1926:Natural Elements 1571:My Goal's Beyond 1528: 1521: 1514: 1505: 1478: 1477: 1475: 1473: 1468:. 19 August 2006 1463: 1456: 1450: 1449: 1442: 1436: 1435: 1433: 1431: 1426:. 19 August 2006 1421: 1414: 1405: 1404: 1402: 1400: 1380: 1374: 1373: 1371: 1369: 1341: 1335: 1334: 1332: 1330: 1316: 1310: 1293: 1287: 1286: 1284: 1282: 1265: 1254: 1253: 1251: 1249: 1232: 1213: 1212: 1210: 1208: 1187: 1168: 1167: 1161: 1153: 1152:. 2006. 9839328. 1138: 1125: 1124: 1122: 1120: 1105: 1099: 1098: 1096: 1094: 1077: 1010: 951: 873:Matthew Garrison 840: 819: 677: 672: 610:Stuart Nicholson 578: 577: 576: 572: 571: 567: 566: 562: 561: 545: 544: 543: 539: 538: 534: 533: 529: 528: 524: 523: 509: 508: 507: 503: 502: 498: 497: 493: 492: 488: 487: 460: 212: 211: 176: 175: 171: 67: 33: 21: 2140: 2139: 2135: 2134: 2133: 2131: 2130: 2129: 2105: 2104: 2103: 2098: 2082: 1959: 1933:Remember Shakti 1903:Remember Shakti 1892: 1820: 1814: 1732:In a Silent Way 1716: 1711:Liberation Time 1648:The Guitar Trio 1585:Electric Dreams 1537: 1535:John McLaughlin 1532: 1486: 1481: 1471: 1469: 1458: 1457: 1453: 1444: 1443: 1439: 1429: 1427: 1416: 1415: 1408: 1398: 1396: 1392:Top Jazz Albums 1382: 1381: 1377: 1367: 1365: 1343: 1342: 1338: 1328: 1326: 1318: 1317: 1313: 1294: 1290: 1280: 1278: 1267: 1266: 1257: 1247: 1245: 1234: 1233: 1216: 1206: 1204: 1189: 1188: 1171: 1154: 1146:John McLaughlin 1144:(Liner notes). 1140: 1139: 1128: 1118: 1116: 1114:John McLaughlin 1107: 1106: 1102: 1092: 1090: 1079: 1078: 1067: 1063: 1043:Top Jazz Albums 1017: 1008: 1003: 948: 943: 852:Vinnie Colaiuta 846:Dennis Chambers 837: 832: 827: 817: 809: 792:"Mother Nature" 697:John McLaughlin 666: 574: 569: 564: 541: 536: 531: 526: 505: 500: 495: 490: 455: 427:Michael Brecker 386: 384:Music and sound 320: 256:John McLaughlin 238: 229: 220: 204:John McLaughlin 198:John McLaughlin 173: 169: 168: 160: 137: 134: 106:Otmatik Sound ( 69: 68: 65: 46: 44:John McLaughlin 19: 12: 11: 5: 2138: 2136: 2128: 2127: 2122: 2117: 2107: 2106: 2100: 2099: 2097: 2096: 2090: 2088: 2084: 2083: 2081: 2080: 2073: 2066: 2059: 2052: 2045: 2038: 2031: 2024: 2017: 2010: 2003: 1996: 1989: 1986:Things We Like 1982: 1975: 1967: 1965: 1961: 1960: 1958: 1957: 1950: 1943: 1936: 1929: 1922: 1915: 1907: 1905: 1894: 1893: 1891: 1890: 1883: 1876: 1869: 1862: 1855: 1848: 1841: 1834: 1826: 1824: 1816: 1815: 1813: 1812: 1805: 1798: 1791: 1784: 1777: 1774:Get Up with It 1770: 1763: 1756: 1749: 1742: 1735: 1727: 1725: 1718: 1717: 1715: 1714: 1707: 1700: 1693: 1686: 1683:Floating Point 1679: 1676:Industrial Zen 1672: 1665: 1658: 1651: 1644: 1637: 1634:After the Rain 1630: 1623: 1616: 1609: 1602: 1595: 1592:Belo Horizonte 1588: 1581: 1574: 1567: 1560: 1553: 1545: 1543: 1539: 1538: 1533: 1531: 1530: 1523: 1516: 1508: 1500: 1499: 1491:Industrial Zen 1485: 1484:External links 1482: 1480: 1479: 1451: 1437: 1406: 1375: 1336: 1311: 1288: 1255: 1242:All About Jazz 1214: 1194:Industrial Zen 1169: 1142:Industrial Zen 1126: 1100: 1064: 1062: 1059: 1056: 1055: 1052: 1038: 1037: 1034: 1020: 1019: 1014: 1007: 1004: 1000: 999: 995: 994: 991: 988: 985: 982: 979: 974: 973: 972: 969: 966: 963: 960: 957: 949: 947: 944: 940: 939: 935: 934: 928: 925: 916: 913: 907: 899: 898: 897: 888: 882: 876: 870: 867:Hadrien Feraud 864: 861: 855: 849: 838: 836: 833: 831: 828: 824: 823: 820: 814: 813: 810: 808: 807: 804: 799: 795: 793: 790: 786: 785: 782: 779: 776: 772: 771: 768: 765: 762: 758: 757: 754: 751: 748: 744: 743: 740: 737: 734: 730: 729: 726: 723: 720: 716: 715: 712: 709: 706: 702: 701: 698: 695: 692: 688: 687: 684: 681: 678: 670: 665: 662: 644:Industrial Zen 630:Industrial Zen 620:Industrial Zen 604:All About Jazz 595:Industrial Zen 590: 589: 586: 580: 579: 555: 547: 546: 517: 511: 510: 481: 478:All About Jazz 473: 472: 469: 465: 464: 454: 451: 447:Hadrien Feraud 443:Carlos Santana 429:. Featuring a 390:Industrial Zen 385: 382: 350:Industrial Zen 334:Industrial Zen 330:Industrial Zen 319: 316: 298:Industrial Zen 276:, saxophonist 251:Industrial Zen 245: 244: 241: 240: 235:Floating Point 231: 226:Industrial Zen 222: 208: 207: 200: 199: 196: 190: 189: 184: 178: 177: 166: 162: 161: 159: 158: 153: 147: 145: 139: 138: 136: 135: 133: 132: 125: 118: 111: 104: 97: 90: 87: 80: 72: 64: 63: 62: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 24:Industrial Zen 17: 13: 10: 9: 6: 4: 3: 2: 2137: 2126: 2123: 2121: 2118: 2116: 2113: 2112: 2110: 2095: 2092: 2091: 2089: 2085: 2079: 2078: 2074: 2072: 2071: 2067: 2065: 2064: 2060: 2058: 2057: 2053: 2051: 2050: 2046: 2044: 2043: 2039: 2037: 2036: 2032: 2030: 2029: 2025: 2023: 2022: 2018: 2016: 2015: 2011: 2009: 2008: 2004: 2002: 2001: 1997: 1995: 1994: 1990: 1988: 1987: 1983: 1981: 1980: 1976: 1974: 1973: 1969: 1968: 1966: 1962: 1956: 1955: 1951: 1949: 1948: 1944: 1942: 1941: 1937: 1935: 1934: 1930: 1928: 1927: 1923: 1921: 1920: 1916: 1914: 1913: 1909: 1908: 1906: 1904: 1900: 1895: 1889: 1888: 1884: 1882: 1881: 1877: 1875: 1874: 1870: 1868: 1867: 1863: 1861: 1860: 1856: 1854: 1853: 1849: 1847: 1846: 1842: 1840: 1839: 1838:Birds of Fire 1835: 1833: 1832: 1828: 1827: 1825: 1823: 1817: 1811: 1810: 1806: 1804: 1803: 1799: 1797: 1796: 1792: 1790: 1789: 1785: 1783: 1782: 1778: 1776: 1775: 1771: 1769: 1768: 1764: 1762: 1761: 1760:On the Corner 1757: 1755: 1754: 1750: 1748: 1747: 1743: 1741: 1740: 1736: 1734: 1733: 1729: 1728: 1726: 1724: 1719: 1713: 1712: 1708: 1706: 1705: 1701: 1699: 1698: 1697:Now Here This 1694: 1692: 1691: 1687: 1685: 1684: 1680: 1678: 1677: 1673: 1671: 1670: 1666: 1664: 1663: 1659: 1657: 1656: 1652: 1650: 1649: 1645: 1643: 1642: 1638: 1636: 1635: 1631: 1629: 1628: 1624: 1622: 1621: 1617: 1615: 1614: 1610: 1608: 1607: 1603: 1601: 1600: 1596: 1594: 1593: 1589: 1587: 1586: 1582: 1580: 1579: 1575: 1573: 1572: 1568: 1566: 1565: 1561: 1559: 1558: 1554: 1552: 1551: 1550:Extrapolation 1547: 1546: 1544: 1540: 1536: 1529: 1524: 1522: 1517: 1515: 1510: 1509: 1506: 1502: 1497: 1493: 1492: 1488: 1487: 1483: 1467: 1462: 1455: 1452: 1447: 1441: 1438: 1425: 1420: 1413: 1411: 1407: 1395: 1393: 1390: 1385: 1379: 1376: 1364: 1360: 1356: 1355: 1350: 1346: 1340: 1337: 1325: 1321: 1315: 1312: 1308: 1304: 1300: 1299: 1292: 1289: 1277: 1276: 1271: 1264: 1262: 1260: 1256: 1244: 1243: 1238: 1231: 1229: 1227: 1225: 1223: 1221: 1219: 1215: 1203: 1202: 1197: 1195: 1186: 1184: 1182: 1180: 1178: 1176: 1174: 1170: 1165: 1159: 1151: 1147: 1143: 1137: 1135: 1133: 1131: 1127: 1115: 1111: 1104: 1101: 1089: 1088: 1083: 1076: 1074: 1072: 1070: 1066: 1060: 1053: 1050: 1049: 1044: 1039: 1035: 1032: 1031: 1026: 1021: 1013:Chart (2006) 1011: 1005: 998: 992: 989: 986: 983: 980: 977: 976: 975: 970: 967: 964: 961: 958: 955: 954: 953: 952: 945: 938: 932: 929: 926: 924: 920: 917: 914: 911: 908: 905: 902: 901: 900: 896: 892: 891:Zakir Hussain 889: 886: 883: 881:– bass guitar 880: 877: 875:– bass guitar 874: 871: 869:– bass guitar 868: 865: 862: 859: 858:Mark Mondesir 856: 853: 850: 847: 844: 843: 842: 841: 834: 829: 821: 818:Total length: 811: 805: 803: 800: 797: 796: 794: 791: 787: 783: 780: 777: 773: 769: 766: 763: 759: 755: 752: 749: 745: 741: 738: 735: 731: 727: 724: 722:"Wayne's Way" 721: 717: 713: 710: 707: 703: 699: 696: 693: 689: 673: 669: 664:Track listing 663: 661: 659: 655: 653: 647: 645: 641: 640: 635: 631: 627: 626: 621: 617: 616: 611: 606: 605: 600: 599:music critics 596: 587: 585: 582: 581: 556: 554: 553: 549: 548: 518: 516: 513: 512: 482: 480: 479: 475: 474: 466: 463:Review scores 461: 452: 450: 448: 444: 440: 439:Zakir Hussain 436: 432: 428: 423: 421: 417: 416:Wayne Shorter 413: 408: 407:Mark Mondesir 404: 399: 398:electric jazz 395: 391: 383: 381: 379: 375: 374:Verve Records 371: 367: 363: 359: 355: 354:New York City 351: 345: 343: 337: 335: 331: 327: 326: 317: 315: 313: 311: 306: 305:music critics 301: 299: 295: 294:electric jazz 291: 287: 286:Zakir Hussain 283: 279: 275: 271: 270: 265: 261: 260:Verve Records 257: 253: 252: 237: 236: 232: 228: 227: 223: 219: 218: 214: 213: 209: 205: 201: 197: 195: 191: 188: 185: 183: 179: 167: 163: 157: 156:electric jazz 154: 152: 149: 148: 146: 144: 140: 130: 126: 123: 119: 116: 112: 109: 108:Santa Clarita 105: 102: 98: 95: 91: 88: 85: 84:New York City 81: 78: 74: 73: 71: 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 2075: 2068: 2061: 2056:Making Music 2054: 2047: 2040: 2033: 2026: 2019: 2012: 2005: 1998: 1991: 1984: 1977: 1970: 1952: 1945: 1938: 1931: 1924: 1917: 1910: 1885: 1878: 1873:Inner Worlds 1871: 1864: 1857: 1850: 1843: 1836: 1829: 1807: 1800: 1793: 1786: 1779: 1772: 1765: 1758: 1751: 1746:Jack Johnson 1744: 1739:Bitches Brew 1737: 1730: 1709: 1702: 1695: 1688: 1681: 1675: 1674: 1667: 1660: 1653: 1646: 1639: 1632: 1625: 1618: 1611: 1604: 1597: 1590: 1583: 1576: 1569: 1562: 1555: 1548: 1501: 1489: 1470:. 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Index

A blue background displaying the inside of a room with several columns and a statue in the distance is displayed, along with the title and respective artist of the album.
Studio album
John McLaughlin
London
New York City
North Salem
Brooklyn
Santa Clarita
Sherman Oaks
Austin
Monaco
Genre
Jazz fusion
electric jazz
Label
Verve
Producer
John McLaughlin
Thieves and Poets
Floating Point
John McLaughlin
Verve Records
compact disc
Thieves and Poets
Shankar Mahadevan
Bill Evans
tabla
Zakir Hussain
jazz fusion
electric jazz

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