31:
340:"I think the critics will crucify me which is what I'm looking forward to. I'm going to destroy everything. I want to do something underground, unconventional. I'd like to get Eric Johnson involved in this project. They're guys that Iβve known for years, and great guitar players, but I'd like to put them in another environment, in a situation that they've never been in before. And I'd like to get some sax playersβjazz players and other kinds. And I'll definitely use
575:
542:
537:
570:
565:
560:
532:
527:
522:
506:
501:
496:
491:
486:
400:
album, similar to McLaughlin's previously released material. A few of the songs included serve as tributes to different musicians; additionally, all of the tracks to appear on the album were written and produced by McLaughlin, with the exception of "Mother Nature", which features additional
30:
409:
performed on the song, which features an electric bass and was described as "energetic" by one reviewer. Track two, "New Blues Old Bruise", features "sampled chorus effects" on its vocals created and a "moody" production that was compared to the works of
English rock band
607:
called the album a "perfect confluence of divergent interests". He also thought that the album was proof that despite the criticism for McLaughlin's "occasionally unsuccessful aspirations", he is able to "show that his eyes and ears remain fully open".
332:, which was considered a much "more aggressive and sonically ambitious" album than the former. He wanted to make a record that would be considered "ground breaking" in terms of how many musical genres it involved. While speaking during the creation of
344:, the amazing vocalist who appears on Remember Shakti's Saturday Night in Bombay. Iβve been thinking about this underground thing for three years but I just haven't had time to do it. I'm dying to get it out. It's like giving birth."
622:; calling it "one of his most exciting and dangerous albums in a long while", Nicholson noted that McLaughlin's ability to "bring a variety of influences" into his music allowed him to create a comprehensive album. A writer from
636:'s Richard S. Ginell awarded the album three out of five stars. He praised "Mother Nature" as a standout on the album but found it to be "the only track that really sticks in the memory". David R. Adler, writing for
1605:
300:
features the use of several instruments, including drums, keyboards, the electric bass, and the tabla. Additionally, McLaughlin wrote and produced all eight songs that appear on the record.
307:
for being musically diverse. One critic also pointed out that it resembled some of McLaughlin's work that he released in the 1970s. Commercially, the album fared well on two jazz music
272:(2003), he began creating an album that was more ambitious and one that he could consider unique to him. He collaborated with various musicians for the project, such as vocalist
1163:
1619:
401:
songwriting from
Mahadevan and Antonia Minnecola. He opens the album with "For Jaco", an upbeat track that combines the use of drums and saxophones; "newcomer" drummers
1946:
656:
in 2006. On the Jazz Albums chart, it peaked at number 14, becoming McLaughlin's highest-charting album as an artist (which would later tie with his 2015 album
418:; the track is an example of McLaughlin's influence from modern jazz on the album. On the fourth track, "Just So Only More So", McLaughlin and the saxophonist
356:, he recorded at The Cutting Room Studios, Under the Bed Studios, Tony Grey Studio, and Winsome Farm Studio. He also had sessions at Metropolis Studios in
2119:
1794:
1525:
1236:
433:, drums, bass, and keyboards, the track features an Indian-influenced melody surrounded by "hypnotic synthesizer". "Dear Dalai Lama" references the
1858:
1584:
1633:
1306:
1297:
551:
1703:
1640:
903:
1939:
2055:
1661:
1626:
609:
1851:
1971:
1563:
2076:
1925:
437:
and features guest vocals from
Mahadevan amidst a "spiritual ambience". A passionate song with "shifting moods", tabla player
1787:
2124:
2034:
1865:
1808:
1752:
1518:
449:. The album closes with "Mother Nature", a song with Mahadevan's "keening vocals" and an "electronic revolving ostinato".
441:
appears alongside Ada
Rovatti who plays the saxophone. "Senor C.S." is track seven and another tribute song, this time to
1269:
1157:
422:
play together. As the song begins to wrap up, they perform a "touching, conversational dialogue on their instruments".
2093:
2048:
1766:
1953:
1534:
1145:
1113:
255:
203:
43:
1844:
114:
107:
1830:
1801:
1511:
918:
890:
438:
419:
285:
277:
2041:
2013:
2006:
1992:
1932:
1886:
2062:
1591:
632:; the same critic also noted that the record has "clarity, focus and surprise". In a more mixed opinion,
1911:
1549:
93:
1081:
2114:
2069:
1821:
1745:
1556:
1388:
1383:
1353:
1047:
1029:
624:
2027:
1918:
1780:
1654:
1570:
1978:
1879:
1577:
668:
All tracks produced by McLaughlin and information derived from the album's official liner notes.
1668:
1598:
1358:
1323:
1302:
909:
801:
583:
341:
324:
273:
268:
216:
1418:
2020:
1460:
1391:
1319:
1191:
1042:
1024:
872:
650:
598:
308:
304:
314:, peaking at numbers 9 and 14 on the Top Jazz Albums and Jazz Albums charts, respectively.
1902:
1731:
1710:
1647:
851:
845:
426:
193:
1445:
1109:
1985:
1773:
1682:
1241:
930:
866:
603:
477:
446:
442:
234:
2108:
1898:
1837:
1759:
1696:
1149:
857:
415:
406:
373:
353:
259:
186:
121:
83:
915:
John McLaughlin β chant, composer, drum programming, guitar, synthesizer programming
1872:
1738:
884:
402:
377:
365:
263:
181:
1348:
1999:
1722:
1612:
393:
289:
150:
142:
660:). It also appeared on the Top Jazz Albums chart, where it peaked at number 9.
1689:
434:
411:
369:
1362:
1086:
922:
878:
638:
1274:
1200:
633:
614:
514:
100:
1490:
1495:
1357:. Vol. 118, no. 31. Nielsen Business Media, Inc. p. 51.
397:
293:
155:
361:
357:
128:
76:
1503:
894:
430:
281:
38:
1412:
1410:
628:
noted that McLaughlin was "vibrant reinventing" his career with
1507:
445:. An "energetic" track, it features contributions from bassist
348:
McLaughlin traveled to various destinations in order to record
414:. "Wayne's Way" follows and serves as a tribute to performer
1136:
1134:
1132:
1130:
950:
839:
425:"To Bop or Not to Be" is a track dedicated to jazz musician
1230:
1228:
1226:
1224:
1222:
1220:
1218:
254:
is a studio album recorded by
English jazz musician
2086:
1963:
1896:
1818:
1720:
1541:
685:
674:
202:
192:
180:
164:
141:
58:
50:
37:
23:
1459:
1417:
1075:
1073:
1071:
1069:
1620:Time Remembered: John McLaughlin Plays Bill Evans
1263:
1261:
1259:
1185:
1183:
1181:
1179:
1177:
1175:
1173:
1162:: CS1 maint: others in cite AV media (notes) (
649:Commercially, the album entered two jazz music
597:has received generally favorable reviews from
483:
1519:
368:, and Otmatic Sound and At Beatnik Studio in
336:with music critic Bill Milkowski, he stated:
8:
557:
519:
642:, found McLaughlin to be "in good form" on
258:in 2006. It was released on 22 May 2006 by
1947:Remember Shakti β Saturday Night in Bombay
1526:
1512:
1504:
1009:
456:
29:
20:
303:The album was generally well received by
671:
18:2006 studio album by John McLaughlin
1320:"Tom Hull: Grade List: John McLaughlin"
1065:
815:
70:
1155:
933:β synthesizer, synthesizer programming
816:
462:
89:Under the Bed Studios (New York City)
7:
1298:The Penguin Guide to Jazz Recordings
1295:Cook, Richard; Morton, Brian (2008)
1268:Nicholson, Stuart (10 August 2006).
552:The Penguin Guide to Jazz Recordings
372:. It was released on 22 May 2006 by
485:
1852:Between Nothingness & Eternity
1662:The Heart of Things: Live in Paris
1446:""John McLaughlin Industrial Zen""
1419:"Top Jazz Albums: August 19, 2006"
1270:"John McLaughlin β Industrial Zen"
1108:McLaughlin, John (5 August 2006).
1080:Adler, David R. (1 October 2006).
328:in 2003, McLaughlin began work on
14:
2120:John McLaughlin (musician) albums
1384:"John McLaughlin β Chart history"
1237:"John McLaughlin: Industrial Zen"
1082:"John McLaughlin: Industrial Zen"
559:
521:
573:
568:
563:
558:
540:
535:
530:
525:
520:
504:
499:
494:
489:
484:
2077:Saturday Night in San Francisco
1606:Live at the Royal Festival Hall
1940:Remember Shakti β The Believer
1461:"Jazz Albums: August 19, 2006"
675:
1:
2035:Friday Night in San Francisco
1866:Visions of the Emerald Beyond
1809:The Cellar Door Sessions 1970
1235:Kelman, John (25 July 2006).
990:Christoph Stickel β mastering
863:Marcus Wippersberg β drum set
1301:(9th ed.). Penguin. p. 978.
984:Naoju Nakamura β photography
968:Jesus Martinez β photography
956:Michel Bocande β photography
2049:Round Midnight (soundtrack)
1912:Shakti with John McLaughlin
965:Matthew Garrison β engineer
266:. Following the release of
2141:
978:Karen Miller β photography
971:John McLaughlin β producer
82:The Cutting Room Studios (
1845:The Lost Trident Sessions
1040:
1022:
1015:
1012:
981:Richard Mullen β engineer
959:David Channing β engineer
788:
774:
760:
746:
732:
718:
704:
690:
682:
679:
470:
467:
364:, Saucer Sound Studio in
318:Development and recording
210:
28:
1831:The Inner Mounting Flame
1347:review (5 August 2006).
618:was highly favorable of
2042:Passion, Grace and Fire
2007:Love Devotion Surrender
1993:Escalator over the Hill
1887:Adventures in Radioland
962:Max Crace β photography
927:Ada Rovatti β saxophone
360:, Mediastarz Studio in
2063:Universal Syncopations
993:Neil Tucker β engineer
987:Otmaro RuΓz β engineer
736:"Just So Only More So"
708:"New Blues Old Bruise"
346:
1349:"Reviews: Spotlights"
887:β drum set, keyboards
750:"To Bop or Not to Be"
338:
120:Saucer Sound Studio (
92:Winsome Farm Studio (
2125:Verve Records albums
2070:Five Peace Band Live
1964:Collaborative albums
1822:Mahavishnu Orchestra
1557:Where Fortune Smiles
1110:"CD: Industrial Zen"
458:Professional ratings
75:Metropolis Studios (
1919:A Handful of Beauty
1795:You're Under Arrest
1781:Circle in the Round
1655:The Heart of Things
1394:for John McLaughlin
1192:"John McLaughlin β
1190:Ginell, Richard S.
1158:cite AV media notes
601:. John Kelman from
459:
127:Mediastarz Studio (
113:At Beatnik Studio (
1578:Electric Guitarist
1498:(list of releases)
912:β composer, vocals
457:
99:Tony Grey Studio (
2102:
2101:
1669:Thieves and Poets
1599:Music Spoken Here
1307:978-0-141-03401-0
1058:
1057:
1002:
1001:
942:
941:
910:Shankar Mahadevan
826:
825:
806:Antonia Minnecola
802:Shankar Mahadevan
764:"Dear Dalai Lama"
592:
591:
376:exclusively as a
342:Shankar Mahadevan
325:Thieves and Poets
322:After completing
274:Shankar Mahadevan
269:Thieves and Poets
247:
246:
243:
242:
217:Thieves and Poets
2132:
2087:Related articles
2021:Moto Grosso Feio
1926:Natural Elements
1571:My Goal's Beyond
1528:
1521:
1514:
1505:
1478:
1477:
1475:
1473:
1468:. 19 August 2006
1463:
1456:
1450:
1449:
1442:
1436:
1435:
1433:
1431:
1426:. 19 August 2006
1421:
1414:
1405:
1404:
1402:
1400:
1380:
1374:
1373:
1371:
1369:
1341:
1335:
1334:
1332:
1330:
1316:
1310:
1293:
1287:
1286:
1284:
1282:
1265:
1254:
1253:
1251:
1249:
1232:
1213:
1212:
1210:
1208:
1187:
1168:
1167:
1161:
1153:
1152:. 2006. 9839328.
1138:
1125:
1124:
1122:
1120:
1105:
1099:
1098:
1096:
1094:
1077:
1010:
951:
873:Matthew Garrison
840:
819:
677:
672:
610:Stuart Nicholson
578:
577:
576:
572:
571:
567:
566:
562:
561:
545:
544:
543:
539:
538:
534:
533:
529:
528:
524:
523:
509:
508:
507:
503:
502:
498:
497:
493:
492:
488:
487:
460:
212:
211:
176:
175:
171:
67:
33:
21:
2140:
2139:
2135:
2134:
2133:
2131:
2130:
2129:
2105:
2104:
2103:
2098:
2082:
1959:
1933:Remember Shakti
1903:Remember Shakti
1892:
1820:
1814:
1732:In a Silent Way
1716:
1711:Liberation Time
1648:The Guitar Trio
1585:Electric Dreams
1537:
1535:John McLaughlin
1532:
1486:
1481:
1471:
1469:
1458:
1457:
1453:
1444:
1443:
1439:
1429:
1427:
1416:
1415:
1408:
1398:
1396:
1392:Top Jazz Albums
1382:
1381:
1377:
1367:
1365:
1343:
1342:
1338:
1328:
1326:
1318:
1317:
1313:
1294:
1290:
1280:
1278:
1267:
1266:
1257:
1247:
1245:
1234:
1233:
1216:
1206:
1204:
1189:
1188:
1171:
1154:
1146:John McLaughlin
1144:(Liner notes).
1140:
1139:
1128:
1118:
1116:
1114:John McLaughlin
1107:
1106:
1102:
1092:
1090:
1079:
1078:
1067:
1063:
1043:Top Jazz Albums
1017:
1008:
1003:
948:
943:
852:Vinnie Colaiuta
846:Dennis Chambers
837:
832:
827:
817:
809:
792:"Mother Nature"
697:John McLaughlin
666:
574:
569:
564:
541:
536:
531:
526:
505:
500:
495:
490:
455:
427:Michael Brecker
386:
384:Music and sound
320:
256:John McLaughlin
238:
229:
220:
204:John McLaughlin
198:John McLaughlin
173:
169:
168:
160:
137:
134:
106:Otmatik Sound (
69:
68:
65:
46:
44:John McLaughlin
19:
12:
11:
5:
2138:
2136:
2128:
2127:
2122:
2117:
2107:
2106:
2100:
2099:
2097:
2096:
2090:
2088:
2084:
2083:
2081:
2080:
2073:
2066:
2059:
2052:
2045:
2038:
2031:
2024:
2017:
2010:
2003:
1996:
1989:
1986:Things We Like
1982:
1975:
1967:
1965:
1961:
1960:
1958:
1957:
1950:
1943:
1936:
1929:
1922:
1915:
1907:
1905:
1894:
1893:
1891:
1890:
1883:
1876:
1869:
1862:
1855:
1848:
1841:
1834:
1826:
1824:
1816:
1815:
1813:
1812:
1805:
1798:
1791:
1784:
1777:
1774:Get Up with It
1770:
1763:
1756:
1749:
1742:
1735:
1727:
1725:
1718:
1717:
1715:
1714:
1707:
1700:
1693:
1686:
1683:Floating Point
1679:
1676:Industrial Zen
1672:
1665:
1658:
1651:
1644:
1637:
1634:After the Rain
1630:
1623:
1616:
1609:
1602:
1595:
1592:Belo Horizonte
1588:
1581:
1574:
1567:
1560:
1553:
1545:
1543:
1539:
1538:
1533:
1531:
1530:
1523:
1516:
1508:
1500:
1499:
1491:Industrial Zen
1485:
1484:External links
1482:
1480:
1479:
1451:
1437:
1406:
1375:
1336:
1311:
1288:
1255:
1242:All About Jazz
1214:
1194:Industrial Zen
1169:
1142:Industrial Zen
1126:
1100:
1064:
1062:
1059:
1056:
1055:
1052:
1038:
1037:
1034:
1020:
1019:
1014:
1007:
1004:
1000:
999:
995:
994:
991:
988:
985:
982:
979:
974:
973:
972:
969:
966:
963:
960:
957:
949:
947:
944:
940:
939:
935:
934:
928:
925:
916:
913:
907:
899:
898:
897:
888:
882:
876:
870:
867:Hadrien Feraud
864:
861:
855:
849:
838:
836:
833:
831:
828:
824:
823:
820:
814:
813:
810:
808:
807:
804:
799:
795:
793:
790:
786:
785:
782:
779:
776:
772:
771:
768:
765:
762:
758:
757:
754:
751:
748:
744:
743:
740:
737:
734:
730:
729:
726:
723:
720:
716:
715:
712:
709:
706:
702:
701:
698:
695:
692:
688:
687:
684:
681:
678:
670:
665:
662:
644:Industrial Zen
630:Industrial Zen
620:Industrial Zen
604:All About Jazz
595:Industrial Zen
590:
589:
586:
580:
579:
555:
547:
546:
517:
511:
510:
481:
478:All About Jazz
473:
472:
469:
465:
464:
454:
451:
447:Hadrien Feraud
443:Carlos Santana
429:. Featuring a
390:Industrial Zen
385:
382:
350:Industrial Zen
334:Industrial Zen
330:Industrial Zen
319:
316:
298:Industrial Zen
276:, saxophonist
251:Industrial Zen
245:
244:
241:
240:
235:Floating Point
231:
226:Industrial Zen
222:
208:
207:
200:
199:
196:
190:
189:
184:
178:
177:
166:
162:
161:
159:
158:
153:
147:
145:
139:
138:
136:
135:
133:
132:
125:
118:
111:
104:
97:
90:
87:
80:
72:
64:
63:
62:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
24:Industrial Zen
17:
13:
10:
9:
6:
4:
3:
2:
2137:
2126:
2123:
2121:
2118:
2116:
2113:
2112:
2110:
2095:
2092:
2091:
2089:
2085:
2079:
2078:
2074:
2072:
2071:
2067:
2065:
2064:
2060:
2058:
2057:
2053:
2051:
2050:
2046:
2044:
2043:
2039:
2037:
2036:
2032:
2030:
2029:
2025:
2023:
2022:
2018:
2016:
2015:
2011:
2009:
2008:
2004:
2002:
2001:
1997:
1995:
1994:
1990:
1988:
1987:
1983:
1981:
1980:
1976:
1974:
1973:
1969:
1968:
1966:
1962:
1956:
1955:
1951:
1949:
1948:
1944:
1942:
1941:
1937:
1935:
1934:
1930:
1928:
1927:
1923:
1921:
1920:
1916:
1914:
1913:
1909:
1908:
1906:
1904:
1900:
1895:
1889:
1888:
1884:
1882:
1881:
1877:
1875:
1874:
1870:
1868:
1867:
1863:
1861:
1860:
1856:
1854:
1853:
1849:
1847:
1846:
1842:
1840:
1839:
1838:Birds of Fire
1835:
1833:
1832:
1828:
1827:
1825:
1823:
1817:
1811:
1810:
1806:
1804:
1803:
1799:
1797:
1796:
1792:
1790:
1789:
1785:
1783:
1782:
1778:
1776:
1775:
1771:
1769:
1768:
1764:
1762:
1761:
1760:On the Corner
1757:
1755:
1754:
1750:
1748:
1747:
1743:
1741:
1740:
1736:
1734:
1733:
1729:
1728:
1726:
1724:
1719:
1713:
1712:
1708:
1706:
1705:
1701:
1699:
1698:
1697:Now Here This
1694:
1692:
1691:
1687:
1685:
1684:
1680:
1678:
1677:
1673:
1671:
1670:
1666:
1664:
1663:
1659:
1657:
1656:
1652:
1650:
1649:
1645:
1643:
1642:
1638:
1636:
1635:
1631:
1629:
1628:
1624:
1622:
1621:
1617:
1615:
1614:
1610:
1608:
1607:
1603:
1601:
1600:
1596:
1594:
1593:
1589:
1587:
1586:
1582:
1580:
1579:
1575:
1573:
1572:
1568:
1566:
1565:
1561:
1559:
1558:
1554:
1552:
1551:
1550:Extrapolation
1547:
1546:
1544:
1540:
1536:
1529:
1524:
1522:
1517:
1515:
1510:
1509:
1506:
1502:
1497:
1493:
1492:
1488:
1487:
1483:
1467:
1462:
1455:
1452:
1447:
1441:
1438:
1425:
1420:
1413:
1411:
1407:
1395:
1393:
1390:
1385:
1379:
1376:
1364:
1360:
1356:
1355:
1350:
1346:
1340:
1337:
1325:
1321:
1315:
1312:
1308:
1304:
1300:
1299:
1292:
1289:
1277:
1276:
1271:
1264:
1262:
1260:
1256:
1244:
1243:
1238:
1231:
1229:
1227:
1225:
1223:
1221:
1219:
1215:
1203:
1202:
1197:
1195:
1186:
1184:
1182:
1180:
1178:
1176:
1174:
1170:
1165:
1159:
1151:
1147:
1143:
1137:
1135:
1133:
1131:
1127:
1115:
1111:
1104:
1101:
1089:
1088:
1083:
1076:
1074:
1072:
1070:
1066:
1060:
1053:
1050:
1049:
1044:
1039:
1035:
1032:
1031:
1026:
1021:
1013:Chart (2006)
1011:
1005:
998:
992:
989:
986:
983:
980:
977:
976:
975:
970:
967:
964:
961:
958:
955:
954:
953:
952:
945:
938:
932:
929:
926:
924:
920:
917:
914:
911:
908:
905:
902:
901:
900:
896:
892:
891:Zakir Hussain
889:
886:
883:
881:β bass guitar
880:
877:
875:β bass guitar
874:
871:
869:β bass guitar
868:
865:
862:
859:
858:Mark Mondesir
856:
853:
850:
847:
844:
843:
842:
841:
834:
829:
821:
818:Total length:
811:
805:
803:
800:
797:
796:
794:
791:
787:
783:
780:
777:
773:
769:
766:
763:
759:
755:
752:
749:
745:
741:
738:
735:
731:
727:
724:
722:"Wayne's Way"
721:
717:
713:
710:
707:
703:
699:
696:
693:
689:
673:
669:
664:Track listing
663:
661:
659:
655:
653:
647:
645:
641:
640:
635:
631:
627:
626:
621:
617:
616:
611:
606:
605:
600:
599:music critics
596:
587:
585:
582:
581:
556:
554:
553:
549:
548:
518:
516:
513:
512:
482:
480:
479:
475:
474:
466:
463:Review scores
461:
452:
450:
448:
444:
440:
439:Zakir Hussain
436:
432:
428:
423:
421:
417:
416:Wayne Shorter
413:
408:
407:Mark Mondesir
404:
399:
398:electric jazz
395:
391:
383:
381:
379:
375:
374:Verve Records
371:
367:
363:
359:
355:
354:New York City
351:
345:
343:
337:
335:
331:
327:
326:
317:
315:
313:
311:
306:
305:music critics
301:
299:
295:
294:electric jazz
291:
287:
286:Zakir Hussain
283:
279:
275:
271:
270:
265:
261:
260:Verve Records
257:
253:
252:
237:
236:
232:
228:
227:
223:
219:
218:
214:
213:
209:
205:
201:
197:
195:
191:
188:
185:
183:
179:
167:
163:
157:
156:electric jazz
154:
152:
149:
148:
146:
144:
140:
130:
126:
123:
119:
116:
112:
109:
108:Santa Clarita
105:
102:
98:
95:
91:
88:
85:
84:New York City
81:
78:
74:
73:
71:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2075:
2068:
2061:
2056:Making Music
2054:
2047:
2040:
2033:
2026:
2019:
2012:
2005:
1998:
1991:
1984:
1977:
1970:
1952:
1945:
1938:
1931:
1924:
1917:
1910:
1885:
1878:
1873:Inner Worlds
1871:
1864:
1857:
1850:
1843:
1836:
1829:
1807:
1800:
1793:
1786:
1779:
1772:
1765:
1758:
1751:
1746:Jack Johnson
1744:
1739:Bitches Brew
1737:
1730:
1709:
1702:
1695:
1688:
1681:
1675:
1674:
1667:
1660:
1653:
1646:
1639:
1632:
1625:
1618:
1611:
1604:
1597:
1590:
1583:
1576:
1569:
1562:
1555:
1548:
1501:
1489:
1470:. Retrieved
1465:
1454:
1440:
1428:. Retrieved
1423:
1397:. Retrieved
1387:
1378:
1366:. Retrieved
1352:
1344:
1339:
1327:. Retrieved
1314:
1296:
1291:
1279:. Retrieved
1273:
1246:. Retrieved
1240:
1205:. Retrieved
1199:
1193:
1141:
1117:. Retrieved
1103:
1091:. Retrieved
1085:
1046:
1028:
996:
936:
904:Eric Johnson
885:Gary Husband
778:"Senor C.S."
667:
657:
651:
648:
643:
637:
629:
623:
619:
613:
602:
594:
593:
550:
476:
424:
403:Gary Husband
389:
387:
378:compact disc
366:Austin Texas
349:
347:
339:
333:
329:
323:
321:
309:
302:
297:
267:
264:compact disc
250:
249:
248:
233:
225:
224:
215:
115:Sherman Oaks
39:Studio album
15:
2115:2006 albums
2094:Discography
2028:School Days
2000:One Man Dog
1954:This Moment
1723:Miles Davis
1704:Black Light
1641:The Promise
1613:Que Alegria
1542:Solo albums
1329:7 September
1025:Jazz Albums
931:Otmaro RuΓz
658:Black Light
394:jazz fusion
388:Musically,
290:jazz fusion
151:Jazz fusion
94:North Salem
54:22 May 2006
2109:Categories
1979:Emergency!
1972:Super Nova
1880:Mahavishnu
1859:Apocalypse
1788:Directions
1690:To the One
1627:Tokyo Live
1061:References
946:Production
919:Bill Evans
860:β drum set
854:β drum set
848:β drum set
798:McLaughlin
781:McLaughlin
767:McLaughlin
753:McLaughlin
739:McLaughlin
725:McLaughlin
711:McLaughlin
694:"For Jaco"
435:Dalai Lama
420:Bill Evans
412:Pink Floyd
370:California
278:Bill Evans
206:chronology
1753:Live-Evil
1466:Billboard
1424:Billboard
1389:Billboard
1363:0006-2510
1354:Billboard
1345:Billboard
1087:JazzTimes
1048:Billboard
1030:Billboard
1018:position
923:saxophone
879:Tony Grey
835:Musicians
830:Personnel
683:Writer(s)
652:Billboard
639:JazzTimes
625:Billboard
453:Reception
310:Billboard
1819:with the
1564:Devotion
1368:16 April
1324:Tom Hull
1275:Jazzwise
1201:AllMusic
906:β guitar
634:AllMusic
615:Jazzwise
584:Tom Hull
515:AllMusic
194:Producer
101:Brooklyn
51:Released
41: by
2014:Welcome
1767:Big Fun
1496:Discogs
1472:6 April
1430:6 April
1399:6 April
1281:6 April
1248:5 April
1207:5 April
1119:6 April
1093:6 April
296:album,
284:player
239:(2008)
230:(2006)
221:(2003)
66:Various
1899:Shakti
1361:
1305:
1006:Charts
997:
937:
686:Length
654:charts
471:Rating
468:Source
362:Monaco
358:London
312:charts
280:, and
165:Length
129:Monaco
122:Austin
77:London
59:Studio
1897:with
1721:with
1150:Verve
895:tabla
822:61:26
770:12:28
680:Title
612:from
431:tabla
392:is a
352:; in
282:tabla
262:as a
187:Verve
182:Label
143:Genre
1901:and
1802:Aura
1474:2017
1432:2017
1401:2017
1370:2017
1359:ISSN
1331:2022
1303:ISBN
1283:2017
1250:2017
1209:2017
1164:link
1121:2017
1095:2017
1016:Peak
812:5:08
784:7:38
756:6:41
742:9:56
728:7:06
714:7:14
700:5:15
405:and
396:and
292:and
288:. A
1494:at
1041:US
1036:14
1023:US
676:No.
2111::
1464:.
1422:.
1409:^
1386:.
1351:.
1322:.
1272:.
1258:^
1239:.
1217:^
1198:.
1172:^
1160:}}
1156:{{
1148:.
1129:^
1112:.
1084:.
1068:^
1054:9
1051:)
1033:)
921:β
893:β
789:8.
775:7.
761:6.
747:5.
733:4.
719:3.
705:2.
691:1.
646:.
588:B+
380:.
174:26
170:61
1527:e
1520:t
1513:v
1476:.
1448:.
1434:.
1403:.
1372:.
1333:.
1309:.
1285:.
1252:.
1211:.
1196:"
1166:)
1123:.
1097:.
1045:(
1027:(
172::
131:)
124:)
117:)
110:)
103:)
96:)
86:)
79:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.