751:, where the pencil artist was responsible for the frame-by-frame breakdown of the story plot, an artist who was skilled in story-telling would be encouraged to do as many books as possible, maximizing the number of books they could do by leaving the inking to others. By contrast, at other companies where the writer did the frame-by-frame breakdown in script form, more artists inked or even lettered their own work.
795:– at times hired or allowed other artists to ink their drawings. Some artists could make more money by pencilling more pages and leaving the inking to others; different artists with different working methods might find it more profitable to both pencil and ink, as they could place less information and detail in the pencil drawings if they were inking it themselves and could put that detail in at the inking stage.
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739:) usually appeared at the beginning of each story, the publisher generally did not care which artists worked on the book. In the early days, the creator of the feature would get credit for as long as they worked on the feature, but when they were replaced by other artists, no name credit would be given to them. Packagers instituted an
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The division between penciller and inker described here is most frequently found where the penciller and inker are hired independently of each other by the publisher. Where an artist instead hires their own assistants, the roles are less structured; an artist might, for example, ink all the faces of
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An experienced inker paired with a novice penciler might also be responsible for correcting anatomical or other mistakes, modifying facial expressions, or changing or improving the artwork in a variety of other ways. Alternatively, an inker may do the basic layout of the page, give the work to
649:. The inker downloads them, prints them in blue, inks the pages, scans them in and loads the finished pages back on the FTP site for the company to download. While this procedure saves a company time and shipping costs, it requires artists to spend money on computer equipment.
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While inking involves tracing pencil lines in a literal sense, it is an act of creative interpretation rather than rote copying. Inkers fine-tune the composition by adding the proper weight to lines, creating visual contrast through
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style method of creating books, using top talents like Kirby to create the look and pace of the story and then handing off the inking, lettering, and coloring to largely anonymous – and low-paid – creators to finish it.
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Due to the absence of credits on most Golden Age comic books, many inkers of that period are largely forgotten. For those whose names are known, it is difficult to compile résumés. Inkers like
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In the early 1960s, Marvel Comics began giving the inker credit in each of their publications and other publishers began to follow suit. This allowed finishers like
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in the pecking order. In the early days of comic books, many publishers hired "packagers" to produce entire books. Although some "star" creators' names (such as
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Deadline pressures and a desire for consistency in the look of a feature led to having one artist pencil a feature while one or more other artists inked it. At
1162:– Ayers probably being Kirby's most prolific partner, the pair produced hundreds of pages of Western and monster stories before the Marvel superhero era began.
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almost always inked their own work (and sometimes the work of other pencilers as well). Most artists, however – even experienced inkers of their own work like
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and Alex Toth would usually pencil, ink and letter, considering the placing of word balloons as an integral part of the page, and artists such as
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the characters while leaving the assistant to ink in the backgrounds, or work with the inker in a more collaborative fashion. Among Neal Adams'
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or a brush. Inking was necessary in the traditional printing process as presses could not reproduce pencilled drawings. Another specialist, the
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titles. Commander R. A. Benson, USN (Ret.) wrote "t was Swan with Klein who created the definitive
Superman image typified the Silver Age".
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using computers, a practice that has started to become more common as inkers learn to use powerful drawing and editing tools such as
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to earn a reputation as inkers as well as pencillers. In addition, penciller–inker teams like Kirby and
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creates a drawing, the inker interprets this drawing by outlining and embellishing it with a
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embellished thousands of pages during that era, most of which are still unidentified.
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had a similar arrangement, with one inking the figures and the other the backgrounds.
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1709:"The Twenty Greatest Inkers of American Comic Books: #6, Dick Ayers," Atlas Comics.
1632:"The Twenty Greatest Inkers of American Comic Books: #16, Joe Simon," Atlas Comics.
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due to changes in resolution. However the process is more time-consuming.
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has gained much publicity and counts notable inkers such as Joe
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is the most common tool used to accurately ink digitally, and use of
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1722:"Local Convention to Host the Only National Team Appearance of
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1611:"Carmine Infantino, Reviver of Batman and Flash, Dies at 87"
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applies color to the final art submitted by the inker.
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titles, the team is often referred to as "Swanderson."
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As of 2015 some companies put scanned pencils on an
1754:"The 20 Greatest Inkers of American Comics Books"
453:) is one of the two line artists in traditional
862:captured the attentions of comic book fandom.
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1519:– Known for their run on Todd McFarlane's "
691:. Unsourced material may be challenged and
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711:Learn how and when to remove this message
534:Learn how and when to remove this message
1441:All Star Batman and Robin the Boy Wonder
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27:Comic book or graphic novel line artist
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689:adding citations to reliable sources
516:adding citations to reliable sources
1720:Redington, James (April 15, 2005).
1679:Last access attempt Oct. 12, 2006.
25:
1142:, romance comics, and much more.
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1597:#52 (Marvel Comics, June 1979).
1357:Batman: The Dark Knight Returns
503:needs additional citations for
18:Inking (comic book production)
1:
1284:– late 1960s/early 1970s era
1104:– Notably on the early 1970s
1090:– Worked for decades on DC's
163:Comics by country and culture
1765:, Marvel.com (June 19, 2007)
1152:– EC war and science fiction
870:In 2008 Marvel and DC inker
890:as members and associates.
571:collaborated with penciler
445:(sometimes credited as the
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1653:February 10, 2012, at the
1501:– Known for their run on "
1752:Atlas Comics (retailer).
1667:Captain Comics forum post
1657:. Retrieved July 5, 2008.
1453:– many projects, notably
1298:Green Lantern/Green Arrow
1172:– the early years of the
577:Elric of Melniboné series
1779:Visual arts occupations
1711:Accessed Feb. 13, 2009.
1699:Accessed Feb. 13, 2009.
1634:Accessed Feb. 13, 2009.
1387:The Amazing Spider-Man
1206:The Amazing Spider-Man
563:often did when inking
1593:"Bullpen Bulletins,"
1549:" in the early 2000s.
1763:"What an Inker does"
685:improve this section
512:improve this article
328:South African comics
1523:" in the mid 1990s.
1405:Stephen R. Bissette
769:Kurt Schaffenberger
638:programs precludes
32:
1789:Comics terminology
1731:2011-05-15 at the
1695:2020-08-03 at the
1688:Gelbwasser, Mike.
1675:2020-08-03 at the
1616:The New York Times
1537:Star Wars comics "
569:Michael T. Gilbert
1609:(April 5, 2013).
1595:Marvel Two-in-One
1396:, and late 1990s
884:Nathan Massengill
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1533:– Known for
1527:Jan Duursema
1513:Greg Capullo
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1146:John Severin
1088:George Klein
1056:Dexter Vines
1031:Frank Miller
991:Kevin Nowlan
981:George Klein
976:Klaus Janson
971:Billy Graham
916:Terry Austin
888:Tim Townsend
874:founded the
869:
860:Terry Austin
832:John Severin
817:
808:Marvin Stein
797:
761:Bill Everett
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701:October 2009
698:
683:Please help
671:
644:
640:pixelization
636:vector-based
628:Manga Studio
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524:October 2009
521:
510:Please help
505:verification
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457:production.
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266:Irish comics
241:Dutch comics
236:Czech comics
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98:Photo comics
1531:Dan Parsons
1507:Mark Millar
1495:Bryan Hitch
1447:Joe Quesada
1414:Swamp Thing
1170:Joe Sinnott
1046:Art Thibert
1016:Joe Sinnott
906:Mike Allred
824:Joe Sinnott
804:George Papp
789:Will Eisner
765:Steve Ditko
612:Illustrator
451:embellisher
369:Cartoonists
338:Thai comics
129:Gag cartoon
119:Comic strip
1773:Categories
1581:References
1535:Dark Horse
1517:Danny Miki
1499:Paul Neary
1327:John Byrne
1311:Daredevil,
1307:Tom Palmer
1303:Gene Colan
1278:Neal Adams
1261:Tom Palmer
1257:Neal Adams
1246:Tom Palmer
1231:Syd Shores
1227:Gene Colan
1212:Dick Ayers
1181:Ross Andru
1166:Jack Kirby
1160:Dick Ayers
1156:Jack Kirby
1150:Will Elder
1112:Jack Kirby
1071:Wally Wood
1041:Karl Story
996:Tom Palmer
986:Paul Neary
966:Mark Irwin
946:Joe Giella
901:Dan Adkins
872:Bob Almond
856:John Byrne
852:Gene Colan
840:Tom Palmer
836:Syd Shores
820:Dick Ayers
800:Chic Stone
777:Nick Cardy
753:Joe Kubert
567:, or when
565:Jack Kirby
460:After the
455:comic book
379:Publishers
374:Collecting
114:Comic book
93:Cartooning
1565:Penciller
1477:Civil War
1462:Daredevil
1378:Ron Frenz
1351:Daredevil
1236:Daredevil
1221:Sgt. Fury
1200:Metal Men
1136:Manhunter
1116:Joe Simon
1098:Curt Swan
1084:Curt Swan
1036:Bob Smith
1021:Alex Toth
961:Dan Green
956:Al Gordon
844:Curt Swan
814:Crediting
793:Alex Toth
757:Jim Aparo
725:lettering
672:does not
616:Photoshop
561:Joe Simon
462:penciller
356:Community
286:Hong Kong
67:Education
1729:Archived
1693:Archived
1673:Archived
1651:Archived
1575:Colorist
1570:Letterer
1554:See also
1539:Republic
1435:WildCATS
1272:Avengers
1251:Avengers
1248:– 1960s
1233:– 1960s
1190:Showcase
1106:Superman
1092:Superman
781:Lou Fine
737:Bob Kane
647:FTP site
620:Inkscape
603:One can
484:Workflow
478:colorist
474:letterer
447:finisher
149:Webcomic
72:Glossary
1545:", and"
1420:Jim Lee
1128:Sandman
693:removed
678:sources
653:History
575:on the
549:shading
389:Writers
189:Belgium
154:Webtoon
85:Methods
77:History
1543:Legacy
1486:, and
1438:, and
1369:– the
1296:, and
1287:Batman
1203:, and
1138:, the
838:, and
806:, and
791:, and
775:, and
626:, and
593:Garvey
591:&
466:pencil
364:Awards
293:Manhwa
281:Manhua
197:Quebec
193:France
37:Comics
1266:X-Men
1132:Sandy
733:Kirby
729:Simon
609:Adobe
443:inker
384:Sales
276:Manga
31:Inker
1459:and
1393:Thor
1354:and
1269:and
1197:the
1130:and
886:and
858:and
846:and
731:and
676:any
674:cite
630:. A
614:and
589:Akin
468:, a
441:The
1541:","
1456:Ash
735:or
687:by
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514:by
470:pen
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1624:^
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