Knowledge (XXG)

Innocence Unprotected

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wrote that Makavejev "brings an exceptionally sophisticated understanding to his project. But it is also an exceptionally understanding sophistication—ironic, loving, clear-sightedly appreciative of all illusions. For this, rarer than most things on film, I value Makavejev's extraordinary insights
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found the film and expanded upon it with newsreel footage of Nazi propaganda and German occupation as well. Other footage includes Aleksić performing his acrobatics and filmed interviews of the surviving cast members. Makavejev tinted some of the black and white scenes in the film and hand colored
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wrote that the film is "both amusing and interesting. It has value as a documentary but it also gives the viewer the chance to laugh at an old amateur feature pic".
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some details. The film was referred to by Makavejev as a "montage of attractions", with a montage styled celebration of Serbian customs, folklore, and humor.
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that was never released. In 1968, Makavejev established the film and expanded it with newsreel footage and interviews with surviving cast members.
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wrote that the film is a "funny and genuinely endearing tribute to an innocent folk hero—bizarre in spots, and definitely Makavejev".
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censorship, while later during the Yugoslav communist period some ironically accused and condemned it as being pro-Nazi.
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into ordinary affairs and his gentle juggling act with Acrobat Aleksic."
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Love Affair, or the Case of the Missing Switchboard Operator
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The film received positive acclaim on its initial release.
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is composed of footage of the 1942 film of the same name.
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Later reviews were also positive. In 1985, Don Druker of
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Why? 767:The Devil Probably 679:La Collectionneuse 401:The New York Times 349:The Chicago Reader 339:The New York Times 303:In 1968 filmmaker 220:Pera Milosavljević 1349:Compilation films 1311: 1310: 1290:The Coca-Cola Kid 1230:Man Is Not a Bird 1182: 1181: 1108:Death in Sarajevo 839:The Mass Is Ended 799:Akaler Shandhaney 366:cultural heritage 320:, and it won the 290:Dragoljub Aleksić 240:as police officer 234:as police officer 214:Ana Milosavljević 196:Dragoljub Aleksić 181:1942 film of the 146: 145: 59:Ana Milosavljević 57:Dragoljub Aleksić 1386: 1304: 1294: 1284: 1274: 1264: 1254: 1244: 1234: 1209: 1202: 1195: 1186: 629: 622: 615: 606: 557: 556: 554: 553: 538: 532: 531: 529: 527: 510: 504: 503: 501: 499: 494:. 1 January 1968 482: 476: 475: 473: 472: 458: 452: 451: 449: 447: 430: 413: 412: 410: 408: 391: 246:as troupe member 163:Serbian Cyrillic 111: 109: 81:Ivanka Vukasović 31: 19: 1394: 1393: 1389: 1388: 1387: 1385: 1384: 1383: 1314: 1313: 1312: 1307: 1297: 1287: 1277: 1267: 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Index


Dušan Makavejev
Vojislav Kostić
Serbo-Croatian
Serbo-Croatian
Serbian Cyrillic
Yugoslav
Dušan Makavejev
Dragoljub Aleksić's
same title
Dragoljub Aleksić
Bratoljub Gligorijević
Vera Jovanović-Šegović
Ana Milosavljević
Pera Milosavljević
Ivan Živković
Milan Tošić
Toško Vlajić
Ruža Protić
Stevan Mišković
sound
feature film
Serbia
Dragoljub Aleksić
Nazi
Dušan Makavejev
1968 Berlin International Film Festival
Silver Bear Extraordinary Prize of the Jury
Variety
The New York Times

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