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Intermezzo No. 1

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The song has a "piano and guitar-led instrumental". Many of ABBA's pieces are full of "thematic throwaways of the rich folk music culture ". This song is a "solo vehicle" in which to indulge in classical music. The grand piano is the central instrument, layered by a "flamboyant network of synth
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explains that while "experiments in applying classical music to a pop format were very much in vogue at the time ha come to seem a little dated". It nevertheless describes the song as "show a sense of musical ambition" and an "opus". Carl Magnus Palm says for fans of ambitious music, the song
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Carl Magnus Palm explains the song was a "popular feature on every subsequent ABBA tour" after the ABBA album was released. For example, the song is shown being performed in the 1977 concert tours in the film
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says the song is "whimsical and melodramatic" and "a sophisticated pastiche of all that is great and wondrous in the world of classical music, injected with a shot of late twentieth century pop enthusiasm".
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notes that ABBA Gold doesn't include any of the "lackadaisical instrumentals ABBA threw about" like "Arrival" or "Intermezzo No.1". It adds though "fans like the albums precisely for these oddities".
2356: 321:'s Glen and Metronome Studios under the working title "Mama". Another working title for the song was Bach-låten (The Bach Tune). In September 1975, it was released as the B-side to ABBA's single, " 297:. It is the only purely instrumental ABBA song however, as Arrival includes "a static layer of rich harmony vocals". On the cover, the song was credited as "Intermezzo No.1 365:
lists the song as one of ABBA's "ambitious tracks...that showcase Andersson and Ulvaeus' classical leanings while demonstrating their abilities as proficient songwriters".
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says the song, "in contrast to the catchy masterpiece " that it was coupled with on the single, "has a rather psychedelic-disturbing character".
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explains "the main theme is inviting and uncomplicated, constantly giving way to a rapid-fire succession of mood-swinging secondary themes".
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describes it as a "showcase of Benny's classical music influences", which first began to appear in his work with
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ABBA : let the music speak : an armchair guide to the musical soundscape of the Swedish supergroup
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ABBA : let the music speak : an armchair guide to the musical soundscape of the Swedish supergroup
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ABBA : let the music speak : an armchair guide to the musical soundscape of the Swedish supergroup
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ABBA : let the music speak : an armchair guide to the musical soundscape of the Swedish supergroup
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http://www.carlmagnuspalm.com/Upload/abbabooks/completeguidechapter.pdf
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Tesch, Christopher Patrick ; editor: Matthew (2008).
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Tesch, Christopher Patrick ; editor: Matthew (2008).
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Tesch, Christopher Patrick ; editor: Matthew (2008).
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Tesch, Christopher Patrick ; editor: Matthew (2008).
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and tools are available to assist in formatting, such as
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describes the song as an "impressive instrumental".
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(A Man After Midnight) 546:Recording information on "Intermezzo No. 1" 68:and maintains a consistent citation style. 1466: 1452: 1444: 825: 811: 803: 124: 791:CS1 maint: multiple names: authors list ( 601:CS1 maint: multiple names: authors list ( 493:CS1 maint: multiple names: authors list ( 441:CS1 maint: multiple names: authors list ( 110:Learn how and when to remove this message 275:" is an instrumental track from Swedish 396: 142: 131: 1314:Agnetha & Frida: The Voice of ABBA 781: 771: 591: 581: 483: 473: 431: 421: 2175:Like an Angel Passing Through My Room 673:Vincentelli, Elisabeth (2004-03-31). 289:the title track of their 1976 release 7: 642:"Das Wort zum Spieltag: INTERMEZZO" 630:http://www.sys-con.com/node/2025020 60:Please consider converting them to 333:songs “Sunny Girl” and “Wedding”. 25: 2310: 2309: 1578:Me and Bobby and Bobby's Brother 1428: 1427: 980:The Singles: The First Ten Years 727:Palm, Carl Magnus (2008-09-01). 38: 703:Abba – Uncensored on the Record 375:Abba – Uncensored on the Record 27:For the piano composition, see 1107:The Complete Studio Recordings 1008:More ABBA Gold: More ABBA Hits 239:Benny Andersson, Björn Ulvaeus 64:to ensure the article remains 1: 1983:Lovers (Live a Little Longer) 1153:The Girl with the Golden Hair 350:textures and brass punches". 1692:I Do, I Do, I Do, I Do, I Do 1334:Eurovision Song Contest 1974 2168:Slipping Through My Fingers 1969:If It Wasn't for the Nights 1955:The King Has Lost His Crown 1536:Another Town, Another Train 1183:Mamma Mia! 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Index

Intermezzo No.1
Manuel Ponce
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Instrumental
ABBA
ABBA
Genre
Progressive pop
pop
Songwriter(s)
Benny Andersson
Björn Ulvaeus
Producer(s)
"Intermezzo No. 1"
YouTube
pop
ABBA
self-titled third album
the title track of their 1976 release
Arrival
Benny Andersson

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