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Interrogation (1982 film)

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remains silent, he renounces her and tells her that he does not want to see her again. Immediately following this, she unsuccessfully attempts suicide. While recovering in the prison's hospital, one of her interrogators takes an interest in her recovery. She repeatedly tells him of the absurdity of the system in which he believes and he seems sympathetic to her situation. The two form a brief romantic relationship, and after a single sexual encounter, she becomes pregnant by him. Like other female inmates, she is forced to give up her child for adoption soon after she gives birth. Later, the father of the child meets with Tonia to inform her that he has secured her release. He also gives her instructions on how to reclaim their child. He then commits suicide.
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water is turned on and the room slowly floods. She is released at the last moment and told to sign the confession form again, but again refuses. Another episode sees her interrogators stage a scene where a man is supposedly executed for refusing to confess. They then confront Tonia and threaten to shoot her as well is she continues to refuse. She doesn't relent, and appears to accept death. In the commotion that follows, she realises that the man was still alive. He was an actor, and her interrogator's charade is revealed.
291:"We had an obvious example of art today, cinematic art, that cannot, in this situation, be released right away, as it was proposed here. This film is so shocking and the context is so strong, so strongly tied to the present, independent of the intentions of its creators. (...) A mass audience will react to this film unequivocally as, how shall I say, the breaking of human beings by people in Polish uniforms." 331:. Mrs. Podgórska, who spent six years in prison, including two in an isolation cell, served as my consultant on the film. (...) We had to make sure that we documented the film very well because we had to defend everything we did in front of a review board. That is why the French reaction at the Cannes festival showing, that the film was unreal, made me angry. It was remarkably factual. 282:. Production began in 1981 and was completed in 1982. Its original version contained scenes set in the modern era, wherein the protagonist's daughter attempts to uncover the truth of her mother's past, as covered in the main plot. This "contemporary theme" was considered politically dangerous by the government of Poland at the time. As such, the 254:. One evening after she performs for soldiers, she quarrels with her husband who she feels has been too friendly with her best friend. Frustrated, she accepts and invitation from two strangers to go out for a drink. The two men then proceed to intentionally get her drunk. They say they will take her home by car, but instead, she is driven to a 31: 319:, it was both applauded and criticised. Krystyna Janda, the film's lead actress, was awarded as best actress, but some called her performance overly dramatic and criticised the film for not being historically realistic. In reality, the film's director had taken great care in researching the imprisonment of women in 269:
After being released, Tonia visits the orphanage where her daughter had been living. The girl, now a toddler, does not recognise her mother. Tonia and her daughter leave the orphanage together and make their way towards her husband's home. Her daughter appears to recognise the place and rushes ahead,
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Over the course of several years, she is humiliated and bullied by prison officials with the intention of forcing her to sign false confessions. After refusing to sign a false confession which denounces a friend, she is taken to the shower block in the basement and placed in a tiny barred cell. The
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convened a co-laudation commission to debate whether the film should be released to the public, as was common procedure with controversial films at the time. The majority of the commission called the film "propagandistic" and argued that it made an overly political statement about the past which
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After continually demanding to see her husband, he is finally allowed to visit. Before seeing Tonia, he is told by the officials of the infidelities she had been forced to reveal. In their brief encounter he confronts Tonia about these infidelities and demands an explanation from her. When she
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In 2023, British production company Second Run, which "specialises in releasing lost gems of world cinema", announced it intended to rerelease the film with new and improved English subtitles and 2K restoration by Poland’s WFDiF film studio. It will also feature an in-depth interview with the
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director in which he "discusses the film’s contextual history, its production, the controversy surrounding its release and its eventual withdrawal and banning by Polish authorities".
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At the commission's suggestion, the Minister of Culture forbade the film's release for fear of how the public would react. It was one of many "shelf-films" (Polish:
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The story was really based on the lives of two real women who lived through the Stalinist hell: Tonia Lechmann and Wanda Podgórska, the secretary to
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Due to its criticism of the regime, the Polish communist government banned the film from public viewing for over seven years, until the
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allowed it to see the light of day. Despite the film's controversial initial reception and subsequent banning, it garnered a
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tied this criticism to the current regime. After seeing the film, one of the members of the commission commented:
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and first released in 1989. The plot follows an ordinary, apolitical woman named Tonia, played by
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calling out "father". This suggests that her husband had been raising the child in her stead.
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The film had its first theatrical release in December 1989 in Poland and was entered into the
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copies, which director Ryszard Bugajski secretly helped to leak to the general public.
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The film was directed by Ryszard Bugajski and produced by the film studio
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to be arrested, imprisoned and interrogated, without being told why.
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pro-Soviet Polish regime in the early 1950s. The film was directed by
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Set in 1951, the film centres around Tonia, a cabaret singer in
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Poland that he depicted. In an interview, Janda stated that,
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1982 Polish film about false imprisonment by Ryszard Bugajski
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"Interrogation". 29: 20: 234:, where Krystyna Janda won the award for 398: 589: 390:as Konstanty Dziwisz (Tonia's husband) 819:Khaoula Semmoumy (7 September 2023). 7: 773:Benson, Sheila (26 September 1990). 691: 689: 600:Benson, Sheila (26 September 1990). 452:Chicago International Film Festival 238:and the film was nominated for the 1012:Films about miscarriage of justice 1007:Films directed by Ryszard Bugajski 744:Saryusz-Wolska, Magdelena (2014). 14: 752:Studia Universitatis Cibiniensis 499:Ryszard Bugajski, Janusz Dymek 696:Warman, Jerzy (October 1982). 360:as Lieutenant Tadeusz Morawski 1: 378:as Miroslawa "Mira" Szejnert 102:Katarzyna Maciejko-Kowalczyk 1002:Films critical of communism 992:1980s Polish-language films 874:"European Film Awards 1990" 366:as Major Zawada "Kapielowy" 354:as Antonina 'Tonia' Dziwisz 1033: 131:13 December 1989 794:Szporer, Michael (1991). 506: 466: 415: 317:1990 Cannes Film Festival 315:When it was shown at the 256:political military prison 232:1990 Cannes Film Festival 28: 997:1980s prison drama films 987:Polish independent films 536:Best Supporting Actress 296:Professor Golebiowski, 372:as Communist Witkowska 339: 302: 274:Production and release 183: 1017:Women in prison films 879:European Film Academy 578:Anti-Soviet agitation 508:Polish Film Festival 468:European Film Awards 417:Cannes Film Festival 298:University of Warsaw 573:Stalinism in Poland 549:Special Jury Prize 388:Olgierd Łukaszewicz 310:Revolutions of 1989 284:Ministry of Culture 982:Polish drama films 847:"Ryszard Bugajski" 758:: 209 – via 722:New Orleans Review 674:on 18 January 2015 667:Festival de Cannes 496:Best Screenwriter 487:Janusz Morgenstern 280:Zespół Filmowy "X” 194:false imprisonment 116:Zespól Filmowy "X" 780:Los Angeles Times 731:Loyola University 705:The New Criterion 607:Los Angeles Times 559: 558: 552:Ryszard Bugajski 459:Ryszard Bugajski 370:Agnieszka Holland 329:Władysław Gomułka 171: 170: 1024: 977:1989 drama films 972:1982 drama films 922: 921: 919: 917: 902: 896: 895: 893: 891: 886:on 1 August 2010 882:. 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Index


Ryszard Bugajski
Andrzej Wajda
Krystyna Janda
Adam Ferency
Janusz Gajos
Zespól Filmowy "X"
Polish
Polish
false imprisonment
Stalinist
Ryszard Bugajski
Krystyna Janda
1989 dissolution
Eastern Bloc
cult fanbase
VHS
1990 Cannes Film Festival
Best Actress
Palme d'Or
Stalinist Poland
political military prison
Zespół Filmowy "X”
Ministry of Culture
University of Warsaw
Revolutions of 1989
1990 Cannes Film Festival
Stalinist
Władysław Gomułka
Krystyna Janda

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