238:. Fellini introduces the Japanese to the female custodian of CinecittĂ (Nadia Ottaviani) but she succeeds in putting off the interview by disappearing into the deserted backlot of Studio 5 to gather dandelions to make herbal tea. Meanwhile, Fellini's assistant director (Maurizio Mein) is on location with other crew members at the Casa del Passeggero, a once cheap hotel now converted into a drugstore. Fellini wants to include it in his film about the first time he visited CinecittĂ as a journalist in 1938 during the Fascist era. Past and present intermingle as Fellini interacts with his younger self played by aspiring actor,
242:. After the crew reconstruct the facade of the Casa del Passeggero elsewhere in Rome, a fake tramway takes young Fellini/Rubini from America's Far West with Indian warriors on a clifftop to a herd of wild elephants off the coast of Ethiopia. Arriving at CinecittĂ , he sets off to interview matinee idol, Katya, a character representing the actress
225:. A nighttime set is prepared for a sequence that Fellini defines as “the prisoner’s dream” in which his hands grope for a way out of a dark tunnel. With advancing age and weight, Fellini is finding it difficult to escape by simply flying away, but when he does, he contemplates Cinecittà from a great height.
249:
Seamlessly, the illusion takes over the realities of moviemaking as the viewer is thrown into two feature films being directed by tyrannical directors. But only for a short while; for the rest of the film, Fellini and his assistant director (Maurizio Mein) scramble to recruit the right cast and build
228:
The next morning, Fellini accompanies the
Japanese TV crew on a brief tour of the studios. As they walk past absurd TV commercials in production, Fellini's casting director presents him with four young actors she's found to interpret Karl Rossmann, the leading role in the maestro's film version of
29:
254:, a fictitious adaptation that Fellini uses as a pretext to shoot his film-in-progress. This allows Fellini/Rubini to go back and forth in time to experience filmmaking first-hand including disgruntled actors who failed their auditions,
283:
concludes with
Fellini’s voiceover, “So the movie should end here. Actually, it’s finished.” In response to producers unhappy with his gloomy endings, the Maestro ironically offers them a ray of sunshine by lighting an arc lamp.
499:
Film 2 is filmed autobiography: while interviewed by the
Japanese, Fellini evokes memories (real or invented) of his first visit to CinecittĂ in 1938 as a young journalist commissioned to interview a female matinee
608:"I came to interview an actress named Greta Gonda and it was the first interview I conducted, the first time I went to Cinecittà , and the first encounter with an actress I liked very much.” Fellini,
1928:
1918:
595:, Fellini explained that the “first time I visited Cinecittà , I was 18 years old, a journalist from Rimini who considered Cinecittà as something legendary.” In Fellini,
549:
1680:
1898:
272:
scenes, screen tests of Kafka’s
Brunelda caressed in a bathtub by two young men, and an inconvenient thunderstorm that heralds the production collapse of
1645:
851:
1284:
1933:
567:
1908:
747:
1550:
1183:
694:
1903:
1293:
1135:
972:
1445:
1248:
1923:
1486:
1428:
1518:
844:
644:, Carlo Testa argues that “autobiography wins out over the transposition of literature into film.” Cf. Testa, "Cinecittà and
482:
Film 1 is a television news report: Japanese journalists arrive on the set to interview
Fellini and his crew preparing sets,
1469:
1277:
1938:
1191:
900:
1913:
1357:
1243:
1235:
1227:
1373:
1159:
1079:
1752:
1453:
1436:
1420:
837:
562:
147:
1744:
1696:
1688:
1270:
1127:
723:
1830:
1664:
1606:
1477:
1862:
1854:
1542:
53:
1814:
1574:
1526:
1502:
1060:
1036:
956:
259:
233:
1870:
1012:
1806:
1736:
1704:
1653:
1598:
1103:
543:
491:
343:
255:
87:
1822:
1893:
1712:
1020:
964:
462:
755:
1790:
1381:
1329:
1151:
1111:
627:
588:
420:
359:
310:
105:
1262:
528:
subsumes all three films, making them cohere into the
Maestro’s portrait of himself and cinema.
1720:
1199:
1119:
980:
924:
813:
483:
328:
1637:
1566:
1461:
1321:
1217:
996:
940:
860:
702:
426:
374:
298:
206:
91:
63:
49:
39:
1782:
1412:
1087:
1044:
884:
667:
538:
515:
218:
1760:
1494:
876:
672:
115:
1887:
1838:
1798:
1313:
1175:
1028:
932:
435:
304:
276:
with an attack by bogus
Indians on horseback wielding television antennae as spears.
268:
239:
95:
486:, searching for actors, inspecting photographs, and shooting screen tests. Fellini,
221:
for a news report on his latest film, Fellini takes the viewer behind the scenes at
1672:
1590:
1582:
1365:
1167:
1143:
662:
487:
447:
386:
337:
263:
83:
541:, based on 12 reviews with an average rating of 6.9/10. The film ranked second on
506:
222:
1846:
1534:
892:
322:
243:
230:
28:
829:
1774:
1728:
1558:
1222:
916:
908:
1404:
1004:
988:
824:
818:
807:
1510:
1095:
1337:
948:
510:
1266:
833:
356:
Maria Teresa
Battaglia as Recruited Actress at Train Station
478:
threads four films into one or a film-within-four-films:
246:. with whom he had conducted his very first interview.
1625:
1392:
1301:
1210:
1071:
868:
474:Blurring the line between documentary and fiction,
365:
Roberta
Carlucci as Recruited Actress in the Subway
186:
178:
168:
129:
121:
111:
101:
79:
69:
59:
45:
35:
21:
266:’s house where she and Mastroianni re-live their
748:"15th Moscow International Film Festival (1987)"
505:Film 3 is the making of a non-existent movie at
779:Burke, Frank and Marguerite R. Waller (2002).
1278:
845:
8:
1681:Life as a Fatal Sexually Transmitted Disease
695:"Cahiers du Cinema: Top Ten Lists 1951-2009"
781:Federico Fellini: Contemporary Perspectives
407:Faustone Signoretti as CinecittĂ Gate Guard
1929:Films with screenplays by Federico Fellini
1646:Spotted Dog Running at the Edge of the Sea
1285:
1271:
1263:
852:
838:
830:
392:Alessandro Marino as CinecittĂ Director #1
27:
18:
1919:Films about film directors and producers
453:Roberto Ceccacci as Production Assistant
580:
568:15th Moscow International Film Festival
621:Olivier Curchod, "Intervista: J'Ă©cris
537:The film has a 75% approval rating on
395:Armando Marra as CinecittĂ Director #2
380:Adriana Facchetti as Star's Assistant
205:) is a 1987 Italian film directed by
7:
783:. Toronto: Toronto University Press.
1551:The Abandoned Field: Free Fire Zone
1184:Cameriera bella presenza offresi...
444:Stefano Corsi as Assistant Director
398:Mario Miyakawa as Japanese Reporter
279:Back inside Studio 5 at CinecittĂ ,
1899:Films directed by Federico Fellini
1294:Moscow International Film Festival
650:Fellini: Contemporary Perspectives
459:Clarita Gatto as "Fellinian" Woman
14:
456:Piero Vivaldi as Fellini's Driver
404:Patrizia Sacchi as Make-up Artist
371:Lionello Pio Di Savoia as Aurelio
250:the sets for the film version of
1446:The White Bird Marked with Black
1250:How Strange to Be Named Federico
724:"Festival de Cannes: Intervista"
334:Nadia Ottaviani as Vestal Virgin
1487:We All Loved Each Other So Much
1429:Confessions of a Police Captain
648:: Fellini Interviews Kafka" in
450:as Androgenic Actress / Herself
401:Francesca Reggiani as Secretary
1934:Films scored by Nicola Piovani
973:Fellini: A Director's Notebook
561:40th Anniversary Prize at the
441:Delia D'Alberti as Script Girl
1:
1123:("The Miracle" segment, 1948)
550:Top 10 Films of the Year List
368:Umberto Conte as Photographer
1909:1980s Italian-language films
1192:The Bandit of Tacca Del Lupo
786:Ciment, Gilles (ed.)(1988).
524:Film 4 is the movie itself:
262:, a bomb threat, a visit to
410:Rolando De Santis as Chiodo
153:28 September 1987
1955:
1160:The Flowers of St. Francis
793:Fellini, Federico (1987).
790:. Paris: Editions Rivages.
307:as Young Fellini / Himself
217:Interviewed by a Japanese
1904:Italian documentary films
1753:Pete on the Way to Heaven
1454:That Sweet Word: Liberty!
1437:Live Today, Die Tomorrow!
1229:E il Casanova di Fellini?
563:1987 Cannes Film Festival
383:Ettore Geri as Menicuccio
26:
1237:Fellini: I'm a Born Liar
432:Gino Millozza as himself
316:Maurizio Mein as himself
1607:The Descent of the Nine
1519:Christ Stopped at Eboli
1218:Giulietta Masina (wife)
313:as Train Girl / Herself
1924:Films about filmmaking
1831:The Secret of A Leader
1543:O Homem que Virou Suco
1421:We'll Live Till Monday
1136:In the Name of the Law
389:as Actress at Audition
258:in a TV commercial as
1575:Alsino and the Condor
1061:The Voice of the Moon
1037:And the Ship Sails On
957:Juliet of the Spirits
494:appear as themselves.
319:Paola Liguori as Star
260:Mandrake the Magician
138:18 May 1987
1855:No Prior Appointment
1737:Travelling with Pets
1705:The End of a Mystery
1654:Me Ivan, You Abraham
1104:Flesh Will Surrender
797:. Paris: Flammarion.
492:Marcello Mastroianni
377:as No Nudity Actress
344:Marcello Mastroianni
256:Marcello Mastroianni
88:Marcello Mastroianni
54:Gianfranco Angelucci
1939:1980s Italian films
1527:Siete dĂas de enero
1021:Orchestra Rehearsal
965:Spirits of the Dead
728:festival-cannes.com
699:alumnus.caltech.edu
663:"Intervista (1987)"
509:, an adaptation of
463:Domiziano Arcangeli
1914:Films about actors
1660:(No award in 1995)
1252:(2013 documentary)
1231:(1975 documentary)
1152:The Mill on the Po
1112:Bullet for Stefano
589:Alain Finkielkraut
421:Tonino Delli Colli
360:Christian Borromeo
311:Antonella Ponziani
106:Tonino Delli Colli
1881:
1880:
1745:As Simple as That
1721:Dreaming of Space
1629:Golden St. George
1599:A Soldier's Story
1470:The Promised Land
1322:The Naked Island
1260:
1259:
1239:(2002 documentary
981:Fellini Satyricon
925:Nights of Cabiria
693:Johnson, Eric C.
593:Messager européen
544:Cahiers du Cinéma
484:location scouting
329:Antonio Cantafora
194:
193:
75:Pietro Notarianni
16:1987 Italian film
1946:
1638:The Icicle Thief
1630:
1397:
1350:
1349:
1345:
1342:
1306:
1287:
1280:
1273:
1264:
901:Love in the City
861:Federico Fellini
854:
847:
840:
831:
767:
766:
764:
763:
754:. Archived from
744:
738:
737:
735:
734:
720:
714:
713:
711:
710:
701:. Archived from
690:
684:
683:
681:
679:
659:
653:
638:
632:
619:
613:
606:
600:
585:
427:Federico Fellini
415:Cameo/Uncredited
375:Germana Dominici
299:Federico Fellini
207:Federico Fellini
160:
158:
145:
143:
125:Academy Pictures
92:Federico Fellini
64:Federico Fellini
50:Federico Fellini
40:Federico Fellini
31:
19:
1954:
1953:
1949:
1948:
1947:
1945:
1944:
1943:
1884:
1883:
1882:
1877:
1628:
1627:
1621:
1484:
1443:
1395:
1394:
1388:
1347:
1343:
1340:
1338:
1304:
1303:
1297:
1291:
1261:
1256:
1206:
1088:Rome, Open City
1067:
1045:Ginger and Fred
885:The White Sheik
864:
858:
804:
776:
771:
770:
761:
759:
746:
745:
741:
732:
730:
722:
721:
717:
708:
706:
692:
691:
687:
677:
675:
668:Rotten Tomatoes
661:
660:
656:
640:In an essay on
639:
635:
620:
616:
607:
603:
587:Interviewed by
586:
582:
577:
558:
539:Rotten Tomatoes
535:
472:
417:
353:
295:
290:
215:
171:
164:
156:
154:
141:
139:
132:
94:
90:
86:
74:
52:
17:
12:
11:
5:
1952:
1950:
1942:
1941:
1936:
1931:
1926:
1921:
1916:
1911:
1906:
1901:
1896:
1886:
1885:
1879:
1878:
1876:
1875:
1867:
1859:
1851:
1843:
1835:
1827:
1823:The Lord Eagle
1819:
1811:
1803:
1795:
1787:
1779:
1771:
1765:
1757:
1749:
1741:
1733:
1725:
1717:
1709:
1701:
1693:
1685:
1677:
1669:
1661:
1658:
1650:
1642:
1633:
1631:
1623:
1622:
1620:
1619:
1611:
1587:
1563:
1539:
1515:
1495:The Fifth Seal
1491:
1466:
1450:
1425:
1400:
1398:
1390:
1389:
1387:
1386:
1374:The Journalist
1370:
1354:
1334:
1318:
1309:
1307:
1299:
1298:
1292:
1290:
1289:
1282:
1275:
1267:
1258:
1257:
1255:
1254:
1246:
1241:
1233:
1225:
1220:
1214:
1212:
1208:
1207:
1205:
1204:
1196:
1188:
1180:
1172:
1164:
1156:
1148:
1140:
1132:
1124:
1116:
1108:
1100:
1092:
1084:
1080:The Last Wagon
1075:
1073:
1072:As writer only
1069:
1068:
1066:
1065:
1057:
1049:
1041:
1033:
1025:
1017:
1009:
1001:
993:
985:
977:
969:
961:
953:
945:
937:
929:
921:
913:
905:
897:
889:
881:
877:Variety Lights
872:
870:
866:
865:
859:
857:
856:
849:
842:
834:
828:
827:
816:
803:
802:External links
800:
799:
798:
791:
784:
775:
772:
769:
768:
739:
715:
685:
673:Fandango Media
654:
633:
614:
601:
579:
578:
576:
573:
572:
571:
570:: Golden Prize
565:
557:
554:
534:
531:
530:
529:
521:
520:
502:
501:
496:
495:
471:
468:
467:
466:
460:
457:
454:
451:
445:
442:
439:
433:
430:
424:
416:
413:
412:
411:
408:
405:
402:
399:
396:
393:
390:
384:
381:
378:
372:
369:
366:
363:
357:
352:
349:
348:
347:
341:
335:
332:
326:
320:
317:
314:
308:
302:
294:
291:
289:
286:
214:
211:
192:
191:
188:
184:
183:
180:
176:
175:
172:
169:
166:
165:
163:
162:
151:
135:
133:
130:
127:
126:
123:
122:Distributed by
119:
118:
116:Nicola Piovani
113:
109:
108:
103:
102:Cinematography
99:
98:
81:
77:
76:
73:Ibrahim Moussa
71:
67:
66:
61:
57:
56:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1951:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1917:
1915:
1912:
1910:
1907:
1905:
1902:
1900:
1897:
1895:
1892:
1891:
1889:
1873:
1872:
1868:
1865:
1864:
1863:Tres Hermanos
1860:
1857:
1856:
1852:
1849:
1848:
1844:
1841:
1840:
1839:A Siege Diary
1836:
1833:
1832:
1828:
1825:
1824:
1820:
1817:
1816:
1812:
1809:
1808:
1804:
1801:
1800:
1796:
1793:
1792:
1788:
1785:
1784:
1780:
1777:
1776:
1772:
1769:
1766:
1763:
1762:
1758:
1755:
1754:
1750:
1747:
1746:
1742:
1739:
1738:
1734:
1731:
1730:
1726:
1723:
1722:
1718:
1715:
1714:
1710:
1707:
1706:
1702:
1699:
1698:
1694:
1691:
1690:
1686:
1683:
1682:
1678:
1675:
1674:
1670:
1667:
1666:
1665:Marvin's Room
1662:
1659:
1656:
1655:
1651:
1648:
1647:
1643:
1640:
1639:
1635:
1634:
1632:
1626:1989–present
1624:
1617:
1616:
1612:
1609:
1608:
1604:
1601:
1600:
1596:
1593:
1592:
1588:
1585:
1584:
1580:
1577:
1576:
1572:
1569:
1568:
1564:
1561:
1560:
1556:
1553:
1552:
1548:
1545:
1544:
1540:
1537:
1536:
1532:
1529:
1528:
1524:
1521:
1520:
1516:
1513:
1512:
1508:
1505:
1504:
1500:
1497:
1496:
1492:
1489:
1488:
1483:
1480:
1479:
1475:
1472:
1471:
1467:
1464:
1463:
1459:
1456:
1455:
1451:
1448:
1447:
1442:
1439:
1438:
1434:
1431:
1430:
1426:
1423:
1422:
1418:
1415:
1414:
1410:
1407:
1406:
1402:
1401:
1399:
1391:
1384:
1383:
1379:
1376:
1375:
1371:
1368:
1367:
1363:
1360:
1359:
1358:War and Peace
1355:
1352:
1351:
1335:
1332:
1331:
1327:
1324:
1323:
1319:
1316:
1315:
1314:Fate of a Man
1311:
1310:
1308:
1300:
1295:
1288:
1283:
1281:
1276:
1274:
1269:
1268:
1265:
1253:
1251:
1247:
1245:
1242:
1240:
1238:
1234:
1232:
1230:
1226:
1224:
1221:
1219:
1216:
1215:
1213:
1209:
1202:
1201:
1197:
1194:
1193:
1189:
1186:
1185:
1181:
1178:
1177:
1176:Four Ways Out
1173:
1170:
1169:
1165:
1162:
1161:
1157:
1154:
1153:
1149:
1146:
1145:
1141:
1138:
1137:
1133:
1130:
1129:
1125:
1122:
1121:
1117:
1114:
1113:
1109:
1106:
1105:
1101:
1098:
1097:
1093:
1090:
1089:
1085:
1082:
1081:
1077:
1076:
1074:
1070:
1063:
1062:
1058:
1055:
1054:
1050:
1047:
1046:
1042:
1039:
1038:
1034:
1031:
1030:
1029:City of Women
1026:
1023:
1022:
1018:
1015:
1014:
1010:
1007:
1006:
1002:
999:
998:
994:
991:
990:
986:
983:
982:
978:
975:
974:
970:
967:
966:
962:
959:
958:
954:
951:
950:
946:
943:
942:
941:Boccaccio '70
938:
935:
934:
933:La dolce vita
930:
927:
926:
922:
919:
918:
914:
911:
910:
906:
903:
902:
898:
895:
894:
890:
887:
886:
882:
879:
878:
874:
873:
871:
867:
862:
855:
850:
848:
843:
841:
836:
835:
832:
826:
822:
821:
817:
815:
811:
810:
806:
805:
801:
796:
792:
789:
785:
782:
778:
777:
773:
758:on 2013-01-16
757:
753:
749:
743:
740:
729:
725:
719:
716:
705:on 2012-03-27
704:
700:
696:
689:
686:
674:
670:
669:
664:
658:
655:
651:
647:
643:
637:
634:
630:
629:
624:
618:
615:
611:
605:
602:
598:
594:
590:
584:
581:
574:
569:
566:
564:
560:
559:
555:
553:
551:
547:
545:
540:
532:
527:
523:
522:
518:
517:
512:
508:
504:
503:
498:
497:
493:
489:
485:
481:
480:
479:
477:
469:
464:
461:
458:
455:
452:
449:
446:
443:
440:
437:
436:Danilo Donati
434:
431:
428:
425:
422:
419:
418:
414:
409:
406:
403:
400:
397:
394:
391:
388:
385:
382:
379:
376:
373:
370:
367:
364:
361:
358:
355:
354:
350:
345:
342:
339:
336:
333:
330:
327:
324:
321:
318:
315:
312:
309:
306:
305:Sergio Rubini
303:
300:
297:
296:
292:
287:
285:
282:
277:
275:
271:
270:
269:La Dolce Vita
265:
261:
257:
253:
247:
245:
241:
240:Sergio Rubini
237:
236:
232:
226:
224:
220:
212:
210:
208:
204:
200:
199:
189:
185:
181:
177:
173:
167:
152:
149:
137:
136:
134:
131:Release dates
128:
124:
120:
117:
114:
110:
107:
104:
100:
97:
96:Sergio Rubini
93:
89:
85:
82:
78:
72:
68:
65:
62:
58:
55:
51:
48:
46:Screenplay by
44:
41:
38:
34:
30:
25:
20:
1869:
1861:
1853:
1845:
1837:
1829:
1821:
1813:
1805:
1797:
1789:
1781:
1773:
1767:
1759:
1751:
1743:
1735:
1727:
1719:
1711:
1703:
1697:Resurrection
1695:
1689:The Believer
1687:
1679:
1673:Will to Live
1671:
1663:
1652:
1644:
1636:
1614:
1613:
1605:
1602:
1597:
1594:
1591:Come and See
1589:
1581:
1578:
1573:
1570:
1565:
1557:
1554:
1549:
1546:
1541:
1533:
1530:
1525:
1522:
1517:
1509:
1506:
1501:
1498:
1493:
1485:
1481:
1476:
1473:
1468:
1460:
1457:
1452:
1444:
1440:
1435:
1432:
1427:
1419:
1416:
1411:
1408:
1403:
1396:Golden Prize
1380:
1377:
1372:
1366:Twenty Hours
1364:
1361:
1356:
1336:
1328:
1325:
1320:
1312:
1249:
1236:
1228:
1198:
1190:
1182:
1174:
1168:Path of Hope
1166:
1158:
1150:
1144:City of Pain
1142:
1134:
1128:Without Pity
1126:
1118:
1110:
1102:
1094:
1086:
1078:
1059:
1052:
1051:
1043:
1035:
1027:
1019:
1011:
1003:
995:
987:
979:
971:
963:
955:
947:
939:
931:
923:
915:
907:
899:
891:
883:
875:
819:
808:
794:
787:
780:
760:. Retrieved
756:the original
751:
742:
731:. Retrieved
727:
718:
707:. Retrieved
703:the original
698:
688:
676:. Retrieved
666:
657:
649:
645:
641:
636:
626:
622:
617:
609:
604:
596:
592:
583:
542:
536:
525:
514:
488:Anita Ekberg
475:
473:
448:Sophie Hicks
387:Eva Grimaldi
362:as Christian
338:Anita Ekberg
280:
278:
273:
267:
264:Anita Ekberg
251:
248:
234:
227:
216:
202:
197:
196:
195:
170:Running time
161: (Italy)
84:Anita Ekberg
1847:Dogpoopgirl
1535:Camera Buff
1478:Dersu Uzala
1330:Clear Skies
893:I Vitelloni
869:As director
863:filmography
323:Lara Wendel
244:Greta Gonda
174:105 minutes
70:Produced by
36:Directed by
1894:1987 films
1888:Categories
1815:Yuan Shang
1775:Junkhearts
1729:About Sara
1615:Intervista
1559:Teheran 43
1305:Grand Prix
1296:Main Award
1244:2003 book)
1200:Fortunella
1053:Intervista
989:The Clowns
820:Intervista
809:Intervista
795:Intervista
762:2013-02-18
733:2009-07-25
709:2017-12-17
642:Intervista
610:Intervista
597:Intervista
575:References
526:Intervista
476:Intervista
438:as himself
429:as himself
423:as himself
351:Supporting
346:as himself
340:as herself
301:as himself
281:Intervista
201:(English:
198:Intervista
157:1987-09-28
142:1987-05-18
22:Intervista
1503:El puente
1462:Affection
1393:1969–1987
1302:1959–1967
1223:Paparazzi
917:Il bidone
909:La Strada
774:Citations
552:in 1987.
533:Reception
507:CinecittĂ
470:Structure
331:as Spouse
223:CinecittĂ
203:Interview
1807:Daughter
1783:Particle
1768:Las olas
1413:Serafino
1013:Casanova
1005:Amarcord
825:AllMovie
591:for the
465:as Extra
325:as Bride
187:Language
112:Music by
80:Starring
60:Story by
1761:Hermano
1713:Our Own
1603:–
1595:–
1579:–
1571:–
1555:–
1547:–
1531:–
1523:–
1507:–
1499:–
1482:–
1474:–
1458:–
1441:–
1433:–
1417:–
1409:–
1378:–
1362:–
1346:⁄
1326:–
1211:Related
1120:L'Amore
788:Positif
678:11 July
646:Amerika
628:Positif
623:Paludes
516:Amerika
274:Amerika
252:Amerika
235:Amerika
231:Kafka's
219:TV crew
190:Italian
179:Country
155: (
140: (
1874:(2024)
1866:(2023)
1858:(2022)
1850:(2021)
1842:(2020)
1834:(2019)
1826:(2018)
1818:(2017)
1810:(2016)
1802:(2015)
1799:Losers
1794:(2014)
1791:My Man
1786:(2013)
1778:(2012)
1770:(2011)
1764:(2010)
1756:(2009)
1748:(2008)
1740:(2007)
1732:(2006)
1724:(2005)
1716:(2004)
1708:(2003)
1700:(2002)
1692:(2001)
1684:(2000)
1676:(1999)
1668:(1997)
1657:(1993)
1649:(1991)
1641:(1989)
1618:(1987)
1610:(1985)
1586:(1983)
1562:(1981)
1538:(1979)
1514:(1977)
1511:Mimino
1490:(1975)
1465:(1973)
1449:(1971)
1424:(1969)
1385:(1967)
1382:Father
1369:(1965)
1353:(1963)
1333:(1961)
1317:(1959)
1203:(1958)
1195:(1952)
1187:(1951)
1179:(1951)
1171:(1950)
1163:(1950)
1155:(1949)
1147:(1949)
1139:(1949)
1131:(1948)
1115:(1947)
1107:(1947)
1099:(1946)
1096:Paisan
1091:(1945)
1083:(1943)
1064:(1990)
1056:(1987)
1048:(1986)
1040:(1983)
1032:(1980)
1024:(1979)
1016:(1976)
1008:(1973)
1000:(1972)
992:(1970)
984:(1969)
976:(1969)
968:(1968)
960:(1965)
952:(1963)
944:(1962)
936:(1960)
928:(1957)
920:(1955)
912:(1954)
904:(1953)
896:(1953)
888:(1952)
880:(1950)
599:, 228.
556:Awards
148:Cannes
146: (
1871:Shame
1583:Vassa
1405:LucĂa
652:, 199
631:, 168
625:" in
612:, 228
511:Kafka
500:idol.
182:Italy
1567:Amok
997:Roma
814:IMDb
752:MIFF
680:2018
490:and
293:Main
288:Cast
213:Plot
823:at
812:at
513:'s
1890::
949:8½
750:.
726:.
697:.
671:.
665:.
548:s
209:.
1348:2
1344:1
1341:+
1339:8
1286:e
1279:t
1272:v
853:e
846:t
839:v
765:.
736:.
712:.
682:.
546:'
519:.
159:)
150:)
144:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.