176:, he had an organist and friend who was able to play technically difficult music, and to influence the composition. The markings for expression are believed to have been influenced by Straube. Reger dedicated the work to Straube who played the first performance in Breslau on 24 September 1913. The composition was published in November 2013 in Berlin by
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161:, Germany in April and May 1913. He wrote the organ piece with the intent for it to be performed for organ concerts, rather than for church services, called "in grand style" ("ganz groĂźen Stils"). Reger composed the work on a commission for the opening celebrations of a new concert hall in Breslau, the
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which uses eleven of the twelve notes of the chromatic scale. 26 variations are grouped in the sections: a first, intensifying speed and texture, a second as a meditative centre, and a third, again intensifying towards the fugue. He notes Reger's "effective control of pace and excitement".
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heard the work, played by his friend Dalton Baker. When Baker said "that such a work could only have been composed by a 'German philosophical mind'" Willan was challenged to write a composition of the same structure, completed in 1916.
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wrote that the introduction begins with dense chromaticism and flourishing figuration. The passacaglia is based on a
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who played the premiere in
Breslau on 24 September. It was published in November that year in Berlin by
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The Max-Reger-Institute holds Reger's manuscript of the work which was intended for the engraver.
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Max Reger / Introduction, Passacaglia and Fugue for organ in E minor, Op. 127
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Reger revived organ concert music which had become unfashionable. In
580:"Volume I/2-3 Fantasias and fugues, variations, sonatas, suites"
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649:
572:"Introduction, Passacaglia und Fuge e-Moll Op. 127 / fĂĽr Orgel"
225:. Vol. Band 6. Choralfantasien. Wiesbaden/Leipzig/Paris:
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The work is structured in three sections, the introduction, a
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Phantasie ĂĽber den Choral "Ein' feste Burg ist unser Gott"
391:"Reger: Introduction, Variations and Fugue; etc – review"
444:"Introduction, Passacaglia and Fugue in E minor, Op 127"
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Introduction, Passacaglia und Fuge, Op.127 (Reger, Max)
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196:. The variations build in intensity towards the fugue.
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493:(in German) (2 ed.). Kassel: Merseburger Verlag.
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543:"Anmerkungen zu Max Regers Orgelmusik (Teil 1)"
489:Popp, Susanne (2007). Busch, Hermann J. (ed.).
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582:. Max-Reger-Institute. 2016. Archived from
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532:: CS1 maint: location missing publisher (
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836:Variations and Fugue on a Theme by Mozart
806:Variations and Fugue on a Theme by Hiller
625:International Music Score Library Project
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491:Zur Quellenlage der Regerschen Orgelwerk
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137:, composed in 1913 and dedicated to
959:Introduction, Passacaglia and Fugue
638:Max Reger (1873-1916) / Organ Works
109:Introduction, Passacaglia and Fugue
19:Introduction, Passacaglia and Fugue
828:Vier Tondichtungen nach A. Böcklin
118:Introduction, Passacaglia und Fuge
14:
129:, is an extended composition for
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1090:Organ compositions by Max Reger
1:
755:Der Mensch lebt und bestehet
609:. Max-Reger-Institute. 2016.
601:. Max-Reger-Institute. 2016.
574:. Max-Reger-Institute. 2016.
518:Straube, Karl, ed. (1952).
472:(in German). Archived from
153:Reger composed the work in
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520:Briefe eines Thomaskantors
462:Hörnicke, Richard (2015).
192:with 26 variations, and a
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771:Unser lieben Frauen Traum
522:. Stuttgart. p. 236.
389:Clements, Andrew (2013).
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287:Institute biography 2016
1100:Compositions in E minor
1026:Meiningen Court Theatre
1021:Schloss Elisabethenburg
820:Eine romantische Suite
541:Thissen, Paul (2016).
420:humanities.mcmaster.ca
239:The Canadian composer
227:Breitkopf & Härtel
212:Manuscript and edition
178:Ed. Bote & G. Bock
116:
991:Adele Bloesch-Stöcker
932:Drei Choralphantasien
923:Zwei Choralphantasien
700:Gesang der Verklärten
442:Goode, David (2013).
411:Dawes, Chris (2005).
1048:List of compositions
747:Lateinisches Requiem
550:Diocese of Paderborn
362:Institute organ 2016
263:Institute works 2016
223:Sämtliche Orgelwerke
1031:Max-Reger-Institute
733:Die Weihe der Nacht
599:"Music manuscripts"
476:on 11 December 2018
429:on 11 December 2018
996:Caesar Hochstetter
854:Cello Sonata No. 1
724:Geistliche Gesänge
469:Wiesbadener Kurier
229:. pp. 91–147.
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897:Mariae Wiegenlied
692:Drei Chöre, Op. 6
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586:on 2018-12-05
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559:on 2016-07-30
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548:(in German).
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41:Reger in 1913
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950:Zwölf Stücke
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941:Zwölf Stücke
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881:Sechs Lieder
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588:. Retrieved
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424:the original
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400:. Retrieved
396:The Guardian
394:
383:Bibliography
369:
357:
345:
333:
321:
301:, p. 8.
299:Thissen 2016
294:
282:
277:, p. 4.
275:Thissen 2016
270:
238:
222:
221:Reger, Max.
215:
198:
194:double fugue
187:
174:Karl Straube
171:
166:
152:
139:Karl Straube
117:
108:
107:
86:Karl Straube
971:(1915/1916)
954:(1902/1904)
728:(1909–1912)
507:|work=
480:10 December
453:10 December
433:10 December
402:10 December
201:David Goode
190:passacaglia
25:Organ music
1105:Variations
1084:Categories
1036:Reger-Chor
1016:Jenő Zádor
986:Elsa Reger
798:Orchestral
716:Die Nonnen
590:2018-12-04
563:2018-12-04
374:Dawes 2005
350:Goode 2013
248:References
82:Dedication
969:, Op. 145
763:Nachtlied
726:, Op. 110
677:Max Reger
528:cite book
509:ignored (
499:cite book
159:Thuringia
155:Meiningen
135:Max Reger
92:Published
29:Max Reger
952:, Op. 80
943:, Op. 65
934:, Op. 52
925:, Op. 40
899:" (1912)
892:" (1912)
883:, Op. 35
633:AllMusic
67:Composed
874:, Op. 4
847:Chamber
787:Requiem
149:History
127:Op. 127
123:E minor
97: (
72: (
51:E minor
1110:Fugues
1060:Portal
945:(1902)
936:(1900)
927:(1899)
918:(1898)
885:(1899)
876:(1890)
856:(1892)
839:(1914)
831:(1913)
823:(1912)
815:(1910)
809:(1904)
790:(1915)
782:(1915)
774:(1914)
766:(1914)
758:(1914)
742:(1911)
736:(1911)
719:(1909)
711:(1909)
703:(1903)
695:(1892)
684:Choral
607:"1913"
235:Legacy
113:German
907:Organ
864:Songs
557:(PDF)
546:(PDF)
427:(PDF)
416:(PDF)
205:theme
184:Music
131:organ
121:) in
534:link
511:help
482:2018
455:2018
435:2018
404:2018
99:1913
95:1913
74:1913
70:1913
58:Opus
169:).
133:by
62:127
47:Key
27:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
