Knowledge (XXG)

Invention of Knowledge

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273:, a German independent record label, suggested that he work with Anderson roughly "four or five years ago", but it did not materialise. Stolt was a fan of Yes music, and Anderson had been one of his long time favourite musicians. The two first met in February 2014 when Anderson performed at Progressive Nation at Sea, a progressive rock-themed cruise voyage, with Stolt and members of Transatlantic as Anderson's backing band performing several Yes songs. The following day, Waber talked to Stolt and felt it was the right time to collaborate with Anderson. Said Stolt, "So it just went from there." 482:, Thom Jurek gave the album four stars out of five. He called the musicians involved a "prog dream team" and praised Anderson's and Stolt's use of their musical abilities and production. The interlocking pieces, he thought, are "brightly orchestrated and lushly illustrated with keyboards and choral vocals". In summary, he cited the album added to the "depth, dimension, and legacy" that Yes established, "but also make plain that the result is forward-thinking 21st century prog, free of overwrought nostalgia or self-indulgence". Chris Roberts reviewed the album for 315:
and make "progressive music", a term that Stolt saw as music that did not sound like it was made in the 1970s, the peak of the progressive rock genre. He had plentiful amount of material written, some of it dating from a decade earlier, that he wished to use for an album, with "certain ones that stand together very well". Stolt wished the album to present music he described as "modern and classical, rock, tribal and orchestrated, grooving and floating ... leaning forward, surprising and also comforting with familiar run-arounds."
366:. Swedish keyboardist Lalle Larsson plays the piano and synthesiser, and five people sing the backing vocals, recorded in March 2015: Daniel Gildenlöw, Nad Sylvan, Anja Obermayer, Maria Rerych and Kristina Westas. Stolt also contributed to some of the backing vocals. At the end of recording, Stolt prepared the album's final mix in February and March 2016. He summarised the recording experience as "a very interesting and rewarding time and the result is just insanely detailed." 291: 326:, who then "rejuvenated the music" with his contributions while keeping the idea behind each piece "intact". By the time Anderson sent his first set of ideas, around twenty minutes of music had been outlined. Anderson added: "It was the music that was in between the songs that captivated me because it gave me the chance to add more song lyrical, vocalising ideas". The two used 343:
in the music open to allow the musicians to incorporate their own ideas into the arrangements. When Stolt had formed an outline of the bass, drums, keyboard and guitar parts, he sent the mix to Anderson, who could then mix some of the tracks on his computer, a process which at times lead to him writing new vocal melodies or lyrics and sending his changes back to Stolt.
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It is not aiming at being new Yes music, just new music – modern and classical, rock, tribal and orchestrated, grooving and floating. Hopefully in the true spirit of progressive – leaning forward, surprising and also comforting with familiar run-arounds. We've been "inventing" as we go along - Jon is
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and "laying all the instruments" to form a demo version of the album that was more detailed than a usual demo recording. To him it sounded "almost" like a completed album, but it required musicians to play the already written material in real time within a studio. He intentionally left specific areas
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for a promotional photo shoot for the album. He added: "We spoke over the phone a bit, but we knew what we wanted without speaking about it". Anderson had a particular interest to produce "long-form music" for the album, to take the listener on a musical "journey". He suggested to Stolt that they try
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magazine, a division of TeamRock. He thought the collaboration between Anderson and Stolt seemed to be "one of those inspired ideas which is almost so obviously bound to work that you fear there's going to be a catch". He nonetheless praised the record, "a beautiful album that's effectively the best
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is formed of three extended suites: "Invention of Knowledge", "Knowing" and "Everybody Heals", and a single track, "Know...". The first part of "Invention of Knowledge", titled "Invention", was the first piece of music written exchanged between Anderson and Stolt for the project. It originated from
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Around a month after the cruise, InsideOutMusic got in touch with Anderson with the proposal of a "progressive rock type of project" with Stolt and financed by the label. Both musicians then agreed to collaborate and record an album; Stolt recalled a formal contract was not ironed out until around
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of both worlds. There's no sense of cagey compromise or polite deference, and both artists extend themselves freely, exploring and expressing vast swathes of musical terrain". He compared the music to the 1970s era of Yes music with Anderson's first solo album,
277:"six or seven months" into the project when the two felt they had a substantial amount of good material. "After a couple of weeks, of months, you could see that this could actually be something", said Stolt, and signed, with Anderson, a two-album record deal. 309:
on an "off and on" basis, a process that lasted for around eighteen months. Both would take time away to work on other projects, and resume work on the album fresh. Following their initial meeting on the cruise, Anderson only met Stolt once more in
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an endless source of new ideas. We've been bouncing ideas back and forth for months and as a result there are probably dozens of versions of these songs. It's been a very interesting and rewarding time and the result is just insanely detailed.
245:. Anderson and Stolt discussed the idea of performing the album live on tour, but no tour for the album was mounted. As of 2023, the collaboration between the two artists appears to have concluded and no further releases are planned. 381:, rhythmic strings, cellos" idea, combined with several ideas by English musician Neil Campbell of the Bulbs, who Anderson befriended and also contributed to the writing of "Everybody Heals" and Golden Light". 511:
Music is always the driving force in my life. Working with such a wonderful musician as Roine Stolt made the creation of this album very unique, we are very excited with the release of
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The album's lyrics were penned by Anderson, who spoke of its general idea: "The invention of our understanding of the world around us". Several themes are addressed, such as
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Anderson and Stolt discussed the idea of performing the album live on tour "many times" during its recording, though ultimately no such tour materialized.
1423: 1096: 1539: 1656: 1527: 1914: 1591: 1551: 1563: 1834: 1973: 1503: 1257: 1937: 362:, bassist Michael Stolt (Roine's brother) and drummer Felix Lehrmann are past or current members of Stolt's progressive rock band 354:, who played keyboards on Yes' 2001 tour, flew to Sweden from the United States to record his sections on piano, synthesiser, and 211:-themed cruise, and the two decided to record an album. The recording process involved Anderson recording ideas in demo form in 1451: 1696: 1473: 1122: 1910: 346:
After the writing process, Stolt hand picked ten additional musicians to record the additional parts at Fenix Studios in
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Much of the album's recording process involved Anderson recording a lyrical and music idea in demo form from his home in
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was first released for CD and digital download on 24 June. Its release for CD in North America followed on 8 July 2016.
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received some positive reviews from critics. It charted in several countries, and reached number 58 on the
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Roche, Peter (15 June 2016). "Jon Anderson and Roine Stolt join forces on cerebral new album". Examiner.
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was nominated for a Progressive Music Award for Album of the Year at the 2016 awards.
1957: 1932: 1688: 1497: 1495: 355: 72: 1665: 1398:"Anderson/Stolt – Invention of Knowledge (Album Review) (by Contributor Prog Nick)" 786: 569: 534: 339: 196: 119: 1477: 1375: 805: 792: 573: 351: 311: 224: 200: 136: 87: 1895: 1062: 319: 258: 212: 207:. The project originated in 2014 after Anderson had performed with Stolt on a 68: 1201:"Former Yes frontman to perform in St. Charles as part of AndersonPonty Band" 808:– Yamaha C7 grand piano, Fender Rhodes piano, Hammond B-3 organ, synthesizers 385: 331: 330:
to record their parts that were converted and worked on in the studio using
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received several positive reviews from critics. In his positive review for
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Anderson is an English singer-songwriter and musician, formerly of the
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In the summer of 2014, Anderson and Stolt began writing and recording
1424:"JON ANDERSON & ROINE STOLT TEAM UP FOR 'INVENTION OF KNOWLEDGE'" 851:
Roine Stolt – production, mixing at Cosmic Lodge, February–March 2016
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Anderson, Stolt, Campbell, Joseph Cowell, Andy Maslivec, Marty Snape
1295:(Media notes). Anderson/Stolt. Inside Out Music. 2016. IOMSECD 460. 38: 1576:"Offiziellecharts.de – Anderson / Stolt – Invention of Knowledge" 1504:"Jon Anderson, Roine Stolt join forces on Invention Of Knowledge" 1258:"Jon Anderson, Roine Stolt join forces on Invention Of Knowledge" 1638: 1634: 1528:"Austriancharts.at – Anderson / Stolt – Invention of Knowledge" 1123:"Jon Anderson on His New Album, Anderson Rabin Wakeman and Yes" 1623: 1592:"Swisscharts.com – Anderson / Stolt – Invention of Knowledge" 1629: 1552:"Dutchcharts.nl – Anderson / Stolt – Invention of Knowledge" 1564:"Lescharts.com – Anderson / Stolt – Invention of Knowledge" 1540:"Ultratop.be – Anderson / Stolt – Invention of Knowledge" 223:
was recorded in Sweden by several musicians, including
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Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman
1452:"Anderson/Stolt: Invention Of Knowledge album review" 261:, and Stolt is a Swedish guitarist and songwriter of 1883: 1864: 1845: 1818: 1799: 1672: 750: 739: 683: 672: 630: 619: 557: 546: 142: 130: 118: 102: 86: 64: 56: 48: 37: 23: 1450: 1318: 1316: 789:– lead and backing vocals, synthesiser, percussion 723:Anderson, Stolt, Campbell, Cowell, Maslivec, Snape 468:After its official announcement on 17 March 2016, 1530:(in German). Hung Medien. Retrieved 7 July 2016. 1230:"Jon Anderson on recording the track "Invention"" 1554:(in Dutch). Hung Medien. Retrieved 6 July 2016. 1542:(in Dutch). Hung Medien. Retrieved 6 July 2016. 1224: 1222: 1220: 1218: 1090: 1088: 1086: 1084: 1082: 1080: 269:. Stolt's record company owner, Thomas Waber of 1426:. InsideOutMusic. 16 March 2016. Archived from 1305:: CS1 maint: others in cite AV media (notes) ( 1153:"Interview with Roine Stolt [06/03/16]" 777:Credits are adapted from the CD's liner notes. 521: 509: 322:and sending the music files online to Stolt in 1650: 1324:"Anderson / Stolt – "Invention of Knowledge"" 1287: 1285: 1283: 1281: 1279: 1277: 1275: 1172: 1170: 8: 1146: 1144: 1142: 1140: 420: 1347: 1345: 1343: 1341: 1116: 1114: 1056: 1054: 1052: 1050: 1979:Progressive rock albums by British artists 1657: 1643: 1635: 1476:. Progressive Music Awards. Archived from 1251: 1249: 1247: 1017: 1015: 1013: 1011: 1009: 1007: 1005: 1003: 892: 395: 29: 20: 1354:"Anderson/Stolt – Invention of Knowledge" 219:, who would develop music based on them. 857:Lars Hallbäck – backing vocals recording 811:Lalle Larsson – grand piano, synthesizer 733: 666: 613: 540: 1326:. Progressive Music Planet. 8 June 2016 999: 18:2016 studio album by Anderson/Stolt 1594:. Hung Medien. Retrieved 6 July 2016. 1566:. Hung Medien. Retrieved 6 July 2016. 1298: 1036: 1025: 820:Michael Stolt – bass guitar, Moog bass 373:Anderson, who had a piece featuring a 401: 334:. Stolt constructed the tracks using 203:. It was released on 24 June 2016 by 7: 215:and sending them online to Stolt in 1835:The Living Tree in Concert Part One 507:About the album, Anderson stated: 1151:Carlton, Justin W. (3 June 2016). 642:Anderson, Kristian Ducharme, Stolt 14: 1938:The Songs of Zamran: Son of Olias 1061:Machayya, Roshan (11 June 2016). 422: 841:Kristina Westas – backing vocals 542:"Invention of Knowledge" (22:52) 441: 436: 431: 426: 421: 289: 1604:"Official Albums Chart Top 100" 1449:Roberts, Chris (15 June 2016). 1232:. The Prog Report. 29 June 2016 835:Anja Obermayer – backing vocals 1378:. The Prog Report. 8 June 2016 872:Per Kristianssen – photographs 866:Eva Toball – artwork assistant 740: 673: 620: 547: 231:, and members of Stolt's band 1: 1911:Anderson Bruford Wakeman Howe 1203:. The Total Scene. 1 May 2016 1177:Barrios, Joel (9 June 2016). 1095:Yates, Henry (23 June 2016). 838:Maria Rerych – backing vocals 817:– bass guitar, backing vocals 358:. Swedish musicians, bassist 1922:An Evening of Yes Music Plus 1769:Survival & Other Stories 1502:Lach, Stef (17 March 2016). 1256:Lach, Stef (17 March 2016). 1121:Ives, Brian (16 June 2016). 987: 972: 960: 948: 936: 924: 912: 854:Jon Anderson – co-production 495:, "without mimicking them". 350:, Sweden. American musician 878:Anders Olsson – photographs 875:Lilian Westin – photographs 832:Nad Sylvan – backing vocals 1995: 881:Hans Froberg – photographs 869:Johnny Taxen – photographs 860:Jonas Reingold – mastering 1974:2016 collaborative albums 1610:. Retrieved 6 July 2016. 1582:. Retrieved 6 July 2016. 977: 965: 953: 941: 929: 917: 905: 898: 895: 884:Erik Edlund – photographs 762:Anderson, Ducharme, Stolt 755: 747: 744: 716: 702: 688: 680: 677: 668:"Everybody Heals" (13:09) 649: 635: 627: 624: 603:Anderson, Campbell, Stolt 596: 582: 562: 554: 551: 409: 406: 147: 143:Anderson/Stolt chronology 28: 1580:GfK Entertainment Charts 1376:"Jon Anderson Interview" 451:Progressive Music Planet 1777:1000 Hands: Chapter One 1608:Official Charts Company 1508:TeamRock (teamrock.com) 172:1000 Hands: Chapter One 1873:Invention of Knowledge 1854:Better Late Than Never 1293:Invention of Knowledge 863:Silas Toball – artwork 823:Felix Lehrmann – drums 526: 517: 513:Invention Of Knowledge 502:Invention of Knowledge 476:Invention of Knowledge 470:Invention of Knowledge 370:Invention of Knowledge 307:Invention of Knowledge 239:Invention of Knowledge 221:Invention of Knowledge 188:Invention of Knowledge 163:Invention of Knowledge 154:Better Late Than Never 24:Invention of Knowledge 1713:In the City of Angels 589:Anderson, Dan Spollen 392:Release and reception 281:Writing and recording 191:is a studio album by 800:Additional musicians 397:Professional ratings 97:neo progressive rock 1964:Jon Anderson albums 1474:"Album Of The Year" 1301:cite AV media notes 968:Schweizer Hitparade 736: 669: 653:"Chase and Harmony" 616: 543: 398: 299:Anderson and Stolt. 75:and Fenix Studios, 1969:Roine Stolt albums 1901:Jon & Vangelis 1846:AndersonPonty Band 1753:Lost Tapes of Opio 1681:Olias of Sunhillow 956:Offizielle Top 100 734: 667: 656:Anderson, Ducharme 614: 541: 492:Olias of Sunhillow 396: 377:, a "very sort of 1951: 1950: 1035:Missing or empty 992: 991: 906:Austrian Albums ( 769: 768: 735:"Know..." (11:13) 730: 729: 709:Anderson, Spollen 692:"Everybody Heals" 663: 662: 615:"Knowing" (17:48) 610: 609: 572:, Neil Campbell, 466: 465: 184: 183: 180: 179: 1986: 1928:Deborah Anderson 1884:Related articles 1819:Anderson/Wakeman 1761:The Promise Ring 1659: 1652: 1645: 1636: 1622:Jon Anderson at 1611: 1601: 1595: 1589: 1583: 1573: 1567: 1561: 1555: 1549: 1543: 1537: 1531: 1525: 1519: 1518: 1516: 1514: 1499: 1490: 1489: 1487: 1485: 1470: 1464: 1463: 1461: 1459: 1454: 1446: 1440: 1439: 1437: 1435: 1420: 1414: 1413: 1411: 1409: 1394: 1388: 1387: 1385: 1383: 1372: 1366: 1365: 1363: 1361: 1349: 1336: 1335: 1333: 1331: 1320: 1311: 1310: 1304: 1296: 1289: 1270: 1269: 1267: 1265: 1253: 1242: 1241: 1239: 1237: 1226: 1213: 1212: 1210: 1208: 1197: 1191: 1190: 1188: 1186: 1174: 1165: 1164: 1162: 1160: 1148: 1135: 1134: 1132: 1130: 1118: 1109: 1108: 1106: 1104: 1092: 1075: 1074: 1072: 1070: 1058: 1045: 1044: 1038: 1033: 1031: 1023: 1019: 918:Belgian Albums ( 893: 829:– backing vocals 827:Daniel Gildenlöw 742: 737: 675: 670: 622: 617: 549: 544: 446: 445: 444: 440: 439: 435: 434: 430: 429: 425: 424: 399: 364:The Flower Kings 340:programmed drums 293: 263:The Flower Kings 255:progressive rock 233:The Flower Kings 229:Daniel Gildenlöw 209:progressive rock 149: 148: 114: 113: 109: 93:Progressive rock 33: 21: 1994: 1993: 1989: 1988: 1987: 1985: 1984: 1983: 1954: 1953: 1952: 1947: 1879: 1860: 1841: 1827:The Living Tree 1814: 1795: 1668: 1663: 1628:Roine Stolt at 1624:JonAnderson.com 1619: 1614: 1602: 1598: 1590: 1586: 1574: 1570: 1562: 1558: 1550: 1546: 1538: 1534: 1526: 1522: 1512: 1510: 1501: 1500: 1493: 1483: 1481: 1480:on 13 July 2016 1472: 1471: 1467: 1457: 1455: 1448: 1447: 1443: 1433: 1431: 1422: 1421: 1417: 1407: 1405: 1396: 1395: 1391: 1381: 1379: 1374: 1373: 1369: 1359: 1357: 1351: 1350: 1339: 1329: 1327: 1322: 1321: 1314: 1297: 1291: 1290: 1273: 1263: 1261: 1255: 1254: 1245: 1235: 1233: 1228: 1227: 1216: 1206: 1204: 1199: 1198: 1194: 1184: 1182: 1181:. 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TeamRock 1037:|url= 995:References 922:Flanders) 908:Ö3 Austria 846:Production 379:John Adams 336:sequencers 320:California 249:Background 213:California 69:California 1697:Animation 979:UK Albums 901:position 773:Personnel 759:"Know..." 748:Writer(s) 681:Writer(s) 639:"Knowing" 628:Writer(s) 555:Writer(s) 386:ley lines 332:Pro Tools 328:Logic Pro 60:2014–2016 1906:Vangelis 1028:cite web 920:Ultratop 480:AllMusic 416:AllMusic 132:Producer 57:Recorded 49:Released 41: by 1705:3 Ships 1484:13 July 1458:13 July 1434:12 July 1408:30 July 1382:12 July 1236:12 July 1207:12 July 1185:12 July 1159:12 July 1129:12 July 1069:12 July 348:Varnhem 176:(2019) 167:(2016) 158:(2015) 77:Varnhem 1876:(2016) 1857:(2015) 1838:(2011) 1830:(2010) 1811:(2011) 1780:(2019) 1772:(2011) 1764:(1997) 1756:(1996) 1748:(1996) 1745:Toltec 1740:(1995) 1732:(1994) 1724:(1994) 1716:(1988) 1708:(1985) 1700:(1982) 1692:(1980) 1684:(1976) 1360:9 July 1330:9 July 1264:9 July 1103:9 July 889:Charts 751:Length 684:Length 631:Length 558:Length 410:Rating 407:Source 324:Sweden 217:Sweden 103:Length 81:Sweden 65:Studio 1915:album 1721:Deseo 765:11:10 745:Title 678:Title 645:10:31 625:Title 552:Title 454:10/10 257:band 120:Label 88:Genre 1808:Open 1785:True 1515:2020 1486:2016 1460:2016 1436:2016 1410:2016 1384:2016 1362:2016 1332:2016 1307:link 1266:2016 1238:2016 1209:2016 1187:2016 1161:2016 1131:2016 1105:2016 1071:2016 1041:help 949:183 944:SNEP 925:115 899:Peak 726:3:30 712:2:03 698:7:36 659:7:17 606:6:30 592:6:41 578:9:41 485:Prog 338:and 265:and 199:and 1896:Yes 1800:EPs 988:58 983:OCC 973:26 961:18 937:56 913:61 741:No. 674:No. 621:No. 548:No. 259:Yes 1960:: 1606:. 1506:. 1494:^ 1400:. 1340:^ 1315:^ 1303:}} 1299:{{ 1274:^ 1246:^ 1217:^ 1169:^ 1139:^ 1113:^ 1079:^ 1049:^ 1032:: 1030:}} 1026:{{ 1002:^ 985:) 970:) 958:) 946:) 934:) 910:) 756:9. 717:8. 703:7. 689:6. 650:5. 636:4. 597:3. 583:2. 563:1. 537:. 388:. 235:. 227:, 112:04 108:65 95:, 79:, 71:, 1917:) 1913:( 1792:) 1658:e 1651:t 1644:v 1517:. 1488:. 1462:. 1438:. 1412:. 1386:. 1364:. 1334:. 1309:) 1268:. 1240:. 1211:. 1189:. 1163:. 1133:. 1107:. 1073:. 1043:) 1039:( 981:( 515:. 110::

Index


Studio album
California
United States
Varnhem
Sweden
Genre
Progressive rock
neo progressive rock
Label
InsideOutMusic
Producer
Roine Stolt
Better Late Than Never
1000 Hands: Chapter One
Jon Anderson
Roine Stolt
InsideOutMusic
progressive rock
California
Sweden
Tom Brislin
Daniel Gildenlöw
The Flower Kings
UK Albums Chart
progressive rock
Yes
The Flower Kings
Transatlantic
InsideOutMusic

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