907:(Flunking in Romanian; the title was an ironic reference to the fact that, during his years in high school, his Romanian-language skills had been considered to be below standard). The book scandalized sections of the public opinion, because it minutely depicted the haphazard erotic experiences of an adolescent, and was criticized by Octav Botez for being "monotonous" and "trivial". Nevertheless, critics considered it interesting for the insight it gave into literary disputes of the early 20th century, as well as for its sarcastic comments on the traditionalist figures of the period. Also in 1928, Ion Minulescu was awarded the National Poetry Prize.
936:
33:
795:
644:
At the time, he began cultivating an original style, where the traditional lyrical format was hidden by arbitrary sectioning, which gave his poetry a rhetorical feel. Minulescu was also arguably the first poet in his country to be primordially inspired by cityscapes, which, in one form or another,
891:
also won acclaim from political figures of the day, and was "admired by one of the most subtle of the
Romanian critics." Botez admired the liveliness and bizarre images offered by Minulescu's text, but criticized it for its "cynicism and indecency", as well as for its "deplorable spiritual void."
811:. His pre-World War I poetry became, as he himself admitted, a real commercial success only during the 1920s, when " ran through four consecutive editions"; his reputation as a dramatist was established in 1921, when two of his plays were included in the
688:
character). This last characteristic of his work was the target of criticism from
Lovinescu, who argued that popularity and apparent superficiality had taken a toll on the overall artistic value, and of having discarded traditional Symbolist
786:), whose writing he gave support to, and whom he got acquainted with Symbolist poetry by through the means of his personal library — Fundoianu later expressed his gratitude to Minulescu by dedicating him some of his best-known early poems.
910:
Minulescu's late works were mostly definitive collections of his earlier poetry and prose. In his very last poems, he was moving away from the exuberant forms of
Symbolism, adopting instead an intimate tone. He died from a
493:'s circle, Minulescu's early commitment to Symbolism and his leading presence in the grouping has led to an enduring image of him as the first true Symbolist in his country. This was notably disputed by
693:
while continuing to side with the movement. Overall, Lovinescu continued to attribute the poet the merits "of having been the herald of the
Symbolist movement and, more or less, of having absorbed it".
701:), was turning into mere fashion. Speaking of another side to this trend, Vianu evidenced that, from as early as his debut novel, Minulescu had become the source of "an industry of Minulescian
2038:
2018:
1973:
850:, which he promoted in his capacity as head of the official Art Salon. Zambaccian later recounted that Minulescu was the object of a 1927 farce played by the figurative artist
1978:
2003:
263:
was considered intolerable by his teachers). He left for
Bucharest later in the same year, being signed up for a private school and completing two grades in one year.
326:, engaging in long and entertaining conversations which were to consolidate his fame in Bucharest nightlife. He also became close to Romanian artists present in
1943:
245:
236:). Originally, Minulescu was meant to be born in Slatina, but bad weather prevented his mother from leaving the capital city. Adopted by Ion Constantinescu, a
2028:
1923:
2033:
2023:
2013:
385:
neckties and scarves he wrapped around his neck with a studied negligence (initially, he also grew a long red beard and wore large-brimmed hats).
1928:
1108:
1087:
240:
officer who married
Alexandrina Ciucă, he lived much of his childhood in Slatina and completed his primary and most of his medium studies in
1184:
2008:
1197:
920:
862:; after the piece was received and exhibited, Cosmovici publicized his story in the press, leaving Minulescu in an embarrassing position.
1968:
1908:
574:("Songs for Later On") collection, first published in 1908 and illustrated by his lifelong friend Iser. These came to the attention of
1983:
1903:
1898:
653:
proposed that
Minulescu's use of Romanian was revolutionary through its vocabulary, which broke with both the "archizing tendency of
1998:
1933:
697:
Other of
Minulescu's contemporaries, among them Davidescu, argued that the popular appeal of his poetry (which they referred to as
1913:
1888:
171:
poet, novelist, short story writer, journalist, literary critic, and playwright. Often publishing his works under the pseudonyms
1849:
1963:
877:), it provided a personal chronicle of the war. The book was to prove very successful after first being published in serial by
775:
1958:
1938:
1883:
816:
196:
819:
in 1922, an office he held until 1940. For a short while during the 1930s, he was also chairman of the
National Theatre.
1948:
1918:
544:
Minulescu and Anghel became close friends, and together translated pieces by various French
Symbolists (among others —
1893:
1814:
Emil Manu, "Actualitatea lui Ion Minulescu" ("The Present Interest of Ion Minulescu"), introduction to Ion Minulescu,
681:
858:
by sending the Salon jury a work which Zambaccian called "a painting without any purpose or quality", and signing it
748:
1096:
1075:
812:
339:
1776:
879:
1953:
603:
423:
228:, she was 20 at the time), he was the posthumous child of Tudor Minulescu (a leather salesman who had died on
661:". Such innovation brought Minulescu status as a major influence on younger poets, many of whom — among them
839:
430:
among them. Other cultural figures who came into contact with Minulescu during that period were the writers
335:
316:
486:. Minulescu and Cazaban were to engage in a long polemic, and frequently ridiculed each other in public.
381:. At the time, he drew attention to himself by wearing colorful Bohemian outfits, which included immense
259:
He published his first verses in 1897, while still in high school (at the time, his attempt to publish a
912:
895:
After a long period of concentrating on his theatrical work, Minulescu returned to poetry in 1928, with
634:
1845:
1182:"Restituiri. Un simbolist dobrogean: Al. Gherghel" ("Restitutions. A Dobrujan Symbolist: Al. Gherghel")
823:
483:
378:
374:
1819:
1442:
733:
1993:
1988:
1434:
1331:
1326:
988:
827:
587:
490:
479:
471:
331:
200:
32:
935:
851:
558:
549:
1804:("Songs for Later On and Other Poems"), Editura pentru literatură, Bucharest, 1967, p. V-XLX.
1783:
1562:, p.264-266; Matei Călinescu, p. XIX-XX, XXIV-XXV, XL-XLII; Manu, p.6, 8; Vianu, p.374-375, 378–379
752:
553:
494:
351:
312:
304:
280:
276:
272:
498:
1181:
575:
467:
415:
394:
288:
1797:
1209:
1192:
586:("In the City with Three Hundred Churches"), which he called "a priceless thing". According to
1833:
1805:
1446:
1205:
1112:
1104:
1083:
617:
403:
382:
355:
292:
260:
229:
163:
1800:, "Prefață" ("Introduction"), "Tabel cronologic" ("Chronological Table"), in Ion Minulescu,
870:
779:
658:
506:
455:
451:
419:
225:
188:
137:
1868:
1791:
1201:
1188:
874:
843:
831:
729:
725:
709:
recalled that his first successful writing had been a piece which mocked Minulescu's poem
677:
650:
534:
439:
407:
389:
366:
91:
poet, playwright, short story writer, novelist, literary critic, journalist, civil servant
676:
His language was vivacious and abrupt, owing much to the inspiration Minulescu sought in
252:, who would also become known as a Symbolist writer: the two edited the school magazine
1100:
1079:
924:
799:
772:
764:
706:
670:
654:
598:
for the End of the World"), was directly influenced by Minulescu's work in free verse.
530:
463:
447:
435:
359:
308:
300:
284:
1327:"La un şvarţ cu capşiştii" ("Having a Coffee Substitute with the Crowd at Casa Capşa")
669:— later moved towards more radical forms of modernism. The latter group also included
625:
signature. During the period, he began drawing inspiration from his numerous trips to
354:. Among the key moments of his life in Paris was meeting, through the intervention of
1877:
807:
760:
666:
545:
459:
443:
431:
427:
399:
347:
237:
146:
916:
847:
744:
718:
638:
510:
411:
296:
249:
115:
501:, and contended that Minulescu only adopted "Symbolist settings and ceremonials".
370:
570:
In 1906, Minulescu began publishing the poems that would form his highly popular
1825:
1103:, Adriana Paul and Eva Foster – Australian-Romanian Academy Publishing – 2020 –
756:
740:
538:
502:
343:
256:, which only published a few issues before being closed down by the headmaster.
192:
168:
141:
611:(in 1912), and, in 1911, began publishing theater reviews in magazines such as
1040:
855:
794:
645:
was to become the setting for the vast majority of his works. The influential
475:
241:
204:
180:
835:
685:
646:
630:
518:
514:
398:(a self-styled Symbolist magazine), and attended the Kübler Coffeehouse and
221:
71:
55:
637:
to chant the sea in song"). This trend was to inspire his former colleague
1072:
Testament – 400 Years of Romanian Poetry – 400 de ani de poezie românească
842:, he was present at the major 1925 exhibit showcasing the work of painter
362:— according to Minulescu, Moréas urged him to write his poetry in French.
1344:
Botez, p.327; Matei Călinescu, p. IX, XVII, XLVI; Zambaccian, Chapter VII
526:
522:
1837:
1809:
1450:
1589:
Lovinescu, in Manu, p.6; rendered partially in Matei Călinescu, p. XXII
903:, "Verses for Everyone"). He also published an autobiographical novel,
768:
690:
626:
702:
595:
579:
233:
127:
123:
1832:("Romanian Writers"), Vol. III, Editura Minerva, Bucharest, 1971.
1504:
Matei Călinescu, p. XVIII, XXVI-XXVII; Manu, p.6; Vianu, p.376-379
1247:
Botez, p.327; Matei Călinescu, p. VII-VIII, XLVI; Vianu, p.374-375
793:
365:
Upon his return, he was briefly employed by the Administration of
327:
184:
119:
662:
732:
in 1910, on 11 April 1914; she later gave birth to a daughter,
224:
to the widow Alexandrina Ciucă (the daughter of a shoemaker in
815:'s season. Minulescu was head of the Art Direction inside the
1770:
Octav Botez, "Recenzii. Corigent la limba română" ("Reviews.
1624:
1622:
590:, one of Caragiale's own satirical poems of the time, called
615:. Many of his other of his press contributions (notably, in
373:, and began cultivating relations with the local art dealer
747:
society formed around the controversial political activist
1855:, published and hosted by LiterNet; retrieved 16 July 2007
1470:
1468:
1361:
1359:
1082:, Adriana Paul & Eva Foster – Editura Minerva, 2019 –
629:, dedicating several of his most celebrated verses to the
1674:
1672:
1670:
805:
After 1919, he was a regular contributor to Lovinescu's
322:
At the time, Minulescu began exploring his talents as a
1139:
1137:
641:, most of whose poetry was dedicated to marine themes.
517:" Symbolism ("more rhetorical temperaments, displaying
1043:'s Barber or The Voluptuousness of Truth; novel, 1931)
965:(Bronze Masks and Porcelain Fairy Lights; prose, 1920)
713:("The Romance of the Three Romances"), and was titled
402:, the scene of an eclectic gathering of young poets —
755:); the sessions were also attended by, among others,
751:(meeting regularly on Știrbey-Vodă Street, near the
271:
Between 1900 and 1904, Minulescu studied law at the
1790:("The History of Romanian Literature. Compedium"),
985:
Omul care trebuia să moară sau Ciracul lui Hegesias
133:
111:
103:
95:
87:
77:
61:
42:
23:
846:. By then, he had come to give his endorsement to
562:(they were collected in a single volume in 1935).
2039:Deaths by American airstrikes during World War II
1318:
1316:
1292:Matei Călinescu, p. IX-X; Zambaccian, Chapter III
1037:Bărbierul regelui Midas sau Voluptatea adevărului
187:, where he was heavily influenced by the growing
167:; 6 January 1881 – 11 April 1944) was a Romanian
2019:20th-century Romanian dramatists and playwrights
657:" and the "more rural than anything language of
1709:
1707:
1688:
1686:
1684:
1491:
1489:
1394:
1392:
1353:Matei Călinescu, p. IX; Zambaccian, Chapter VII
1093:Romanian Poetry from its Origins to the Present
778:. It was there that he met with the young poet
388:Minulescu began publishing verses and prose in
275:, during which period he was an avid reader of
1974:Chairpersons of the National Theatre Bucharest
633:(according to Vianu, he was "the first one in
1701:Botez, p.326; Matei Călinescu, p. XLVIII-XLIX
203:, and was among the first local poets to use
8:
1373:
1371:
1173:
1171:
1169:
1167:
953:(The House with Orange Windows; prose, 1908)
1571:Matei Călinescu, p. XXI-XXII; Manu, p.5, 6
537:(" more intimate natures, cultivating the
31:
20:
1979:Romanian civilians killed in World War II
736:(who was to become a well-known artist).
2004:Romanian male dramatists and playwrights
1802:Romanțe pentru mai târziu și alte poezii
1066:Presence in English-language anthologies
934:
1853:("The Recordings of an Art Aficionado")
1462:Matei Călinescu, p. XIII-XIV, XV, XLVII
1124:
1099:(editor and principal translator) with
1095:– bilingual edition English/Romanian –
1078:(editor and principal translator) with
997:(The Sentimental Mannequin; play, 1926)
963:Măști de bronz și lampioane de porțelan
899:("Confessions" — later included in his
869:("Red, Yellow and Blue") — a novel and
1655:Minulescu, in Matei Călinescu, p. XVII
1453:; commented in Matei Călinescu, p. XIV
939:Ion Minulescu on a 2001 Romanian stamp
680:(giving some of his lyrics an overtly
1869:Romanian Voice: Ion Minulescu – Poems
1788:Istoria literaturii române. Compendiu
1425:Caragiale, in Matei Călinescu, p. XIV
1033:(Read Them at Nighttime; prose, 1930)
959:(Conversing with Myself; poems, 1913)
505:argued that Minulescu, together with
267:Paris sojourn and return to Bucharest
162:
7:
1944:Symbolist dramatists and playwrights
987:(The Man Who Was Supposed to Die or
817:Ministry of Arts and Religious Cults
601:He edited the short-lived magazines
199:, he had a major influence on local
1055:(3, and with Rezeda 4; novel, 1933)
1015:(Flunking in Romanian; novel, 1928)
981:(Red, Yellow and Blue; novel, 1924)
919:, as Bucharest was the target of a
279:and Symbolist literature (works by
179:(the latter being derived from the
2029:20th-century Romanian male writers
1061:(Uncle Zaharia's Wife; play, 1937)
1027:(Verses for Everyone; poems, 1930)
673:, himself a major Symbolist poet.
584:În oraşul cu trei sute de biserici
578:, who wrote back from his home in
14:
1924:Romanian male short story writers
1749:Matei Călinescu, p. XVI-XVII, XLX
1598:Vianu, in Matei Călinescu, p. XII
1021:(The Anonymous Lover; play, 1928)
947:(Songs for Later On; poems, 1909)
739:Before and after the outbreak of
497:, who attributed the position to
2034:20th-century Romanian memoirists
2024:20th-century short story writers
1229:Matei Călinescu, p. VI, XLV-XLVI
489:Despite having been preceded by
474:, as well as the visual artists
197:Romania's own Symbolist movement
2014:20th-century Romanian novelists
1851:Însemnările unui amator de artă
1664:Matei Călinescu, p. XVI, XLVIII
1049:(The Wingless Dove; play, 1931)
873:named after the colours of the
854:— the latter protested against
767:. The Minulescu family fled to
743:, the poet began attending the
566:Innovative poetry and influence
1822:, Bucharest, 1986, p. 5–9
1780:, No.2-3/1929, p. 326–327
1616:Matei Călinescu, p. XV, XLVIII
1483:Matei Călinescu, p. XVI, XLVII
1407:Matei Călinescu, p. XIII, XLVI
1386:George Călinescu, in Manu, p.5
592:Litanie pentru sfârșitul lumii
1:
1722:Matei Călinescu, p. XVI, XLIX
1646:Matei Călinescu, p. XVIII-XIX
971:(The Storks Are Leaving) and
16:Romanian writer (1881 - 1944)
1929:Romanian short story writers
1731:Matei Călinescu, p. XLIX-XLX
1607:Matei Călinescu, p. XII-XIII
232:, probably as a result of a
2009:20th-century Romanian poets
1310:Matei Călinescu, p. X, XLVI
1238:Manu, p.7; Vianu, p.374-375
1220:Matei Călinescu, p. VI, XLV
724:Minulescu married the poet
717:("The Romance of the Three
556:), which were published in
346:, as well as to the actors
2055:
1969:University of Paris alumni
1909:Romanian magazine founders
1628:Matei Călinescu, p. XLVIII
1256:Matei Călinescu, p. VII, X
1152:Matei Călinescu, p. V, XLV
1003:(Confessions; poems, 1927)
951:Casa cu geamuri portocalii
921:large-scale Allied bombing
813:National Theatre Bucharest
715:Romanța celor trei sarmale
711:Romanța celor trei romanțe
1984:Burials at Bellu Cemetery
1904:Romanian magazine editors
1899:Romanian literary critics
1637:Matei Călinescu, p. XVIII
1445:, Bucharest, 1974, p.66.
1416:Matei Călinescu, p. XLVII
1025:Strofe pentru toată lumea
945:Romanțe pentru mai târziu
901:Strofe pentru toată lumea
621:) were printed under the
572:Romanțe pentru mai târziu
30:
1999:20th-century translators
1934:Romanian theatre critics
1772:Corigent la limba română
1301:Matei Călinescu, p. IX-X
1274:Matei Călinescu, p. VIII
1161:Matei Călinescu, p. V-VI
1013:Corigent la limba română
991:' Hanger-On; play, 1924)
979:Roșu, galben și albastru
905:Corigent la limba română
889:Roșu, galben și albastru
867:Roșu, galben și albastru
790:Interwar and later years
749:Alexandru Bogdan-Pitești
582:a praise of Minulescu's
248:. He was a colleague of
246:Ion Brătianu High School
164:[iˈonminuˈlesku]
1914:Romanian male novelists
1889:Romanian civil servants
1758:Matei Călinescu, p. XLX
1540:Matei Călinescu, p. XIV
1522:Lovinescu, in Manu, p.6
1474:Matei Călinescu, p. XVI
1365:Zambaccian, Chapter VII
1283:Zambaccian, Chapter III
1059:Nevasta lui Moș Zaharia
957:De vorbă cu mine însumi
865:In 1924, he issued his
840:Jean Alexandru Steriadi
728:, whom he had met at a
336:Jean Alexandru Steriadi
160:Romanian pronunciation:
1964:Writers from Bucharest
1678:Zambaccian, Chapter XI
1265:Matei Călinescu, p. VI
1074:– bilingual edition –
995:Manechinul sentimental
940:
802:
340:Cecilia Cuțescu-Storck
191:movement and Parisian
1143:Matei Călinescu, p. V
1007:Allegro ma non troppo
938:
797:
424:Ștefan Octavian Iosif
1959:Romanian avant-garde
1939:Romanian translators
1884:Romanian art critics
1200:3 March 2016 at the
1187:4 March 2016 at the
1047:Porumbița fără aripi
923:, and was buried in
604:Revista Celor L'alți
541:of the sentiment").
491:Alexandru Macedonski
317:Comte de Lautréamont
201:modernist literature
1949:Symbolist novelists
1919:Romanian male poets
525:"), as opposed to "
313:Maurice Maeterlinck
273:University of Paris
183:), he journeyed to
1894:Romanian humorists
1558:George Călinescu,
941:
803:
776:occupied Bucharest
576:Ion Luca Caragiale
521:and a book-driven
468:Corneliu Moldovanu
289:Charles Baudelaire
1846:Krikor Zambaccian
1794:, Bucharest, 1983
1435:Şerban Cioculescu
1332:Jurnalul Naţional
1325:Daniela Şontică,
1109:978-0-9953502-8-1
1088:978-973-21-1070-6
1031:Cetiți-le noaptea
885:Viața Românească'
828:Ștefan Dimitrescu
824:Krikor Zambaccian
684:and occasionally
588:Șerban Cioculescu
513:, represented a "
484:Alexandru Satmari
404:Alexandru Cazaban
375:Krikor Zambaccian
356:Demetrios Galanis
332:Gheorghe Petrașcu
293:Aloysius Bertrand
261:literary magazine
153:
152:
134:Literary movement
37:Minulescu in 1934
2046:
1867:
1844:
1830:Scriitori români
1820:Editura Eminescu
1816:Versuri și proză
1784:George Călinescu
1777:Viața Românească
1759:
1756:
1750:
1747:
1741:
1738:
1732:
1729:
1723:
1720:
1714:
1711:
1702:
1699:
1693:
1690:
1679:
1676:
1665:
1662:
1656:
1653:
1647:
1644:
1638:
1635:
1629:
1626:
1617:
1614:
1608:
1605:
1599:
1596:
1590:
1587:
1581:
1578:
1572:
1569:
1563:
1556:
1550:
1549:Vianu, p.379-380
1547:
1541:
1538:
1532:
1529:
1523:
1520:
1514:
1511:
1505:
1502:
1496:
1493:
1484:
1481:
1475:
1472:
1463:
1460:
1454:
1443:Editura Eminescu
1432:
1426:
1423:
1417:
1414:
1408:
1405:
1399:
1396:
1387:
1384:
1378:
1375:
1366:
1363:
1354:
1351:
1345:
1342:
1336:
1335:, 28 August 2006
1324:
1320:
1311:
1308:
1302:
1299:
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1254:
1248:
1245:
1239:
1236:
1230:
1227:
1221:
1218:
1212:
1204:, 8/2003, p.12.
1179:
1175:
1162:
1159:
1153:
1150:
1144:
1141:
1132:
1129:
1053:3 și cu Rezeda 4
880:Viața Românească
871:political satire
784:Benjamin Fondane
753:Cișmigiu Gardens
734:Mioara Minulescu
554:Henri de Régnier
507:Al. T. Stamatiad
495:George Călinescu
452:Mihail Sadoveanu
420:N. N. Beldiceanu
377:and the painter
305:Tristan Corbière
281:Gérard de Nerval
166:
161:
68:
52:
50:
35:
21:
2054:
2053:
2049:
2048:
2047:
2045:
2044:
2043:
1954:Symbolist poets
1874:
1873:
1865:
1862:
1842:
1798:Matei Călinescu
1792:Editura Minerva
1767:
1762:
1757:
1753:
1748:
1744:
1739:
1735:
1730:
1726:
1721:
1717:
1712:
1705:
1700:
1696:
1691:
1682:
1677:
1668:
1663:
1659:
1654:
1650:
1645:
1641:
1636:
1632:
1627:
1620:
1615:
1611:
1606:
1602:
1597:
1593:
1588:
1584:
1579:
1575:
1570:
1566:
1557:
1553:
1548:
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883:. According to
844:Theodor Pallady
832:Nicolae Tonitza
792:
780:Barbu Fundoianu
730:masquerade ball
726:Claudia Millian
651:Eugen Lovinescu
568:
535:Demostene Botez
480:Friedrich Stork
472:Alfons Castaldi
470:, the composer
440:Eugen Lovinescu
408:Dimitrie Anghel
390:Ovid Densusianu
379:Nicolae Dărăscu
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852:Jean Cosmovici
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707:Victor Eftimiu
705:"; the writer
699:Minulescianism
671:George Bacovia
635:our literature
607:(in 1908) and
567:
564:
550:Charles Guérin
531:George Bacovia
464:Victor Eftimiu
448:Gala Galaction
436:Liviu Rebreanu
309:Jules Laforgue
301:Emil Verhaeren
285:Arthur Rimbaud
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22:
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1740:Vianu, p.382
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1495:Vianu, p.375
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1398:Vianu, p.386
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1009:(play, 1927)
1006:
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973:Lulu Popescu
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944:
917:World War II
913:heart attack
909:
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848:abstract art
821:
806:
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745:Germanophile
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639:Al. Gherghel
622:
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569:
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539:minor scales
511:N. Davidescu
488:
412:Panait Cerna
393:
387:
383:four-in-hand
364:
323:
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297:Jehan Rictus
270:
258:
253:
250:Al. Gherghel
219:
176:
173:I. M. Nirvan
172:
155:
154:
145:
116:lyric poetry
81:I. M. Nirvan
67:(1944-04-11)
18:
1994:1944 deaths
1989:1881 births
1826:Tudor Vianu
1513:Manu, p.7-8
1115:2020-907831
757:N. D. Cocea
741:World War I
682:sentimental
665:'s founder
559:Sămănătorul
523:neuroticism
503:Tudor Vianu
416:Andrei Naum
395:Vieața Nouă
369:Domains in
360:Jean Moréas
358:, the poet
344:Camil Ressu
193:Bohemianism
169:avant-garde
142:Avant-garde
96:Nationality
1878:Categories
1765:References
1041:King Midas
1001:Spovedanii
897:Spovedanii
856:modern art
808:Sburătorul
771:after the
623:Koh-i-Noor
529:" such as
527:Moldavians
515:Wallachian
476:Iosif Iser
400:Casa Capșa
315:, and the
254:Luceafărul
216:Early life
205:free verse
177:Koh-i-Noor
147:Sburătorul
88:Occupation
83:Koh-i-Noor
49:1881-01-06
1580:Manu, p.6
1560:Compendiu
1531:Manu, p.8
1377:Manu, p.5
1210:1221-8855
860:Popa Kely
836:Oscar Han
798:Grave in
686:burlesque
647:modernist
631:Black Sea
519:exoticism
371:Constanța
222:Bucharest
211:Biography
189:Symbolist
138:Symbolism
107:1904–1944
72:Bucharest
56:Bucharest
1198:Archived
1185:Archived
1111: ;
782:(future
678:romanzas
655:Eminescu
618:Viitorul
277:Romantic
220:Born in
99:Romanian
78:Pen name
1838:7431692
1810:6434366
1774:"), in
1451:6890267
1194:Biblion
915:during
719:Sarmale
691:elitism
649:critic
627:Dobruja
324:causeur
242:Pitești
226:Slatina
1836:
1808:
1449:
1208:
1107:
1086:
989:Hesias
703:parody
659:Coșbuc
609:Insula
596:Litany
580:Berlin
552:, and
482:, and
466:, and
426:, and
342:, and
234:stroke
128:satire
124:memoir
104:Period
1329:, in
1191:, in
1120:Notes
931:Works
822:With
613:Rampa
367:Royal
328:Paris
185:Paris
120:drama
112:Genre
1834:OCLC
1806:OCLC
1447:OCLC
1206:ISSN
1113:LCCN
1105:ISBN
1084:ISBN
838:and
769:Iași
763:and
721:").
663:Dada
594:("A
533:and
509:and
350:and
175:and
62:Died
43:Born
392:'s
319:).
244:at
1880::
1848:,
1828:,
1818:,
1786:,
1706:^
1683:^
1669:^
1621:^
1488:^
1467:^
1441:,
1437:,
1391:^
1370:^
1358:^
1315:^
1166:^
1136:^
927:.
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830:,
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446:,
442:,
438:,
434:,
422:,
418:,
414:,
410:,
406:,
338:,
334:,
330:—
311:,
307:,
303:,
299:,
295:,
291:,
287:,
283:,
207:.
126:,
122:,
118:,
1039:(
158:(
51:)
47:(
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