2022:
88:
120:, were made practical by technological contributions at IRCAM. For instance, researchers at IRCAM have developed a special microphone capable of isolating each of the cello's four strings for separate amplification or electronic treatment. Along with tools for sound synthesis and analysis, IRCAM has played an instrumental role in developing programs for visualization of musical form with the creation of
436:
2373:
2017:
40:
127:
IRCAM provides classes to train composers in music technology. Composers who do not have programming experience to create the technology end of a piece for ensemble and electronics are provided with an assistant who helps them to realise technically intensive parts of the piece. The assistant will
410:
IRCAM software is distributed via a subscription-based Forum. As of 2011, IRCAM Forum has 534 members including individual artists and art institutions around the world. IRCAM Forum members gather yearly at IRCAM for workshops regarding new technologies developed at IRCAM and elsewhere. IRCAM has
183:, specialised in contemporary classical music, where each performer could be called upon to perform solo literature or ensemble literature. The Ensemble InterContemporain has been a model for many large ensembles in Europe, for example the
111:
at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with
128:
follow the conceptual advice of a composer with no technology experience to realize a computer part, or will help a composer who can program in Max/MSP to make their "patch" more efficient and elegant.
395:'s 2008 piece, "Speakings", a composition based on emulating speech patterns and inflections. Orchidée is capable of computing the complex combinatorial possibilities of an orchestra based on
2455:
391:
Orchidée is developed as a tool to aid in orchestral composition in which musical scores using traditional instruments are generated by imitating a target input sound. It is used in
237:. 1990 Ircam established the Cursus Program for young Composers, a training in Computer Music and Composition. In 1992 Boulez, who then became honorary director, was succeeded by
2435:
2169:
59:, English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of
1749:
1717:
281:
to have been created with close to 1000 hours of recorded music and over 2,000 scientific articles available online, in addition to its physical collections of
2576:
2520:
2199:
2184:
1282:
1560:
2561:
2290:
2149:
2021:
1278:
2556:
2063:
252:
became the new head of the institute. On 1 January 2006, Stiegler became
Director of Cultural Development at the Centre Pompidou and was replaced by
2440:
2174:
1893:
2551:
293:
2541:
307:
33:
1842:
2515:
2495:
2220:
1793:
483:
221:
was finished, and IRCAM opened in 1977. From the outset, Boulez was in charge of the institute. The initial administrators included
2505:
156:
Apart from electroacoustic programmes, IRCAM has programmes in contemporary classical music. It has disseminated music of post
2566:
2425:
2283:
1731:
461:
1615:
1388:
588:
2068:
2058:
1886:
2546:
2420:
1744:
1712:
300:
446:
2256:
2164:
790:
771:
527:
392:
180:
1427:
465:
450:
210:
asked Pierre Boulez to found an institution for research in music. In 1973 the section of the building underneath
2276:
2048:
2581:
2490:
2387:
1946:
1941:
1568:
915:
833:
138:
is an example of a piece realized in this program by a composer with significant technological skill, whereas
2397:
2392:
2215:
1879:
1060:
1030:
148:
required an active and creative role for the technology assistants, such as Barry
Anderson and Ian Dearden.
211:
2571:
1341:
1298:
457:
117:
1648:
2430:
2415:
2303:
2159:
1227:
1158:
1121:
597:
64:
1495:
881:
134:
1286:
944:
761:
253:
2352:
2230:
2189:
1777:
566:
561:
238:
216:
144:
139:
79:. Much of the institute is located underground, beneath the fountain to the east of the buildings.
2327:
1976:
1936:
1303:
1097:
851:
230:
1190:
978:
2510:
1921:
1789:
1163:
1040:
192:
60:
2471:
2362:
2299:
2073:
1335:
1131:
954:
838:
751:
727:
507:
497:
249:
207:
87:
179:
IRCAM has also helped to develop various performance models. A resident ensemble of IRCAM,
2317:
2083:
1966:
891:
871:
717:
651:
517:
365:
346:
337:
188:
184:
104:
68:
2322:
2268:
2078:
2043:
2006:
1991:
1986:
1971:
1961:
1902:
1739:
Manning, Peter (2001). "Institut de
Recherche et Coordination Acoustique/Musique ". In
1241:
1217:
1141:
1070:
1050:
1013:
1003:
814:
707:
697:
687:
677:
657:
624:
612:, for six soloists, chamber ensemble, electronic sounds, and live electronics (1981–84)
342:
326:
278:
226:
173:
169:
129:
113:
108:
76:
313:
Acanthes, a yearly summer festival and series of composition workshops started in 2012
2535:
2372:
2118:
1931:
1740:
1708:
1499:
1180:
1170:
745:
737:
667:
641:
573:
537:
354:
331:
271:
258:
222:
165:
161:
96:
1077:, for solo piano, chamber orchestra, and six-channel computer-processed sound (2001)
2337:
2332:
2249:
2001:
1981:
1916:
1564:
1200:
925:
861:
360:
243:
176:, whose work has been influenced by spectralism, has also been supported by IRCAM.
168:, as well as younger performers and composers. Musical spectralism such as that of
157:
100:
95:
Several concepts for electronic music and audio processing have emerged at IRCAM.
2465:
2357:
2225:
2123:
2088:
1956:
1951:
1799:
1261:
1251:
1087:
578:
435:
385:
282:
234:
72:
1622:
1385:
2347:
1926:
631:
1857:
1844:
991:
987:
983:
524:, versions for piano (1978), magnetic tape (1980), and piano with tape (1980)
277:
Its multimedia library was established in 1996. It is one of the first music
2342:
2144:
2108:
2103:
2093:
1674:
615:
381:
377:
267:
121:
172:, has also received support from IRCAM. Murail taught at IRCAM for a time.
1512:"ISMIR 2002 - 3rd International Conference on Music Information Retrieval"
592:, for clarinet and tape (1985); version for bassoon and electronics (1995)
39:
2113:
1537:
1361:
1224:, an electroacoustic piece based around extended vocal techniques (1986)
1000:, for harp, guitar, cymbalon, contrabass and electronic equipment (2004)
422:) and Flux:: (IRCAM Tools) for the development of proprietary software.
2098:
1996:
1424:
1235:
419:
1829:
Base
Relationnelle d'Articles Hypertextes sur la Musique du 20e Siècle
1728:
2194:
2053:
2016:
17:
1326:(Sound Description Interchange Format), developed at IRCAM and CNMAT
1467:
266:
The creation of IRCAM coincided with the rise of the debates about
67:. It is situated next to, and is organisationally linked with, the
2460:
2154:
2038:
1492:
1329:
937:
804:
Jonathan Harvey: String
Quartet No. 4 with live electronics (2003)
86:
38:
1871:
1764:
Anderson, Julian. 1989. "Désintégrations." Within liner notes to
2450:
2128:
1323:
1311:
602:
2272:
1875:
1826:
1511:
418:
There are also partnerships with companies such as
Cycling 74 (
191:. Many classical contemporary pieces have been written for the
2500:
1590:
941:, opera for six voices, 4X computer, and images (1986–87/1988)
429:
288:
Several international conferences have been held at IRCAM:
905:
for two pianos, two percussionists, and electronics (1997)
1784:
Machover, Todd (ed.). 1984. "Musical
Thought at IRCAM".
71:
in Paris. The extension of the building was designed by
55:
Institut de recherche et coordination acoustique/musique
1818:
1177:, radiophonic opera on texts by Adolfo Moriconi (1992)
514:, musical spectacle for four women and computer (2000)
504:, music theatre for ensemble and electronics (2000–12)
1655:. Department of Electrical & Computer Engineering
1438:
1436:
758:, for twelve mixed voices and magnétic tape (1982–84)
654:: "Hidden", for string quartet and electronics (2014)
558:, spectacle-exposition for tape and diaporama (1977)
2481:
2406:
2380:
2310:
2241:
2208:
2137:
2029:
1909:
1268:, for flute and twenty-four instrumentalists (1979)
376:Some software is being developed at IRCAM, such as
1332:(Studio for Electro Instrumental Music), Amsterdam
1238:, cow bells, MIDI keyboard and electronics (1998)
1788:1, part 1. London: Harwood Academic Publishers.
1430:8 July 2009 at the Portuguese Web Archive, IRCAM
1391:8 July 2009 at the Portuguese Web Archive, IRCAM
1317:Groupe de recherche et d'improvisation musicales
794:, for concrete sounds treated by computer (1980)
768:, for 2 violins, bassoon, and electronics (2008)
299:ISMIR 2002, the 3rd international conference on
1750:The New Grove Dictionary of Music and Musicians
1718:The New Grove Dictionary of Music and Musicians
1707:Anderson, Julian (2001). "Murail, Tristan". In
1561:"Chance Music with Jonathan Harvey (interview)"
551:, opera for voice, orchestras, and tapes (1984)
1277:IRCAM is part of a consortium with Stanford's
2284:
1887:
1167:, version for flute and 6-channel tape (1985)
1027:, for chamber ensemble and electronics (1996)
306:NIME-06, the 6th International Conference on
8:
2521:Studio di fonologia musicale di Radio Milano
1827:
1315:
124:, a Lisp-based visual programming language.
53:
2185:Center for New Music and Audio Technologies
1283:Center for New Music and Audio Technologies
811:, for orchestra and live electronics (2008)
464:. Unsourced material may be challenged and
2516:Studio for Electronic Music (WDR, Cologne)
2291:
2277:
2269:
1894:
1880:
1872:
1279:Center for Computer Research and Acoustics
1128:, for brass quartet and electronics (1994)
932:, for soprano, contrabass and tape (1980)
605:-flute, electronics, and orchestra (1993)
484:Learn how and when to remove this message
1681:(work details) (in French and English).
1400:
1197:, for mixed choir and electronics (1999)
1084:, for orchestra and magnetic tape (1983)
1047:, for thirteen musicians and tape (1990)
724:(1984) for ensemble and live electronics
285:and books on music and related domains.
1781:by Harrison Birtwistle. NMC D050, 1997.
1771:Dearden, Ian. "The Electronic Music of
1442:
1353:
1148:, for soprano and electronics (1995–96)
837:, opera in two acts after the novel by
704:, chamber opera in 43 numbers (1992–93)
294:International Computer Music Conference
195:section of Ensemble InterContemporain.
152:A cultural centre for musical modernism
1214:, for saxophone and electronics (1986)
975:for soprano voice and live electronics
664:, for nine instruments and tape (1991)
534:for ensemble and electronics (1986–87)
1164:Kathinkas Gesang als Luzifers Requiem
1037:, for Ensemble and Electronics (1983)
920:Hasta que caigan las puertas del odio
544:, for clarinet and 4C computer (1980)
308:New Interfaces for Musical Expression
198:There are regular concerts at IRCAM.
34:Institut royal de la culture amazighe
7:
1804:Boulez: Composer, Conductor, Enigma.
1454:
1412:
1362:"openmusic:home [OpenMusic]"
821:, for string quartet and tape (1977)
462:adding citations to reliable sources
380:, AudioSculpt, OMax, Spat, Modalys,
160:modernist musicians such as that of
43:Western façade of the IRCAM building
2577:Music organizations based in France
1559:Bob Shingleton (5 September 2010).
1111:, for six musicians and tape (1978)
858:(2008) for ensemble and electronics
714:(1993) for ensemble and electronics
583:, for violin and electronics (1997)
1649:"Audio File Format Specifications"
1155:, for flute and electronics (1992)
1010:, for chamber ensemble (1993–1994)
778:, for cello and electronics (1994)
411:also created a music file format,
399:such as dynamics and instruments,
25:
2562:Organizations established in 1970
2496:Philips Natuurkundig Laboratorium
2160:Computer Music Center at Columbia
638:for violin and electronics (2006)
2557:Contemporary music organizations
2371:
2020:
2015:
1653:Audio File Format Specifications
1248:, electronic version (1976/1996)
1067:, for contrabass and tape (1982)
434:
2506:San Francisco Tape Music Center
426:Notable works composed at IRCAM
2552:Electronic music organizations
2426:Groupe de Recherches Musicales
1732:University of California Press
968:for piano and live electronics
961:for flute and live electronics
951:, for ensemble and tape (1982)
318:Research and development teams
1:
2542:Research institutes in France
1104:, for soprano and tape (1977)
898:for orchestra and electronics
684:, for soprano and tape (1977)
662:Sur la Nappe d'un étang glacé
83:A centre for musical research
1616:"Ircam Activity Report 2011"
1591:"Accueil | Ircam Forum"
1338:, Rotterdam studio and venue
878:for ensemble and electronics
116:, such as analyses based on
91:IRCAM's machine room in 1989
65:electro-acoustical art music
2421:Electronic Music Foundation
1175:In cielo, in terra, in mare
1094:, for string quartet (1986)
372:Software developed at IRCAM
301:music information retrieval
2598:
2257:Mortuos Plango, Vivos Voco
2165:Experimental Music Studios
801:, for magnetic tape (1990)
791:Mortuos Plango, Vivos Voco
648:, for magnetic tape (1977)
601:, version for two flutes,
589:Dialogue de l'ombre double
248:. In 2002 the philosopher
181:Ensemble InterContemporain
31:
2369:
2049:Composers Desktop Project
2013:
1806:New York: Schirmer Books.
1786:Contemporary Music Review
1775:." Within liner notes to
1386:Software Training Courses
274:in culture and the arts.
29:French research institute
2491:BBC Radiophonic Workshop
1947:Gottfried Michael Koenig
834:The Master and Margarita
403:such as brightness, and
357:and software engineering
2221:Artificial intelligence
2216:Algorithmic composition
1835:(in French and English)
1726:Born, Georgina (1995).
1092:Salome Dances for Peace
336:Musical perception and
118:fast Fourier transforms
1828:
1768:. Montaigne MO 782175.
1425:Concerts, Performances
1342:List of music software
1316:
323:Instrumental acoustics
92:
54:
44:
2567:Renzo Piano buildings
2431:Institute of Sonology
2416:Computer Music Center
2304:electroacoustic music
1493:Chronological History
1159:Karlheinz Stockhausen
1122:Manuel Rocha Iturbide
756:Les Chants de l'Amour
622:, an Irish Circus on
598:...explosante-fixe...
401:perceptual attributes
351:Music representations
212:Place Igor-Stravinsky
90:
42:
1753:. London: Macmillan.
1721:. London: Macmillan.
1299:Elektronmusikstudion
1287:Berkeley, California
1136:Instrumental Studies
1126:Transiciones de Fase
1114:Jean-Claude Risset:
1107:Jean-Claude Risset:
762:Georg Friedrich Haas
522:Çogluotobüsisletmesi
458:improve this section
32:For other uses, see
2195:Oberlin TIMARA Labs
2190:Princeton Sound Lab
1854: /
1778:The Mask of Orpheus
1773:The Mask of Orpheus
1540:. acanthes.ircam.fr
1516:ismir2002.ismir.net
1468:"Pôle documentaire"
1212:Contacts Turbulents
1187:for ensemble (1992)
1065:Incandescent Serene
930:Soft Morning, City!
766:Les temps tiraillés
567:The Mask of Orpheus
562:Harrison Birtwistle
145:The Mask of Orpheus
140:Harrison Birtwistle
2547:Experimental music
2328:Experimental music
1977:Jean-Claude Risset
1937:Giuseppe di Giugno
1858:48.8598°N 2.3513°E
1098:Jean-Claude Risset
1075:The Angel of Death
1008:L'Esprit des dunes
971:Philippe Manoury:
964:Philippe Manoury:
922:, for choir (1977)
852:Panayiotis Kokoras
397:musical attributes
231:Jean-Claude Risset
206:In 1970 President
99:pioneered work on
93:
45:
2529:
2528:
2266:
2265:
2231:Digital synthesis
1922:Richard Boulanger
1675:"Kaija Saariaho:
1498:2 August 2012 at
1232:Mountain Language
1061:Horațiu Rădulescu
1041:Robert H.P. Platz
945:Mesías Maiguashca
908:Magnus Lindberg:
901:Magnus Lindberg:
807:Jonathan Harvey:
797:Jonathan Harvey:
788:Jonathan Harvey:
781:Jonathan Harvey:
556:La Voix des voies
494:
493:
486:
303:, in October 2002
292:ICMC, the yearly
193:chamber orchestra
107:originally wrote
16:(Redirected from
2589:
2375:
2363:Octophonic sound
2353:Musique concrète
2293:
2286:
2279:
2270:
2074:Laptop orchestra
2024:
2019:
1896:
1889:
1882:
1873:
1869:
1868:
1866:
1865:
1864:
1859:
1855:
1852:
1851:
1850:
1847:
1836:
1831:
1822:
1821:
1754:
1735:
1722:
1694:
1693:
1691:
1689:
1671:
1665:
1664:
1662:
1660:
1644:
1638:
1637:
1635:
1633:
1627:
1621:. Archived from
1620:
1612:
1606:
1605:
1603:
1601:
1587:
1581:
1580:
1578:
1576:
1567:. Archived from
1556:
1550:
1549:
1547:
1545:
1538:"Acanthes@IRCAM"
1536:Frank Madlener.
1533:
1527:
1526:
1524:
1522:
1508:
1502:
1490:
1484:
1483:
1481:
1479:
1464:
1458:
1452:
1446:
1440:
1431:
1422:
1416:
1410:
1404:
1398:
1392:
1383:
1377:
1376:
1374:
1372:
1358:
1319:
1307:
1281:(CCRMA) and the
1256:Perfect Stranger
1151:Kaija Saariaho:
1132:Frederic Rzewski
1080:Roger Reynolds:
1023:Emmanuel Nunes:
995:
955:Philippe Manoury
839:Mikhail Bulgakov
748:equipment (1981)
728:Luca Francesconi
508:Georges Aperghis
498:Hanspeter Kyburz
489:
482:
478:
475:
469:
438:
430:
414:
279:hybrid libraries
262:
250:Bernard Stiegler
247:
220:
208:Georges Pompidou
57:
21:
2597:
2596:
2592:
2591:
2590:
2588:
2587:
2586:
2582:Centre Pompidou
2532:
2531:
2530:
2525:
2483:
2477:
2408:
2402:
2376:
2367:
2333:Hyperinstrument
2318:Circuit bending
2306:
2297:
2267:
2262:
2237:
2226:Sound synthesis
2204:
2133:
2084:MIDI controller
2031:
2025:
2011:
1967:Miller Puckette
1905:
1900:
1863:48.8598; 2.3513
1862:
1860:
1856:
1853:
1848:
1845:
1843:
1841:
1840:
1834:
1823:– official site
1817:
1816:
1813:
1761:
1759:Further reading
1738:
1730:. Los Angeles:
1725:
1706:
1698:
1697:
1687:
1685:
1673:
1672:
1668:
1658:
1656:
1646:
1645:
1641:
1631:
1629:
1625:
1618:
1614:
1613:
1609:
1599:
1597:
1589:
1588:
1584:
1574:
1572:
1571:on 24 July 2011
1558:
1557:
1553:
1543:
1541:
1535:
1534:
1530:
1520:
1518:
1510:
1509:
1505:
1491:
1487:
1477:
1475:
1466:
1465:
1461:
1453:
1449:
1441:
1434:
1423:
1419:
1411:
1407:
1399:
1395:
1384:
1380:
1370:
1368:
1366:repmus.ircam.fr
1360:
1359:
1355:
1350:
1301:
1295:
1275:
1191:Alejandro Viñao
981:
892:Magnus Lindberg
882:Michaël Lévinas
872:Philippe Leroux
799:Ritual Melodies
772:Jonathan Harvey
744:, for tape and
718:Lorenzo Ferrero
652:Chaya Czernowin
608:Pierre Boulez:
595:Pierre Boulez:
586:Pierre Boulez:
554:Luciano Berio:
547:Luciano Berio:
528:George Benjamin
518:Clarence Barlow
490:
479:
473:
470:
455:
439:
428:
412:
393:Jonathan Harvey
374:
366:Online services
320:
256:
241:
214:
204:
189:Klangforum Wien
185:Ensemble Modern
154:
135:Désintégrations
105:Miller Puckette
85:
69:Centre Pompidou
37:
30:
23:
22:
15:
12:
11:
5:
2595:
2593:
2585:
2584:
2579:
2574:
2569:
2564:
2559:
2554:
2549:
2544:
2534:
2533:
2527:
2526:
2524:
2523:
2518:
2513:
2511:Studio d'Essai
2508:
2503:
2498:
2493:
2487:
2485:
2479:
2478:
2476:
2475:
2469:
2463:
2458:
2453:
2448:
2443:
2438:
2433:
2428:
2423:
2418:
2412:
2410:
2404:
2403:
2401:
2400:
2395:
2390:
2384:
2382:
2378:
2377:
2370:
2368:
2366:
2365:
2360:
2355:
2350:
2345:
2340:
2335:
2330:
2325:
2323:Computer music
2320:
2314:
2312:
2308:
2307:
2298:
2296:
2295:
2288:
2281:
2273:
2264:
2263:
2261:
2260:
2253:
2245:
2243:
2239:
2238:
2236:
2235:
2234:
2233:
2223:
2218:
2212:
2210:
2206:
2205:
2203:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2147:
2141:
2139:
2135:
2134:
2132:
2131:
2126:
2121:
2116:
2111:
2106:
2101:
2096:
2091:
2086:
2081:
2076:
2071:
2066:
2061:
2056:
2051:
2046:
2041:
2035:
2033:
2027:
2026:
2014:
2012:
2010:
2009:
2007:Iannis Xenakis
2004:
1999:
1994:
1989:
1987:Laurie Spiegel
1984:
1979:
1974:
1972:Roger Reynolds
1969:
1964:
1959:
1954:
1949:
1944:
1939:
1934:
1929:
1924:
1919:
1913:
1911:
1907:
1906:
1903:Computer music
1901:
1899:
1898:
1891:
1884:
1876:
1838:
1837:
1824:
1812:
1811:External links
1809:
1808:
1807:
1797:
1796:ISSN 0749-4467
1782:
1769:
1766:Tristan Murail
1760:
1757:
1756:
1755:
1736:
1723:
1696:
1695:
1666:
1647:Kabal, Peter.
1639:
1628:on 21 May 2013
1607:
1595:forum.ircam.fr
1582:
1551:
1528:
1503:
1485:
1459:
1447:
1432:
1417:
1415:, p. 363, fn3.
1405:
1393:
1378:
1352:
1351:
1349:
1346:
1345:
1344:
1339:
1333:
1327:
1321:
1309:
1294:
1291:
1274:
1271:
1270:
1269:
1259:
1249:
1242:Iannis Xenakis
1239:
1225:
1218:Trevor Wishart
1215:
1210:David Wessel:
1208:
1198:
1188:
1178:
1168:
1156:
1149:
1142:Kaija Saariaho
1139:
1129:
1119:
1112:
1105:
1095:
1085:
1078:
1071:Roger Reynolds
1068:
1058:
1051:Henri Pousseur
1048:
1038:
1028:
1021:
1014:Emmanuel Nunes
1011:
1004:Tristan Murail
1001:
976:
969:
962:
952:
942:
935:Tod Machover:
933:
923:
913:
906:
899:
889:
879:
869:
859:
849:
842:
829:
822:
812:
805:
802:
795:
786:
779:
769:
759:
749:
746:spatialization
735:
725:
715:
708:Karlheinz Essl
705:
698:Pascal Dusapin
695:
688:Jacob Druckman
685:
678:Michel Decoust
675:
665:
658:Edison Denisov
655:
649:
639:
629:
625:Finnegans Wake
613:
606:
593:
584:
571:
559:
552:
545:
535:
525:
515:
505:
492:
491:
442:
440:
433:
427:
424:
373:
370:
369:
368:
363:
358:
352:
349:
340:
334:
329:
327:Room acoustics
324:
319:
316:
315:
314:
311:
310:, in June 2006
304:
297:
254:Frank Madlener
227:Vinko Globokar
203:
200:
174:Kaija Saariaho
170:Tristan Murail
153:
150:
130:Tristan Murail
103:at IRCAM, and
84:
81:
77:Richard Rogers
28:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2594:
2583:
2580:
2578:
2575:
2573:
2572:Pierre Boulez
2570:
2568:
2565:
2563:
2560:
2558:
2555:
2553:
2550:
2548:
2545:
2543:
2540:
2539:
2537:
2522:
2519:
2517:
2514:
2512:
2509:
2507:
2504:
2502:
2499:
2497:
2494:
2492:
2489:
2488:
2486:
2484:organizations
2480:
2473:
2470:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2447:
2444:
2442:
2439:
2437:
2434:
2432:
2429:
2427:
2424:
2422:
2419:
2417:
2414:
2413:
2411:
2409:organizations
2405:
2399:
2396:
2394:
2391:
2389:
2386:
2385:
2383:
2379:
2374:
2364:
2361:
2359:
2356:
2354:
2351:
2349:
2346:
2344:
2341:
2339:
2336:
2334:
2331:
2329:
2326:
2324:
2321:
2319:
2316:
2315:
2313:
2309:
2305:
2301:
2294:
2289:
2287:
2282:
2280:
2275:
2274:
2271:
2259:
2258:
2254:
2252:
2251:
2247:
2246:
2244:
2240:
2232:
2229:
2228:
2227:
2224:
2222:
2219:
2217:
2214:
2213:
2211:
2207:
2201:
2198:
2196:
2193:
2191:
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2143:
2142:
2140:
2136:
2130:
2127:
2125:
2122:
2120:
2119:SuperCollider
2117:
2115:
2112:
2110:
2107:
2105:
2102:
2100:
2097:
2095:
2092:
2090:
2087:
2085:
2082:
2080:
2077:
2075:
2072:
2070:
2067:
2065:
2062:
2060:
2057:
2055:
2052:
2050:
2047:
2045:
2042:
2040:
2037:
2036:
2034:
2028:
2023:
2018:
2008:
2005:
2003:
2000:
1998:
1995:
1993:
1990:
1988:
1985:
1983:
1980:
1978:
1975:
1973:
1970:
1968:
1965:
1963:
1960:
1958:
1955:
1953:
1950:
1948:
1945:
1943:
1942:Charles Dodge
1940:
1938:
1935:
1933:
1932:John Chowning
1930:
1928:
1925:
1923:
1920:
1918:
1915:
1914:
1912:
1908:
1904:
1897:
1892:
1890:
1885:
1883:
1878:
1877:
1874:
1870:
1867:
1833:
1830:
1825:
1820:
1815:
1814:
1810:
1805:
1801:
1798:
1795:
1794:3-7186-0272-5
1791:
1787:
1783:
1780:
1779:
1774:
1770:
1767:
1763:
1762:
1758:
1752:
1751:
1746:
1742:
1741:Stanley Sadie
1737:
1733:
1729:
1724:
1720:
1719:
1714:
1710:
1709:Stanley Sadie
1705:
1704:
1703:
1702:
1684:
1680:
1678:
1670:
1667:
1654:
1650:
1643:
1640:
1624:
1617:
1611:
1608:
1596:
1592:
1586:
1583:
1570:
1566:
1562:
1555:
1552:
1539:
1532:
1529:
1517:
1513:
1507:
1504:
1501:
1500:archive.today
1497:
1494:
1489:
1486:
1473:
1469:
1463:
1460:
1457:, p. 32.
1456:
1451:
1448:
1444:
1439:
1437:
1433:
1429:
1426:
1421:
1418:
1414:
1409:
1406:
1402:
1401:Anderson 2001
1397:
1394:
1390:
1387:
1382:
1379:
1367:
1363:
1357:
1354:
1347:
1343:
1340:
1337:
1334:
1331:
1328:
1325:
1322:
1318:
1313:
1310:
1305:
1300:
1297:
1296:
1292:
1290:
1288:
1284:
1280:
1272:
1267:
1263:
1260:
1257:
1253:
1250:
1247:
1243:
1240:
1237:
1233:
1229:
1226:
1223:
1219:
1216:
1213:
1209:
1206:
1202:
1199:
1196:
1192:
1189:
1186:
1182:
1181:Jukka Tiensuu
1179:
1176:
1172:
1171:Marco Stroppa
1169:
1166:
1165:
1160:
1157:
1154:
1150:
1147:
1143:
1140:
1137:
1133:
1130:
1127:
1123:
1120:
1117:
1113:
1110:
1106:
1103:
1099:
1096:
1093:
1089:
1086:
1083:
1079:
1076:
1072:
1069:
1066:
1062:
1059:
1056:
1055:Liège à Paris
1052:
1049:
1046:
1042:
1039:
1036:
1032:
1029:
1026:
1022:
1019:
1015:
1012:
1009:
1005:
1002:
999:
993:
989:
985:
980:
977:
974:
970:
967:
963:
960:
956:
953:
950:
946:
943:
940:
939:
934:
931:
927:
924:
921:
917:
916:Luca Lombardi
914:
911:
907:
904:
903:Related Rocks
900:
897:
893:
890:
887:
883:
880:
877:
873:
870:
867:
863:
860:
857:
853:
850:
847:
844:York Höller:
843:
840:
836:
835:
831:York Höller:
830:
827:
824:York Höller:
823:
820:
816:
813:
810:
806:
803:
800:
796:
793:
792:
787:
784:
780:
777:
773:
770:
767:
763:
760:
757:
753:
752:Gérard Grisey
750:
747:
743:
739:
738:Rolf Gehlhaar
736:
733:
729:
726:
723:
719:
716:
713:
709:
706:
703:
699:
696:
693:
689:
686:
683:
679:
676:
673:
669:
668:Luis de Pablo
666:
663:
659:
656:
653:
650:
647:
643:
642:John Chowning
640:
637:
633:
630:
627:
626:
621:
617:
614:
611:
607:
604:
600:
599:
594:
591:
590:
585:
582:
580:
575:
574:Pierre Boulez
572:
569:
568:
563:
560:
557:
553:
550:
546:
543:
539:
538:Luciano Berio
536:
533:
529:
526:
523:
519:
516:
513:
509:
506:
503:
499:
496:
495:
488:
485:
477:
467:
463:
459:
453:
452:
448:
443:This section
441:
437:
432:
431:
425:
423:
421:
416:
408:
406:
405:timbre models
402:
398:
394:
389:
387:
383:
379:
371:
367:
364:
362:
359:
356:
355:Free software
353:
350:
348:
344:
341:
339:
335:
333:
332:Music therapy
330:
328:
325:
322:
321:
317:
312:
309:
305:
302:
298:
295:
291:
290:
289:
286:
284:
280:
275:
273:
272:postmodernism
269:
264:
260:
255:
251:
245:
240:
239:Laurent Bayle
236:
232:
228:
224:
223:Luciano Berio
218:
213:
209:
201:
199:
196:
194:
190:
186:
182:
177:
175:
171:
167:
166:Pierre Boulez
163:
162:Luciano Berio
159:
151:
149:
147:
146:
141:
137:
136:
131:
125:
123:
119:
115:
110:
106:
102:
98:
97:John Chowning
89:
82:
80:
78:
74:
70:
66:
62:
58:
56:
49:
41:
35:
27:
19:
2445:
2255:
2250:Illiac Suite
2248:
2242:Compositions
2179:
2030:Programs and
2002:Barry Vercoe
1982:Curtis Roads
1917:Marc Battier
1839:
1803:
1800:Peyser, Joan
1785:
1776:
1772:
1765:
1748:
1745:John Tyrrell
1727:
1716:
1713:John Tyrrell
1700:
1699:
1686:. Retrieved
1682:
1676:
1669:
1657:. Retrieved
1652:
1642:
1630:. Retrieved
1623:the original
1610:
1598:. Retrieved
1594:
1585:
1573:. Retrieved
1569:the original
1565:Future Radio
1554:
1542:. Retrieved
1531:
1519:. Retrieved
1515:
1506:
1488:
1476:. Retrieved
1472:www.ircam.fr
1471:
1462:
1450:
1443:Manning 2001
1420:
1408:
1396:
1381:
1369:. Retrieved
1365:
1356:
1320:), Marseille
1276:
1273:Affiliations
1265:
1255:
1245:
1231:
1221:
1211:
1204:
1201:David Wessel
1194:
1184:
1174:
1162:
1152:
1145:
1135:
1125:
1115:
1108:
1102:Inharmonique
1101:
1091:
1081:
1074:
1064:
1054:
1044:
1035:Kristallwelt
1034:
1031:Michael Obst
1024:
1017:
1007:
997:
972:
965:
958:
948:
936:
929:
926:Tod Machover
919:
909:
902:
895:
885:
875:
865:
862:Barbara Kolb
856:Morphallaxis
855:
845:
832:
825:
818:
808:
798:
789:
782:
775:
765:
755:
741:
731:
721:
711:
701:
691:
681:
671:
661:
645:
636:Double Bind?
635:
623:
619:
609:
596:
587:
577:
565:
555:
548:
542:Chemins ex V
541:
531:
521:
512:Machinations
511:
501:
480:
474:October 2022
471:
456:Please help
444:
417:
409:
404:
400:
396:
390:
375:
361:Sound design
287:
276:
265:
205:
197:
178:
158:World War II
155:
143:
133:
126:
101:FM synthesis
94:
51:
47:
46:
26:
2358:Noise music
2124:TidalCycles
2089:Music Mouse
2032:instruments
1962:Gérard Pape
1957:Max Mathews
1952:Paul Lansky
1861: /
1659:9 September
1575:27 November
1474:(in French)
1308:, Stockholm
1302: [
1285:(CNMAT) in
1262:Hans Zender
1252:Frank Zappa
1088:Terry Riley
1082:Archipelago
1045:Pièce noire
1025:Lichtung II
1020:(1988/1991)
982: [
866:Millefoglie
815:York Höller
283:sheet music
257: [
242: [
235:Max Mathews
215: [
114:spectralism
73:Renzo Piano
61:avant garde
2536:Categories
2381:By country
2348:Microsound
2311:Techniques
2300:Electronic
2209:Techniques
1927:David Cope
1846:48°51′35″N
1632:16 October
1544:7 November
1371:7 November
1348:References
1266:Lo Shu III
1228:James Wood
1018:Lichtung I
979:Yan Maresz
702:To Be Sung
682:Interphone
632:Unsuk Chin
620:Roaratorio
2343:Tape loop
2145:Bell Labs
2109:Riffusion
2104:Radiodrum
2094:Pure Data
1849:2°21′05″E
1455:Born 1995
1413:Born 1995
1195:Epitafios
998:Sul Segno
949:Fmélodies
846:Résonance
809:Speakings
742:Pas à pas
712:Entsagung
692:Animus IV
674:(1980–81)
616:John Cage
445:does not
382:Antescofo
378:OpenMusic
347:synthesis
338:cognition
296:, in 1984
268:modernism
122:OpenMusic
50:(French:
2482:Inactive
2466:Toonzaal
2114:Sonic Pi
1832:(BRAHMS)
1802:. 1976.
1747:(eds.).
1715:(eds.).
1496:Archived
1428:Archived
1389:Archived
1293:See also
819:Antiphon
672:Tornasol
579:Anthèmes
549:Orfeo II
386:Orchidée
343:Analysis
2398:Germany
2099:MUSIC-N
2079:Max/MSP
1997:Trimpin
1992:The Hub
1701:Sources
1600:1 March
1521:1 March
1478:1 March
1246:Psappha
1236:alphorn
1109:Mirages
973:En Echo
959:Jupiter
886:Rebonds
466:removed
451:sources
420:Max/MSP
202:History
52:Ircam,
2474:studio
2468:Studio
2456:SEAMUS
2407:Active
2393:France
2155:CEMAMu
2138:Places
2054:Csound
1910:People
1792:
1688:4 July
1677:NoaNoa
1258:(1984)
1234:, for
1207:(1977)
1205:Antony
1153:NoaNoa
1138:(1977)
1118:(1979)
1116:Songes
1057:(1977)
966:Pluton
912:(1986)
888:(1993)
868:(1985)
848:(1982)
841:(1989)
828:(1978)
785:(1982)
783:Bhakti
776:Advaya
734:(1994)
722:Ombres
694:(1977)
628:(1980)
610:Répons
570:(1986)
532:Antara
233:, and
2461:STEIM
2446:IRCAM
2388:Chile
2180:IRCAM
2150:CCRMA
2059:FAUST
2039:ChucK
1819:IRCAM
1683:IRCAM
1626:(PDF)
1619:(PDF)
1330:STEIM
1306:]
1222:VOX-5
994:]
938:VALIS
826:Arcus
732:Etymo
646:Stria
502:ΟΥΤΙΣ
261:]
246:]
219:]
48:IRCAM
18:Ircam
2472:WORM
2451:NIME
2441:ICMA
2436:ICEM
2338:Loop
2302:and
2175:ICMA
2170:ICEM
2129:UPIC
2069:Kyma
2064:HMSL
2044:Cmix
1790:ISBN
1690:2022
1661:2023
1634:2012
1602:2023
1577:2010
1546:2015
1523:2023
1480:2023
1373:2015
1336:WORM
1324:SDIF
1312:GRIM
1185:Nemo
1146:Lonh
603:MIDI
449:any
447:cite
384:and
270:and
187:and
75:and
63:and
2501:NHK
2200:IEM
896:Joy
460:by
413:.sf
164:or
142:'s
132:'s
109:Max
2538::
1743:;
1711:;
1651:.
1593:.
1563:.
1514:.
1470:.
1435:^
1364:.
1304:sv
1289:.
1264::
1254::
1244::
1230::
1220::
1203::
1193::
1183::
1173::
1161::
1144::
1134::
1124::
1100::
1090::
1073::
1063::
1053::
1043::
1033::
1016::
1006::
996::
992:it
990:;
988:fr
986:;
984:de
957::
947::
928::
918::
910:Ur
894::
884::
874::
864::
854::
817::
774::
764::
754::
740::
730::
720::
710::
700::
690::
680::
670::
660::
644::
634::
618::
581:II
576::
564::
540::
530::
520::
510::
500::
415:.
407:.
388:.
263:.
259:fr
244:fr
229:,
225:,
217:fr
2292:e
2285:t
2278:v
1895:e
1888:t
1881:v
1734:.
1692:.
1679:"
1663:.
1636:.
1604:.
1579:.
1548:.
1525:.
1482:.
1445:.
1403:.
1375:.
1314:(
876:M
487:)
481:(
476:)
472:(
468:.
454:.
345:/
36:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
