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behind Marcus. Leading the charge, Marcus proceeds to get into a fight with a man he suspects of being Le Ténia, who ends up breaking his arm before attempting to rape him. Pierre comes to his rescue and beats the man to death with a nearby fire extinguisher as the man's companion, the actual rapist, watches in amusement. Marcus is carried out of Rectum on a stretcher while Pierre is arrested by police.
440:
Pierre, Alex's ex who is also invited to the party, constantly bickers with Alex over his inability to satisfy her during their relationship, while Marcus expresses disinterest in their squabble. At the party, Marcus gets drunk and takes cocaine, much to Alex's displeasure. She leaves the party, asking Pierre to look after Marcus. Alex descends into a red
613:
of 27 Hz to create a state of nausea and anxiety in the audience, as it is not immediately perceptible to the spectator, but enough to evoke a physical response. Quoting Noé, "You can't hear them, but they make you shiver. In a good cinema with a good audio system, the sound can scare you much
463:
club called Rectum. The men are chased off by other prostitutes; Marcus and Pierre jump into a taxi cab and speed off into the night. When the cab driver doesn't know where Rectum is, Marcus attacks the driver, stealing his vehicle. The two end up finding Rectum, with Pierre reluctantly following
439:
Alex and Marcus, a young couple, wake up together and discuss their relationship, as well as an upcoming party, while in the nude. Alex reveals she had a dream of herself standing in a red tunnel that breaks in two, before taking a pregnancy test that reveals a positive result. On a public train,
589:
camera. The film consists of about a dozen apparently unbroken shots melded together from hundreds of shots. This included the infamous nine-minute-long rape scene, portrayed in a single, unbroken shot. Noé said he had no idea how long the rape scene was going to last, as this was determined by
618:, involves the intentional use of a sub-audible sound to enhance the spectator's experience of a movie, in this case, deliberately making them uncomfortable (although this would only be experienced in a cinema setting as most home speakers would not emit such low frequencies).
2139:
323:, the plot depicts the events of a tragic night in Paris as two men attempt to avenge the brutal rape and beating of the woman they love. The film is made up of a title sequence followed by 13 segments made to look like long takes. Each of these segments is either a
604:
was used in post-production for the penis in the rape scene. Another example is the scene where Pierre beats a man's face and crushes his skull with a fire extinguisher. CGI was used to augment the results, as initial footage using a conventional
2132:
728:
might be the most homophobic movie ever made." Noé's depiction of gay criminal Le Tenia raping the female lead, Alex, remains the film's most controversial image. In his defense, Noé stated, "I'm not homophobic", noting "I also appear in
2125:
745:("cinema of the body"), which according to Palmer includes: an attenuated use of narrative, assaulting and often illegible cinematography, confrontational subject material, and a pervasive sense of social nihilism or despair.
712:
awarded the film three stars out of a possible four. Ebert declared many viewers would find the film unwatchable due to the graphic violence, but he also proposed the film's structure makes it inherently moral rather than an
2148:
664:
after Noe decided to give this version of the film a wider release instead of relegating it to a home release special feature. It was released in Los
Angeles and New York City on 10 February 2023.
455:
left at the scene by the prostitute to locate her. Marcus verbally assaults Concha, the prostitute, and threatens to cut her face open in order to gather that the rapist's name is Le Ténia ("the
672:
Critical response to the film was divided, with some critics panning the film and others considering it one of the year's best. The film holds an approval rating of 59% based on 126 reviews at
783:. It was nominated for the Best Foreign Language Award by the Film Critics Circle of Australia. It was voted Best Foreign Language Film by the San Diego Film Critics Society, tied with
350:. Critical reception was mixed, with praise towards the performances and Noé's direction, but criticism towards its graphic portrayal of violence and rape. American film critic
970:
701:
are any indication, this will be the most walked-out-of movie of 2003." In the same review, Ansen suggested that the film displayed "an adolescent pride in its own ugliness".
451:
After Marcus and Pierre discover Alex being taken away by paramedics, they encounter street criminals Mourad and Layde, who offer to help them find the culprit. They use an
1418:
993:
1042:
1215:
2525:
1781:
Hickin, Daniel. (2011). Censorship, Reception and the Films of Gaspar Noé: The
Emergence of New Extremism in Britain. In T. Horeck & T. Kendall (Eds.),
1387:
2455:
2450:
2369:
689:
Audience reactions to both the rape scene and the murder scene have ranged from appreciation of their artistic merits to leaving the theater in disgust.
594:, who essentially directed the scene, and Jo Prestia, who played her assailant. Noé stated in interviews that during the production of the film he used
1470:
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1608:
867:
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661:
1969:
1419:"Gaspar Noé's 'Irreversible: Straight Cut' Finally Comes To The U.S. In Feb, A Chronological Restoration Of One Of Cinema's Most Infamous Films"
994:"Gaspar Noé's 'Irreversible: Straight Cut' Finally Comes To The U.S. In Feb, A Chronological Restoration Of One Of Cinema's Most Infamous Films"
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642:. It was released in the United Kingdom on 31 January 2003 through Metro Tartan Distribution, and the United States on 7 March 2003 through
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getting attacked by a man. He immediately turns his attention to Alex, anally raping her before savagely beating her into unconsciousness.
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2241:
1697:
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first found financing for the new title after he pitched the story to be told in reverse, in order to capitalize on the popularity of
49:
2485:
2470:
2405:
2410:
686:
critics' poll of the greatest films and in 2016 was listed by critic
Andreas Borcholte as one of the ten best films since 2000.
1518:
2505:
1562:
358:"a movie so violent and cruel that most people will find it unwatchable". A version of the film told in chronological order,
1496:
717:: "By placing the ugliness at the beginning, Gaspar Noe forces us to think seriously about the sexual violence involved."
31:
2475:
2515:
2465:
2420:
2257:
1962:
2540:
2117:
601:
1361:
2510:
1395:
639:
343:
473:, tells a friend that he was arrested for raping his daughter before dismissing the commotion going on outside.
1580:
2440:
2211:
1474:
785:
445:
1807:
Kenny, Oliver. (2020). Beyond
Critical Partisanship: Ethical Witnessing and Long Takes of Sexual Violence.
883:
1955:
609:
dummy proved unconvincing. During the first sixty minutes of its running time, the film uses an extremely
922:
2187:
1043:"Gaspar Noé Says All Directors Are 'Sucking D*cks For Financing' And Women Enjoyed 'Love' More Than Men"
1188:
2345:
2321:
2305:
2034:
1994:
761:
750:
741:
698:
469:
441:
406:
The film's main message which appears at the end of the original cut when the movie transitions to a
1763:
Downing, Lisa. (2004). French Cinema's New 'Sexual
Revolution': Postmodern Porn and Troubled Genre.
2400:
2289:
676:, with an average rating of 6.10/10. The website's critics' consensus states: "Though well-filmed,
2337:
2329:
2042:
2026:
1679:
1343:
1230:
328:
839:
733:, masturbating at the gay club", as a means of showing "I didn't feel superior to gay people".
598:
in order to help him carry the large cameras needed to capture the rotating shots in the film.
2377:
2179:
2171:
2096:
1918:
1842:
1671:
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1303:
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1140:
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873:
714:
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525:
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or a series of shots digitally composited to resemble a continuous shot. The story is told in
1705:
1297:
1257:
1161:
1064:
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2313:
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2273:
2104:
2076:
2018:
1869:
1585:
1335:
900:
682:
304:
150:
2297:
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1907:
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1726:
1576:
1448:
1263:
765:
721:
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591:
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418:
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363:
320:
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110:
102:
126:
1930:
1911:
1895:
1879:
1863:
768:
the film has a 90% approval rating with an average rating of 6.80/10 out of 10 critics.
2353:
2265:
2225:
2010:
1847:
1788:
Keesey, Douglas. (2010). Split identification: Representations of rape in Gaspar Noé's
1216:"Why Gaspar Noé Directed on Cocaine, Masturbated in His Own Film and Shot a Live Birth"
962:
571:
531:
489:
467:
Meanwhile, in a nearby small apartment, a man named the
Butcher, the lead character of
316:
86:
2394:
2068:
1979:
1774:
Grønstad, Asbjørn. (2011). On the
Unwatchable. In T. Horeck & T. Kendall (Eds.),
1347:
807:
680:
feels gratuitous in its extreme violence." The film received three votes in the 2012
562:
543:
407:
339:
324:
308:
62:
1326:
Grønstad, Asbjørn (2007). "Abject Desire: Anatomie de l'enfer and the
Unwatchable".
764:, an alternate and remastered edit of the film presented in chronological order. On
626:
434:, this message—which still appears at the end of the film—differs from the original.
1526:
1193:
507:
17:
939:
1443:
1134:
1117:
1091:
2203:
1923:
1901:
1886:
1548:
958:
705:
694:
615:
351:
331:, with each scene taking place chronologically before the one that precedes it.
171:
48:
1947:
1943:
Le Temps Détruit Tout (Unofficial & International website about Gaspar Noé)
2060:
1891:
1020:
Gaspar Noé talks about his career, including his new film Vortex | BFI Q&A
1018:
610:
582:
501:
1675:
1299:
Spectatorship, Embodiment and
Physicality in the Contemporary Mutilation Film
1609:"'Enter the Void' Director Gaspar Noe Talks Sex, Drugs and Narrative Cinema"
185:
2195:
1339:
334:
Theatrically released in France, the United
Kingdom and the United States,
923:"Irreversible (2003) - International Box Office Results - Box Office Mojo"
1859:
1853:
1557:
1321:
1319:
635:
301:
1836:
1683:
1659:
1752:
Brinkema, Eugenie. (2005). Rape and the Rectum: Bersani, Deleuze, Noé.
638:
in France on 22 May 2002 through Mars Distribution. It competed at the
595:
1163:
Unfinished Business: Screening the Italian Mafia in the New Millennium
1942:
1660:"Style and Sensation in the Contemporary French Cinema of the Body"
1552:
1139:(illustrated ed.). Vanderbilt University Press. p. 161.
625:
614:
more than what's happening on the screen." This technique, called
606:
2149:
San Diego Film Critics Society Award for Best International Film
844:
586:
460:
2121:
1951:
1235:(illustrated ed.). Columbia University Press. p. 83.
779:
won the top award, the Bronze Horse for best film, at the 2002
1815:(2), 164–178. https://doi.org/10.1080/17411548.2020.1778846
1232:
European Nightmares: Horror Cinema in Europe Since the 1945
739:
has been associated with a series of films defined as the
1771:(3), 265–280. https://doi.org/10.1177/009715580401500305
1760:(1), 32–57. https://doi.org/10.1215/02705346-20-1_58-33
697:
stated that "If outraged viewers (mostly women) at the
379:
This summary is in chronological order as it is in the
1362:"IRREVERSIBLE (2002) – I feel dirty and uncomfortable"
1229:
Allmer, Patricia; Huxley, David; Brick, Emily (2012).
1635:
Brutal Intimacy: Analyzing Contemporary French Cinema
1754:
Camera Obscura: Feminism, Culture, and Media Studies
2088:
2053:
1986:
1727:
San Diego Film Critics Society Awards (2003) - IMDb
1497:"The 21st century's 100 greatest films: Who voted?"
646:. It grossed $ 792,200 from theatrical screenings.
276:
268:
245:
237:
215:
191:
181:
156:
146:
138:
119:
95:
76:
68:
58:
41:
1804:(2), 95–107. https://doi.org/10.1386/seci.7.2.95_1
1783:The New Extremism in Cinema: From France to Europe
1776:The New Extremism in Cinema: From France to Europe
1302:(Illustrated ed.). Springer. pp. 84–85.
1093:Guiltless Pleasures: A David Sterritt Film Reader
546:has a cameo as one of the patrons in the Rectum.
1096:. University Press of Mississippi. p. 184.
444:on her way back to the train when she notices a
1785:(pp. 117–129). Edinburgh University Press.
1778:(pp. 192–205). Edinburgh University Press.
415:
391:
1818:Wood, Robin. (2011, April 5). Against and For
1698:"Irreversible: Straight Cut - Rotten Tomatoes"
1189:"'The rape had to be disgusting to be useful'"
2133:
1963:
872:. Appendix: Key Details: Macmillan Palgrave.
8:
1637:. Middleton, CT: Wesleyan University Press.
1122:. ASC Holding Corporation. 2003. p. 20.
1166:. University of Toronto Press. p. 46.
1119:American Cinematographer, Volume 84, No 2–6
2140:
2126:
2118:
1970:
1956:
1948:
1929:
1910:
1894:
1878:
1862:
1846:
47:
38:
630:Bellucci at the 2002 Cannes Film Festival
1473:. British Film Institute. Archived from
953:
951:
799:
662:2019 Venice International Film Festival
537:Stéphane Drouot as the Butcher's friend
1256:Palmer, Tim; Michael, Charlie (2013).
1607:Erickson, Steve (21 September 2010).
1366:Horrornauta - Explorer of the Macabre
895:
893:
781:Stockholm International Film Festival
348:Stockholm International Film Festival
295:
7:
1565:from the original on 1 January 2020.
1519:"Metro Cinema Society: Irréversible"
817:British Board of Film Classification
2526:LGBTQ-related controversies in film
2242:Riding Alone for Thousands of Miles
840:"Irreversible: Straight Cut (2019)"
2456:Films about violence against women
2451:Films about prostitution in France
1704:. 10 February 2023. Archived from
1388:"Festival de Cannes: Irréversible"
1187:Macnab, Geoffrey (1 August 2002).
1069:. Palgrave Macmillan. p. 77.
973:from the original on 29 March 2010
749:has also been associated with the
658:Irréversible – Inversion intégrale
368:Irréversible – Inversion intégrale
25:
2250:The Diving Bell and the Butterfly
1417:Davis, Edward (17 January 2023).
1259:Directory of World Cinema: France
992:Davis, Edward (17 January 2023).
2496:French nonlinear narrative films
866:Palmer, Tim (12 December 2014).
346:and won the Bronze Horse at the
2531:Obscenity controversies in film
1471:"Votes for IRRÉVERSIBLE (2002)"
459:") and that he frequents a gay
2370:All Quiet on the Western Front
1:
2536:Spanish-language French films
2521:Italian-language French films
2501:French rape and revenge films
2446:English-language French films
307:film written and directed by
32:Irreversible (disambiguation)
2461:Films directed by Gaspar Noé
2436:2000s Spanish-language films
2431:2000s Italian-language films
2416:2000s English-language films
1286:Palmer, Tim (2014). p. 88–90
1066:Irreversible – Controversies
1041:Kohn, Eric (6 August 2016).
393:"Time destroys everything" (
2426:2000s French-language films
1826:. http://filmint.nu/?p=1475
1741:Brinkema, Eugenie. (2004).
417:"Time reveals everything" (
2562:
2481:French LGBTQ-related films
1809:Studies in European Cinema
1798:Studies in European Cinema
758:Irreversible: Straight Cut
650:Irreversible: Straight Cut
602:Computer-generated imagery
377:
360:Irreversible: Straight Cut
29:
2546:Transgender-related films
2491:French multilingual films
2155:
1792:and Catherine Breillat's
1664:Journal of Film and Video
1133:Brottman, Mikita (2005).
640:2002 Cannes Film Festival
557:was originally titled as
370:), was released in 2020.
344:2002 Cannes Film Festival
53:Theatrical release poster
46:
2486:French independent films
2471:Films shot in 16 mm film
2406:2002 LGBTQ-related films
1328:Studies in French Cinema
1262:(illustrated ed.).
1090:Sterritt, David (2005).
788:(Les Invasions barbares)
660:) first screened at the
2411:2002 multilingual films
2212:The Barbarian Invasions
1765:French Cultural Studies
786:The Barbarian Invasions
399:"Le temps detruit tout"
1702:www.rottentomatoes.com
1340:10.1386/sfci.6.3.161_1
1296:Wilson, Laura (2015).
657:
631:
522:Michel Gondoin as Mick
513:Mourad Khima as Mourad
446:transgender prostitute
427:
423:"Le temps revele tout"
422:
403:
398:
367:
168:Les Cinémas de la Zone
2506:Homophobia in fiction
2188:The Color of Paradise
1581:"Irreversible Errors"
1553:"How Far Is Too Far?"
1499:. BBC. 23 August 2016
1444:"Irréversible (2002)"
710:The Chicago Sun-Times
704:American film critic
629:
200:22 May 2002
2322:Mountains May Depart
2258:Let the Right One In
1658:Palmer, Tim (2006).
1633:Palmer, Tim (2011).
1160:Renga, Dana (2013).
1063:Palmer, Tim (2014).
944:- Film International
762:Venice Film Festival
751:New French Extremity
699:Cannes Film Festival
668:Reception and legacy
442:pedestrian underpass
297:[iʁevɛʁsibl]
30:For other uses, see
2476:Films shot in Paris
2290:The Kid with a Bike
2061:"We Fuck Alone" in
1794:A ma sœur!/Fat Girl
1708:on 27 December 2023
1613:Wall Street Journal
1477:on 16 February 2017
1392:festival-cannes.com
611:low-frequency sound
585:lightweight Minima
519:Jaramillo as Concha
300:) is a 2002 French
18:Irreversible (film)
2516:Films about incest
2466:Films set in Paris
2421:2000s French films
1978:Films directed by
1824:Film International
1670:(3): 22–32, p.27.
1218:. 29 October 2015.
632:
2541:StudioCanal films
2388:
2387:
2378:Anatomy of a Fall
2172:Life Is Beautiful
2115:
2114:
1644:978-0-8195-6827-4
1398:on 22 August 2011
1368:. 19 January 2023
1309:978-1-137-44438-7
1273:978-1-84150-563-3
1242:978-0-231-85008-7
1173:978-1-4426-1558-8
1146:978-0-8265-1491-2
1103:978-1-57806-780-0
1076:978-1-137-47862-7
961:(14 March 2003).
927:boxofficemojo.com
903:. Box Office Mojo
879:978-0-230-33697-1
820:. 21 October 2002
760:premiered at the
715:exploitation film
683:Sight & Sound
581:was shot using a
567:Christopher Nolan
526:Jean-Louis Costes
338:competed for the
284:
283:
233:
224:
186:Mars Distribution
16:(Redirected from
2553:
2511:Improvised films
2362:Parallel Mothers
2282:Le quattro volte
2142:
2135:
2128:
2119:
2079:7 Days in Havana
1972:
1965:
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1604:
1598:
1597:
1595:
1593:
1579:(7 March 2003).
1577:Edelstein, David
1573:
1567:
1566:
1551:(3 March 2003).
1545:
1539:
1538:
1536:
1534:
1529:on 18 March 2007
1525:. Archived from
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1394:. Archived from
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946:
940:Against and For
937:
931:
930:
919:
913:
912:
910:
908:
897:
888:
887:
882:. Archived from
863:
857:
856:
854:
852:
836:
830:
829:
827:
825:
804:
644:Lions Gate Films
435:
411:
299:
294:
227:
222:
207:
205:
151:Thomas Bangalter
51:
39:
27:2002 French film
21:
2561:
2560:
2556:
2555:
2554:
2552:
2551:
2550:
2391:
2390:
2389:
2384:
2234:Innocent Voices
2167:No Award (1997)
2151:
2146:
2116:
2111:
2084:
2049:
1982:
1976:
1926:
1908:Rotten Tomatoes
1876:Box Office Mojo
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1523:metrocinema.org
1517:
1516:
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1502:
1500:
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1494:
1490:
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1478:
1469:
1468:
1464:
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1452:
1449:Rotten Tomatoes
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1264:Intellect Books
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1209:
1199:
1197:
1186:
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1181:
1174:
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1158:
1154:
1147:
1136:Offensive Films
1132:
1131:
1127:
1116:
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1111:
1104:
1089:
1088:
1084:
1077:
1062:
1061:
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1026:
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986:
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967:Roger Ebert.com
957:
956:
949:
938:
934:
921:
920:
916:
906:
904:
899:
898:
891:
886:on 1 June 2022.
880:
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408:strobe effect
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83:Brahim Chioua
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33:
19:
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2304:
2296:
2288:
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2264:
2256:
2248:
2240:
2232:
2224:
2218:Irréversible
2217:
2216:
2210:
2202:
2194:
2186:
2178:
2170:
2159:
2103:
2095:
2078:
2077:"Ritual" in
2070:
2062:
2041:
2033:
2025:
2017:
2009:
2003:Irréversible
2002:
2001:
1993:
1938:Irreversible
1937:
1919:Irréversible
1917:
1903:Irréversible
1902:
1887:Irréversible
1885:
1871:Irréversible
1870:
1855:Irréversible
1854:
1838:Irréversible
1837:
1823:
1820:Irreversible
1819:
1812:
1808:
1801:
1797:
1793:
1790:Irréversible
1789:
1782:
1775:
1768:
1764:
1757:
1753:
1746:
1745:: A review.
1743:Irréversible
1742:
1722:
1710:. Retrieved
1706:the original
1701:
1692:
1667:
1663:
1653:
1634:
1628:
1616:. Retrieved
1612:
1602:
1590:. Retrieved
1584:
1571:
1556:
1549:Ansen, David
1543:
1531:. Retrieved
1527:the original
1522:
1513:
1501:. Retrieved
1491:
1479:. Retrieved
1475:the original
1465:
1455:23 September
1453:. Retrieved
1447:
1438:
1426:. Retrieved
1423:The Playlist
1422:
1412:
1400:. Retrieved
1396:the original
1391:
1382:
1370:. Retrieved
1365:
1356:
1331:
1327:
1298:
1291:
1282:
1258:
1251:
1231:
1224:
1210:
1198:. Retrieved
1194:The Guardian
1192:
1182:
1162:
1155:
1135:
1128:
1118:
1112:
1092:
1085:
1065:
1058:
1046:. Retrieved
1036:
1025:, retrieved
1019:
1013:
1001:. Retrieved
998:The Playlist
997:
987:
975:. Retrieved
966:
959:Ebert, Roger
942:Irreversible
941:
935:
926:
917:
907:26 September
905:. Retrieved
884:the original
869:Irreversible
868:
861:
849:. Retrieved
843:
834:
822:. Retrieved
815:
810:IRREVERSIBLE
809:
802:
784:
777:Irréversible
776:
775:
757:
755:
747:Irréversible
746:
740:
737:Irréversible
736:
735:
731:Irréversible
730:
726:Irréversible
725:
720:Film critic
719:
709:
703:
690:
688:
681:
678:Irréversible
677:
671:
649:
648:
633:
600:
579:Irréversible
578:
577:
570:
558:
555:Irréversible
554:
553:
541:
508:Fatima Adoum
468:
466:
450:
438:
432:Straight Cut
431:
428:
416:
404:
392:
387:
386:
382:
381:Straight Cut
378:
359:
356:Irréversible
355:
336:Irréversible
335:
333:
288:Irréversible
287:
286:
285:
280:€5.8 million
272:€4.6 million
230:Straight Cut
229:
217:Running time
193:Release date
127:Benoît Debie
42:Irréversible
36:
2338:Shoplifters
2204:Talk to Her
2089:Short films
1927:(in French)
1712:29 December
1503:15 February
1481:15 February
1200:13 February
824:30 December
706:Roger Ebert
695:David Ansen
616:Sensurround
504:as Le Tenia
352:Roger Ebert
311:. Starring
226:86 minutes
221:97 minutes
172:StudioCanal
77:Produced by
59:Directed by
2401:2002 films
2395:Categories
2069:"SIDA" in
2063:Destricted
2035:Lux Æterna
1980:Gaspar Noé
1892:Metacritic
1428:18 January
1402:5 February
1372:30 January
1003:18 January
794:References
753:movement.
587:Super16 mm
583:widescreen
563:Gaspar Noé
550:Production
544:Gaspar Noé
528:as Fistman
502:Jo Prestia
340:Palme d'Or
309:Gaspar Noé
277:Box office
223:(original)
204:2002-05-22
158:Production
142:Gaspar Noé
131:Gaspar Noé
72:Gaspar Noé
69:Written by
63:Gaspar Noé
2274:I Am Love
2105:Sodomites
1676:0742-4671
1348:191568755
1048:23 August
1027:9 October
772:Accolades
756:In 2019,
636:premiered
634:The film
542:Director
510:as Fatima
498:as Pierre
492:as Marcus
246:Languages
160:companies
139:Edited by
2346:Parasite
2298:Drug War
2161:Ridicule
2054:Segments
1924:AlloCiné
1860:AllMovie
1684:20688527
1618:24 April
1592:24 April
1563:Archived
1558:Newsweek
1533:18 March
971:Archived
724:argued "
691:Newsweek
575:(2000).
569:'s film
457:tapeworm
383:version.
305:thriller
147:Music by
96:Starring
2266:Il Divo
1736:Sources
977:28 July
851:19 June
622:Release
596:cocaine
572:Memento
486:as Alex
430:In the
354:called
342:at the
293:French:
261:Spanish
258:Italian
255:English
238:Country
202: (
2381:(2023)
2373:(2022)
2365:(2021)
2357:(2020)
2349:(2019)
2341:(2018)
2333:(2017)
2330:Thelma
2325:(2016)
2317:(2015)
2309:(2014)
2301:(2013)
2293:(2012)
2285:(2011)
2277:(2010)
2269:(2009)
2261:(2008)
2253:(2007)
2245:(2006)
2237:(2005)
2229:(2004)
2221:(2003)
2207:(2002)
2199:(2001)
2196:Amélie
2191:(2000)
2183:(1999)
2175:(1998)
2164:(1996)
2108:(1998)
2100:(1991)
2046:(2021)
2043:Vortex
2038:(2019)
2030:(2018)
2027:Climax
2022:(2015)
2014:(2009)
2006:(2002)
1998:(1998)
1845:
1682:
1674:
1641:
1346:
1306:
1270:
1239:
1170:
1143:
1100:
1073:
876:
654:French
559:Danger
419:French
395:French
364:French
269:Budget
252:French
241:France
2180:Tango
2097:Carne
1747:Scope
1680:JSTOR
1586:Slate
1344:S2CID
812:(18)"
607:latex
2314:Taxi
2019:Love
1843:IMDb
1714:2023
1672:ISSN
1639:ISBN
1620:2016
1594:2016
1535:2007
1505:2017
1483:2017
1457:2022
1430:2023
1404:2012
1374:2023
1304:ISBN
1268:ISBN
1237:ISBN
1202:2022
1168:ISBN
1141:ISBN
1098:ISBN
1071:ISBN
1050:2016
1029:2022
1005:2023
979:2021
909:2018
874:ISBN
853:2024
845:MUBI
826:2012
477:Cast
461:BDSM
374:Plot
1941:on
1922:at
1906:at
1890:at
1874:at
1858:at
1841:at
1336:doi
708:of
693:'s
425:).
401:).
302:art
2397::
2215:/
1822:.
1813:19
1811:,
1800:,
1796:.
1769:15
1767:,
1758:20
1756:,
1700:.
1678:.
1668:58
1666:.
1662:.
1611:.
1583:.
1561:.
1555:.
1521:.
1446:.
1421:.
1390:.
1364:.
1342:.
1330:.
1318:^
1191:.
996:.
969:.
965:.
950:^
925:.
892:^
842:.
814:.
790:.
656::
561:.
453:ID
421::
397::
366::
319:,
315:,
2141:e
2134:t
2127:v
2071:8
1971:e
1964:t
1957:v
1802:7
1749:.
1716:.
1686:.
1647:.
1622:.
1596:.
1537:.
1507:.
1485:.
1459:.
1432:.
1406:.
1376:.
1350:.
1338::
1332:6
1312:.
1276:.
1245:.
1204:.
1176:.
1149:.
1106:.
1079:.
1052:.
1007:.
981:.
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