250:(2008–2009), New Europe College Institute for Advanced Study, Bukarest (2016), and the Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art (2022). She is the recipient of research grants from the German Science Foundation (DFG, 2011-2012), the German Academic Exchange Board (DAAD, 2012-2013, 2014-2015, 2019-2021), the Federal Government Commissioner for Culture and the Media (BKM, 2013, 2015, 2017), and the Australian Research Council (ARC, 2016-2019). In 2021, she was selected as a scout by the Alexander von Humboldt Foundation for the Henriette Herz Scouting Program.
194:“Bauhaus Australia: Émigrés, Refuges, and the Modernist Transformation of Education in Art, Architecture, and Design, 1930–1970” (with Philip Goad, University of Melbourne; Harriet Enquist, Royal Melbourne Institute of Technology; Andrew McNamara, Queensland University of Technology; Ann Stephen, University of Sydney), funded by the Australian Research Council (ARC), 2016–2019
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Her research area is art and art theory of the nineteenth to twenty-first centuries, particularly
European modernism and the historic avant-garde movements, their reception beyond Europe, the role of artists’ networks and other forms of artistic exchange, the emergence and ideologization of abstract
206:“The Reception of German Modernism and the Bauhaus in Australian Art, Architecture, and Art Education between 1920 and 1960,” project-based exchange with Australia, funded by the German Academic Exchange Board (DAAD), 2012–2013
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191:“German-Finnish Artistic Relations and Cultural Exchange in the 20th Century,” project-based exchange with Finland, funded by the German Academic Exchange Board (DAAD), 2019–2021
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200:“German-Portuguese Artistic Relations in the Twentieth Century,” project-based exchange with Portugal, funded by the German Academic Exchange Board (DAAD), 2014–2015
197:“Peripheral Expressionisms,” international research and publication project, funded by the Federal Government Commissioner for Culture and the Media (BKM), 2015–2017
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115:(1993–96). From 1993 to 1996, she was a Visiting Fellow at the Department of Slavic Languages and Literature and at the Institute of Modern Russian Culture of the
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From 1993 to 2001, she lived and worked in Los
Angeles. In 1995–96, she was a Curatorial Fellow at the Robert Gore Rifkind Center for German Expressionism of the
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Ludmila Piters-Hofmann, Isabel Wünsche (eds.), issue on “Artistic
Communities and Educational Approaches in Nineteenth- and Early Twentieth-Century Russia,”
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203:“Collaborative Artists’ Networks: Germany – Croatia,” project-based exchange with Croatia, funded by the German Academic Exchange Board (DAAD), 2014–2015
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209:“The Politics of Abstraction: Modernist Art and Visual Culture in the Globalized World,” funded by the German Science Foundation (DFG), 2011–12
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853:"Review of Harmonie und Synthese: Die russische Moderne zwischen universellem Anspruch und nationaler kultureller Identität, Isabel Wünsche"
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of the Galka
Scheyer Blue Four Collection. In 2000–2001, she curated the permanent exhibition of twentieth-century American Art at the
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in San Marino, California (2003–2004), the Nancy and Norton Dodge
Collection of Nonconformist Art from the Soviet Union, the
908:"Review of Harmonie und Synthese. Die russische Moderne zwischen universellem Anspruch und nationaler kultureller Identität"
104:
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1002:"Review of The Organic School of the Russian Avant-Garde: Nature's Creative Principles. Science and the Arts since 1750"
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447:(with Oliver A. I. Botar), Farnham, UK: Ashgate, 2011; Paperback Edition, Routledge 2016. ISBN 978-3-86732-012-2.
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Harmonie und
Synthese: Die russische Moderne zwischen universellem Anspruch und nationaler kultureller Identität
482:(with Philip Goad, Ann Stephen, Andrew McNamara, Harriet Enquist, Melbourne: Melbourne University Press, 2019).
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Isabel Wünsche, Sebastian
Borkhardt, Tanja Malycheva (eds.), “In Memoriam: Dmitry Vladimirovich Sarabyanov,”
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1040:"Kurchanova on Wünsche, 'The Organic School of the Russian Avant-garde: Nature's Creative Principles'"
947:"Review of The Organic School of the Russian Avant-Garde: Nature's Creative Principles, WünscheIsabel"
1396:
1143:"Review of Kursschwankungen: Russische Kunst im Wertesystem der europäischen Moderne, Isabel Wünsche"
473:(with Wiebke Gronemeyer), Newcastle, UK: Cambridge Scholars Publishing, 2016. ISBN 978-1-4438-9734-1.
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456:(with Paul Crowther), London: Routledge, 2012; Paperback Edition 2016. ISBN 978-0-415-89993-2.
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art, and interrelations between art, science and technology in modern and contemporary art.
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226:(MGU); from 1993 to 1996 she was a recipient of a three-year dissertation grant by the
1065:"Review of Kursschwankungen. Russische Kultur im Wertesystem der europäischen Moderne"
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in Los
Angeles. In 1997, she completed her Ph.D. thesis on the Organic School of the
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Kunst & Leben. Michail
Matjuschin und die russische Avantgarde in St. Petersburg
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1247:"Konferenz "Bauhaus Sammeln": 3 Fragen an Isabel Wünsche, Jacobs University Bremen"
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Konferenz “Bauhaus
Sammeln”: 3 Fragen an Isabel Wünsche, Jacobs University Bremen
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Kursschwankungen : russische Kunst im Wertesystem der europäischen Moderne
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464:(with Tanja Malycheva), Amsterdam: Brill/Rodopi, 2016. ISBN 978-90-04-32897-6.
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Das Kunstkonzept der Organischen Kultur in der Kunst der russischen Avantgarde
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Experiment: A Journal of Russian Culture/Eksperiment: Zhurnal russkoi kultury
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In 2001, Wünsche was appointed Associate Professor of Art and Art History at
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The Organic School of the Russian Avant-garde: Nature’s Creative Principles
1272:"Krach 1991: „Anstrengend, kompliziert, aber ein Höchstmass an Freiheit""
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Krach 1991: „Anstrengend, kompliziert, aber ein Höchstmass an Freiheit”
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Among the research projects and research groups she has organized are:
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399:. Ada Raev, Isabel Wünsche (1. Aufl ed.). Berlin: Lukas. 2007.
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The Routledge Compantion to Expressionism in a Transnational Context
1222:"100 Years On: Revisiting the First Russian Art Exhibition of 1922"
185:“Decolonizing the Avant-garde”, a collaborative research initiative
489:
100 Years On: Revisiting the First Russian Art Exhibition of 1922
246:, North Carolina (2007–2008), the Institute for Advanced Study,
72:
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The Huntington Library, Art Collections, and Botanical Gardens
265:
Galka E. Scheyer & Die Blaue Vier: Briefwechsel 1924–1945
134:
in Pasadena, she worked, from 1997 to 2000, on the Catalogue
142:
in San Marino. She also taught courses on modern art at the
713:
267:(German and Englisch editions, Bern: Benteli Verlag, 2006).
140:
Huntington Library, Art Collections, and Botanical Gardens
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and was awarded a PhD degree from Heidelberg University.
480:: Transforming Education in Art, Architecture and Design
690:"Collecting Bauhaus: 3 questions to … Isabel Wünsche"
502:
Isabel Wünsche, Galka Scheyer und die Blaue Vier, in
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Marianne Werefkin and the Women Artists in Her Circle
492:(with Miriam Leimer), Cologne, Vienna: Böhlau, 2022.
1322:"Wissenschaft persönlich: Prof. Dr. Isabel Wünsche"
565:"Wissenschaft persönlich: Prof. Dr. Isabel Wünsche"
47:
37:
32:
21:
169:); in 2011, she was promoted to Full Professor.
738:"About Us: The Russian Art & Culture Group"
618:Constructor University - Inspiration is a Place
218:In 1990–1991, Wünsche received grants from the
1371:Eine Weltbürgerin, die Brücken zur Kunst baut
8:
1355:Works by Isabel Wünsche in WorldCat Database
1350:Prof. Dr. Isabel Wünsche, Jacobs University
1141:Milner, John; Kwapil, Eva-Viktoria (2009).
1044:HNet: Humanities and Social Sciences Online
240:Rutgers, The State University of New Jersey
1412:Academic staff of Jacobs University Bremen
1382:Attracting International Scientific Talent
374:: CS1 maint: location missing publisher (
18:
504:Sonderdruck der Berner Kunstmitteilungen
228:Gottlieb Daimler- und Karl Benz-Stiftung
79:and Professor of Art and Art History at
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945:Milner, John; Wünsche, Isabel (2017).
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471:: Between Anarchism and Appropriation
7:
1069:Jahrbücher für Geschichte Osteuropas
912:Jahrbücher für Geschichte Osteuropas
807:"Constructor University, Directory"
230:. Wünsche has had fellowships with
188:The Russian Art & Culture Group
1226:Vandenhoeck & Ruprecht Verlage
786:"Fellows of the Center, 1978-2021"
662:Mille, Charlotte de (2011-01-18).
346:. Isabel Wünsche. New York. 2019.
144:California Institute of Technology
16:German art historian and Professor
14:
831:Alexander von Humboldt Foundation
668:. Cambridge Scholars Publishing.
665:Music and Modernism, c. 1849-1950
130:. As Curatorial Associate at the
117:University of Southern California
538:, Stiftung Bauhaus Dessau, 2020.
128:Los Angeles County Museum of Art
1201:Melbourne University Publishing
558:, DW History and Culture, 2024.
506:, Bern: Kunstmuseum Bern, 1997.
159:International University Bremen
1360:Google Scholar: Isabel Wünsche
885:10.5612/slavicreview.70.1.0210
869:10.5612/slavicreview.70.1.0210
714:"Decolonizing the Avant-Garde"
276:. Munich: Wilhelm Fink. 2008.
214:Grants, fellowships and awards
1:
1297:"Russian Berlin in the 1920s"
1197:"Bauhaus Diaspora and Beyond"
81:Constructor University Bremen
1407:Heidelberg University alumni
497:Special editions of journals
173:Research groups and projects
1377:The Spread of Expressionism
1000:Rusnock, K. Andrea (2016).
587:"Biocentrism and Modernism"
555:Russian Berlin in the 1920s
454:: Between Nature and Theory
1428:
1102:Zimmermann, Tanja (2009).
851:Lodder, Christina (2011).
528:Public Media Presentations
244:National Humanities Center
105:Humboldt University Berlin
1365:Das Bauhaus in Australien
694:Bauhaus Dessau Foundation
469:Practices of Abstract Art
444:Biocentrism and Modernism
301:. Cologne: Böhlau. 2012.
62:
28:
568:, Bremen erleben!, 2024.
452:Meanings of Abstract Art
220:Walter Kaminsky Stiftung
152:University of California
75:in Dresden) is a German
1251:Stiftung Bauhaus Dessau
1063:Kämpfer, Frank (2010).
906:Kämpfer, Frank (2010).
242:(2003–2004, 2007), the
224:Moscow State University
109:Moscow State University
1301:DW History and Culture
427:: CS1 maint: others (
167:Constructor University
827:"New scouts selected"
378:) CS1 maint: others (
321:. UK: Ashgate. 2015.
150:, Claremont, and the
113:Heidelberg University
43:Heidelberg University
963:10.1017/slr.2017.136
614:"Directory: Wünsche"
101:Christian Archeology
1276:Dekoder: Krach 1991
236:Zimmerli Art Museum
132:Norton Simon Museum
121:Russian avant-garde
33:Academic background
1006:The Russian Review
254:Major publications
248:Collegium Budapest
1328:(in German). 2024
1303:(in German). 2024
1278:(in German). 2022
1253:(in German). 2020
675:978-1-4438-2819-2
406:978-3-86732-012-2
353:978-1-351-77799-5
328:978-1-4724-3269-8
308:978-3-412-20730-4
283:978-3-7705-4686-2
163:Jacobs University
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1307:2024-04-13
1282:2024-04-13
1257:2024-04-13
1232:2024-04-12
1207:2021-08-13
1075:(3): 439.
1049:2021-12-08
918:(3): 471.
837:2021-12-08
812:2024-04-12
792:2021-12-08
771:2021-08-20
766:www.utu.fi
747:2024-04-10
723:2024-04-10
699:2021-12-08
648:2021-12-08
624:2021-12-08
596:2021-12-08
573:References
523:46 (2019).
362:1049150425
39:Alma mater
1183:163402028
1167:0037-6779
1120:0030-6428
1108:Osteuropa
1081:0021-4019
1018:0036-0341
987:164699478
971:0037-6779
924:0021-4019
893:164542722
877:0037-6779
643:MPAVILION
591:Routledge
423:cite book
415:166763272
370:cite book
222:and from
97:Classical
87:Biography
1373:(German)
1367:(German)
1175:27698008
1128:44935104
1089:41052493
1026:43919649
979:26565139
932:41052518
435:Reviewed
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290:Reviewed
136:Raisonné
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49:Thesis
1179:S2CID
1171:JSTOR
1124:JSTOR
1085:JSTOR
1022:JSTOR
983:S2CID
975:JSTOR
928:JSTOR
889:S2CID
881:JSTOR
259:Books
1163:ISSN
1116:ISSN
1077:ISSN
1014:ISSN
967:ISSN
920:ISSN
873:ISSN
670:ISBN
429:link
411:OCLC
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358:OCLC
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