412:
1492–1892" on the reverse, as well as the denomination and the name of the country. The chairwoman did not request that Peddle provide the Lady
Managers with the design before sending it to the Mint. Palmer informed Carlisle and Leech of her instructions. Carlisle had no objection to a coin being designed by a woman, or to the use of Isabella's head. The secretary told Palmer that the reverse, with its long inscription, would appear like a business advertising token, and he asked that it be revised. Leech sent a note to Superintendent Bosbyshell informing him that the Lady Managers would likely have an outside sculptor create the obverse and asking him to have Mint Chief Engraver Charles E. Barber create some designs for the reverse for possible use.
424:
Bosbyshell wrote to Leech that
Isabella's legs would appear distorted if the seated figure were used and advocated a head in profile. Carlisle agreed, stating that he had only given permission for a head of Isabella. Peddle was informed that Barber would produce the reverse, though the design would be sent to her for approval, and she would have to change her obverse. Meanwhile, Palmer was growing increasingly anxious: with a timeline of two months from design approval to the availability of the actual coins, she feared that the pieces would not be available for sale until well into the fair's May to October run. Under pressure from all sides, Peddle threatened to quit the project, writing that she "could not consent to do half of a piece of work".
457:
wording. On April 24, the Mint
Director sent Palmer a box containing two plaster models of the obverse, one of Isabella as a young queen, the other showing her more mature. He also informed her that distaff reverse would be used, with the wording agreed to by Carlisle. The obverse models were supposedly made by Barber based on an engraving of Isabella forwarded by Peddle to the Mint at Palmer's request, but Moran suggests that the period of only a day between receipt of the engraving and completion of the models (during which Barber also attended the funeral of Bosbyshell's grandson) means that Barber was working on them before that. The Board of Lady Managers on May 5 selected the young queen.
582:
445:. After considering these efforts, Leech decided on Morgan's design and wrote to Palmer accordingly, stating that "the distaff is used in art to symbolize patient industry, and especially the industry of women." In response, the Lady Managers suggested the use of the building's portal, and asked if it was possible to place a living person on the coin. Leech stated that Secretary Carlisle had selected the distaff reverse, and his determination was binding.
501:, in his study of early U.S. commemoratives, dismissed contemporary accounts (such as in the fair's official book) that Kenyon Cox had provided a design for the quarter; he noted that the artist's son had strongly denied that his father was involved in the coin's creation. Taxay deemed the design "commonplace" and "typical of Barber's style", stating that "the modeling, though somewhat more highly relieved than on the half dollar, is without distinction".
526:, and workers at that mint handled the coins carefully; unlike the half dollar, surviving specimens display relatively few contact marks from other coins. The first piece struck, along with numbers 400, 1,492, and 1,892, were struck as proofs and sent to the Lady Managers along with certificates attesting to their status. A total of 40,023 pieces were struck, with the 23 coins over the authorized mintage retained by the Mint for inspection by the 1894
596:
153:
111:
466:
314:
568:
538:. Fairgoers viewed the quarter as not as good a deal as the half dollar, as both sold for the same price of $ 1. Of the remainder, approximately 10,000 quarters were bought at face value by Palmer and other Lady Managers; 15,809 were returned to the government for melting. After deducting pieces returned for melting, a total of 24,214 coins were distributed to the public.
416:
270:, and the quarter was seen as the worse deal. Nearly half of the authorized issue was returned to the Mint to be melted; thousands more were purchased at face value by the Lady Managers and entered the coin market in the early 20th century. Today, they are popular with collectors and are valued in the hundreds to thousands of dollars, depending on condition.
310:, the leading hotel in Chicago. The decisions of the Lady Managers were often reversed by their male counterparts on controversial matters: for example, Palmer sought to shut the fair's "Egyptian Girls" dancing show after deeming it obscene. The show was one of the exposition's few successful moneymakers, and the Lady Managers were overruled by the men.
513:
displayed on the
Columbian coins, on the one hand, and the spirited and admirable work of the architects of the buildings, on the other, is painful. If these two coins really represent the highest achievements of our medallists and our mints ... we might as well despair of its future ... We are not ready to admit this to be true.
340:, asking that $ 10,000 of the funds already designated to be paid over to the Lady Managers by the federal government be in the form of souvenir quarters, which they could sell at a premium. On March 3, 1893, Congress duly passed an act authorising the souvenir coin, which was to be to the specifications of
541:
The large quantities possessed by the Lady
Managers made their way into the market through dealers and other vendors in the 1920s. By 1930, prices had risen to the original issue price; by 1955, uncirculated specimens sold for $ 20. The pieces are popular among collectors because they are the only
431:
Following Peddle's resignation, Leech wrote a conciliatory letter to Palmer, who responded regretting that the three of them had not worked together, rather than at cross-purposes. Palmer had written to suggest an alternative to the inscription reverse: that the coin depict the Women's
Building at
533:
The pieces did not sell well at the exposition. They were for sale only at the Women's
Building at the fair, or by mail; the half dollar could be purchased at several outlets. Some 15,000 quarters were sold to collectors, dealers, and fairgoers, including several thousand of them purchased by the
440:
in her hands. Leech was not fully satisfied with the proposal, stating that the juxtaposition of
Isabella on the obverse and the Morgan reverse was "too much woman". Before accepting Morgan's design, Leech wanted Barber to produce some reverses himself, which the chief engraver did, and Bosbyshell
456:
was engaged in writing a biography of the late queen and possessed likenesses of her. Leech agreed that these men be consulted. Carlisle was reluctant to allow an inscription which made distinctions by sex, such as "Board of Lady
Managers", to appear on the coin, but he eventually agreed to that
427:
What finally wore down Peddle's patience were two letters dated April 7. One, from Leech, asserted his right as Mint director to prescribe coin designs, and told Peddle that the obverse would be a head of
Isabella, while the reverse would be based on sketches by a Mint engraver which she would be
512:
Of its artistic merit, as of the harmony which is reported to have prevailed at the meetings of those Managers, perhaps the less said the better; we do not know who designed it, but in this instance, as in the Half Dollar, the contrast between the examples of the numismatic art of the nation, as
493:
compared the reverse to an anti-slavery token with a kneeling woman and the legend "Am I not a woman and a sister". The art historian, writing in 1971, noted that "nowadays the coin seems charming for its quaintness and its Victorian flavor, a mixture of cold Hellenism and Renaissance romance.
423:
Obedient to Palmer's instructions, Peddle sent Leech sketches of a seated Isabella, with the long inscription on the reverse; she hoped the Mint Director would allow her to shorten it. Leech was unhappy with the reverse, and decided that Barber would design that side of the coin. Barber and
411:
Palmer, by letter, hired Peddle to do the design work in late March. She instructed the artist that the coin was to have a figure of Isabella on the obverse, and the inscription "Commemorative coin issued for the Board of Lady Managers of the World's Columbian Exposition by Act of Congress,
332:
at the Exposition, which Congress had approved in 1892. Passage of the half dollar legislation had been difficult, and the Lady Managers decided to wait until the next session of Congress to make their request. When the half dollar appeared in November 1892, the Lady Managers considered it
360:
to produce sketches. She was, however, determined to have a woman actually design the coin. She also consulted with Sara Hallowell, who was both the secretary to the fair's Director of Fine Arts and was helping the Palmers amass a major art collection. Hallowell contacted sculptor
428:
free to model. The second, from Bosbyshell, imposed the additional requirement that Isabella not wear a crown, which he deemed inappropriate on an American coin. On April 8, 1893, Caroline Peddle withdrew from the project.
400:(in Spain), whose assistance had helped pay for Columbus's expedition. Palmer indicated that she was consulting artists and suggested that the Mint submit a design for consideration. She also met with Illinois Congressman
333:
inartistic and determined to do better. Palmer wanted the Lady Managers "to have credit of being the authors of the first really beautiful and artistic coin that has ever been issued by the government of the United States".
432:
the fair. Barber prepared sketches and rejected the idea, stating that the building would appear a mere streak on the coin in the required low relief. Instead, he favored a sketch prepared by Assistant Engraver
1702:
522:
Minting of what Barber dubbed "showy quarters" began at the Philadelphia Mint on June 13, 1893, six weeks after the exposition opened. Leech had planned to strike the pieces using polished blanks, or
209:
1550:
1545:
1540:
1535:
1530:
1525:
1520:
1515:
1510:
1505:
1500:
1495:
1490:
247:, a sculptor. Peddle left the project after disagreements with Mint officials, who then decided to have Barber do the work. The reverse design, showing a kneeling woman spinning flax, with a
1691:
477:, Barber's obverse design "follow Gilbert Scott's Victorian Gothic tradition of photographic classicism, best summed up by the groups of continents and the reliefs of famous persons on the
481:
in London." The reverse depicts a kneeling woman with distaff and spindle. Vermeule traces that imagery to the figure of a young female servant, carved upon the east pediment of the
328:, who was determined to show that women could successfully assist in the management of the fair. To that end, the Lady Managers sought a coin to sell in competition with
1274:
298:
two years previously; that legislation created a Board of Lady Managers and a Board of Gentleman Managers to oversee the fair. The Board of Lady Managers was headed by
1808:
1421:
1334:
392:
had already urged Leech to keep the design process in-house at the Mint. Palmer replied that the Lady Managers had decided that the quarter would bear a portrait of
337:
1684:
324:
Authorization for the Board of Lady Managers had been included in the 1890 law giving federal authority for the Exposition at the insistence of women's advocate,
1833:
1604:
1708:
1677:
1823:
1434:
619:
345:
279:
205:
1803:
1610:
1381:
1267:
1150:
1131:
1105:
1058:
1039:
1020:
380:, wrote to Palmer on March 14, 1893. Although he expressed a willingness to have the Lady Managers select the design, Mint Chief Engraver
1828:
548:
373:
1560:
1482:
1291:
1283:
1319:
1260:
613:
473:
The obverse of the Isabella quarter depicts a crowned and richly clothed bust of that Spanish queen. According to art historian
365:, who recommended his onetime student, Caroline Peddle, who was already engaged in exposition work, having been commissioned by
1818:
1457:
1115:
287:
225:
213:
1813:
1361:
1342:
408:, Leech's superior. Palmer suggested to the congressman that he advocate for the Lady Managers with Carlisle and Leech.
1314:
217:
1462:
1324:
1304:
1472:
1406:
1299:
553:
449:
1592:
1309:
1598:
404:, chairman of the House of Representatives' Fair Committee and a former colleague of Secretary of the Treasury
494:
Perhaps one of its greatest joys is that none of the customary inscriptions, mottoes and such, appear on it."
1657:
1651:
1627:
1586:
1580:
482:
1669:
1645:
1639:
1633:
542:
U.S. quarter dollars issued strictly as a commemorative, not for circulation. The 2018 deluxe edition of
442:
401:
362:
295:
1765:
1744:
1568:
609:
393:
329:
283:
267:
221:
121:
601:
244:
1574:
307:
1051:
Striking Change: The Great Artistic Collaboration of Theodore Roosevelt and Augustus Saint-Gaudens
1396:
587:
474:
252:
236:, and is the only U.S. commemorative of that denomination that was not intended for circulation.
229:
168:
1452:
1371:
1366:
1227:
1199:
1171:
1146:
1127:
1101:
1076:
1054:
1035:
1016:
535:
389:
385:
381:
266:
press. The coin did not sell well at the Exposition; its price of $ 1 was the same as for the
233:
131:
1781:
527:
453:
433:
405:
397:
325:
256:
180:
944:
942:
1429:
1223:
1195:
1167:
1008:
486:
478:
377:
255:
in her right, symbolizes women's industry and was based on a sketch by Assistant Engraver
152:
110:
663:
661:
659:
313:
1120:
341:
1797:
1728:
1391:
1096:
The Encyclopedia of United States Silver & Gold Commemorative Coins, 1892 to 1954
1094:
317:
303:
299:
240:
465:
1411:
1089:
573:
366:
1386:
543:
263:
89:
1252:
1467:
1401:
1356:
563:
357:
552:
lists the piece as ranging between $ 325 in almost uncirculated AU-50 on the
348:. Total mintage of the special quarter would be limited to 40,000 specimens.
1376:
1244:
1216:
1188:
1068:
498:
441:
forwarded them to Leech on April 11 and 12. These showed various uses of a
1080:
415:
523:
448:
Bosbyshell informed Leech by letter that Stewart Cullin, curator at the
437:
291:
248:
164:
61:
452:, possessed a number of medals depicting Isabella, and former general
489:
in the 5th century B.C. Nevertheless, a contemporary account in the
208:
struck in 1893. Congress authorized the piece at the request of the
1126:. Cambridge, Mass.: The Belknap Press of Harvard University Press.
464:
414:
369:
to produce an exhibit. Palmer agreed to have Peddle do the work.
312:
1232:
Commemorative Coins of the United States: A Complete Encyclopedia
1204:
Commemorative Coins of the United States: A Complete Encyclopedia
1176:
Commemorative Coins of the United States: A Complete Encyclopedia
344:
struck for circulation, and with a design to be approved by the
1673:
1256:
278:
In August 1892, Congress passed an act authorizing the first
1228:"Chapter 8: Silver commemoratives (and clad too), Part 10"
1200:"Chapter 8: Silver commemoratives (and clad too), Part 8"
1172:"Chapter 8: Silver commemoratives (and clad too), Part 1"
948:
239:
The Board of Lady Managers, headed by Chicago socialite
914:
667:
469:
1838 anti-slavery token "Am I not a woman and a sister"
356:
Desiring a beautiful coin to sell, Palmer asked artist
1145:(4th ed.). Atlanta, GA: Whitman Publishing, LLC.
963:
961:
871:
869:
1073:
An Illustrated History of U.S. Commemorative Coinage
372:
After Congress authorized the souvenir quarter, the
1774:
1753:
1737:
1721:
1620:
1559:
1481:
1420:
1333:
1290:
929:
927:
186:
175:
159:
145:
137:
127:
117:
103:
95:
84:
67:
57:
49:
41:
33:
1119:
1093:
886:
884:
808:
806:
1032:History of the United States Mint and its Coinage
1013:A Guide Book of United States Commemorative Coins
721:
719:
682:
680:
436:, showing a kneeling woman spinning flax, with a
286:, to be sold at a premium by the managers of the
243:, wanted a woman to design the coin and engaged
650:
510:
16:United States commemorative coin struck in 1893
1685:
1268:
616:commemorative also minted for the exposition.
8:
1703:United States commemorative coins (pre-1900)
21:
320:led the Exposition's Board of Lady Managers
262:The quarter's design was deprecated in the
1692:
1678:
1670:
1605:America the Beautiful silver bullion coins
1275:
1261:
1253:
151:
109:
20:
1143:A Guide Book of United States Coins 2014
1809:Early United States commemorative coins
1243:For further information on source, see
1215:For further information on source, see
1187:For further information on source, see
631:
620:Early United States commemorative coins
336:In January 1893, Palmer approached the
1611:American Liberty high relief gold coin
508:had other criticisms of the quarter:
7:
1053:. Atlanta, Ga.: Whitman Publishing.
1034:. Atlanta, Ga.: Whitman Publishing.
1015:. Atlanta, Ga.: Whitman Publishing.
875:
860:
836:
556:and $ 3,750 in near-pristine MS-66.
179:Charles E. Barber after a sketch by
549:A Guide Book of United States Coins
294:. The event had been authorised by
226:Columbus's voyages to the New World
991:
967:
933:
848:
374:Director of the Bureau of the Mint
14:
979:
902:
890:
824:
812:
797:
785:
773:
761:
749:
737:
725:
710:
698:
686:
638:
1834:World's fair commemorative coins
1729:"CAL" Liberty Head quarter eagle
594:
580:
566:
280:United States commemorative coin
206:United States commemorative coin
506:American Journal of Numismatics
491:American Journal of Numismatics
171:, symbolizing women's industry.
338:House Appropriations Committee
1:
1804:Currencies introduced in 1893
1100:. New York: Arco Publishing.
1075:. New York: Arco Publishing.
330:the commemorative half dollar
1824:World's Columbian Exposition
1284:Coinage of the United States
536:Scott Stamp and Coin Company
288:World's Columbian Exposition
214:World's Columbian Exposition
202:Columbian Exposition quarter
1852:
1829:Works by Charles E. Barber
1049:Moran, Michael F. (2008).
554:Sheldon coin grading scale
450:University of Pennsylvania
220:depicts the Spanish queen
1122:Numismatic Art in America
346:Secretary of the Treasury
150:
108:
26:
1030:Lange, David W. (2006).
251:in her left hand and a
1819:Twenty-five-cent coins
518:Release and collecting
515:
470:
420:
363:Augustus Saint-Gaudens
321:
210:Board of Lady Managers
1814:Isabella I of Castile
1766:Columbian half dollar
1745:Columbian half dollar
1141:Yeoman, R.S. (2018).
610:Columbian half dollar
497:Numismatic historian
468:
418:
316:
268:Columbian half dollar
228:. It was designed by
222:Isabella I of Castile
163:Kneeling female with
1654:(1976, 1992–present)
602:United States portal
461:Design and reception
1593:First Spouse (gold)
1116:Vermeule, Cornelius
653:, pp. 113–114.
651:Swiatek & Breen
37:25 cents (.25 US$ )
23:
1088:Swiatek, Anthony;
776:, pp. 91, 94.
588:Numismatics portal
475:Cornelius Vermeule
471:
421:
322:
230:Bureau of the Mint
1791:
1790:
1667:
1666:
1595:(2007–2016; 2020)
1152:978-0-7948-4580-3
1133:978-0-674-62840-3
1107:978-0-668-04765-4
1060:978-0-7948-2356-6
1041:978-0-7948-1972-9
1022:978-0-7948-2256-9
970:, pp. 41–42.
863:, pp. 92–93.
827:, pp. 11–13.
740:, pp. 92–93.
701:, pp. 87–91.
390:Oliver Bosbyshell
386:Philadelphia Mint
382:Charles E. Barber
234:Charles E. Barber
194:
193:
132:Charles E. Barber
1841:
1782:Lafayette dollar
1761:Isabella quarter
1714:
1712:
1694:
1687:
1680:
1671:
1652:Silver Proof Set
1640:Special Mint Set
1447:
1446:
1442:
1439:
1351:
1350:
1346:
1277:
1270:
1263:
1254:
1242:
1240:
1238:
1224:Bowers, Q. David
1214:
1212:
1210:
1196:Bowers, Q. David
1186:
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1168:Bowers, Q. David
1156:
1137:
1125:
1111:
1099:
1084:
1064:
1045:
1026:
1009:Bowers, Q. David
995:
989:
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971:
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528:Assay Commission
454:Oliver O. Howard
434:George T. Morgan
406:John G. Carlisle
398:Queen of Castile
326:Susan B. Anthony
302:, whose husband
257:George T. Morgan
224:, who sponsored
198:Isabella quarter
181:George T. Morgan
155:
122:Queen Isabella I
113:
96:Years of minting
24:
22:Isabella quarter
1851:
1850:
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1663:
1616:
1599:Palladium Eagle
1555:
1477:
1444:
1440:
1437:
1435:
1416:
1357:1¢ (large size)
1348:
1344:
1343:
1329:
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1234:
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1007:
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994:, p. 1048.
990:
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978:
974:
966:
959:
947:
940:
932:
925:
913:
909:
901:
897:
889:
882:
874:
867:
859:
855:
851:, p. 1047.
847:
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811:
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520:
479:Albert Memorial
463:
419:Peddle's sketch
388:Superintendent
378:Edward O. Leech
354:
276:
245:Caroline Peddle
232:Chief Engraver
80:
29:
17:
12:
11:
5:
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1637:
1636:(1947–present)
1631:
1630:(1936–present)
1624:
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1618:
1617:
1615:
1614:
1613:(2015–present)
1608:
1602:
1601:(2017–present)
1596:
1590:
1589:(2006–present)
1584:
1583:(1997–present)
1581:Platinum Eagle
1578:
1577:(1986–present)
1572:
1571:(1986–present)
1565:
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1553:
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1046:
1040:
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1021:
997:
996:
984:
982:, p. 113.
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957:
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907:
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865:
853:
841:
829:
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802:
790:
778:
766:
754:
742:
730:
715:
703:
691:
676:
655:
643:
641:, p. 126.
630:
629:
627:
624:
623:
622:
617:
606:
605:
591:
577:
561:
558:
519:
516:
483:Temple of Zeus
462:
459:
443:heraldic eagle
402:Allen Durborow
353:
350:
275:
272:
192:
191:
188:
184:
183:
177:
173:
172:
161:
157:
156:
148:
147:
143:
142:
139:
135:
134:
129:
125:
124:
119:
115:
114:
106:
105:
101:
100:
97:
93:
92:
86:
82:
81:
79:
78:
75:
71:
69:
65:
64:
59:
55:
54:
51:
47:
46:
43:
39:
38:
35:
31:
30:
27:
15:
13:
10:
9:
6:
4:
3:
2:
1847:
1846:
1835:
1832:
1830:
1827:
1825:
1822:
1820:
1817:
1815:
1812:
1810:
1807:
1805:
1802:
1801:
1799:
1783:
1780:
1779:
1777:
1773:
1767:
1764:
1762:
1759:
1758:
1756:
1752:
1746:
1743:
1742:
1740:
1736:
1730:
1727:
1726:
1724:
1720:
1713:
1706:
1704:
1701:
1700:
1695:
1690:
1688:
1683:
1681:
1676:
1675:
1672:
1659:
1656:
1653:
1650:
1647:
1644:
1641:
1638:
1635:
1632:
1629:
1626:
1625:
1623:
1619:
1612:
1609:
1606:
1603:
1600:
1597:
1594:
1591:
1588:
1585:
1582:
1579:
1576:
1573:
1570:
1567:
1566:
1564:
1562:
1558:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1497:
1494:
1492:
1489:
1488:
1486:
1484:
1483:Commemorative
1480:
1474:
1471:
1469:
1466:
1464:
1461:
1459:
1456:
1454:
1451:
1449:
1433:
1431:
1428:
1427:
1425:
1423:
1419:
1413:
1410:
1408:
1405:
1403:
1400:
1398:
1395:
1393:
1390:
1388:
1385:
1383:
1380:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1353:
1341:
1340:
1338:
1336:
1332:
1326:
1323:
1321:
1318:
1316:
1313:
1311:
1308:
1306:
1303:
1301:
1298:
1297:
1295:
1293:
1289:
1285:
1278:
1273:
1271:
1266:
1264:
1259:
1258:
1255:
1251:
1246:
1237:September 30,
1233:
1229:
1225:
1221:
1218:
1209:September 30,
1205:
1201:
1197:
1193:
1190:
1177:
1173:
1169:
1165:
1164:
1163:
1162:
1161:Other sources
1154:
1148:
1144:
1139:
1135:
1129:
1124:
1123:
1117:
1113:
1109:
1103:
1098:
1097:
1091:
1090:Breen, Walter
1086:
1082:
1078:
1074:
1070:
1066:
1062:
1056:
1052:
1047:
1043:
1037:
1033:
1028:
1024:
1018:
1014:
1010:
1006:
1005:
1004:
1003:
993:
988:
985:
981:
976:
973:
969:
964:
962:
958:
954:
952:
945:
943:
939:
936:, p. 42.
935:
930:
928:
924:
920:
918:
911:
908:
905:, p. 98.
904:
899:
896:
893:, p. 13.
892:
887:
885:
881:
878:, p. 93.
877:
872:
870:
866:
862:
857:
854:
850:
845:
842:
839:, p. 92.
838:
833:
830:
826:
821:
818:
815:, p. 97.
814:
809:
807:
803:
800:, p. 11.
799:
794:
791:
788:, p. 94.
787:
782:
779:
775:
770:
767:
764:, p. 93.
763:
758:
755:
752:, p. 10.
751:
746:
743:
739:
734:
731:
728:, p. 91.
727:
722:
720:
716:
713:, p. 88.
712:
707:
704:
700:
695:
692:
689:, p. 87.
688:
683:
681:
677:
673:
671:
664:
662:
660:
656:
652:
647:
644:
640:
635:
632:
625:
621:
618:
615:
611:
608:
607:
603:
592:
589:
578:
575:
564:
559:
557:
555:
551:
550:
545:
539:
537:
531:
529:
525:
517:
514:
509:
507:
502:
500:
495:
492:
488:
484:
480:
476:
467:
460:
458:
455:
451:
446:
444:
439:
435:
429:
425:
417:
413:
409:
407:
403:
399:
395:
391:
387:
383:
379:
375:
370:
368:
364:
359:
351:
349:
347:
343:
339:
334:
331:
327:
319:
318:Bertha Palmer
315:
311:
309:
305:
301:
300:Bertha Palmer
297:
293:
289:
285:
284:a half dollar
281:
273:
271:
269:
265:
260:
258:
254:
250:
246:
242:
241:Bertha Palmer
237:
235:
231:
227:
223:
219:
215:
211:
207:
203:
199:
189:
185:
182:
178:
174:
170:
166:
162:
158:
154:
149:
144:
140:
136:
133:
130:
126:
123:
120:
116:
112:
107:
102:
98:
94:
91:
87:
83:
76:
73:
72:
70:
66:
63:
60:
56:
52:
48:
44:
40:
36:
32:
28:United States
25:
19:
1784:(dated 1900)
1760:
1658:Prestige Set
1646:Souvenir Set
1621:Special sets
1587:Gold Buffalo
1569:Silver Eagle
1250:
1235:. Retrieved
1231:
1207:. Retrieved
1203:
1179:. Retrieved
1175:
1160:
1159:
1142:
1121:
1095:
1072:
1050:
1031:
1012:
1002:Bibliography
1001:
1000:
987:
975:
951:Encyclopedia
950:
917:Encyclopedia
916:
910:
898:
856:
844:
832:
820:
793:
781:
769:
757:
745:
733:
706:
694:
670:Encyclopedia
669:
646:
634:
612: – The
574:Money portal
547:
540:
532:
521:
511:
505:
503:
496:
490:
472:
447:
430:
426:
422:
410:
371:
355:
335:
323:
308:Palmer House
277:
261:
238:
201:
197:
195:
90:troy oz
88:.18084
77:10.0% copper
74:90.0% silver
53:24.3 mm
18:
1660:(1983–1997)
1648:(1972–1998)
1642:(1964–1967)
1607:(2010–2021)
1453:3¢ (bronze)
1430:2¢ (billon)
1377:5¢ (silver)
1372:3¢ (nickel)
1367:3¢ (silver)
1292:Circulating
614:half dollar
544:R.S. Yeoman
342:the quarter
274:Legislation
187:Design date
138:Design date
68:Composition
45:6.25 g
1798:Categories
1575:Gold Eagle
1387:$ 1 (gold)
1181:October 3,
1069:Taxay, Don
626:References
394:Isabella I
358:Kenyon Cox
306:owned the
264:numismatic
1628:Proof Set
953:, Part 10
524:planchets
499:Don Taxay
367:Tiffany's
352:Inception
1634:Mint Set
1422:Canceled
1335:Obsolete
1118:(1971).
1092:(1981).
1071:(1967).
1011:(2008).
919:, Part 1
876:Vermeule
861:Vermeule
837:Vermeule
672:, Part 8
560:See also
296:Congress
176:Designer
128:Designer
50:Diameter
1561:Bullion
1443:⁄
1347:⁄
1081:1357564
949:Bowers
915:Bowers
668:Bowers
487:Olympia
438:distaff
292:Chicago
253:spindle
249:distaff
218:quarter
216:. The
212:of the
169:spindle
165:distaff
146:Reverse
104:Obverse
1709:1900s
1149:
1130:
1104:
1079:
1057:
1038:
1019:
992:Yeoman
968:Bowers
934:Bowers
849:Yeoman
304:Potter
204:was a
160:Design
118:Design
85:Silver
62:reeded
1551:2020s
1546:2010s
1541:2000s
1536:1990s
1531:1980s
1526:1970s
1521:1950s
1516:1940s
1511:1930s
1506:1920s
1501:1910s
1496:1900s
1491:1800s
1473:$ 100
1392:$ 2.5
980:Moran
903:Moran
891:Taxay
825:Taxay
813:Moran
798:Taxay
786:Moran
774:Moran
762:Moran
750:Taxay
738:Moran
726:Moran
711:Moran
699:Moran
687:Moran
639:Lange
34:Value
1775:1899
1754:1893
1738:1892
1722:1848
1468:$ 50
1412:$ 20
1407:$ 10
1245:here
1239:2012
1217:here
1211:2012
1189:here
1183:2012
1147:ISBN
1128:ISBN
1102:ISBN
1077:OCLC
1055:ISBN
1036:ISBN
1017:ISBN
504:The
384:and
196:The
190:1893
167:and
141:1893
99:1893
58:Edge
42:Mass
1463:$ 4
1458:$ 2
1402:$ 5
1397:$ 3
1382:20¢
1325:$ 1
1320:50¢
1315:25¢
1310:10¢
546:'s
485:at
290:in
200:or
1800::
1362:2¢
1305:5¢
1300:1¢
1230:.
1226:.
1202:.
1198:.
1174:.
1170:.
960:^
941:^
926:^
883:^
868:^
805:^
718:^
679:^
658:^
530:.
396:,
376:,
282:,
259:.
1711:→
1693:e
1686:t
1679:v
1448:¢
1445:2
1441:1
1438:+
1436:2
1352:¢
1349:2
1345:1
1276:e
1269:t
1262:v
1247:.
1241:.
1219:.
1213:.
1191:.
1185:.
1155:.
1136:.
1110:.
1083:.
1063:.
1044:.
1025:.
955:.
921:.
674:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
