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30:
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141:, which makes a strong flexible brown coloured paper. The designs can be extremely intricate, and consequently fragile. Nowadays the stencils are sometimes sold as artwork, attached to hand fans, or used to decorate screens and doors in Japanese rooms. For
246:. Rice paste is passed through the stencil onto silk. When dyed, the color does not adhere to the areas with rice paste. By multiple alignments of the stencil, large areas can be patterned. This technique was developed in France as
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printing the stencils are stabilized by attaching them to a fine silk net. In past times, human hair was used instead of silk, but silk is less likely to warp and can be finer.
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with design of umbrellas, water and pine needle clusters (late 19th century): mulberry paper, persimmon-juice lacquer, silk thread
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printing. The stencil is not generally used for more than one kimono, though multiple stencils can be cut at the same time.
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depicting flying bats (1780–1830): mulberry paper, lacquer made from persimmon juice, and human hair
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302:, were historic centres of the craft. Production is now primarily localised around the town of
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861:"Von Blatt zu Blatt: Die aufwendige Erschließung der Katagami-Sammlung des MAK - MAKblog"
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288:. Later paper stencils developed alongside kimono. The technique is known as
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with detailed data sheets were published in the online database of the MAK.
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Pulling the knife towards the artist, which results in long straight cuts.
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622:. Association for the Preservation of Ise Katagami. Archived from
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juice. The pattern is excised using a variety of tools known as
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Collection. They were among the visual resources collected by
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Kuo, Susanna; Wilson, Richard L.; Michie, Thomas S. (1998).
886:"Katagami in practice: Japanese stencils in the art school"
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as inspiration for designs for wallpapers and textiles.
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Carving patterns, which allows for figurative designs.
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778:"Database of Registered National Cultural Properties"
448:in its collection, which inspired artists from the
105:. The art is traditionally centered on the city of
456:, among others. In 2018 more than 600 examples of
950:Important Intangible Cultural Properties of Japan
593:. Kateigaho International Edition. Archived from
507:Important Intangible Cultural Properties of Japan
235:Cutting circular holes, often in fan-like designs
103:Important Intangible Cultural Properties of Japan
512:National Treasures of Japan – Dyeing and Weaving
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225:. Four principal cutting techniques are used:
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534:Carved Paper: The Art of the Japanese Stencil
8:
137:paper are bonded with a glue extracted from
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467:Museum of Domestic Design and Architecture
387:. The Association for the Preservation of
121:, though both are made in Mie Prefecture.
479:in its collection, which are part of the
803:"Intangible Cultural Heritage in Japan"
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314:Former practitioners Nakajima Hidekichi
442:(MAK) has more than 8,000 examples of
410:Important Intangible Cultural Property
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271:The use of stencils was known by the
162:, tools used for cutting the stencils
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275:, as is evident from objects in the
51:depicting geometric ornament (1900s)
25:
564:"Ise Katagami, Ise paper pattern"
901:
537:. Santa Barbara Museum of Art.
374:(1917–2003) were recognized as
242:The stencils are then used for
101:). It is designated one of the
364:(1909–1992), and Jōnoguchi Mie
1:
839:"Ise-Katagami Stencil Museum"
440:Museum of Applied Arts Vienna
334:(1907–1973), Nanbu Yoshimatsu
812:. p. 14. Archived from
344:(1894–1976), Nakamura Yūjirō
324:(1883–1968), Rokutani Baiken
810:Agency for Cultural Affairs
782:Agency for Cultural Affairs
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473:has around 400 examples of
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423:Ise-Katagami Stencil Museum
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354:(1902–1985), Kodama Hiroshi
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960:Japanese words and phrases
935:Japanese dyeing techniques
955:Culture in Mie Prefecture
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129:Multiple layers of thin
867:(in German). 2018-03-27
113:. It is different from
915:Timeline (in Japanese)
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183:or Japanese paper are
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910:at Wikimedia Commons
712:"講談社 日本人名大辞典 - 中村勇二郎"
402:was founded in 1992.
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238:Using shaped punches.
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32:
756:"講談社 日本人名大辞典 -城ノ口みゑ"
690:"講談社 日本人名大辞典 - 南部芳松"
668:"講談社 日本人名大辞典 - 六谷梅軒"
646:"講談社 日本人名大辞典 - 中島秀吉"
471:Middlesex University
734:"講談社 日本人名大辞典 - 児玉博"
408:was designated an
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53:
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906:Media related to
544:978-0-8348-0409-8
450:Wiener Werkstätte
16:(Redirected from
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940:Textile patterns
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841:. Mie Prefecture
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819:on 24 May 2011
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591:"Ise Katagami"
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73:Japanese craft
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908:Ise-katagami
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869:. Retrieved
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843:. Retrieved
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821:. Retrieved
814:the original
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785:. Retrieved
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760:. Retrieved
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738:. Retrieved
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716:. Retrieved
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694:. Retrieved
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672:. Retrieved
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650:. Retrieved
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628:. Retrieved
624:the original
599:. Retrieved
595:the original
568:. Retrieved
533:
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476:ise katagami
459:ise katagami
445:ise katagami
405:Ise katagami
390:Ise-Katagami
313:
310:Conservation
296:Ise Province
291:ise katagami
270:
241:
165:
128:
58:Ise katagami
57:
54:
26:
18:Ise-katagami
433:Collections
273:Nara period
248:silk screen
125:Description
924:Categories
871:2018-03-30
758:. Kodansha
736:. Kodansha
714:. Kodansha
692:. Kodansha
670:. Kodansha
648:. Kodansha
620:"Timeline"
518:References
945:Paper art
397:伊勢型紙技術保存会
213:dōgu-bori
208:persimmon
190:kakishibu
159:Dōgu-bori
149:Technique
139:persimmon
117:ise washi
845:15 March
823:15 March
787:15 March
762:15 March
740:15 March
718:15 March
696:15 March
674:15 March
652:15 March
630:15 March
601:15 March
570:15 March
500:Katazome
492:See also
452:such as
264:Katagami
89:katagami
84:textiles
77:stencils
48:Katagami
35:Katagami
865:MAKblog
416:重要無形文化財
277:Shōsōin
254:History
71:is the
541:
427:Suzuka
304:Suzuka
298:, now
206:-rich
204:tannin
143:kimono
107:Suzuka
81:dyeing
817:(PDF)
806:(PDF)
369:城ノ口みゑ
349:中村勇二郎
187:with
170:washi
133:washi
847:2011
825:2011
789:2011
764:2011
742:2011
720:2011
698:2011
676:2011
654:2011
632:2011
603:2011
572:2011
539:ISBN
465:The
438:The
382:人間国宝
339:南部芳松
329:六谷梅軒
319:中島秀吉
220:道具彫り
79:for
66:伊勢型紙
425:in
359:児玉博
283:正倉院
109:in
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863:.
808:.
780:.
611:^
580:^
553:^
469:,
306:.
202:,
197:柿渋
178:和紙
96:型紙
888:.
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