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Standish has held teaching positions in Japan. She also worked as an
Emerita Reader in 'Film and Media Studies' with the Japan and Korea Section of the East Asian Languages and Culture Department and a member of the Centre for Creative Industries, Media and Screen Studies at the
130:(JRC). At SOAS, she has been the lead convenor for the Master's degree in Global Cinemas and the Transcultural and supervised a number of PhD students. In 2018, Standish accepted the Ishibashi Foundation Visiting Professorship in Japanese Art History at
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Standish, Isolde (2012), 'The
Ephemeral as Transcultural Aesthetic: a Contextualization of the Early Films of Ozu Yasujiro'. Journal of Japanese and Korean Cinema, (4) 1, pp 3โ14.
69:. Standish mostly works in Japan, South Korea and the United Kingdom. She has been awarded numerous prizes and grants, including the Ouseley Memorial Scholarship, a
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Standish, Isolde (2007) 'Transgression and the
Politics of Porn. Oshima Nagisa's In the Realm of the Senses (1976)'. In: Phillips, A. and Stringer, J., (eds.),
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Standish, Isolde (2011), 'The jidaigeki television series: myth, iteration and the domestication of the samurai hero'. Japan Forum, (23) 3, pp 431โ440.
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Standish, Isolde (2005), 'Mediators of
Modernity: 'Photo-Interpreters' in Japanese Silent Cinema'. Oral Tradition, (20) 1, pp 93โ110.
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Standish, Isolde (2010), 'Night and Fog in Japan: Fifty Years On'. Journal of
Japanese and Korean Cinema, (1) 2, pp 143โ155.
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Standish, Isolde (1993), 'Korean Cinema and the New
Realism: Text and Context'. East-West Film Journal, (7) 2, pp 54โ80.
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Standish, Isolde (2005) 'Chushingura and the
Japanese Studio System'. Japan Forum, (17) 1, pp 69โ86.
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Standish, Isolde (2015), 'The
Revolutionary Triptych'. Kiju Yoshida: Love and Anarchism, pp 29โ43.
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Standish, Isolde (2006), 'Film and
Narrative in the Yakuza Genre'. Cinemaya, (1) 2, pp 20โ23.
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Myth and
Masculinity in the Japanese Cinema: Towards a Political Reading of the Tragic Hero
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who specialises on East Asia (mainly Japan and South Korea). Mostly known for her works on
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Standish, Isolde (1998) 'Akira: Postmodernism and Resistance'. In: Martinez, D.P., (ed.),
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Standish obtained a Bachelor of Arts in Humanities and Social Sciences in 1983 from the
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The Worlds of Japanese Popular Culture: Gender Shifting Boundaries and Global Culture
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Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s
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356:"Institute of East Asian Art History | Ishibashi Visiting Professorship"
61:(SOAS) in London, England and teaches Post-War Cinema and the
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A New History of Japanese Cinema: A Century of Narrative Film
152:. New York: Continuum International Publishing Group.
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232:. Cambridge: Cambridge University Press, pp 56โ74.
211:. Volume 6, Number 1, May 2014. Oxford: Routledge.
73:scholarship, an AHRC Research Leave Award and a
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402:British Japanologists
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365:13 April
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251:"Search"
171:Articles
126:and the
99:Ballarat
65:at the
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