514:. After weeks of fund-raising and while the company was still in New York, he received word that it would be "inadvisable" for a particular stage manager, James Kershaw, to travel on to Brussels. The opaque State Department communications left Irving and Blau to speculate while officials would not go on record that perhaps some liberal activity had brought negative attention down on Kershaw, a respected company member. The Workshop protested but, in the end, feeling a responsibility to San Franciscans who had provided travel funds, proceeded to Brussels with Pointer replacing the stage manager for the occasion.
1332:
574:. Several key actors were invited to accompany them to New York to form the nucleus of a repertory troupe. The direction of the Actor's Workshop was assumed by Kenneth Kitch and John Hancock, who managed to keep the company going, despite dwindling audiences, through the summer of 1966 when the San Francisco Chamber of Commerce rejected an appeal for aid from the company. The Chamber instead offered a financial incentive to
552:. At that time, the Foundation's Humanities and Arts Program offered grants-in-aid to "creative and performing artists", et al and the Workshop stood to benefit. Over time Irving developed a relationship with the Foundation as a consultant who advised fledgling theaters on survival and growth throughout the nation. Of particular note is his travel to Mississippi in the early '60s to work as an advisor to the
130:
34:
211:
75:
724:
589:
Blau resigned, but Irving was retained by the
Lincoln Center board. He steadily built the repertory company for the next seven years, concentrating mainly on his responsibilities and leadership as producer after personally directing some of the strongest early productions, including the powerful 1966
1253:
With
Elizabeth Huddle as Grusha. A note from Yale doctoral historian Keith Fowler's diary: "This hearty, colorful production may have appeared in its finest light at the Sunday matinee on April 10--Easter in 1966 -- when, as the Singer, the magnificent Brock Peters led us into Scene Two by gesturing
1026:
Fowler, p. 17; "Following his Bar
Mitzvah, Irving ceased all formal practice of his religion and became, through this default, a member of what he terms 'the lost generation of American Jews' i.e., young Jews unable to believe in the relevance of Judaism's arcane and ancient rites to modern American
544:
Some scholars note that Irving's life offers a study in artistic morality although the "message" of any particular ethical exchange (Workshop v. State
Department, Workshop v. Ford, v. Lincoln Center, v. ACT?) may remain unclear. A secular Jew, Irving was honored with the Methodist-oriented Danforth
476:
of the 1930s; they and key company members were dedicated to principles of social responsibility and ensemble artistry. The troupe's repertoire focused initially on Miller and other modern
American writers, such as Odets, O'Neill, and Tennessee Williams, but soon expanded to the contemporary world
460:
Irving guided the theater's finances and led primary day-by-day operations of the company's growth to its Elgin Street playhouse and then to offices on Folsom Street and two year-round theaters, the Encore and the
Marines' Memorial. A major transition occurred in 1956 when the Workshop was evicted
718:
639:
Irving concluded a little over three decades in live theater when he left
Lincoln Center. He and his family moved to Southern California, where Ms. Pointer, long a major actress with the Actor's Workshop and Lincoln Center, found opportunity in film roles, and where their daughter
537:, "a hundred-and-one uses for the pennies of a dollar." Irving always had to struggle to keep the Workshop solvent. In doing so, he protected the company's artistic independence. He was thus extremely cautious in the late 1950s when the
560:
amid a "belligerent, racist" atmosphere. Irving's relationship with the Ford
Foundation offered important lessons in the ethics and effects of philanthropic intervention in non-profit enterprises within a free market system.
569:
The
Workshop and its directors rose in national prominence for thirteen years until, in 1965, Irving and Blau were appointed to the artistic leadership at the Repertory Company in the Vivian Beaumont Theater of
615:. Irving understood that in New York no cultural institution may function well in isolation, so he reached out even to commercial productions of poetic and idealistic themes, e.g., Brian Friel's
931:
ran a banner headline on
September 15, 1958, "U.S.Ban On S.F. Theater Man", and all other local dailies ran prominent front page stories. See Fowler, ch. XL,259, for detail on "L'Affaire Godot".
833:
The Workshop visit had a lasting effect. San Quentin inmates formed a drama club, and Alan Mandell became the group's advisor. In its final season, the Workshop presented a play by ex-inmate
1389:
1419:
1409:
644:, who began her acting career at age nine on the Workshop stage, would carry on the family name. Irving produced television revivals of classic films, including
1345:
1046:
1404:
1215:
599:
While nurturing the acting and directing corps, he embraced at times certain "star" productions of quality, such as Mike Nichols' celebrated revival of
1184:
1134:
1394:
442:
and remained until its formal demise in 1966. The Actor's Workshop set new standards as a pioneer of resident professional art theater in the
1399:
93:
85:
1414:
1384:
1379:
533:, Irving proved his skills as a financial manager over many years, shrewdly learning "by necessity," according to San Francisco writer
585:
Irving and Blau were back in their home city. After a rocky reception to their initial efforts, particularly to Blau's production of
146:
504:
418:, he transferred to Special Services and had the opportunity to hone his theater managerial skills as he organized camp shows under
186:
168:
111:
61:
510:
The travel to Brussels was not without incident. Irving was informed that the Workshop would need to fund its own travel to get to
139:
654:
454:
611:
507:
and on to the 1958 Brussels World's Fair where it represented American theater under the aegis of the US State Department.
1337:
579:
47:
364:
April 13, 1925 – July 28, 1979) was an American actor, director, educator, and producer, who in the 1950s co-founded the
927:
Priscilla Pointer replaced the stage manager for the performances at the Fair. Word quickly spread to the media, and
399:. Both men were professors at San Francisco State, with Irving serving in the Drama department and Blau in English.
453:
and Beatrice Manley); Hal J. Todd, who had been at Stanford with Irving and Blau; Richard Glyer, an instructor at
462:
545:
Fellowship early in his professorial career for interests and achievements in "religion and higher education".
473:
1054:
1050:
686:
658:. As producer of the Lincoln Center original, he is credited for Masterpiece Theater's televised version of
575:
373:
334:
1191:
592:
941:
685:, to whom he remained married until his death in 1979. The couple had three children, including director
1283:
1264:
858:
666:
553:
469:
chief executive with Irving) helped inaugurate the first subscription season for the Actor's Workshop.
461:
from Elgin Street to make room for a new freeway. The company had the option to renew its lease on the
1374:
1369:
838:
534:
631:
with a cast that included several actors who had come with Irving years earlier from San Francisco.
411:
396:
392:
365:
275:
271:
1288:
1269:
946:
888:
866:
1354:
1209:
1142:
902:
682:
496:
450:
449:
Among those present in 1952 for a "study group" or "workshop" were Irving, Blau, their wives (
435:
403:
310:
150:
53:
605:
472:
Irving and Blau were insistent idealists who developed the Workshop in the tradition of the
480:
Respected as an actor as well as director, Irving played major roles, including Proctor in
728:
600:
549:
538:
503:
The production played to the Workshop's regular audiences, then performed for inmates at
477:
dramas of Samuel Beckett, Brecht, Genet, John Osborne, Yukio Mishima, and Harold Pinter.
698:
694:
571:
517:
In addition to his acclaimed abilities as the director of such Workshop productions as
465:
but no money. A young Canadian, Alan Mandell, who as a volunteer Business Manager (and
377:
145:
It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
997:
1363:
491:
443:
439:
369:
348:
239:
20:
402:
He was active in school shows and made his Broadway debut at the age of thirteen in
1101:
Knickerbocker, Paine, "What is Heartbreaking Is That It Came So Close to Success",
834:
670:
482:
419:
388:
384:
259:
960:
383:
In 1955, the Actor's Workshop was the first West Coast theater to sign an Equity "
624:
1327:
1014:
690:
641:
620:
338:
1230:
1146:
457:; Paul Cox, an aspiring playwright; and S.F. State student Dan Whiteside.
210:
1302:
430:
The Actor's Workshop was established January 16, 1952 in a loft above a
372:
and became the first Producing Director of the Repertory Company of the
1350:
511:
494:
plays. When the Workshop produced the west coast premiere of Beckett's
415:
859:"Theatre - 'Godot' for Fair - Coast Troupe Here on Way to Brussels"
414:
and as a Russian translator when his unit met Soviet forces. After
387:" contract. Irving had started the Workshop with fellow New Yorker
1083:
See Fowler, especially chapters XIII (p. 342) through XXI (p. 684)
410:. He joined the army in 1943, serving in the infantry during the
431:
1231:"The Caucasian Chalk Circle – Broadway Play – Original - IBDB"
123:
68:
27:
1114:
Knickerbocker, P. "The City is Offered a Repertory Theater",
1254:
a wide welcome and ringing out, 'On Easter Sunday morning!'"
841:, at the Encore. It toured to New York and elsewhere later
368:. When the Actor's Workshop closed in 1966, Irving moved to
794:
Hagan, R.H., "Powerful New Drama Enacted With Rare Skill,"
490:(which he also directed) in the Workshop's productions of
1135:"Jules Irving, Director of Lincoln Center Theater, Dead"
807:
Blau, Herbert, "A Play for Americans," program note for
1092:
Fowler, chapter XXIV, including interviews with Kitch.
138:
A major contributor to this article appears to have a
619:. He ended his regime at Lincoln Center in 1972 with
961:"Commercial Theaters versus Not-for-Profit Theaters"
344:
329:
304:
281:
267:
248:
220:
201:
1303:""Great Performances" Enemies (TV Episode 1974)"
886:Atkinson, Brooks, "Theater: 'Godot' For Fair",
720:A History of the San Francisco Actor's Workshop
843:Kaltenheuser, Skip, "The Prison Playwright",
731:, Yale Drama Library; accessed June 21, 2017.
697:, who had been Irving's producing partner at
8:
1390:United States Army personnel of World War II
693:. Pointer remarried a year later in 1980 to
500:, Irving was the loquacious servant, Lucky.
548:In 1957, Irving began interacting with the
62:Learn how and when to remove these messages
785:Fowler, see play lists in chapter headings
556:, a racially integrated troupe presenting
391:, whom he knew from undergraduate days at
209:
198:
1420:American people of Russian-Jewish descent
426:San Francisco Actor's Workshop, 1952–1966
187:Learn how and when to remove this message
169:Learn how and when to remove this message
112:Learn how and when to remove this message
1017:, stageleft.com; accessed June 21, 2017.
1015:tage "ACTFinds its Home in San Francisco
942:"Blau & Irving Come Out of the West"
1128:
1126:
1124:
710:
582:to become the city's resident company.
1410:San Francisco State University faculty
1214:: CS1 maint: archived copy as title (
1207:
612:In the Matter of J. Robert Oppenheimer
1284:"The Theater: Rising to the Occasion"
7:
1105:("Datebook" section), July 31, 1966.
1047:"Free Southern Theater (1963-1978)"
820:Blau, "Who is Godot?," program for
425:
623:'s widely celebrated direction of
395:and then during graduate study at
84:tone or style may not reflect the
14:
1405:20th-century American male actors
609:and Gordon Davidson's staging of
43:This article has multiple issues.
1330:
681:In 1947, Irving married actress
149:. Please discuss further on the
128:
94:guide to writing better articles
73:
32:
857:Atkinson, Brooks (1958-08-06).
319:
51:or discuss these issues on the
1395:Male actors from New York City
1346:Actor's Workshop official site
669:in 1979 on a vacation trip to
455:San Francisco State University
366:San Francisco Actor's Workshop
1:
1338:San Francisco Bay Area portal
580:American Conservatory Theater
1400:Jewish American male actors
1436:
1415:20th-century American Jews
1385:American male stage actors
1380:American male child actors
929:The San Francisco Examiner
18:
1133:Pace, Eric (1979-07-31).
565:Lincoln Center, 1965–1972
463:Marines' Memorial Theater
208:
1103:San Francisco Chronicle
19:Not to be confused with
1116:San Francisco Chronicle
1051:Amistad Research Center
986:Fowler, Ch XIII, p. 342
907:New York Herald Tribune
374:Vivian Beaumont Theater
88:used on Knowledge (XXG)
1229:League, The Broadway.
593:Caucasian Chalk Circle
92:See Knowledge (XXG)'s
635:Retirement, 1972–1979
554:Free Southern Theater
147:neutral point of view
1292:, November 10, 1972.
1273:, November 12, 1972.
950:, February 21, 1965.
824:, February 28, 1957.
809:Death of a Salesman,
215:Jules "Buddy" Irving
998:"TCRecord: Article"
527:The Glass Menagerie
488:Death of a Salesman
412:Battle of the Bulge
397:Stanford University
393:New York University
276:Stanford University
272:New York University
1289:The New York Times
1270:The New York Times
1139:The New York Times
996:Rennick, Michael.
947:The New York Times
905:... At the York",
889:The New York Times
867:The New York Times
798:, December 8, 1954
727:2013-06-01 at the
655:Rich Man, Poor Man
541:offered its hand.
505:San Quentin prison
909:, August 6, 1958.
903:Waiting For Godot
892:, August 6, 1958.
822:Waiting for Godot
811:February 26, 1954
683:Priscilla Pointer
558:Waiting for Godot
497:Waiting for Godot
451:Priscilla Pointer
436:Divisadero Street
404:George S. Kaufman
355:
354:
311:Priscilla Pointer
197:
196:
189:
179:
178:
171:
142:with its subject.
122:
121:
114:
86:encyclopedic tone
66:
1427:
1340:
1335:
1334:
1333:
1317:
1316:
1314:
1313:
1299:
1293:
1280:
1274:
1261:
1255:
1251:
1245:
1244:
1242:
1241:
1226:
1220:
1219:
1213:
1205:
1203:
1202:
1196:
1190:. Archived from
1189:
1181:
1175:
1172:
1166:
1163:
1157:
1156:
1154:
1153:
1130:
1119:
1118:, July 29, 1966.
1112:
1106:
1099:
1093:
1090:
1084:
1081:
1075:
1072:
1066:
1065:
1063:
1062:
1053:. Archived from
1043:
1037:
1034:
1028:
1024:
1018:
1012:
1006:
1005:
1002:www.tcrecord.org
993:
987:
984:
978:
977:
975:
974:
965:
957:
951:
938:
932:
925:
919:
916:
910:
901:Gleason, Gene, "
899:
893:
884:
878:
877:
875:
874:
863:
854:
848:
831:
825:
818:
812:
805:
799:
792:
786:
783:
777:
774:
768:
765:
759:
756:
750:
747:
741:
738:
732:
715:
652:and the series,
606:The Little Foxes
408:The American Way
323:
321:
255:
243:
234:
232:
213:
199:
192:
185:
174:
167:
163:
160:
154:
140:close connection
132:
131:
124:
117:
110:
106:
103:
97:
96:for suggestions.
77:
76:
69:
58:
36:
35:
28:
1435:
1434:
1430:
1429:
1428:
1426:
1425:
1424:
1360:
1359:
1336:
1331:
1329:
1326:
1321:
1320:
1311:
1309:
1301:
1300:
1296:
1282:Barnes, Clive,
1281:
1277:
1262:
1258:
1252:
1248:
1239:
1237:
1228:
1227:
1223:
1206:
1200:
1198:
1194:
1187:
1185:"Archived copy"
1183:
1182:
1178:
1173:
1169:
1164:
1160:
1151:
1149:
1132:
1131:
1122:
1113:
1109:
1100:
1096:
1091:
1087:
1082:
1078:
1073:
1069:
1060:
1058:
1045:
1044:
1040:
1035:
1031:
1025:
1021:
1013:
1009:
995:
994:
990:
985:
981:
972:
970:
963:
959:
958:
954:
939:
935:
926:
922:
917:
913:
900:
896:
885:
881:
872:
870:
861:
856:
855:
851:
842:
832:
828:
819:
815:
806:
802:
793:
789:
784:
780:
775:
771:
766:
762:
757:
753:
748:
744:
739:
735:
729:Wayback Machine
717:Fowler, Keith,
716:
712:
707:
679:
648:, and directed
637:
601:Lillian Hellman
587:Danton's Death,
567:
550:Ford Foundation
539:Ford Foundation
519:The Entertainer
428:
351:(granddaughter)
325:
322: 1947)
317:
313:
300:
274:
268:Alma mater
263:
257:
253:
244:
238:
236:
230:
228:
227:
226:
216:
204:
193:
182:
181:
180:
175:
164:
158:
155:
144:
133:
129:
118:
107:
101:
98:
91:
82:This article's
78:
74:
37:
33:
24:
17:
12:
11:
5:
1433:
1431:
1423:
1422:
1417:
1412:
1407:
1402:
1397:
1392:
1387:
1382:
1377:
1372:
1362:
1361:
1358:
1357:
1348:
1342:
1341:
1325:
1324:External links
1322:
1319:
1318:
1294:
1275:
1263:Kerr, Walter,
1256:
1246:
1221:
1176:
1174:Fowler, p. 800
1167:
1158:
1120:
1107:
1094:
1085:
1076:
1074:Fowler, p. 750
1067:
1038:
1036:Fowler, p. 341
1029:
1019:
1007:
988:
979:
952:
940:Harris, Mark,
933:
920:
918:Fowler, p. 273
911:
894:
879:
849:
845:Gadfly OnLine,
826:
813:
800:
796:S.F. Chronicle
787:
778:
776:Fowler, p. 160
769:
767:Fowler, 205ff.
760:
751:
749:Fowler, p. 820
742:
733:
709:
708:
706:
703:
699:Lincoln Center
695:Robert Symonds
678:
675:
636:
633:
572:Lincoln Center
566:
563:
427:
424:
378:Lincoln Center
362:Julius Israel;
353:
352:
346:
342:
341:
331:
327:
326:
315:
309:
308:
306:
302:
301:
299:
298:
295:
292:
289:
285:
283:
279:
278:
269:
265:
264:
258:
256:(aged 54)
250:
246:
245:
237:
235:April 13, 1925
224:
222:
218:
217:
214:
206:
205:
202:
195:
194:
177:
176:
136:
134:
127:
120:
119:
81:
79:
72:
67:
41:
40:
38:
31:
16:American actor
15:
13:
10:
9:
6:
4:
3:
2:
1432:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1403:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1367:
1365:
1356:
1352:
1349:
1347:
1344:
1343:
1339:
1328:
1323:
1308:
1304:
1298:
1295:
1291:
1290:
1285:
1279:
1276:
1272:
1271:
1266:
1260:
1257:
1250:
1247:
1236:
1232:
1225:
1222:
1217:
1211:
1197:on 2013-11-09
1193:
1186:
1180:
1177:
1171:
1168:
1165:Fowler, 797ff
1162:
1159:
1148:
1144:
1140:
1136:
1129:
1127:
1125:
1121:
1117:
1111:
1108:
1104:
1098:
1095:
1089:
1086:
1080:
1077:
1071:
1068:
1057:on 2012-03-22
1056:
1052:
1048:
1042:
1039:
1033:
1030:
1023:
1020:
1016:
1011:
1008:
1003:
999:
992:
989:
983:
980:
969:
962:
956:
953:
949:
948:
943:
937:
934:
930:
924:
921:
915:
912:
908:
904:
898:
895:
891:
890:
883:
880:
869:
868:
860:
853:
850:
847:Sep-Oct 1999.
846:
840:
836:
830:
827:
823:
817:
814:
810:
804:
801:
797:
791:
788:
782:
779:
773:
770:
764:
761:
758:Fowler, p. 13
755:
752:
746:
743:
740:Fowler, p. 23
737:
734:
730:
726:
723:
721:
714:
711:
704:
702:
700:
696:
692:
688:
684:
677:Personal life
676:
674:
672:
668:
665:He died of a
663:
661:
657:
656:
651:
647:
643:
634:
632:
630:
626:
622:
618:
614:
613:
608:
607:
602:
597:
596:
594:
588:
583:
581:
577:
573:
564:
562:
559:
555:
551:
546:
542:
540:
536:
532:
531:The Caretaker
528:
524:
520:
515:
513:
508:
506:
501:
499:
498:
493:
492:Arthur Miller
489:
486:and Happy in
485:
484:
478:
475:
474:Group Theatre
470:
468:
464:
458:
456:
452:
447:
445:
444:United States
441:
440:San Francisco
437:
433:
423:
421:
417:
413:
409:
405:
400:
398:
394:
390:
386:
381:
379:
375:
371:
370:New York City
367:
363:
359:
350:
349:Austin Irving
347:
343:
340:
336:
333:3, including
332:
328:
312:
307:
303:
296:
293:
290:
287:
286:
284:
280:
277:
273:
270:
266:
261:
252:July 28, 1979
251:
247:
241:
240:New York City
225:Julius Israel
223:
219:
212:
207:
200:
191:
188:
173:
170:
162:
152:
148:
143:
141:
135:
126:
125:
116:
113:
105:
95:
89:
87:
80:
71:
70:
65:
63:
56:
55:
50:
49:
44:
39:
30:
29:
26:
22:
21:Julius Erving
1351:Jules Irving
1310:. Retrieved
1306:
1297:
1287:
1278:
1268:
1259:
1249:
1238:. Retrieved
1234:
1224:
1199:. Retrieved
1192:the original
1179:
1170:
1161:
1150:. Retrieved
1138:
1115:
1110:
1102:
1097:
1088:
1079:
1070:
1059:. Retrieved
1055:the original
1041:
1032:
1022:
1010:
1001:
991:
982:
971:. Retrieved
967:
955:
945:
936:
928:
923:
914:
906:
897:
887:
882:
871:. Retrieved
865:
852:
844:
835:Rick Cluchey
829:
821:
816:
808:
803:
795:
790:
781:
772:
763:
754:
745:
736:
719:
713:
689:and actress
687:David Irving
680:
671:Reno, Nevada
667:heart attack
664:
659:
653:
650:Loose Change
649:
646:Dark Victory
645:
638:
628:
616:
610:
604:
598:
591:
586:
584:
576:William Ball
568:
557:
547:
543:
530:
526:
522:
518:
516:
509:
502:
495:
487:
483:The Crucible
481:
479:
471:
466:
459:
448:
429:
420:Joshua Logan
407:
401:
389:Herbert Blau
385:Off-Broadway
382:
361:
358:Jules Irving
357:
356:
260:Reno, Nevada
254:(1979-07-28)
203:Jules Irving
183:
165:
156:
137:
108:
99:
83:
59:
52:
46:
45:Please help
42:
25:
1375:1979 deaths
1370:1925 births
673:, aged 54.
625:Maxim Gorky
535:Mark Harris
523:Misalliance
434:academy on
282:Occupations
1364:Categories
1312:2017-06-23
1240:2017-06-23
1201:2012-03-04
1152:2022-03-08
1061:2012-03-10
973:2017-06-23
873:2012-03-10
705:References
691:Amy Irving
642:Amy Irving
621:Ellis Rabb
231:1925-04-13
159:March 2021
48:improve it
1147:0362-4331
345:Relatives
151:talk page
102:June 2017
54:talk page
1307:IMDb.com
1235:Ibdb.com
1210:cite web
839:The Cage
725:Archived
467:de facto
330:Children
297:producer
294:educator
291:director
660:Enemies
629:Enemies
512:Belgium
416:V-E Day
324:
316:
1265:REVIEW
1145:
1027:life."
968:Sc.edu
722:(1969)
617:Lovers
529:, and
360:(born
305:Spouse
262:, U.S.
242:, U.S.
1195:(PDF)
1188:(PDF)
964:(PDF)
862:(PDF)
335:David
318:(
314:
288:Actor
1355:IMDb
1216:link
1143:ISSN
432:judo
337:and
249:Died
221:Born
1353:at
627:'s
603:'s
578:'s
438:in
406:'s
376:of
339:Amy
1366::
1305:.
1286:,
1267:,
1233:.
1212:}}
1208:{{
1141:.
1137:.
1123:^
1049:.
1000:.
966:.
944:,
864:.
837:,
701:.
662:.
525:,
521:,
446:.
422:.
380:.
320:m.
57:.
1315:.
1243:.
1218:)
1204:.
1155:.
1064:.
1004:.
976:.
876:.
595:.
233:)
229:(
190:)
184:(
172:)
166:(
161:)
157:(
153:.
115:)
109:(
104:)
100:(
90:.
64:)
60:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
