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In addition, Julius
Bittner became one of the best-known and most performed Austrian opera composers in the first half of the 20th century. Many of his operas deal with Austrian-Alpine themes. He usually wrote his own libretti. After the
88:, he assessed Mahler's estate for probate after his death. He later won the Mahler Prize in 1915. He composed many operas, two symphonies and many songs and was helped and promoted by Mahler and
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which was a cornerstone of the
Austrian choral tradition until World War II. He also composed numerous operettas and three ballets, and assisted his friend
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in 1925. In 1964, the archive containing almost all of his works (autograph sketches, text books, scores and piano reductions) was taken over by the
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Waltraud Zauner. "Studien zu den musikalischen BĂĽhnenwerken von Julius
Bittner: mit Beiträgen zur Lebensgeschichte des Komponisten". Dissertation,
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Waltraud Zauner. "'Meine tiefe und aufrichtige
Verehrung fĂĽr Ihre Person und Ihr Werk': Briefe an Julius Bittner".
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Julius
Bittner also composed two symphonies, two symphonic poems and a work for two pianos and orchestra entitled
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and wrote music criticism for it and other newspapers. He was so influential that he was able to arrange
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173:(premièred by Bruno Walter at the Imperial Royal Court Opera, Vienna – today the Vienna State Opera)
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The son of a judge, Bittner also initially pursued a career in law. Until 1920 he was a judge in
229:(Austrian Dances). He wrote incidental music to plays by Shakespeare, and for popular plays by
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465:. "Julius Bittner: 'Die rote Gred', 'Der Musikant', 'Der Bergsee', 'Das höllisch Gold'". In
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154:(premièred by conductor Ludwig Rottenberg on 26 October 1907 in Frankfurt am Main. The
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http://www.momh.org.uk/exhibitions-detail.php?cat_id=5&prod_id=338&iotm=1
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of the opera"; in importance he is comparable to his better known contemporary
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Emilie Werner. As a leading member of Vienna's judiciary and close friend of
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479:. Ă–sterreichische Komponisten des 20. Jahrhunderts 13. Vienna: Lafite, 1968.
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255:(premièred in Vienna on 30 October 1930), which became known in English as
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He received numerous awards and honors and became a member of the
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459:. Zeitgenössische Komponisten 10. Munich: Drei Masken, 1921.
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at the
Imperial Royal Court Opera, Vienna – today the
34:, 9 April 1874; died Vienna, 9 January 1939) was an
344:Österreichisches Biographisches Lexikon 1815–1950
420:The New Grove Dictionary of Music and Musicians
108:'s release from active military service in the
245:in the creation of the most successful of the
469:. Leipzig: Leonhardt, 1921. pp. 196–223.
394:Journal of the American Musicological Society
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396:Vol. 18, No. 2 (Summer, 1965), pp. 207-218
409:Levi, Erik (2001). "Bittner, Julius". In
390:"The Lied in 19th-Century Concert Life"
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577:Burials at the Vienna Central Cemetery
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92:. He was also a close friend of
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477:Julius Bittner. Eine Studie
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186:(his most successful work)
51:Wolkersdorf im Weinviertel
547:Austrian opera composers
423:(2nd ed.). London:
366:Neue Deutsche Biographie
289:for music and Literature
130:Bittner is buried in an
117:Prussian Academy of Arts
515:German National Library
398:(subscription required)
347:volume 1 (1955), p. 89
243:Erich Wolfgang Korngold
158:premiere, conducted by
94:Erich Wolfgang Korngold
239:Great Mass and Te Deum
138:(Group 32C, Plot 15).
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23:Julius Bittner in 1911
557:Composers from Vienna
369:volume 2 (1955), pp.
227:Ă–sterreichische Tanze
146:Operas (selection):
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484:University of Vienna
425:Macmillan Publishers
287:Austrian State Prize
572:Lawyers from Vienna
388:Kravitt, Edward F.
272:Gustav Mahler Prize
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500:44.2 (1989) 70–80.
493:35 (1984) 131–184.
316:Ă–sterreich-Lexikon
191:Der liebe Augustin
164:Vienna State Opera
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208:Das Rosengärtlein
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294:References
193:(Viennese
102:Der Merker
214:Mondnacht
195:singspiel
417:(eds.).
156:Viennese
39:composer
36:Austrian
513:in the
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265:Awards
121:Berlin
32:Vienna
30:(born
351:(pdf)
320:AEIOU
285:1937
276:1918
270:1915
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