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During the 1825–1826 season, she worked not only the prima ballerina, she was also director of the ballet troupe as well as head of the ballet school. Her last ballet performance was
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at the Warsaw
National Theatre. During the 1817 season, she studied ballet from Fortunato Bernardelli and then she performed in his productions. Her next teacher was Louis Thierry.
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Ballet, and a choreographer and teacher. She also studied acting at the Warsaw Drama School under the supervision of
Bonawentura Kudlicz and dance under Gaetano Petinetti.
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144:(she performed the role of Columbine, choreography by F. Bernardelli, music by NN, National Theatre, 1825) and developed the ballet
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91:(1801 – 1831), was a well-known Polish prima ballerina, choreographer, actor and educator. She appeared with the ballet at the
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In 1825, Mierzyńska composed
Turkish dances, national dances and a Tyrolean play and about 10 short performances. Her solo
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and L. Thierry, music by K. Kurpiński, J. Damse, National
Theatre, 1823). She revived the ballet
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Her first stage performance took place on 2 July 1816 in the role of Love in the ballet
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146:Święto harwa, czyli Sęstoć Ceres (Harvest Festival, or Ceres' Celebration)
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In 1826, she married a
Russian army captain, Grzegorz Nienatkiewicz.
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arrangement, which was included in "Wesele w
Ojcowie," was notable.
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Słownik
Biograficzny Teatru Polskiego 1765–1965, PWN Warszawa 1973
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As an actress, she performed in "boyish and sous-de-lis roles."
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Polish ballet dancer, choreographer, actor (1801–1831)
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134:Wesele krakowskie w Ojcowie
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93:National Theatre, Warsaw
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95:between 1815 and 1826.
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82:Grzegorz Nienatkiewicz
301:Polish choreographers
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142:Frantostwa Arlekina
198:"Julia Mierzyńska"
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175:References
99:Biography
138:M. Pion
105:Vilnius
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109:Warsaw
79:Spouse
58:Polish
49:Warsaw
126:mazur
43:Died
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