653:, a solo exhibition that marked the developments in Juliana's artistic practice since 1991. Receiving her cervical cancer diagnosis just two months prior, Juliana staged the exhibition while undergoing daily chemotherapy sessions at the time. Curated by Australian artist, longtime friend, and frequent collaborator Karee Dahl, the exhibition spanned three rooms and emphasised Juliana's use of veils, cloaks, and masks across her practice, also featuring a video library of Juliana's documented past performances.
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480:. For the show, Juliana faxed copies of a photograph of herself to 16 artists based both locally and overseas, with instructions for them to alter her portrait. The original photograph featured Juliana wearing a traditional Sumatran Minangkabau headgear, shaped like a pair of water buffalo horns. The over 35 images of her face would feature in the exhibition, some covered in
745:
Collaboration was a significant aspect of
Juliana's practice, whether with other artists, collectives, or communities, she described herself as being better able to "push boundaries" when working with others. This would manifest in her many collaborations with other artists and with collectives and
725:
Juliana came from a background in painting, having done many portraits in particular. Juliana began to see herself as a subject, bringing the human face into her work and distorting it, fond of the idea of being able to convey a face by concealing it. This notion of concealment carries through in
333:
Following her co-curation of the first
Jatiwangi Art Festival in 2006, Juliana would find a "second home" in Jatiwangi, West Java, Indonesia, returning to the semi-industrialised village several times over the years and continuing to organise some of her projects there.
385:
Throughout her artistic career, Juliana participated in over 60 exhibitions locally and internationally, in countries such as
Australia, Germany, Ireland and Poland. From the 1990s onwards, she was an active member of significant contemporary
630:-based curator Heru Hikayat, in collaboration with Jatiwangi art Factory director Arief Yudi. The success of the first iteration in 2006 led the organisers to organise the second iteration of the Jatiwangi Art Festival in 2008. A community
417:, which explored the interconnections between exhibition site, objects, and the bodies of women. In their attempt to break from stereotypes, their performance envisioned an ironic outcome, with Heng parodying the stance of the
687:. Music Project with Juliana Yasin (Singapore), Dean Linguey (Australia), Mukti mukti, Tedi En, Beben Nurberi, @ Jatiwangi art Factory residency program, October - November 2009. Recorded in Pohaci Studio by Ibrahim Adi Surya.
634:
involving residencies for local and foreign artists to organise events with villagers in
Jatisutera, West Java, Indonesia, it continued as a bi-annual art festival that sought to address social issues faced by the community.
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562:(MUIS) further lodging a complaint against the event organisers. Juliana responded to media attention by explaining her desire to question narrow definitions of Muslim female identity. In an interview with
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352:
In
February 2014, she would have to undergo intensive surgery following a relapse of the disease, which had spread to other organs. By March 2014, the local art community had rallied together for
754:, and with communities in Jatiwangi. Australian artists Karee Dahl and Colin G Reaney are noted frequent collaborators of Juliana, performing alongside her at previous projects such as
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to indicate a woman's chastity and status as her husband's property. She held a placard in her hands that read: "The
Subjugation of Women is a Worn-Out Habit in Saudi Arabia". While
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following treatment. Juliana continued to practice art while receiving treatment, checking herself into hospital every day for chemotherapy while preparing for her solo show held at
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Juliana's relationship with religion developed over the years. Her parents have been suggested to be conservative, with
Juliana mentioning in a 1992 article in
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Sabapathy, T.K. (2018). "Trimurti: Contemporary Art in
Singapore (1993)". In Mashadi, Ahmad; Lingham, Susie; Schoppert, Peter; Toh, Joyce (eds.).
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PKW would continue to serve as a significant platform in
Juliana's artistic career, with her being involved in festivals and exhibitions such as
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later works which feature masks, veils, and cloaks. While her identity as a Muslim woman artist would lead her to draw upon issues of the
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In 2019, a selection of music and lyrics from
Juliana's projects at Jatiwangi from 2009 to 2010 would be posthumously exhibited at the
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Juliana was born in 1970 to a Chinese mother and a Malay father, both of Muslim faith. From 1989 to 1990, Juliana was a student at the
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as its starting point. For the performance, she cloaked herself in black and hid her face behind masks traditionally worn in areas of
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at Jatiwangi art Factory, and in 2010 would perform with her collaborators from Jatiwangi at the 6th Future of Imagination festival.
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258:(PKW). Juliana also co-curated the first iteration of the community-based Jatiwangi Art Festival in 2006, later taking Jatiwangi in
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Jatiwangi would play an important role in Juliana's personal life and artistic practice; in 2009 she would hold a solo show,
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in Singaporean society through her practice since the 1990s. She was an active member of significant contemporary
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Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia & Southeast Asia 1973-2015
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at the now-demolished Hong Bee Warehouse. Later in September 1992, Juliana would exhibit work alongside Chen for
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Juliana is notable as "one of the early voices of Malay women contemporary artists", exploring the position of
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as a teenager, only to stop during her university years in Australia; she also embarked on pilgrimages to
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1386:"Situation: Collaborations, collectives & artist networks from Sydney, Singapore & Berlin"
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Situation: Collaborations, Collectives & Artist Networks from Sydney, Singapore & Berlin
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by Juliana Yasin, Karee Dahl, and Rosemary Lakerink at the CP Biennale 2003 (archived link
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from Juliana's solo exhibition in Jatiwangi in 2009 was presented with another 2010 album,
742:(2003), Juliana would state that she did not see herself as representing minority groups.
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in 2001, with it travelling to Indonesia and Australia in 2003 and 2005, respectively.
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that she would "have to lock self in bedroom to paint nude self-portraits." She wore
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372:. Juliana would succumb to cancer on 27 August 2014, passing away at the age of 44.
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Following Juliana's death in 2014, a selection of performance art photographs by
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In 2006, Juliana co-curated the first iteration of the Jatiwangi Art Festival in
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further complemented her artistic practice, with Juliana having taught
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In 2003, Juliana was the only female artist to show work for
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or pink lace, and some hung like a toilet roll on the wall.
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For Peace and Togetherness: Tantejules dan Pemuda Inisiatif
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In 1991, for the National Sculpture Exhibition at the then-
717:"promoting and celebrating peace, love, and solidarity".
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In 1999, Juliana would hold her first solo exhibition at
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In October 2007, Juliana was diagnosed with stage three
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in 1996, Juliana would work as a fine arts lecturer at
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doesn’t say you have to veil. That’s a man-made law."
1048:"Late artist stood out for tackling sensitive issues"
770:
de Singapour, Singapore in 2003, the CP Open Biennale
1296:. Singapore: Singapore Art Museum. pp. 86–87.
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495:, Singapore in 1999 and 2000 respectively, and the
231:and worked as a Singapore-based researcher for the
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594:Juliana participated in the 2005 group exhibition
819:"S'pore artist Juliana Yasin succumbs to cancer"
558:criticised the work's stance on Islam, with the
269:On 27 August 2014, following a long battle with
37:, and the person should be referred to by their
1501:Arts Community Research: Jatiwangi Art Festival
518:a four-day Malay theatre and arts festival at
1355:"'The Veil' ketengahkan isu pemakaian tudung"
931:Jamil, Nurhaizatul Jamila (6 November 2014).
8:
1479:Juliana Yasin at the Singapore Biennale 2019
1119:"Jatiwangi Artist in Residency Festival #1"
16:Singaporean contemporary artist and curator
568:, she would state: "I’m a Muslim, but the
301:from the Curtin University of Technology,
58:
47:
1450:Objectifs Centre for Photography and Film
1014:"Islam in Asia: Muslim Mind, Female Body"
662:Objectifs Centre for Photography and Film
349:just two months later in December 2007.
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1012:Wilkinson, Genevieve (10 March 2003).
670:
560:Islamic Religious Council of Singapore
429:a significant exhibition organised by
297:). In 1996, she proceeded to obtain a
1556:Singaporean people of Chinese descent
1390:Museum of Contemporary Art, Australia
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1416:"We Was: Selected Program 2006–2018"
1329:Biotechnics (Singapore Art Archives)
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1561:Singaporean people of Malay descent
497:Flag Project; PKW's 4th Annual Show
1536:LASALLE College of the Arts alumni
1187:Pandian, Hannah (21 August 1992).
1153:"COMMUNITY ART and collaborations"
1151:Yasin, Juliana (14 October 2008).
1080:"The Artists Village Chronology".
660:would be exhibited in 2016 at the
405:, Juliana would perform alongside
14:
1456:from the original on 23 June 2020
1426:from the original on 22 June 2020
1396:from the original on 23 June 2020
1335:from the original on 23 June 2020
1232:Cheong, June (13 December 2007).
1129:from the original on 18 June 2020
1058:from the original on 13 June 2020
1024:from the original on 13 June 2020
943:from the original on 13 June 2020
875:from the original on 14 June 2020
425:alongside Ho and Chen Kun Yi for
1551:Singaporean installation artists
1096:from the original on 7 June 2020
1083:The Artists Village: 20 Years On
1046:Ting, Lisabel (30 August 2014).
679:
647:Kites, Veils and Boarding Passes
199:. Her works examined notions of
1566:Singaporean performance artists
1531:Deaths from cancer in Singapore
1263:Ting, Lisabel (22 March 2014).
817:Martin, Mayo (27 August 2014).
779:Artists Investigating Monuments
697:, curated by artistic director
450:Curtin University of Technology
381:Early career and collaborations
295:Central Institute of Technology
129:Curtin University of Technology
685:Tali Timba album on Soundcloud
1:
981:"Defaced for the sake of art"
979:Chin, Francis (19 May 1999).
503:in conjunction with the 2002
413:for Heng's performance work,
172:(1970–27 August 2014) was a
1189:"Women artists on the edge"
1157:Jatiwangi Art Festival 2008
403:National Museum Art Gallery
283:LASALLE College of the Arts
277:Education and personal life
113:LASALLE College of the Arts
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1576:Singaporean women painters
1265:"Fighting cancer with art"
20:
1571:Singaporean women artists
678:
121:TAFE Claremont Art School
109:Certificate of Foundation
57:
1541:Singaporean art curators
863:Flores, Patrick (2019).
546:was shown in Singapore,
468:Continued collaborations
415:Woman, Space and Objects
273:, Juliana died aged 44.
84:27 August 2014 (aged 44)
869:Singapore Biennale 2019
752:Plastique Kinetic Worms
651:Plastique Kinetic Worms
474:Plastique Kinetic Worms
396:Plastique Kinetic Worms
358:Plastique Kinetic Worms
347:Plastique Kinetic Worms
299:Bachelor of Visual Arts
256:Plastique Kinetic Worms
183:whose practice spanned
1490:Covered, Veiled, Bound
1234:"Art on wing'd flight"
740:Covered, Veiled, Bound
695:6th Singapore Biennale
526:, Juliana would stage
448:After graduating from
266:as her "second home".
27:surname or family name
1420:Jatiwangi Art Factory
1123:Jatiwangi Art Factory
764:The houseWORK Project
762:, Hong Kong in 2001,
390:in Singapore such as
250:in Singapore such as
489:The Worms Festival I
1546:Singaporean artists
777:in 2003, and TAV's
748:The Artists Village
618:Jatiwangi and after
604:The Artists Village
445:exhibition series.
431:The Artists Village
392:The Artists Village
252:The Artists Village
209:community practices
177:contemporary artist
117:Diploma in Fine Art
781:series in 2004/5.
768:Alliance Française
701:. The music album
645:In December 2007,
458:Kolej Bandar Utama
354:Artists for Artist
341:, which went into
225:Kolej Bandar Utama
1269:The Straits Times
1238:The Straits Times
1193:The Straits Times
985:The Straits Times
734:in works such as
699:Patrick D. Flores
691:
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649:would be held at
499:in Singapore and
419:Statue of Liberty
315:The Straits Times
307:Curtin University
287:Western Australia
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1446:"Two-Way Mirror"
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1159:. Archived from
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1361:. 17 March 2001
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1325:"Juliana Yasin"
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933:"Juliana Yasin"
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865:"Juliana Yasin"
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746:groups such as
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524:Teater Ekamatra
509:Fusion Strength
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339:cervical cancer
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