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her mother-in-law that
Schwellenberg would be given no special privileges, in order to prevent Schwellenberg from being sent home to Germany. Despite this, in practice Schwellenberg promoted or refused supplicants access to the queen and as such had great influence over who would be given the queen's patronage, and it was noted that she received supplicants for tea in her rooms. One of those to whom she gave her – and the queen's – patronage was the artist
30:. She was a well known and prominent profile within the British royal court, where she took a dominant position; von Schwellenberg was a favourite and confidant of Queen Charlotte, and handled access between the Queen and various supplicants, which gave her an important influence. She is frequently mentioned in contemporary satires, songs, memoirs, diaries and other writings, such as those of her colleague
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Juliane von
Schwellenberg, alongside Johanna Hagedorn, was selected to accompany Charlotte from Mecklenburg-Strelitz to her wedding in Great Britain in 1761. In the British royal household, she was given the shared office (with Hagedorn) as "keeper of the robes" with responsibility for the queen's
46:
She was the intimate confidante of the queen and as such wielded immense influence within the royal court. She initially demanded that any supplicant of the queen seek her permission before being admitted. This caused a conflict at court, and the queen was eventually forced to promise the king and
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58:. Schwellenberg mistreated and looked down upon Burney due to her work as a novelist, and when Burney's failing health forced her to retire in 1790, Schwellenberg joined the queen's efforts to prevent her retirement.
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Tolley, Thomas: "Divorce a la mode: The
Schwellenberg affair and Haydn's engagement with English caricature,
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Imhoff
Indienfahrer: ein Reisebericht aus dem 18. Jahrhundert in Briefen und Bilden
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In 1785, Johanna
Hagedorn, whom she shared her office with, was replaced by
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Emigrants from the Holy Roman Empire to the
Kingdom of Great Britain
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Music in Art: International
Journal for Music Iconography
16:Maid of Queen Charlotte of Mecklenburg-Strelitz
174:Household of Charlotte of Mecklenburg-Strelitz
26:, was a bedchamber woman of the British queen
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128:The Diary and Letters of Madame D'Arblay
88:The Diary and Letters of Madame D'Arblay
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164:British and English royal favourites
51:, whom she introduced to the queen.
20:Juliane Elisabeth von Schwellenberg
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28:Charlotte of Mecklenburg-Strelitz
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22:(1728–1797), also known as
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122:XLII/1-2 (2017), 273–307.
169:British domestic workers
113:The Good Queen Charlotte
76:The Good Queen Charlotte
43:wardrobe and dressing.
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138:Categories
97:References
62:Footnotes
159:Maids
38:Life
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